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      • 석조문화재 에폭시수지 개발 시험 연구

        김사덕,김순관,김창석,홍정기,강대일,이명희,Kim, Sa-Dug,Kim, Soon-Kwan,Kim, Chang-Suk,Hong, Jung-Ki,Kang, Dai-Il,Lee, Myong-Hee 국립문화재연구소 1999 保存科學硏究 Vol.20 No.-

        We tested to obtain the excellent Epoxy resins on the property of matter. Existing Epoxy resins is tested to regulate the viscosity, color and hardening time etc. Benzen-ring structure of Bisphenol A type (AY 103) is replaced by Hydrogenated B.P.A type. And hardener is replaced by Polyoxyalkylene Amine. So we are developed into the two resins(L-30, L-40).To know if this Epoxy resins was fitted to repairing and restoration of stone cultural properties. Three kinds of Epoxy resins (AY 103, L-30, L-40) are tested on the artificial weathering test, freezing-melting test, exposure test etc. As a result of test, L-30 is less the discoloration than that of other Epoxy resins and was superior to the excellent property of matter.

      • 목조문화재 파손요인에 관한 연구-마곡사 심검당, 김주태 가옥

        김사덕,이용희,윤희상,Kim, Sa-Dug,Lee, Young-Hee,Yoon, Hee-Sang 국립문화재연구소 1994 保存科學硏究 Vol.15 No.-

        Traditional architecture has structural limits after some terms because it almost made by wood elements. So in the name of 'Restoration', by anatural process, repair works are accomplished. But the repair works of traditional buildings have some problems in spite of best men power and technology. To overcome this problems, we need more detailed studies for examine the reasons of destruction in elements of wooden buildings. The life limits of wooden buildings are caused by natural circumstances and humanic circumstances, the former has bad effect on the damage in wooden buildings. There are various elements of damage in the wooden buildings, earthquake, the falling of a thunderbolt, fire, and rain, microorganism, insect, and so on. Moreover pollutions-sulfurous acid gas, acidorganic matters -are important reason of shortening the life of wooden buildings. From 1981 till now we investigated important traditional buildings under repair works by the way scientific analysis to catch the sample - seramics, woods, insects, metals, etc. In this reports we suggest various method of investigation with two samples of tradional house made by wood, one is Kim Joo Tea House, the order is Simgum-dang of Magok-Sa(dwelling of monk).

      • 경천사 10층 석탑 구열 및 파손부위 보존처리에 대한 연구

        김사덕,김병호,김창석,Kim, Sa-Dug,Kim, Byoung-Ho,Kim, Chang-Suk 국립문화재연구소 1996 保存科學硏究 Vol.17 No.-

        In this research, many effects were examined by testing of adhesive intensity and accelerated weathering with synthetic resins for the conservation treatment of cracks and damaged parts of Kyound Chun-Sa10-story Pagodas, the National Treasure No. 86.It was tested with two kinds of Epoxy resins, Acrylic, Silicone resin, and five kinds of Acetics vinyl resins, and then which was ensured a successful result with Epoxy resins. According to these consequences, they are determined to treat damaged parts with Epoxy resin.

      • 봉화 북지리 마애여래좌상의 과학적 보존처리

        김사덕,최준현,Kim, Sa-dug,Choi, Joon-Hyun 국립문화재연구소 2013 保存科學硏究 Vol.34 No.-

        봉화 북지리 마애여래좌상은 거대석불로 중립질의 복운모화강암으로 구성되어 있다. 불상에 대한 비파괴 정밀진단 결과, 표면박리 박락, 입상분해 등 다양한 표면손상이 확인되며 물성 또한 취약한 것으로 확인되었다. 또한 사면안정성 평가 결과 전도파괴, 평면 및 쐐기파괴 등의 가능성 제기되었다. 따라서 과학적 보존처리를 통해 암석 물성 강화와 구조적 안정성을 회복시켰으며 기존 보호각이 통풍이 원활치 못한 점과 누수문제 등이 확인되어 이를 보완할 수 있는 보호각으로 개축하였다. Bukjiri Seated Rock-carved Buddha of Bonghwa is a rock carved Buddhist Statues on the Two-Mica Granite with mid-size grains. The non-destructive diagnosis on the statues showed that their surfaces had been damaged by exfoliation or granular decomposition and their physical properties are also found to be weak. In addition, the evaluation of slope stability showed that there are the possibility of toppling failure, or planar and wedge failure. So, we have recovered the physical strength and structural stability of rock using the scientific conservation treatment. We also founded that the existing shelter was damaged by the poor ventilation and water leakage. So we constructed it in a way that there is no water leakage while the ventilation is good.

      • 봉정사 극락전 벽화조사 (I)

        김사덕,이은희,엄두성,조남철,Kim, Sa-Dug,Yi, Un-Hu,Eom, Doo-Sung,Jo, NamCheol 국립문화재연구소 1999 保存科學硏究 Vol.20 No.-

        In 1972, the mural painting of Kuknakjon, which is National Treasure No. 15, at Pongjongsa was taken to pieces. From 1999. 9. 8 to 1999. 9. 15,we were precisely investigated with infrared vidicon television, video camera and so forth. The result of investigation shows that contents of the mural painting consisted of paintings of flowers and birds, paintings of Taoist hermits with supernatural powers and old historic figure paintings (In the investigated mural paintings, there were paintings about pheasant or magpie on splendid peony, figures such as Lee tae baek(이태백) and Baek lakchon(백악천) known as old chinese poets, Chang yang(장량) and Hwangsok kong(황석공) known as old historic figures and Paebok(백복), and Choksongja(적송자) known as Taoist hermits.)It is noted that the mural painting was under the influence of the later Choson culture included Taoistic and folk artistic than buddhistic contents such as painting of Bodhisattva, Arhat and apsara. Later, each mural painting will be more investigated in respect of Buddhism art historic value, and we'll make conservative treatment plan based on its result.

      • 연곡사 북부도.동부도 긴급보존처리 및 원형복원

        김사덕,신은정,이주완,위광철,양희제,Kim, Sa-Dug,Shin, Eun-Jeong,Lee, Ju-Wan,Wi, Gwang-Chel,Yang, Hee-Jae 국립문화재연구소 2002 保存科學硏究 Vol.23 No.-

        North monk-stupa and East monk-stupa , which are placed in Yeongoksa, are delicately sculptured and historically valued so they have been determined as National Treasures. It is assumed that North monk-stupa was made in early Goryeo Dynasty period. Parts of it were damaged by grave robbery in 2001. So restoration was begun in 2001. While restoring it, wrong arrangement on top of the monkstupa was rearranged. Top of East monk-stupa was also arranged in a wrong way so it was restored to its original form. Because each part of top of the monk-stupa was adhered with epoxy resin, it was separated by using thin saw. After being arranged in right order, the middle of monk-stupa was fixed by setting up stainless steel shaft. Anda of North monk-stupa, concerned about being damaged by crack, was adhered with epoxy resin.

      • 납(Pb)도금(동개와)의 부식 연구

        김사덕,Kim, Sa-Dug 국립문화재연구소 1994 保存科學硏究 Vol.15 No.-

        To protect corrosion of bronze roofing tile for Choson Royal Historic Museum, lead coating on tile was performed by electroplating method with thickness of $35\mum$. Lead coated tile samples were inverstigated what corrosion products were formed with color changes on them by testing Accelerated Weathering. No sulfides were formed on samples contacting with 300ppm sulfur dioxide and any color changes were not found. In Accelerated Weathering test, White hydrocerussite, basic lead carbonate($2PbCO_3Pb(OH)_2$) having protective structure made of compact adhering crystals.

      • 양록단청 대체안료 개발 연구

        김사덕,김순관,홍정기,강대일,이명희,Kim, Sa-Dug,Kim, Soon-Kwan,Hong, Jung-Ki,Kang, Da-Il,Lee, Myong-Hee 국립문화재연구소 1999 保存科學硏究 Vol.20 No.-

        Among pigment used at work of Dan-Chung, Emerald Green is specific illuminating fluorescent light of green. It is very difficult to change other organic or inorganic pigment. All of the internal high class pigment has rare light. But Emerald Green is superior to fresh color and stability out of industrial chemical products. It forms over 50% of quantity and importance of a pattern painting. Emerald Green prohibited to produce because of its toxicpollutants, so required to changing pigment development. It is characterized to excellent color, convenient work, economical, against-sunlight, against-air pollutant and durability. The result of a test is follows; 1. We are investigated into producing internal natural Emerald Green, import external pigment and industrial synthesis method etc. but unable to buy because of its toxic pollutant. 2. We are made six samples by yellowish and green is hpigment mixing. We tested on against sunlight and air pollutant. The best mixing ratio is follows. Titanium Dioxide R760 : 18g- Chalk, White Wash : 10g- Permanent Yellow : 7g- Cyanine Green : 8g- Chrome Yellow : 3g- Resin(Vehicle) : Acryl Emulsion(Styrene + 2-Ethyl HexylAcrylate + Methyl Meth Acrylate) 8%

      • 대리석 석탑 및 석탑과 유사재질에 대한 암석조사

        김사덕,이상헌,Kim, Sa-Dug,Lee, Sang-Hun 국립문화재연구소 1995 保存科學硏究 Vol.16 No.-

        For establishing the plan of scientific conservation on the Kyongch′onsa and site of Won-gaksa 10 floors pagodas, the investigation on the rocks consisting these pagodas has been made on the rock phase and weathering characteristics. The Kyongch′onsa pagoda consists of fine grained pale graylimestone containing abundant fossils of shell and fragments of organisms. The site of Won-gaksa pagoda is composed of marble of pale gray, white and/or light brown color, which is intercalated with thin mica schist. The marble, the recrystallized limestone, consists mainly of recrystallized calcite accompanied with minor amount of muscovite. Especially carbonate rocks are somewhat different in chemical weathering from such granitic rocks. The field survey and laboratory experiment using polarizing microscope had been done during 30 days from Feb, 13 to March, 31, 1995. The rocks equivalent to that of the site of Kyongch′onsa were identified from the Myobong limestone formation and taken samples around the road from P′yongch′ang to Mitan, P′yongch′ang-gun. The rocks similar to that of the site of Won-gaksa pagoda were distributed around Pan-un-ri, Chunch′on-myon, Yong-wol-gun. The rocks of the Silluksa pagoda consisting of white recrystallized limestone with banded structure are similar to the marble of the Hyangsan-riformation distributed around Suanbo, Ch′ungch′ongbuk-do.

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