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김건인,정동윤,박송구,이규섭,Kim Gun-In,Chung Dong-Yun,Park Song-Gu,Lee Gyu-Seop 한국군사과학기술학회 2004 한국군사과학기술학회지 Vol.7 No.2
The erosion wear of gun barrel occurs due to heat and chemical reactions. The high pressure and temperature in chamber increase the erosion wear. It is known that the metal phase transfer is the primary wear factor in a gun barrel under high temperature. In this paper, the tool of wear prediction in high pressure gun tube has been developed. The program developed has three modules such as DIRECT(interior ballistics analysis module), INVERSE(gun design module), and WEAR(wear prediction module). The prediction of wear was compared with the experimental data which was collected in the field unit. The prediction results shows good trend with the collected data.
김건식(Kim Gun-Sic) 동아대학교 법학연구소 2010 東亞法學 Vol.- No.48
본고는 상법상 회사분할에 따른 독점규제 및 공정거래법 위반의 과징금 납부책임 귀속관계에 관하여 새로운 입법론을 제시한다. 먼저 어느 회사가 공정거래법을 위반하였지만 과징금 부과 처분을 받지 않은 상태에서 상법상 회사분할에 따라 분할하거나 재분할 하는 경우, 현행 관련법 규정과 대법원 판례의 법리로서는 과징금 책임을 부과하기에 적합한 대상이 존재하지 않는다는 문제를 제기한다. 서론에서 회사분할제도의 법리 및 책임관계와 과징금 부과 처분의 승계여부에 대해 검토한 후, 이어 미국에서 독점규제법 위반 책임을 회피하기 위해 회사변경제도를 이용하였던 여러 사례를 소개한 뒤, 관련 판례법의 법리와 입법 제정 과정을 역사적 순서로 고찰해 본다. 결국 한국의 법 이론과 대법원 판례 및 미국법의 법리를 검토해 볼 때 회사분할에 따른 공정거래법 위반 책임을 귀속시키기 위해서는 관련 규정의 신설 입법에 의한 해결이 자명함을 설명한다. 본고에서는 새로운 입법론을 제시함에 있어 회사분할제도에 따른 국세납부의무를 규정한 현행 국세기본법을 참조할 것을 제안한다. 하지만, 상법에서 회사분할제도를 도입하게 된 취지를 고려하여 회사가 분할되기 전 어느 시점까지 발생한 사유로 책임을 지울 수 있는 지에 대한 책임의 성립시점과 과징금 처분의 부과 종기시점은 국세기본법이나 관련 공정거래법규정보다 다소 단축하여 3년으로 제한 할 것을 제시한다. 제안입법은“공정거래위원회는 과징금을 부과 받은 회사 및 회사가 분할되거나 분할합병, 또는 분할 및 분할합병으로 해산하는 경우 분할일 또는 분할합병일 이전으로부터 3년 전까지 발생한 공정거래법 위반행위에 대하여 과징금 부과처분을 할 수 있고, 다음 각호의 회사는 과징금에 대해 연대하여 납부할 책임을 진다. 1. 피분할회사 2. 분할 또는 분할합병으로 설립되는 회사 3. 피분할회사의 일부가 다시 분할하거나 다른 회사와 합병하여 그 다른 회사가 존속하는 경우 재분할된 분할회사 및 피분할회사, 그리고 합병으로 존속하는 분할합병의 상대방회사 4. 해산의 경우 분할이나 분할합병으로 설립된 회사 또는 존속하는 분할합병의 상대방 회사.”이다. 제안하는 바와 같이 입법이 이루어진다면, 현재까지 회사분할로 인한 과징금 책임의 귀속주체가 분명하지 않아 법 위반행위가 존재함에도 제재를 가할 수 없었던 불합리한 점을 해결할 수 있을 것이다. This article analyzes legal regimes of successor corporate liability when a corporation received penalty surcharge by Fair Trade Commission after the corporation was already divided into another corporations otherwise dissolved. In this instance, the question is who bears the penalty surcharge liability which established prior to the date of its corporate division. Contingent corporation or new divided corporation? In general, it would be appropriate that both contingent corporation and new divided corporation have liability with regard to the penalty surcharge according to their division agreement. However, until now, there is no right answer to cover such liabilities. Because the liability which is above mentioned is grounded upon an unclear mixture of Corporation Act, FTC's regulations and Supreme Court decision. Moreover, if the contingent corporation divided again or closed their business, who bears responsibility for penalty surcharge relating to pre-distribution periods? And it is also unclear what date shall be executed to the previous wrongdoing prior to the filing of any charges. In order to solve these questions, in the United States Court ruled by common law but, in the end, most states have enacted regulations regarding successor corporate liability to provide clear answer. Because of the somewhat vague notions of derivate corporate liabilities based on the Corporation Act, FTC's regulations and Supreme Court decision, this article attempts to propose new enactment on the Korean FTC regulation. The proposal is that “The Fair Trade Commission shall discharge corporate successor liabilities of illegal activities against contingent corporation, new divided corporation, or new divided corporation's opposite corporation either prior to or within 3 years after the date of its division.” With this proposal, corporations may not evade penalty surcharge liability through corporate division, even if the division occurs before discharge.
金建利(Kim Gun-ri) 한국미술사학회 2003 美術史學硏究 Vol.- No.237·238
The album Songdo Gihangchup (松都紀行帖), Kang Saehwang's (姜世晃, 1713-1791) renown masterpiece, was painted after his travel to Songdo. It has been highly evaluated by critics. However, it is only its style that has captured the attention of them; other than its style, little about this album has been known. For example, we don't know the exact time when this album was painted and also we don't know the concrete background of its creation. Hence, it was very difficult for scholars to conduct studies on this artwork. In such circumstances, I would differentiate my study from previous studies by focusing on unknown details of the album and the sequence of its leaves, on which nobody has made a research until now. First, I focused on the concrete background of the creation of the album. In this album, there is Sasu's (士受) poem, Park Un's (朴誾) poem written by Kang Sewhang. and Kang Sewhang's colophon. Based on these, I found out that the real name of Sasu, who ordered this album, is Oh Suche (吳遂采, 1692-1759). He was very much interested in paintings as well as in poetry in the late Chosun Dynasty. Furthermore, looking into the ancestry of the Oh (吳) family, I discovered that brother Oh' in Kang Sewhang's colophon refers to Oh Unsa (吳彦思 1734-1776), who is Oh Suche‘s grandson. He kept this album after the death of his grandfather. I also found out that the exact year when Songdo Gihangchup was made was 1757, when Oh Suche worked as the administrator (留守) of Kaesung (開城). Also, I paid attention to the geographical book Songdo Sokji (松都續志), edited by Oh Suche in 1757, the same year when Kang Sewhang made Songdo Gihangchup. Even though there is no clear evidence that shows the connection between the album Sondgo Gihangchup and the book Sondgo Sokji, I suggested that it was highly possible that the two were connected. This is because many public facilities, such as official residences. official ration storehouses, and a temple equipped with armory, were drawn in Songdo Gihangchup. Through these studies and contemplations, the background of Sondgo Gihangchup became clear as follows: Kang Sewhang painted Songdo Gihangchup in 1757 for Oh Suche who was the administrator of Gaesung and the editor of the geographical book Songdo Sokji. Next point on which I focused in this study, is the order of leaves in Songdo Gihangchup. Studying the travel course of literati and the geographical books published in the late Chosun Dynasty, I found out the geographical location of the objects in the album and realized that the current order of leaves in the album is not in the original order. By combining these study results, I suggested the original order of the album. In the suggested new order, we can see that the style among dosed leaves is quite similar and that all the inscriptions on the first half leaves were written by Kang Sewhang, whereas those on the last half album leaves were written by Oh Suche. I tried to illuminate the unknown areas of Songdo Gihangchup with a fresh look at the work, and produced some meaningful results. If we go on studying on the basis of these results, I believe we can grasp the true meaning of Songdo Gihangchup in the art history of the late Chosun Dynasty.
디지털 가상생산 기술 적용 전략 수립을 위한 자동차 업무 분석
김건연(Gun Yeon Kim),윤태혁(Tae Hyuk Yoon),노상도(Sang Do Noh) 한국자동차공학회 2005 한국자동차공학회 춘 추계 학술대회 논문집 Vol.2005 No.11_3
Digital virtual manufacturing is a technology facilitating effective development and agile manufacturing of products via sophisticated computer models representing physical and logical schema and behavior of real manufacturing systems including products, process, and manufacturing resources. Based on these models, digital virtual manufacturing supports decision making and error checking in the entire manufacturing processes from design to mass production. In this paper, we analyzed entire business process of the tour major production shops such as press. body assembly, painting and general assembly, of a Korean automotive company by IDEF methodology. And then we generated a strategic plan for the systematic application of the virtual manufacturing technologies. We identified many activities in business process, that can be improved by the application of virtual manufacturing technologies.