강원 지역 여성문단 연구

권석순 한국지역문학회 2014 한국지역문학연구 Vol.3 No.1

이 글은 강원지역문학의 공간에서 활동하고 있는 여성문학 단체인 강원도여성문학인회의 현황과 동인지 󰡔강원여성문학󰡕에 수록된 작품을 대상으로 문학적 정서를 검토하였다. 강원도 전 지역에서 활동하는 여성문인들로 구성된 ‘강원도여성문학인회’는 2004년에 창립하여 현재 146명의 회원이 활동하고 있다. 따라서 이 글은 강원도여성문학인회가 강원도 지역문학 단체인 만큼, 지역문학을 규정하는 조건으로 실존적 조건인 형식의 층위와 강원지역성을 담보하는 문학의 내적 기제인 내용 층위를 바탕으로 살펴보는데 목적을 두었다. 이에 따라 본 연구는 강원도여성문학인회의 외적 활동 현황을 살펴본 바, 강원여성문학의 맥을 이어나갈 사적 자료 정립을 위한 ‘선대여성문인조명’을 위해 2005년부터 현재까지 꾸준히 세미나를 열어왔음을 알 수 있었다. 그리고 후배 여성문인들을 위한 강원도 여자 중․고등학생 문학작품 공모뿐만 아니라, 강원여성문학상을 제정․시상함으로써 여성문인들의 사기 진작에 힘쓰고 있는 것으로 나타났다. 다음으로 지금까지 출간된 동인지 󰡔강원여성문학󰡕 창간호부터 10집까지에서 나타나는 강원여성문인들의 문학적 정서를 살펴보았다. 여기에는 생명과 상생의 자연공간, 현존재의 생활공간, 내면 치유의 생성공간, 상생 추구의 생태공간으로 드러났다. 이러한 양상은 강원지역이 문학적 공간이라는 점, 그리고 여성들의 특유한 정서라는 점이 맞닿아 있다고 하겠다. This article reviewed the current status of Gangwondo Women Writer Association, a women literature group performing activities in literature space of Gangwon Region, and literary sentiment of works included in Gangwon Women Literature, a literature coterie magazine. Gangwong-do Women Writer Association composed of women writers performing activities across Gangwondo was established in 2004 and has 146 members. Therefore, this article aimed to examine formal layer, existential condition prescribing local literature, and content layer, internal mechanism guaranteeing Gangwon regionality given the association is a local literature group in Gangwondo. Accordingly, this study looked at the current status of external activities of the association and found that the association has steadily held seminars from 2005 to the present in order to illuminate women writers of previous generation aimed at establishing historial data that would carry on the legacy of Gangwon women literature. In addition, the association invited public participation of female middle and high school students for junior women writers and enacted and granted awards for women writers, thereby boosting their morale. Next, this article examined literary sentiment of Gangwon women writers whose works were posted on Gangwon Women Literature, from the first issue to the 10th issue published thus far. It contained natural space for life and mutual coexistence, life space of present existence, generation space for internal treatment, and ecological space for mutual existence. Such aspect was related to the fact that Gangwon region was a cultural space and concerned women's unique sentiment.

석촌 김영일의 동화 연구- 은방울꽃을 중심으로

권석순 한국국어교육학회 2007 새국어교육 Vol.0 No.76

A study on Seok-Chon, Kim Young-Il's fairy tale - focus on “A lily of the valley” 김영일은 1930년대 문단에 나와 50여 년간 줄곧 아동문학만을 창작하였다. 본고는 동시로 출발했던 그가 1950년 이후 동화창작에 전념하였음을 주목하였다. 이 시기는 시대적현실적 상황이 율문보다는 산문을 요구하던 때이다. 따라서 그의 동화의 본질을 규명하기 위해 첫 장편동화인《은방울꽃》을 살펴보았다. 이 작품은 현실을 서술하기보다는 동심에 비친 장면을 보여줌으로써 주제 전달을 뚜렷이 하고 있으며, 아동들의 ‘놀이’를 통하여 박진감을 더하고 있다. 그리고 현실 극복의 장치로 해학적인 장면과 ‘은방울꽃’의 전설을 도입하였는데, 현실의 결핍상황에 대해 어른은 소극적인 반면, 아동들은 적극적으로 대처하고 있다. 이렇게 사실성을 기반으로 형성된 극복의지는 동심을 통하여 삶의 방식을 말하고자 하는, 즉 동화의 요건을 충족시키기 위한 작자의 의도라고 하겠다.

김지하 시에 나타난 ‘검은 산’의 생명의식* -『검은 산 하얀 방』을 중심으로-

권석순 한국언어문학회 2013 한국언어문학 Vol.85 No.-

Kim Ji-ha's collection of poems titled A Black mountain and a White room 1- Part 2 ‘A Black mountain-in the Mooreung Valley’ sets a scene in Mt. Doo-ta, Donghae Si, Gangwon-Do. 13 poems in the collection are significant in the sense that Kim Ji-ha first captured the literary space after leaving prison in December, 1980, and they were not adjusted, touched and polished off by his dictation. Kim Ji-ha who was a symbol of a fighter for democracy, and experienced existent extremes of ‘passing’ and ‘killing’ approaches the history of horrible pains and passing in the Mooreung Valley, Mt. Doo-ta through an anarchic viewpoint of the sense of Nihil and resistance in the Part 2. Facing the crippled history offetters, Kim Ji-ha showed the aspect of the will to overcome them and pledge, for he wrote poems with not an idea of Mt. Doo-ta but its vitality. For Kim Ji-ha, the history of killing is only not to move away from the human world. The poet’s will that he can be born again as a real being emerges as a poetic diction of ‘water’ in the end of many poems. ‘Water’ represents the life thought that has to experience when the blood history in the Mooreung Valley, Mt. Doo-ta is converted into a new being. Thus, ‘water’ is a manifestation of vitality that Kim Ji-ha aims. The present being for returning to the life represents the life thought that has to experience when the blood history in the Mooreung Valley, Mt. Doo-ta is converted into a new being. Kim Ji-ha condenses a solution to the sad history of Mt. Doo-taand further of Korea as ‘the wave of life.’ This is in direct contact with his opinion that a confrontation between killing and saving is the life movement. He who desires a freedom of transcendental world meditates the meaning of life through ‘Black mountain’ after experiencing death. This life thought is to care about the life of the community beyond looking after oneself. As people are a living being, life has a wish, and they experience the polishing of life for the wish. In short, Kim Ji-ha's collection of poems titled A Black mountain and a White room 1- Part 2 ‘A Black mountain-in the Mooreung Valley’ that sets a scene in Mt. Doo-ta is significant in the sense that they reflect the poet’s trace of suppressed life, and Mt. Doo-ta is a captured space in atime of tribulation of our generation. Moreover, Kim Ji-ha's poems about Mt. Doo-ta are important, because they are in direct contact withthe life movement that he has consistently pursued.

김영일 동시의 변모 양상 연구- 형태론적 변모과정을 중심으로

권석순 한국국어교육학회 2008 새국어교육 Vol.0 No.78

Kim yeong-il is admitted as a advocate of the free children's verse in history of Korean juvenile literature. As one of the various study for children's verses of kim yeong-il's, this article has a purpose to examine changing process of the children's verses, and this study focus on a stanza and a line of the verse. There was intended brief short poems in the “Squirrel 1” that is early poems of Kim yeong-il's that basic type of two stanzas were composed of, but “Squirrel 2” consisted of more stanzas, then four stanzas were marked in poem of “Going up to the hill in a spring weather.” Even children's verses in the latter period took more lines and four stanzas, they were the same form of poetry as much as children's verses in the early period consisted of introduction, development, turn, conclusion, although just two lines of two stanzas were composed of early poems, also they could have enough their power of expression. 김영일은 한국아동문학사에서 자유동시의 주창자로 인정받고 있다. 본고는 김영일 동시에 대한 다양한 연구를 위한 하나의 시도로써 형태적 지표가 되는 연ㆍ행을 중심으로 동시의 변모과정을 검토하였다. 김영일 동시의 초기 아동자유시집《다람쥐》는 2개의 연으로 구성된 동시를 기본적인 시형태로 간결한 단시를 지향하였다. 두 번째 동시집인 증보판《다람쥐》에서는 행의 수를 늘여 2연으로 구성된 동시가 점차 약세를 보이다가, 세 번째 동시집《봄동산에 오르면》에 와서 4연으로 구성된 동시가 강세를 보였다. 이는 2연 2행의 초기 동시가 후기로 오면서 점차 행의 수를 늘여 4연으로 구성된 동시로 확장되어 나갔음을 알 수 있다. 그러므로 김영일의 동시의 형태적 변모는 행의 수를 늘여 시적 호흡이 길어졌을 뿐, 초기 자유동시의 틀을 그대로 유지하였음이 확인된다.

적색, 녹색, 청색 발광 형광체와 보라색 발광 다이오드를 이용한 백색 광원의 광 특성

권석순,박종윤,허영덕,Kweon, Seok-Soon,Park, Jong-Yun,Huh, Young-Duk 한국재료학회 2006 한국재료학회지 Vol.16 No.3

Various colors of light emitting diodes(LED) and four-band white light sources are obtained using a violet LED and various phosphor films. $BaMg_2Al_{16}O_{27}:Eu\;(blue),\;SrGa_2S_4:Eu\;(green),\;and\;Eu(TTA)_3(PTA)$ (red) phosphors are dispersed in poly-vinyl-alcohol aqueous solutions, and phosphor films are prepared by coating the suspensions to PET film. The narrow band emission of $Eu(TTA)_3(PTA)$ phosphor has excellent red luminescent property for four-band white light excited by the violet LED.

동심의 세계를 위한 독자적 공간

권석순 한국비평문학회 2007 批評文學 Vol.- No.25

The individual world his own for child's mind- Focused on Kim Young-il's “The children pursuing a dream”

김지하 시에 나타난 ‘검은 산’의 생명의식

권석순(Kweon, Seok-soon) 한국언어문학회 2013 한국언어문학 Vol.85 No.-

Kim Ji-ha's collection of poems titled A Black mountain and a White room 1- Part 2 ‘A Black mountain-in the Mooreung Valley’ sets a scene in Mt. Doo-ta, Donghae Si, Gangwon-Do. 13 poems in the collection are significant in the sense that Kim Ji-ha first captured the literary space after leaving prison in December, 1980, and they were not adjusted, touched and polished off by his dictation. Kim Ji-ha who was a symbol of a fighter for democracy, and experienced existent extremes of ‘passing’ and ‘killing’ approaches the history of horrible pains and passing in the Mooreung Valley, Mt. Doo-ta through an anarchic viewpoint of the sense of Nihil and resistance in the Part 2. Facing the crippled history offetters, Kim Ji-ha showed the aspect of the will to overcome them and pledge, for he wrote poems with not an idea of Mt. Doo-ta but its vitality. For Kim Ji-ha, the history of killing is only not to move away from the human world. The poet’s will that he can be born again as a real being emerges as a poetic diction of ‘water’ in the end of many poems. ‘Water’ represents the life thought that has to experience when the blood history in the Mooreung Valley, Mt. Doo-ta is converted into a new being. Thus, ‘water’ is a manifestation of vitality that Kim Ji-ha aims. The present being for returning to the life represents the life thought that has to experience when the blood history in the Mooreung Valley, Mt. Doo-ta is converted into a new being. Kim Ji-ha condenses a solution to the sad history of Mt. Doo-taand further of Korea as ‘the wave of life.’ This is in direct contact with his opinion that a confrontation between killing and saving is the life movement. He who desires a freedom of transcendental world meditates the meaning of life through ‘Black mountain’ after experiencing death. This life thought is to care about the life of the community beyond looking after oneself. As people are a living being, life has a wish, and they experience the polishing of life forthe wish. In short, Kim Ji-ha's collection of poems titled A Black mountain and a White room 1- Part 2 ‘A Black mountain-in the Mooreung Valley’ that sets a scene in Mt. Doo-ta is significant in the sense that they reflect the poet’s trace of suppressed life, and Mt. Doo-ta is a captured space in atime of tribulation of our generation. Moreover, Kim Ji-ha's poems about Mt. Doo-ta are important, because they are in direct contact withthe life movement that he has consistently pursued.

기재 신광한의 『崔生遇眞記』에 관한 일고

권석순(Kweon, Seok-Soon) 아시아강원민속학회 2006 江原民俗學 Vol.20 No.-

문학작품에 나타난 ‘묵호항’의 현주소 - 지역문학을 중심으로 -

권석순 ( Seok-soon Kweon ) 강원대학교 강원문화연구소 2021 강원문화연구 Vol.43 No.-

본 연구의 목적은 지리적으로 ‘바다’와 인접하고 있는 묵호지역의 정체성이 해양문학에 투영된 양상을 밝히는 데 있다. 이에 지역문인들의 작품을 대상으로 ‘묵호항’과 지역성의 맥락이 의미화되는 공간에 주목하였다. ‘묵호항’의 명칭을 차용한 작품에서는 한때 성황을 이루었던 묵호지역이 쇠락의 길에 들어선 현실을 고발하는 양상으로 나타난다. 이는 1980년대 석탄합리화정책으로 경제공동화가 심화된 데에서 온 것이다. 이러한 역사를 안고 사는 ‘묵호항’ 인근 지역민들의 실제 삶은 어족고갈이 겹치면서 경제적 어려움을 드러낸다. 한편 최근에 각광을 받고 있는 ‘묵호등대’와 ‘논골담길’이 활력소가 되어, ‘묵호항’과 관련된 서사적 공간으로서의 맥을 함께하고 있다. 이처럼 지역문학장에서는 역사적인 맥이 내포된 지역민들의 삶의 의지가 ‘묵호항’을 통하여 드러나고 있다. The purpose of this study is to clarify how the identity of the Mukho area, which is geographically adjacent to ‘the sea’, is projected into maritime literature. This paper, accordingly, focuses on the space which has geographical and contextual meaning related to ‘Mukhohang’ i n the works of local writers. The local literary works describing ‘Mukhohang’ tend to narrate the reality that the once prosperous Mukho area has entered a path of decline. This came from the growing deindustrialization of this area resulted from the policy of restructuring the coal industry in the 1980s. Along with this historical circumstances, local residents near ‘Mukhohang’ experience economic difficulties as fish stocks are depleted. And yet, ‘Mukhodeungdae’ and ‘Nongoldamgil’, recently drawing attention, have become lively and acquired some significant meanings as narrative spaces related to ‘Mukhohang’. The works of local literature, therefore, reveal the will of life of local people, which has been influenced by historical contexts, through narratives related to ‘Mukhohang’ space.

두타산의 공간화 전략

권석순(Kweon Seok-soon) 한국비평문학회 2009 批評文學 Vol.- No.32

Mt. Duta has been revered as the mother mountain from the residents in southeastern part of Gangwon Province, and it affected their lives to a great extent. In particular, it has beena significant place for poets, as it frequently appearedin the poems written by poets living or having lived in Donghae or Samcheok city. Mt. Duta has existed depending upon the spirits of human beings. Poets cordially admired Mt. Duta and embraced it into the literature by linking it with the world of human’s spirit. Mt. Duta represents a time-transcendental or eternal space, and it is a transcendental world which not only accommodates reality but also suggests visions for the future. Mt. Duta reveals the history by linking the past with the present, and it is considered as a holy and supernatural place for local poets. Local poets restructure their own experiences and express them with innovative expressions based on sensational thoughts. The subjects in the poems make use of Mt. Duta to solve local problems, so the poems are directly connected with the live of local residents. The expression is not a simple repetition of natural objects or natural phenomena; it represents human lives in the society, through the dynamic relations between conflicts and harmony. In order to solve realistic quandaries, poets accommodate Mt. Duta as the place where suggests refined truth. Mt. Duta offers the place to appreciate beauty of nature and to find peace. Mother Nature offers a small haven to take rest out of harsh daily lives, and human beings can get inspired about how to live right and what to chase in the life by spending time in the nature. Mt. Duta, which still contains mystery, offers transcendental thinking to local residents sharing time and space. It eventually contributes to establishing homogeneous psychological and cultural symbols or prototypes in the community. Moreover, Mt. Duta helps the residents recover wildness of residents, which have been already faded away, so it constitutes the basis for residents’ lives and spirit.