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D. H. 로렌스의 「섬을 사랑한 사나이」와 세계시민주의
박시영 한국로렌스학회 2012 D.H. 로렌스 연구 Vol.20 No.2
D. H. Lawrence, in his “The Man Who Loved Islands,” challenges against Kant’s separation of space from time and geographical unification. The story, as if accommodated in fable-like narrative, is invested with the author’s philosophical investigation on the Kantian geographical cosmopolitanism. Harvey’s critical engagement with the Kantian geography casts new light on Lawrence’s reflection on space and time in the story. Lawrence, who lived in the twentieth century cosmopolitan Europe and mediated on the possible implications and manifestations of cosmopolitanism, foresees the fatal conflation of cosmopolitanism and universalism and its catastrophic impact on human psychology.
D. H. 로렌스의 「섬을 사랑한 사나이」와 세계시민주의
박시영 ( See Young Park ) 한국로렌스학회 2012 D.H. 로렌스 연구 Vol.20 No.3
D. H. Lawrence, in his "The Man Who Loved Islands," challenges against Kant`s separation of space from time and geographical unification. The story, as if accommodated in fable-like narrative, is invested with the author`s philosophical investigation on the Kantian geographical cosmopolitanism. Harvey`s critical engagement with the Kantian geography casts new light on Lawrence`s reflection on space and time in the story. Lawrence, who lived in the twentieth century cosmopolitan Europe and mediated on the possible implications and manifestations of cosmopolitanism, foresees the fatal conflation of cosmopolitanism and universalism and its catastrophic impact on human psychology.
박시영(Siyoung Park),김도회(Dohoi Kim),공호영(Hoyoung Kong) 한국자동차공학회 2015 한국자동차공학회 부문종합 학술대회 Vol.2015 No.5
The B-pillar with TRB (Tailor Rolled Blank) is developed for weight reduction of car body. The reinforcements in the typical B PLR can be replaced by one TRB part which has continuous thickness changes. TRB thickness profile is modified for satisfying IIHS side impact test. The free fall tests have been carried out. The results show that the new B PLR with TRB is 15% lighter than typical structure and has equivalent crashworthiness.
윤리적 자아와 여성: 모어(G. E. Moore)의 윤리론과 D. H. 로렌스의 『사라진 소녀』(The Lost Girl)
박시영 ( Seeyoung Park ) 한국로렌스학회 2017 D.H. 로렌스 연구 Vol.25 No.1
D. H. Lawrence`s The Lost Girl, in a self-reflective exposure of the paralysis in the middle class England, provides a playful quixotic narrative which engages in a polemic about goodness and morality. A number of commentators locate this novel in the tradition of “the problem novel” which includes Gustav Flaubert`s Madame Bovary, Arnold Bennett`s Anna of Five Towns and G. E. Moore`s The Mummer`s Wife. Clearly Lawrence`s novel, as a `problem novel`, challenges the Victorian patriarchy based on self-discipline and utilitarianism. Yet it cuts another way when Lawrence reinstates `morality` and aligns it with metaethical investigation into `goodness`. In context, G. E. Moore`s conception of ethics sheds new light on Lawrence`s expressive struggle. Moore, in his Pricinpia Ethica, rectifies the conventional practical ethics which revolves around `good` conduct and practice. Moore suggests that ethics should touch on the issue of goodness and badness beyond casuitry. According to him, ethical goodness is indefinable, and the only possible form of ethics is `open question`. In this context, Alvina`s quixotic adventure can be seen as a novelistic representation of the Moorean ethics. Yet, the lost girl`s journey is far more radical.