The Satiric Economy of the Toilet in Jonathan Swift’s Directions to Servants

( Hyewon Ryu ) 한국18세기영문학회 2019 18세기영문학 Vol.16 No.1

This paper investigates Jonathan Swift’s Directions to Servants (1745) in terms of transgressive corporeality. Less studied and little mentioned by Swift scholars, Directions has been understood as a minor work with little coherence. The purpose of this paper is to newly assert that Directions sharply highlights the very dynamics of Swiftian inversion evinced in his poems. “A Beautiful Young Nymph Going to Bed” (1731), “The Lady’s Dressing Room” (1732), and “The Progress of Beauty” (1720) are all located at the site designated as the “toilet.” The word “toilet” in the early eighteenth century connotes both female space for and activities of dressing and making up, which Swift translates into the processes of defecation and decomposition. The categorization of servants and their daily jobs described in Directions correlates “toilet” activities with the whole household. The presence of servants who blur the divide between private and the public gives rise to an economy of transgression in which grotesque physicality simultaneously serves to establish and erase existing boundaries. The conceptual transfiguration of the body that the eighteenth century witnessed from the communal to the individual, and from the promiscuous to the enclosed, codifies the idea of private spaces within the household, which ultimately stand in opposition to social and physical heterogeneity. Directions not only highlights the rise of divisions within domestic confines but ultimately anticipates the futility of such boundaries. Swift’s directives for servants hinges upon the economy of satiric inversion as such, making Directions an integral work of Swiftian parody.

Translating Landscape in Ann Radcliffe’s The Italian

Ryu, Hyewon(류혜원) 새한영어영문학회 2018 새한영어영문학 Vol.60 No.1

This paper reads Ann Radcliffe’s The Italian against the backdrop of contemporary interests in the Grand Tour and travel writings. The course of journeys in the novel is modeled around the route of the Grant Tour in Italy, which situates the narrative within the drive of globalization. When foreign customs and geography are transcribed into English idioms, a new domain of intelligence emerges, reconstructing descriptive details into specialized forms of knowledge. The outward movement to the alien territory entails a dialectic between the recognition and the recuperation of differences, which culminate in the rhetoric of typical Italianness and a formation of enlightened English identity in this novel. The process of co-construction forms the pattern of cultural differences, and the binary opposition between the Italian and the English is reinforced through the task of translating foreign landscape. The closure of the novel epitomizes the incorporation of differences by means of interiorized space, which inevitably relies on the overarching production of the center and the periphery.

Anthony Munday`s Metropolitan Communality in The Survey of London

( Hyewon Ryu ) 한국18세기영문학회 2016 18세기영문학 Vol.13 No.1

This paper analyzes Anthony Munday’s Survey of London in respect to the process of revision and the new idea of metropolitan communality it proposes. The original text, published by John Stow in 1598, critically observes the expansion of the city beyond the social and spatial demarcation of the Roman walls. The decisions concerning which parts need to be adjusted or preserved cannot but be influenced by Stow’s original, but these changes in the revised text simultaneously reflect Munday’s own judgments, particularly regarding how he wishes to recreate his own image of London. The process of updating reveals not only Mundays’ sense of the changing built environment but also provides a wider, inclusive sense of the metropolis. Munday’s 1633 edition describes the increasing complexities of the city and activities of London companies by bringing attention to the economic prosperity they bring to the metropolis. Revised chapters concerning suburban areas and the companies in proffer a privileged site from which to investigate Munday’s desire to refashion the idea of communality based on a new urban conceptualization of occupational membership.

Quest and Gameplay in the City of The Order: 1886

Hyewon Ryu(류혜원),Eunjung Kim(김은정) 한국만화애니메이션학회 2019 만화애니메이션연구 Vol.- No.56

본 연구에서는 레디엣던스튜디오에서 개발한 플레이스테이션 4 게임 <디 오더:1886>을 연구대상으로 비디오 게임플레이의 고유성을 드러내는 핵심적 요소로서 게임의 공간성을 재조명했다. <디 오더:1886>게임은 19세기 런던을 공간적 배경으로 로맨스 문학 전통의 다양한 요소들이 조합된 하나의 시뮬레이션이다. 본 연구에서는 로맨스 문학적 전통 요소들을 분석하는 것을 첫 번째 목적으로 삼아 게임 속 가상 도시의 영웅 퀘스트와 로맨스 장르에 대한 인용들을 분석하였다. 두 번째로는 미셀 드 세르토의 공간 철학 관점에서 게임 공간을 분석하였다. <디 오더:1886>은 비디오 게임의 공간성과 관련하여 인터페이스 및 가상 아키텍처 연구에 있어 적절한 사례가 될 수 있다. 본 연구에서는 드 세르토가 제시 한 ‘브리콜라쥬’ 및 ‘일상 전술’의 개념을 게임 분석에 적용하였다. <디 오더:1886>게임 공간 속에서 플레이어는 드 세르토가 전술적 움직임으로 명명한 공간적 실천의 가능성을 보여주는 듯하지만, 실제로는 제한적으로 따라갈 뿐이다. <디 오더:1886>게임은 화려한 런던 거리를 시각적으로 잘 재현하고 있어 플레이어의 감각적 몰입을 강하게 유도한다. 그러나 이러한 몰입은 게임 공간에서의 제한된 ‘걷기’와 상호작용적 요소가 아닌 단순히 낭만적 볼거리에 머무르는 게임 아이템들로 인해 지속되지 못한다. 플레이어가 인식하고 상호작용하는 게임 공간은 몰입형 놀이와 개인의 서사를 창조하는 브리콜라주의 장으로 작용해야 한다. 또한 게임이 플레이어에게 몰입적 서사 경험을 제공하기 위해서는 영화처럼 보이는 관찰적 경험의 공간이 아니라 플레이어가 장소들을 횡단하거나 조직할 수 있는 공간적 실천이 가능하도록 인터페이스가 설계되어야 할 것이다. 본 연구는 비디오 게임의 공간이 갖는 의미와 가능성을 구체적인 사례 분석을 통해 탐색함으로써 공간에 대한 이해를 확장하고 실제 게임 개발의 방향성을 제안했다는 데 의의를 갖는다. This paper reconsiders spatial properties of video games as crucial constituent for gameplay through the case study of The Order: 1886, developed by Ready at Dawn and published by Sony for PlayStation 4. The game is built upon the precarious combination of multifarious elements from the tradition of romance literature to the simulation of nineteenth-century London. The first aim of this paper is to analyze these elements, more specifically in what way the motif of heroic quests and romantic allusions are related to the virtual city. Strong spatial features of The Order: 1886 make it a relevant case for the research of interface and virtual architecture in relation to spatiality of video games. The second goal is to investigate in-game space in terms of Michel de Certeau’s spatial philosophy. The concept of bricolage and everyday tactics adduced by de Certeau is to be applied to the analysis of the game. This paper argues that immersion into the virtual world does not mean watching faithfully simulated vision of London but freely navigating within it, which is intimately linked to the spatial practice de Certeau denominates as tactical movements. In order to assay in-game space as both interface expediting immersive play and the site of bricolage to create personal patterns, this paper takes focus to spatiality that a player perceives and enacts, which becomes a key base in the set-ups of interface as well as the implementation of game storytelling. The significance of this paper lies in the fact that the meaning of in-game space is investigated through a specific case, which can be also employed as a reference for the development of effective interface.

『메리 프리쓰의 생애와 죽음』을 통해 살펴본 런던 거리의 여자들

류혜원 ( Hyewon Ryu ) 한국18세기영문학회 2017 18세기영문학 Vol.14 No.2

This paper analyzes The Life and Death of Mary Frith in terms of the spatial mobility of London women against the backdrop of early modern fictions, city comedies, and prose diatribes. Anti-metropolitan works of the period were tightly linked to the misogynic representation of women as epitomizing urban corruption. The increasing attack simultaneously signals that the presence of women in the city had become undeniably mushroomed. While female pedestrians were being criminalized and harassed in the double senses of illegal vagrancy and improper behavior, they developed a walker’s tactic to traverse spatial boundaries and to defy gender regulations. Cross-dressing can be understood in the respect of both social delinquency and subversive tactics, a result of which is led to the generation of more mobile and distinctly urban self-identity. The (pseudo-)autobiography of Mary Frith exemplifies the life of the hermaphrodite not only as a tomrig who attempts to appropriate male status but also as a transvestite performer whose notoriety inversely matched the chances of spatial, social, and gender mobility. Frith renders the practice of brokerage as a way of social exchanges across different ranks and genders, and her fame as a cross-dressing pickpocket had become the pivot of intercourses as such. The Life and Death of Mary Frith showcases the ruse of a lower class woman, who tried to stray out of disciplinary gender regulations and succeeded to carve out her own niche for survival.

제인 오스틴의 『설득』에 드러난 상대적 가치의 세계

류혜원(Hyewon Ryu) 19세기영어권문학회 2017 19세기 영어권 문학 Vol.21 No.1

This paper investigates the language of relative economic values represented in Jane Austen’s last novel Persuasion. A series of socio-economic changes occurred at the turn of the 18<SUP>th</SUP> century, the Franco-British Wars, the Restriction Act of 1797, and the unexpected prosperity of agricultural industry, had led to unprecedented instability and uncertainty in the structure of value. While such traditional standards of measurement as gold or land had lost their function as liable media, public concern and conflicts about the value system radically increased. This paper asserts that Austen had full awareness of contemporary socio-economic changes and further argues that Persuasion represents this issue of uncertain, relative values through the figure of Anne Elliot. The first part charts Anne’s journey from Kellynch through Uppercross to Bath, analyzing how other characters relatively estimates her value. Located at the boundary of the Elliot circle, her minor social position results in differed evaluations of her worth in terms of relationships. Representations of situational measurement in this novel evoke economic, political, and epistemological uncertainties of contemporary Britain, which are resolved within the narrative structure through the domesticity of private interiority. Austen deploys literary techniques such as free indirect discourse and third-person effects, depicting the realm of Anne’s inner world as non-negotiable standard of value. The private domain of interiority coincides with the impersonality of third-person narration, through which a new structure of literary value begins to reign at the end of Persuasion.

대규모 데이터를 위한 간단하면서도 효과적인 분산 K-평균 클러스터링

류혜원(Hyewon Ryu),이기용(Ki Yong Lee) 한국정보과학회 2022 한국정보과학회 학술발표논문집 Vol.2022 No.06

YOLOv5 기반 효과적인 전기 자전거 인식 방법

류혜원(Hyewon Ryu),양성연(Seongyeon Yang),조민정(Minjeong Cho),장은조(Eunjo Jang),이지연(Jiyeon Lee),이진복(Jinbok Lee),송성민(Sungmin Song),이기용(Ki yong Lee) 한국정보과학회 2022 한국정보과학회 학술발표논문집 Vol.2022 No.12

속성기반 암호기법을 활용한 블록체인 서비스 유형 연구

류혜원 ( Hyewon Ryu ),김형종 ( Hyung-jong Kim ) 한국정보처리학회 2019 한국정보처리학회 학술대회논문집 Vol.26 No.1

블록체인은 P2P 네트워크로 탈중앙화된 신뢰성 기반 데이터 공유 서비스를 제공한다. 다양한 블록체인 플랫폼 중에서도 이더리움은 가장 상용화된 플랫폼으로 비트코인의 한계를 극복하면서도 스마트 컨트랙트를 통한 신뢰성 있는 서비스를 제공한다. 본 논문에서는 블록체인 기반 분산 컴퓨팅 플랫폼인 이더리움에 속성기반 암호기법을 적용하여 네트워크 내의 블록체인에 대한 제한적 접근 서비스를 제안하고 이를 통해 블록체인 서비스 유형을 제시한다.

Electrochemical Sensor for Detection of Active Pectinase by Dual Mode Cyclic Voltammetry

Hyewon Choi,Aeyeon Kang,Seunghun Kim,Jiho Ryu,Eun Min Cho,Sung Ik Yang,Wan Soo Yun 한국진공학회 2018 한국진공학회 학술발표회초록집 Vol.2018 No.2