A study on a Typological System According to the Structure of Place Identity

서동진,김주연 한국공간디자인학회 2022 한국공간디자인학회논문집 Vol.17 No.3

(Background and Purpose) Users who experience a contemporary city are demanding to experience a space with new contents based on spontaneous needs that is different from the classification and characters of ready-made spaces so far. A place reinforces its identity by creating various contents in the place including human psychological, mental, and emotional parts from a city image and an atmosphere, identity of a place, personality and differentiation of a place, and various experiences that citizens unconsciously feel in their daily life. From the point of view, this study is a basic study for the reconstruction of human-oriented place identity, and its purpose is to examine the types and the system of place identity based on the formation structure and elements of place identity. (Method) Although a city has achieved quantitative growth according to the diverse needs and activities of people, the reality is that its place identity is not valued due to universality, uniformity, and similarity. Therefore, as a basic study for the reconstruction of human-oriented identity, it conducted a theoretical study based on literature review and then a qualitative study to analyze it. It attempts to understand the concept of a place through the concept of space and place, and the process of place-making of space, and to identify the relationship and structure of sense of place and placeness that constitute place identity. It tries to derive types of place identity and a system that can change and develop in various ways by identifying the formation structure, elements, and characters of place identity. (Results) It examined the types of place identity through its formation structure and elements in a contemporary city, and it derived a typological system of place identity with various combinations and configurations such as physical property of placeness, identity of a place itself, identity of spatial contact and sense of place centered on human experience, human identity with a place, and identity of human contact that appears through an interaction such as human feelings, emotions, attitudes, and behaviors about a place according to the configuration of place identity. (Conclusions) This study identified the type of place identity through its formation structure and elements, and derived the typological system by dividing them into the identity of place itself and the human identity of the place with various elements such as spatial classification, formation structure, experience process, experience state, difference in degree, and sensory results. It is expected that the typological system of place identity, such as identity of spatial contact, human identity with a place, and identity of human contact, is extended in a various way due to the typological system, temporality, reflection of the times, and variable factors.

에드워드 렐프의 장소 정체성에 관한 문화 경관론적 고찰 연구 -소셜 미디어 네트워크 환경의 사회문화 활동을 중심으로-

박미성 ( Misung Park ),최익서 ( Ikseo Choi ) 한국공간디자인학회 2016 한국공간디자인학회논문집 Vol.11 No.6

세계적인 자본주의의 확산과, 매스미디어의 발달, 교통수단의 발달은 장소에 기반한 공동체의 중요성을 감소시키고, 획일적인 경관을 생산하였으며, 인간의 욕구와 취향을 표준화 시켰다. 이 시대의 흐름은 공간이 장소의 의미를 갖는데 중요한 인간의 다차원적인 경험을 약화시켜 장소를 단지 의식없는 활동의 배경으로 전락시켰다. 이러한 장소의 무장소성은 인간의 심층적인 감정이나 욕구를 축소시켜 무력감, 고립감, 무의미함 등의 인간과 사회가 분리되는 감각을 유발하고, 이는 인간적인 삶에 대한 파괴를 의미한다. 그러므로 장소 정체성을 유지, 회복, 생성에 관하여 탐구하고 해결책을 찾아나가는 것은 현대사회에서 중요한 의미를 갖는다. 이연구의 목적은 무장소성의 사회적 영향을 탐구하고 무장소성 확산의 문제점에 대한 대안을 제시하는데 있으며, 그 해결점으로 소셜 미디어 네트워크를 중심으로 전개되고 있는 사회활동의 현상들에 주목한다. (연구방법)본 연구에서는 장소 상실이 일어나는 원인과 과정을 파악하고 장소 정체성의 의미를 파악하기 위하여 에드워드 렐프의 이론을 고찰하고 소셜 미디어 네트워크 환경에서의 사회문화 활동의 특징들과 실천 방식들에 대하여 문헌과 인터넷 자료들을 이용하여 알아본다. 이러한 사회문화 활동이 장소 정체성에 미치는 영향을 알아보기 위해서 에드워드 렐프의 장소 정체성의 요소들을 중심으로 진정성과 비진정성의 특징들을 분류하여 비교 분석틀을 제시한다. 이 분석틀에 사회 문화 활동 사례들을 대입하여 장소의 장소 정체성 변화에 대하여 살펴본다. (결과)렐프의 무장소성에 대한 고찰에서 장소의 정체성이 장소에 대한 진정한 태도와 비진정한 태도에서 이루어지는 장소경험에서 생겨난다는 것을 알게 되었다. 그리고 비위계적이고 탈 중심적인 소셜 미디어 네트워크환경에서 생겨나는 사회문화 활동들이 관심과 흥미를 위주로 한 자발성과 자유, 놀이적 성격을 갖는다는 것을 파악하고, 이러한 특성이 진정성의 개념과 일맥상통 한다는 것을 알게 되었다. 렐프의 이론을 바탕으로 설계한 분석 매트릭스를 통해 이러한 활동들이 장소 정체성을 회복하는 하나의 해결점으로 작용할 수 있다는 가능성에 대하여 확인하였다. (결론)본 논문연구를 통해 장소상실이 인간성 상실과 깊은 관련이 있음을 인식하고, 적극적이고 능동적인 인간 활동을 통한 인간다운 삶을 위한 노력들이 결국은 장소의 정체성 강화와 확대에 기여하는 것임을 알게 되었다. 이는 도시 재생을 위한 장소 정체성 강화 계획들이 그 곳에 뿌리를 둔 시민들을 중심으로 자유롭고 자발적인 장소경험의 다양성을 지원하거나 보장하는 방향으로 이루어져야 한다는 것을 시사한다. The expansion of global capitalism by means of advanced mass media and transportation decreased the importance of communities based on places. It also produced a monotonous landscape and equalized human needs and taste. This trend undermined a multi-dimensional human experience that gave important meanings to places and then degenerated the unconscious background of human activity. This placelessness signifies the ruination of humane life. This is because placelessness triggers the sense that separates the relation of human and society by reducing human desire and emotion, resulting in humans experiencing feelings of helplessness, isolation, and meaninglessness. Therefore, it is important to search for appropriate solutions by exploring ways in which to maintain, restore, and create place identity. The purpose of this research is to explore the social effects of placelessness and suggest an alternative to the matter of its spread. In addition, it is to take note of the phenomenon of the sociocultural activities that around a social media network. (Research Method)Firstly, I look into the concept of placelessness as it is presented by Edward Relph to understand the meaning of place identity and research references about the features of sociocultural activities in social media networks. After making a comparative study of character authenticity and non-authenticity, which is a concept of Edward Relph`s theory, I suggest an analysis framework to discover the effects that social-cultural activities have on place identity. Finally, I take a look at the transition of place identity by applying several cases of sociocultural activities. (Result)By studying Relph`s placelessness, I realized that place identity creates the experience of a place where authentic and non-authentic matters occur in respect of the place. I also discovered that sociocultural activities that are built on nonhierarchical and decentralized social media network have the character of interest-oriented spontaneity, freedom, and playing. This character has a thread of connection with the concept of authenticity. The possibility that these activities can serve as a solution to recovering place identity has been confirmed by an analysis framework based on Relph`s theory. (Conclusion)Ultimately, I reached meaningful research results. There is a close relationship between placelessness and loss of humanity, and efforts to live a humane life through assertive and active human activity contribute to building place identity. In order to enhance the identity of a place, this suggests that the planning of urban regeneration should encourage native-born citizens to experience the place diversely, freely, and actively.

장소성 개념을 통한 인천 구도심 도시재생 전략 연구: 현상학적 장소론을 중심으로

왕치현,김아영 한국국제문화교류학회 2020 문화교류와 다문화교육 Vol.9 No.2

As the paradigm of urban development shifts from redevelopment and reconstruction to urban regeneration, research on place identity is increasing. This is because of the expectation that place identity can play a positive role in urban regeneration strategies as it is known to be a concept that can give local people a sense of belonging and enhance the identity of the region. However, the study of place identity reveals many limitations in emphasizing economic utility, such as the inflow of tourists and the accumulation of capital, rather than studying place identity in connection with the local people. The same is true of the old city center in Incheon, where urban regeneration projects are underway. Accordingly, this study aims to re-establish the concept of place identity from a phenomenological perspective, the theoretical foundation of scholars who initially established the concept of place identity in order to discuss the limitations of place identity research in the field of urban regeneration in Korea, and to present a methodology for supplementing the limitations of prior research on place identity in Korea, and 3) to demonstrate the need to revise the direction of urban regeneration in the old city center of Incheon. As a result of the analysis, urban regeneration projects that affect the location assets of the old downtown of Incheon and these location assets extensively were studied as others-oriented, and the number of residents who would create a authentic place was decreased. There is a concern that this will destroy the place identity rather than regenerate it. Considering that the purpose of the urban regeneration project is to restore settlement, revitalize the city through residents' participation, and improve their affection, the study suggests that the Incheon Regeneration Project needs to be changed in order to form a “authentic place identity”. 도시개발의 패러다임이 재개발·재건축에서 도시재생으로 변화함에 따라 장소성에 관한 연구가 증가하고 있다. 장소성이 지역민에게 소속감을 부여하고, 지역의 정체성을 증진시킬 수 있는 개념으로 알려지면서 도시재생 전략에 긍정적인 역할을 할 수 있다는 기대감 때문이다. 하지만, 국내 도시재생 분야 장소성 연구는 지역민과의 연관 속에서 장소성을 연구하기 보다는 관광객 유입, 자본의 축적 등 경제 효용성을 강조하기에 여러 한계점이 드러난다. 도시재생사업이 진행 중인 인천 구도심의 경우도 마찬가지이다. 이에 따라 본 연구는 국내 도시재생 분야 장소성 연구의 한계를 논하기 위해 1) 장소성의 개념을 초기에 정립한 학자들의 이론적 토대인 현상학적 관점에서 장소성의 개념을 재정립하고, 2) 국내 장소성 선행 연구의 한계점을 보완하기 위한 방법론을 제시하며, 3) 이를 인천 구도심에 대입하여, 인천 구도심 도시재생 방향에 수정이 필요함을 밝히고자 한다. 분석의 결과, 인천 구도심의 장소자산과 이러한 장소자산에 광범위하게 영향을 주는 도시재생사업이 타자지향적인 것으로 연구되었다. 이는 장소성을 재생하기 보다는 오히려 비진정한 장소성을 만들어, 장소성을 파괴한다는 우려가 존재한다. 도시재생사업의 목적이 정주성 회복, 주민참여를 통한 도시 활성화, 애향심 향상 등이라는 점을 고려할 때, 이번 연구는 인천개항창조도시재생사업이 ‘진정한 장소성’을 형성하기 위해서는 방향 수정이 필요함을 시사한다고 하겠다.

장소의 개념 변화에 따른 장소정체성에 관한 연구

서동진 한국공간디자인학회 2024 한국공간디자인학회논문집 Vol.19 No.1

(Background and Purpose) In general, it is perceived that the definition of place has been well established as the perception that place is where people reside. In the context of the Corona era and entered the Post-Corona era in particular, the concept of space and place is expanding, and the conceptual scope of place identity relation to space is also changing in a variety of way. Digital transformation and the development of AI further are accelerating this phenomenon. The concepts of space and place have expanded in meaning. The purpose of this study is to examine the expansion of place identity in conceptual terms as new spaces and places emerge and change time. (Method) Firstly, a review and conceptual extension changes in the concepts of space and place. Secondly, new research was conducted on the concepts of space and place, including traditional definitions and the importance of human-centered experience. The research also explored changes in the subject, loss of place, and non-place. Thirdly, a study of the loss, restoration and expansion of place identity in new communities through digital transformation, which compares and reinterprets the concept of place in light of technological change. (Results) As the focus of a location shifts towards humans, it becomes apparent that it consists of two components: the place itself, which defines the location's identity, and the sense of place, which represents the human's identity in relation to the location. The concept of practical space theory has evolved due to scientific and social developments. As a result of technological and social changes, the concepts of place loss and non-place emerged. Loss of place and its characteristics were derived through examples of digital content and space. The case of the metaverse represents a selective and fluid identity through the concept of non-place, and identity recovery is achieved. A representative example of the anthropological concept of place, focused on human experience, is the digital twin. This concept recovers and expands identity through ripple effects that are reflected in a realistic virtual environment throughout the life cycle. (Conclusions) The concept of place has undergone significant changes, from the traditional notion of space to the anthropological construct of non-place. Examining the changes in the traditional concept of place, the loss of place, and the concept of non-place, and compare the characteristics of each place. This analysis reveals that there has been the loss, recovery, and expansion of place identity. It is expected that empathy and interaction at a cognitive level due to the acceleration of technology due to digital transformation and changes in human-centered subjects will continue to maintain and evolve the recovery and expansion of place identity in new spaces and places.

장소에 기반한 자아 정체성 교육

임은진 ( Eun Jin Lim ) 한국지리환경교육학회 2011 한국지리환경교육학회지 Vol.19 No.2

본 연구의 목적은 장소를 통해 존재의 의미를 회복하고 자아 정체성을 명료화하는데 기여할 수 있는 수업 방법을 모색하는데 있다. 이를 위해 이론적 접근과 실행 연구를 병행하였다. 먼저 일상생활세계에서 직접 경험하는 의미의 중심이라고 할 수 있는 ``장소``와 장소와의 심리적이고 감정적인 관계를 뜻하는 ``장소 유대감``에 대해 이론적으로 체계화하였다. 장소 유대감은 장소 애착, 장소 정체성, 장소 의지로 구성되며, 이중 장소 정체성은 장소에서의 사람의 사회화와 관련되어 개인의 자아 정체성과 깊이 관련되어 있다. 본 연구의 자아 정체성은 ``나는 누구인가?``에 대해 이야기 하는 과정에서 형성되는 서사적 정체성 측면에서 논의하였다. 이러한 논의를 바탕으로 학습자들이 본인의 삶에서 가장 의미 있는 장소를 말하는 과정을 통해 정체성을 형성할 수 있도록 수업을 설계하고, 실제 지리 수업에서 적용하였다. 수업의 주요 절차는 ``교사의 의미 있는 장소 소개``, ``학습자의 의미 있는 장소에 대한 사진 준비와 쓰기``, ``학습자의 의미 있는 장소에 대한 발표``로 이루어졌다. 장소를 만들어가는 주체인 학습자들은 의미 있는 장소에 대한 기억과 경험을 나누고, 자기 스스로에 대해 고민해보는 활동 등을 통해 자신의 정체성을 명료화하였다. 학생들이 발표한 장소는 또 다시 학생 자신을 설명해주고 있었으며, 학생들이 세상을 살아가는데 긍정적인 힘을 제공하고 계속적으로 그 의미를 재생산하고 있었다. This paper aims to find the way of teaching process which can contribute for the clarification of self-identity and regain the significance of existence through ``the place``. To achieve this aim, this paper took the theoretical approach and the practical approach. First of all, this paper was an attempt to systematize the theory related to ``place`` as a center of the meaning of experience in daily life directly and the theory related to ``place bonding`` as a meaning of psychological and emotional relationships with the place. Place bonding is comprised of place attachment, place dependence and place identity, and place identity is deeply related with self-identity, since the place helps the socialization of the people. Selfidentity in this paper was discussed from the aspect of ``narrative identity`` formed when we talk about ``who am I?``. Teaching process is designed for learners to be able to form their identities during they talk about the most meaningful place of their own life in the classroom, and tried to apply the teaching process in real geography class. The main process of the class were constructed of ``the introduction of a meaningful place by teacher personally``, ``the writing and preparation of a picture for a meaningful place by learners``, and ``the presentation for the learner`s meaningful place``. The learners as main agent of taking care of the place could clarify their self-identity through the learner`s sharing of memories and experiences of a meaningful place in geography class and the activities worried about themselves. The places presented by learners showed who themselves are again in there, and it was reproducing the meaning continuously and providing the positive energy to learner to live.

초량 이바구길의 공공디자인에 나타난 장소정체성 표현특성

여미(Yeo, Mi),이창노(Lee, Chang No),최강림(Choi, Kang Rim) 한국실내디자인학회 2015 한국실내디자인학회논문집 Vol.24 No.4

This study aims to identify the characteristics of expression of place identity shown in public design Choryang Ibaguil in Dong-gu, Busan and analyze them from physical aspects and from psychological ones. Choryang Ibagugil has special historicity indicating that it is a hillside road(Sanbokdoro) dwelling site created after the 6.25 Korean War and the quintessence of Busan. In addition, the site is a good example that used the topographic characteristics as they were and used the road for movement called as `gil` to design public environment. Ibagugil connected to Sanbokdoro (i.e. Mangyang-ro) starting from the big road (Busan Station) where there was a large floating population represented the regional identity to public design by the medium of `gil.` As a result of analyzing the characteristics of expression of place identity based on the current status discovered, our conclusions could be drawn as follows: First, place forms identity under interpersonal relationships and there is a story on the lives of people in the contexts between place and identity. Second, place identity is an independent specialty of a certain place and expression of place identity into public design makes the place more place-like. Ibaguil expressed its identity while adapting to the topographic characteristics of hillside road(Sanbokdoro). Third, adjacent public buildings were included into Ibaguil, thus highlighting the placeness, although it is considered that it is ambiguous to determine it as public design in the current-status analysis. Fourth, form the public value aspect, slumized hillside road(Sanbokdoro) was improved, which led to improvement in quality of environment and improvement in pride of local residents. Resultingly, it can be said that the place identity appeared in the public design of Choryang Ibagugil were the stories that happened in this place. Moreover, the indication of future image of how the place will be developed in the future makes the value of the place more significant. Therefore, in public design for expressing place identity, utilization of independent speciality of the site is considered to be an important factor. By doing so, `place becomes a real place` and `place can get an independent identity.` Going further, it comes to get the characteristics of `being the place as it is.`

장소성 재현과 지역문화콘텐츠의 정체성 확립 : ‘극단 벅수골’의 통영 지역자원 활용 창작극 개발 사례를 중심으로

송희영(Song, Hee-Young) 인문콘텐츠학회 2020 인문콘텐츠 Vol.0 No.58

본 연구는 우리나라 지역문화콘텐츠 생산과정에서 만성적인 문제점으로 부각되고 있는 지역문화콘텐츠의 정체성 구현과 차별화 방안 모색을 목적으로, 극단 벅수골의 ‘통영 로드스토리텔러’ 기획시리즈 사례를 집중 탐색하였다, 본 연구는, 자신이 살고 있는 지역에 대한 강한 장소인식을 바탕으로 지역민들의 일상에 잠재된 문화적 기억을 연극콘텐츠화 하는 작업에 일관된 노력을 기울임으로써 지역거점 극단 스스로의 정체성 확립과 함께 지역의 장소정체성 강화에 기여하고 있는 극단 벅수골 사례를 통해 “장소성 재현을 통한 지역문화콘텐츠의 정체성 확립 가능성”을 제시하고자 하였다. 극단 벅수골의 경우, 통영지역에서만 찾아볼 수 있는 독특한 자연경관, 역사, 인물, 전통문화유산, 설화 등 지역 고유 자원을 연극공연콘텐츠로 승화시킨 ‘통영 로드스토리텔러’ 기획시리즈 개발에 역량을 집중해 온 결과, 타 극단과 확연히 구별되는 독창적인 레퍼토리를 구축하였으며, 그를 기반으로 극단의 정체성 확립에 수월한 지위를 확보하고 있다. 또한, 대중들에게 소개되는 벅수골의 ‘통영 로드스토리텔러’의 작품목록은 연극 관람객들에게 통영에 대한 장소체험 기회를 제공함으로써 통영의 장소정체성을 각인시키거나 확장시키는 파급효과로 이어지며, 나아가 지역의 문화관광요소와 결합하여 ‘문화적 장소 만들기 전략’으로 확장되는 순환구조를 창출하고 있다. 결론적으로, 극단 벅수골의 지역자원 활용 창작극 발굴 사례는 지역문화콘텐츠의 정체성과 차별성을 추구하는 우리들에게 “장소에 대한 관심과 연구”가 상업적인 이윤추구 못지않게 중요하다는 사실을 깨우쳐준다는 점에서 연구의 의의를 찾을 수 있다. This study seeks out measures for representation of its identity and differentiation in the process of reproducing locality-based cultural contents which are designated as the chronic problems in the domestic local cultural content industry. Thus, to cope with the issues, this study explores the possibility of establishing identity of local cultural contents by means of placeness-representation with the excavation case of ‘Tongyeong local Road–Storyteller series’, having been carried out during the last 5 years since 2015 by Beoksugol theater company, located in Tongyeong city, Gyeongsangnam-do, Korea. The list of works presented by Beoksugol yields distinctiveness from other local play troupes since it delivers embodiment of abundant historical heritage and many other cultural resources inherited in ‘Tongyeong’ as a military garrison of Navy Headquarters of Three Provinces during the Joseon Dynasty era, in addition to splendid natural scenery as a coastal city, and as a home for greatest number of prominent nationwide artists such as writers, poets, painters and composers and so on. Thorough examination over ‘Tongyeong local Road–Storyteller series’ presented by Beoksugol led to discovery of 3 characteristics. First of all, Beoksugol has reached its objective of “establishing its unique identity” as a troupe based on local community, attributable to persistently developing its repertoire system utilizing a variety of locally passed down cultural resources around Tongyeong. Secondly, Beoksugol efficiently affiliated its achievement with the reinforcement of the place-identity of Tongyeong, through performing sequential original plays with employing annually accumulated local resources. Thirdly, Beoksugol’s trace of the past performances revitalizing hidden cultural memory throughout the region eventually brought about additional result in the integration of Tongyeong City’s strategic planning for building up cultural places. Hereby, this study suggests schematization of Beoksugol’s consistent efforts to develop its original repertory with the utilization of local narrative resources, thus ultimately reconstructing and expanding place-identity by provision of chances for residents and audience from outside to “experience of the place” about Tongyeong. From here, we could discover interconnectedness, or constitutive coingredience in technical term, between place and community identity as Edward Relph claimed “place-identity in a region influences self-identity of the given regional community; in turn, community identity mutually provides and receives influences over and from place-identity”. All in all, the case of Beoksugol that successfully achieved the construction of unique identity of itself based on strong awareness of placeness in the region awakens us to the importance not merely of pursuit of commercial profits, but also of attention and close studies on ‘place’, which is the root of cultural content production entailing the communal uniqueness and originality.

문화자원 활용공간의 장소 정체성 강화방안 -도시형 한옥마을과 전통마을을 중심으로-

송영민 ( Youngmin Song ) 한국공간디자인학회 2015 한국공간디자인학회논문집 Vol.10 No.5

(연구배경 및 목적)본 연구는 장소로서의 공간, 보존해야할 대상으로서의 문화재, 삶의 현장으로서의 전통을 포함하는 문화자원 활용공간의 지속적인 보존과 활용을 전제로 한다. 문화자원은 도시의 이미지를 결정짓는 주요자원이자 지역발전의 중요수단이 되고 있다. 문화자원 활용공간은 문화재 군락을 중심으로 역사적 전통의 의미와 가치를 지닌다. 특히 문화자원을 보존하고 활 용하는 거주지역의 주민들에게 문화자원 활용공간은 일상생활과 밀착된 환경이므로 장소와 지역주민, 디자인이 함께 다뤄져야 한다. 문화자원 활용공간의 장소 정체성 형성과 장소가 해석되는 방식을 이해하여 장소 정체성의 유지 및 강화방안을 제시하는 것이 본 연구의 목적이다. (연구방법)본 연구는 문화자원 활용공간의 보존과 활용을 통한 장소 정체성의 관점에 관한 연구이다. 이를 위해 장소와 장소 정체성의 이해를 통해 문화자원 활용공간의 장소 정체성 형성이 어떻게 전개되는지 살펴보았다. 연구방법은 먼저 도시형한옥마을과 전통마을의 사례를 토대로 장소형성 과정을 이해하였다. 그런 다음 사례를 종합하여 장소 정체성형성의 배경 및 계기가 되는 요인과 시대에 따라 변화하는 장소의 의미를 분석하여, 문화자원 활용공간의 장소 정체성 강화방안을 제시하였다. (결과)문화자원 활용공간의 장소 정체성을 강화하기 위한 방안은 다음과 같다. 첫째, 현시점의 장소 정체성을 진단하고 방향성을 설정하여 장소의 문화적 특성과 가치를 재정립하여야 한다. 둘째, 공공자원의 활용은 다양한 문화콘텐츠 개발로서 장소 정체성을 정립하고 공동체가 그 문화를 향유할 수 있는 수단으로 접근하여야 한다. 셋째, 문화자원 활용공간의 공공디자인은 공동이 소유하는 문화자원과 거주공간으로서의 생활적 요구를 수용하여야 한다. 이를 위해 공동의 문화적 특성과 문화자원을 활용하여 공동체의 참여를 확대하고 자율권을 보장하여야 한다. (결론)위의 연구결과에 따라 문화자원 활용공간의 공공디자인은 지역주민의 편의를 보장하면서 문화자원의 보존과 활용을 통해 장소의 새로운 가치를 창출하고자 하는 궁극적인 목표를 가져야 한다. 이로써 본 연구가 문화자원에 대한 중요성을 인식하고, 문화자원 활용공간의 정체성을 확보하는 기초자료가 되리라 기대한다. (Background and Purpose)This study was conducted based on the assumption that it is necessary to continue to preserve and utilize cultural resources that involve space as a place, cultural assets as targets of preservation, and traditions. Cultural resources are important for determining the image of a city and for promoting regional development. A cultural resources cluster assumes significance and value from the historical viewpoint, which is centered on the community’s cultural assets. In particular, place, regional residents, and design need to be integrated since efficient use of cultural resources creates a space for residents to preserve and utilize them in a way that is closely related to everyday life. The purpose of this study was to understand the method and identify the place for using cultural resources to improve place identity. (Method) As previously stated, the aim of this study was to research place identity and its continued preservation to utilize cultural resources effectively. The formation process was examined using the examples of an urbanized hanok village and traditional village. Subsequently, the analysis of varied meanings of a place according to its age, background, and formation of identity was conducted, and ways to strengthen cultural identity and space resource utilization were proposed. (Results) Methods to improve place identity and the efficient use of cultural resources follow. First, it is necessary to diagnose the identity of a place in the present and set the direction to reestablish desired characteristics and place value. Second, regarding the usage of public resources, it is necessary to establish the place identity by developing various cultural contents and access to them as the means for enabling community enjoyment. Third, the public’s design preferences for a designated place to use cultural resources should reflect a community’s cultural identity and a respect for residential spaces. It is necessary to incorporate cultural characteristics and resources of a community to enlarge participation of the locals and secure autonomous rights. (Conclusions) Study results suggest that a place designed for public use should utilize cultural resources for the convenience of local residents, with the ultimate goal defined as creation of a new place value resulting from preserving and using cultural resources efficiently. Likewise, this research will hopefully provide base data for increasing awareness about the importance of cultural resources and their efficient use.

복합상업시설에서 장소체험 제공에 관한 기초연구 - 체험요소를 중심으로 -

김형중 한국문화공간건축학회 2023 한국문화공간건축학회논문집 Vol.0 No.81

Recently, through articles, commercial complexes are promoting as a place which you want to stay in or an experiential shopping mall. This means that commercial complexes are becoming a place for people to spend their leisure time, providing a place where they want to stay and a place to express their identity. This study starts with the question of why the space of a commercial complex as a commercial facility should play a role as a place. And this will examine how to form a sense of place as a produced place. First of all, through Relph's concept of place, the properties of place identity will be looked at, and through the experience module proposed by Schmitt, it will be applied to place experience and analyzed. The attributes of place identity are the environment, meaning, and activity, and the community as the subject of the place. The identity of place can be thought of as a human information processing process and result converted into an experience module. A place is formed by the construction of experience, the meaning by community, and the interaction of people, but the complex commercial facility created in a short period of time uses experiential elements to retrieve experiences stored in memory. In order to use this effectively, the connectivity of experience elements is important, and as a place is created with various experiences, a holistic experience will help to form a sense of place.

지하철역의 공공미술과 장소 정체성에 관한 연구

이지은 ( Lee Jieun ),이재규 ( Lee Jaekyu ) 한국공간디자인학회 2020 한국공간디자인학회논문집 Vol.15 No.3

(연구배경 및 목적) 공공미술은 각박한 도시 환경에서 시민들이 접할 수 있는 일상 속에서 힐링 역할을 수행해 오고 있다. 단지 심미적 아름다움만이 아닌 새로운 가치를 담을 수 있는 종합적 예술이기에, 공공미술에 대한 관심이 높아지고 있다. 하지만 속도중심주의의 시대상황으로 인해 공공미술의 영역에서도 장소상실이라는 결과를 초래했고, 장소와 관련 없는 오브제 위주의 공공 작품이 범람하고 있다. 이러한 시대 상황을 반영하여, 도시의 일상성을 대변할 수 있는 장소를 지하철로 한정하고, 장소 정체성을 기반으로 공공미술에 관한 연구를 분석하고자 한다. 본 연구는 시민 모두의 질적 삶의 향상을 위한 공공공간으로서의 지하철역의 공공미술의 장소 정체성을 도출하는데 그 목적이 있다. (연구방법) 본 연구의 흐름은 첫째, 장소를 기반으로 한 공공미술의 발전 과정 대한 고찰을 통해 분석 요소 추출을 진행한다. 둘째, 장소 정체성 분석을 바탕으로 특징을 재정립한다. 셋째, 지하철공간의 장소적 특징을 학술지 및 학위 논문을 통하여 도출하는 순으로 진행된다. 사례조사는 구조요소에 따른 공간 구조 구형과 환경 조형, 작품형을 기준으로, 해외 사례와 국내 사례를 통해 비교 분석을 진행한다. (결과) 연구 결과 첫째, 지하철역의 장소 정체성 중 연속성과 문화성 부분이 높게 나왔는데, 이는 동선의 흐름에 따라 감상의 기회가 많을수록 높게 나타났다. 둘째, 공공미술 요소에서 공공성이 두드러질수록 참여성, 예술성, 상징성이 적절히 분배되어 나타났다. 셋째, 해외의 공간 구조형 공간이 국내의 작품, 환경조형형 공간보다 접근이 용이하여 공공미술의 요소가 분명하게 드러났다. 넷째, 장소의 정체성이 두드러질수록 공공미술 요소가 강하게 나타난다. (결론) 본 연구는 특정 장소의 장소 정체성의 요소와 공공미술의 요소가 서로 상호 보완적인 관계를 형성할 때, 공공미술의 발전이 가능한 것을 확인하였다. 또한 공공미술의 장소성은 주변의 지역적 맥락과 공간을 구성하는 디자인적 요소에 크게 영향을 받는다. 따라서 공공장소에 삶의 장소로, 장소 경험이 실현 됬을 때, 더 이상 오브제 중심이 아닌 진정한 의미의 예술로 나아갈 수 있을 것이다. (Background and Purpose) Public art has successfully assumed a healing role in urban citizens’ daily lives. Since it is comprehensive art and not aesthetic beauty on its own that embodies new values, interest in public art is rising. However, the situation created by the speed-centrism era has resulted in a loss of places in the public art realm, and consequently, there are many object-oriented public works that are not related to places. To reflect this situation, I want to designate an underground space as a place to represent the city’s daily life and analyze research on public art based on the place’s identity. The purpose of this study is to establish public art’s place identity in subway stations as a public space for improving all citizens’ quality of life.(Method) The flow of this study was to first extract analytical elements through consideration of the public art development process. Second, features were redefined based on an analysis of location identity. Third, subway spaces’ location characteristics were determined using academic journals and dissertations. (Results) First, location identity was found to be high in continuity and cultural aspects, resulting in a greater flow of movement and opportunities for cultural appreciation that make up space. On the other hand, locality was lowered, which is interpreted as the failure to apply the ground’s local context to the underground space. Second, public nature is prominent in public art elements, and participation, artistry, and symbolism are drawn similarly because subway stations’ public functions and cultural elements are used in a timely manner. Third, the elements of public art are more apparent when access is possible as a space itself, compared with appreciating the work, in part, through the work or the environment. Fourth, when encouraging active participation in consideration of specific places’ characteristics, places and public art can establish mutual relations and expand their meanings. (Conclusions) This study confirmed that properly balancing a particular place’s location identity with the elements of public art makes the development of public art possible. Especially in subway stations, public art can give rise to a new identity when the location context on the ground is applied. Likewise, public art’s place-ability is strongly influenced by the design elements that make up the surrounding local context and space. Thus, when public places, places of life, and place experiences are realized, we can move on from the “object” to the art of true meaning.