정인지(鄭麟趾)의 시문학사적 의의에 관한 연구

정상균 한국고시가문학회 2003 한국시가문화연구 Vol.0 No.12

Jeong-In-ji(1396~1478) lived in the historical turning point that a new Confucian culture was really created on the ground of introspection of Buddhistic one. He had a confucian didactic view point of poetry and led the creation of Yong-bi-eo-cheon-ga(The Song of Six Dragons Rising in the Sky) which is appraised as 'it mirrors the ideas not only of the new government Yi dynasty but also of the entire people.' And he also took the leadership in writing Go-ryeo-sa(The History of Go-ryeo Dynasty). In the music chapter of the book, Jeong-In-ji maintained firmly Chu-hsi(1130-1200)'s poetic view which was expressed in the comments of Shih-ching. Jeong-In-ji wrote Hae-rae-bon-Hun-min-jeong-eum(The Interpretative Book of the King Se-jong's Korean Alphabet). He fellowed faithfully the king Se-jong's independent view of Korean in the book. However Jeong-In-ji's original linguistic attitude was not different from Choi-Man-ri's one who opposed the creation of Him-min-jeong-eum(The king Se-jong's Korean Alphabet). Choi-Man-ri thought the Korean language as 'a secular, boorish and vulgar one'. Jeong-In-ji also used the same words. The creation of Yong-bi-eo-cheon-ga was the most important matter in the development of the Korean poetic history. In the result of the creation, the linguistic tradition of the popular songs of Go-ryeo dynasty was inherited and they achieved the new poetic dimension accommodated the senior Chinese artistic thought. Jeong-In-ji interested in the figurative words of popular song's of Go-ryeo dynasty. He used the figurative way on the creation of Yong-bi-eo-cheon-ga. The senior figurative ways had been used by Chu-hsi in his comments of Shih-ching.

성악 전공 학생의 가칭 시 음성의 SPR(Singing Power Ratio)에 관한 연구

조성미,정옥란,이상욱 한국음성과학회 2004 음성과학 Vol.11 No.4

This study attempted to provide a spectrum analysis for quantitative evaluation of singing voice quality of singing students rather than the presence or absence of the singer's formant. The regression analysis was used to analyse the relationship between ringing quality, SPR, and SPP of singing voice of college student subjects majoring in music. This study measured singing power ratio (SPR) in 41 singing students. Digital audio recordings were made in sung vowels for acoustic analyses. Each sample was judged by 1 experienced singing teacher and 4 voice pathologists on one semantic bipolar 7-point scales (ringing-dull). The results showed that the SPR and SPP had significant correlations with ringing Quality. The SPR had a significant relationship with ringing quality on singing voice in singing students. The SPR can be an important quantitative measurement for evaluating singing voice quality.

색계(色界)의 한 연구 -박상륭의 『죽음의 한 연구』론

정도상 ( Do Sang Jeong ) 현대문학이론학회 2013 現代文學理論硏究 Vol.0 No.54

박상륭의 『죽음의 한 연구』는 한국문학이 개척하지 못한 색계(色界)를 탐구하고 형상화한 관념소설의 정수라고 해도 과언이 아니다. 색계가 공계의 비대립적 상대성의 세계가 되기 위해서는 색즉시공의 동시성과 전환, 그리고 그것을 추동하는 용(用)이 필요했다. 달마는 용의 핵심을 마음으로 봤지만 박상륭은 남근으로 보았다. 이것은 선어(禪語)와 소설의 차이일 뿐이었다. 이어 ‘나’는 확정된 존재(Being)가 아니고 ‘되어가는 존재(becoming)``라는 관점에서 볼 때 색신(色身)임이 분명했다. 하지만 공신(空身) 달마로부터 원효에 이르기까지의 인물들이 색신에 투영되어 있다는 것도 확인할 수 있었다. 유리와 읍내, 그리고 큰 형장으로 이어지는 색신의 삶과 색계의 주유는 결국 공계(空界)로의 이동이란 궁극적 목표 때문이 아니었다. 공계로의 이동이 모든 색신의 궁극적 목표가 아닌 이유는 공이란 깨달음으로 가는 불성(佛性 혹은 自性)의 도구에 불과하니 집착하지 말라는 붓다의 가르침이 때문이기도 했다. 박상륭의 『죽음의 한 연구』에는 이와같은 내용들이 ‘나’라는 인물을 통해 색계가 잘 형상화되어 있는 소설이었다. It is no exaggeration to say that Park Sang-ryung`s 『A Study on Death』 is the quintessence of an ideological novel which embodies the world of r?pa(=form) that Korean literature has never discovered before. In order for the world of r?pa to exist with the world of s?nya(=emptiness) in a non-oppositive way, the simultaneity and conversion of the both as well as the medium that drives them are required. Dharma saw "heart" as the key of the medium, but Park Sang-ryung saw men`s penis as the key. It is just the difference between words of zen and a novel. In the sense that myself(in the novel) is not defined as "being", but more of a "becoming", it is clear that "I" am the body of r?pa. However, I could see that a variety of individuals in the body of s?nya from Dharma to Won-hyo were also reflected in the body of r?pa. Eventually, the ultimate goal of the journey of the body of r?pa from Yury to the downtown and the place of execution was not to travel to the world of s?nya. The reason why the ultimate goal of all bodies of r?pa is not moving to the world of s?nya is partially because of Buddha`s teachings that we should not be obsessed with s?nya since it is just one of the methods that lead us to the realization. The void is not Nothing. Park Sang-ryung`s 『A Study on Death』 is a novel that well-describes these contents through the character "myself".

백야 이상춘의 신소설 연구

배정상(Bae, Jeong-Sang) 부산대학교 한국민족문화연구소 2022 한국민족문화 Vol.81 No.-

백야 이상춘은 신소설 작가 중에서도 보기 드문 이력을 가진 흥미로운 인물이다. 그는 『박연폭포』와 『서해풍파』라는 꽤나 인상적인 작품을 저술했지만, 평생을 교사이자 국어학자로 살았다. 지금까지의 연구에서는 신소설 작가 이상춘이 『매일신보』와 『청춘』의 현상문예에 당선된 특별한 이력이 있다고 정리한 바 있다. 하지만 본 연구에서는 이러한 이상춘의 이력에 대한 오류를 바로잡고, 같은 시기 동일한 이름을 사용했던 두 명의 이상춘(李常春)이 존재했음을 처음으로 밝혀냈다. 신소설 작가이자 교육자였던 개성의 이상춘과 『매일신보』와 『청춘』의 현상문예 당선자이자 『매일신보』 기자였던 경성의 이상춘은 같은 이름을 사용했던 각기 다른 인물이었다. 신소설 작가 이상춘은 개성에서 태어나 한영서원에서 수학했으며, 이러한 경험은 그의 작품을 이해하는 데 중요한 토대가 된다. 『박연폭포』와 『서해풍파』는 고향인 개성을 주된 공간배경으로 삼고 이를 핍진하게 묘사하고 있으며, 작품 속 무대를 일본과 미국, 더 멀리 남극에까지 확장하고자 했다. 또한 한영서원에서 배운 근대 지식과 기독교 사상, 외국어 등은 작품 속 주제로 형상화 되었다. 한편, 택견 유단자와 매력적인 장애인 여주인공, 조선학과 항해학을 전공하고 남극탐험에 도전한 인물 등 이전의 신소설에서는 보기 드문 새로운 인물형상을 창조한 것도 중요한 특색이다. 이처럼 이상춘과 그가 남긴 신소설은 1910년대 신소설의 다채로운 성격을 이해하기 위한 의미 있는 사례가 된다. ‘Baekya’ Lee Sang-chun is an interesting character with a rare history among ‘Sinsosul’ writers. Although he wrote quite impressive works called ‘Bakyeonpogpo’ and ‘Seohaepungpa’, he spent his entire life as a school teacher and Korean language scholar. In the research so far, it has been summarized that ‘Sinsosul’ writer Lee Sang-chun has a special history of being selected for the prize-winning literary arts of ‘Maeil Shinbo’ and ‘cheongchun’. However, in this study, it was discovered for the first time that there were two Lee Sang-chun (李常春) who used the same name at the same time by correcting these errors in Lee Sang-chun’s history. Lee Sang-chun of ‘Gaeseong’, who was ‘Sinsosul’ and educator, and Sang-chun Lee of ‘Gyeongseong’, who won prizes for ‘Maeilsinbo’ and ‘cheongchun’ and ‘Maeilsinbo’ and reporter, were different people who used the same name. ‘Sinsosul’ writer Lee Sang-chun was born in Gaeseong and studied at ‘Hanyeongseowon’, and this experience is an important factor in understanding his work. ‘Bakyeonpogpo’ and ‘Seohaepungpa’ use his hometown ‘Gaeseong’ as the main spatial background and depict it richly, and he wanted to extend the stage in his works to Japan and the United States, and further to Antarctica. In addition, modern knowledge, Christian thought, and English learned at ‘Hanyeongseowon’ were embodied as themes in the work. Another important feature is the creation of a new character, which is rare in previous ‘Sinsosul’, such as ‘Taekkyeon’ master, an attractive female heroine with a disability, and a person who majored in shipbuilding and navigation and took on the challenge of exploring Antarctica. In this way, Lee Sang-chun and the ‘Sinsosul’ he left behind serve as meaningful examples for understanding the colorful aspect of the ‘Sinsosul’ of the 1910s.

리더쉽,비젼 및 變動을 硏究하기 위한 理論的 檢討

丁相賢 又石大學校 1993 論文集 Vol.15 No.-

우리나라 지하수 이용 현황과 합리적인 관리방안

정상만 公州大學校工科大學生産技術硏究所 1994 論文集 Vol.2 No.-

본 연구의 목적은 지하수 이용 및 보전 방안 제시를 위한 기초 연구로서 지하수 이용을 위한 기초 조사, 지하수 관리를 위한 방안 검토, 지하수 보전 방안 등을 제시하는 것이다. 지하수 이용을 위한 기초 조사를 실시하여 지하수 관련 기초 자료의 수집과 이용 기법을 소개하고 지하수의 부존량과 이용 가능량을 추정하였다. 지하수의 합리적인 관리를 위해서는 지하수법의 제정·시행이 필요하며, 지하수법에 반드시 포함되어야 할 사항으로는 지하수의 소유 및 사용권의 소재, 법 집행을 위한 주무 기관의 설정, 지하수의 조사·개발·양수량·이용 한도 등의 제한, 오염 방지 대책, 법규 위반에 따른 벌칙 조항등이 있다. 여기서는 외국의 지하수 관련 법규를 위의 사항별로 비교하여 분석하였으며 우리나라 지하수법의 특징도 분석하였다. 지하수의 보전 방안으로 오염 방지 대책과 함양 방법을 검토하였다. 오염 방지 대책으로 지하수 오염의 특징, 오염원의 분류, 오염 방지 및 처리 방안을 모색하였으며 함양 방법으로는 주입법, 확수법, 지하댐 등을 중심으로 함양 사례를 제시하였다. 지하수의 보전과 수자원의 효율적인 이용 방안의 하나로 지표수와 지하수의 연계 이용을 제시였으며 장·단점을 분석하였다. The major purpose of this research is no evaluate the current groundwater use, management and conservation in Korea and is to present a proposal for the improvement for the use, management and conservation. Data collection and techniques for groundwater use have been introduced and the estimation of the volume and availability of groundwater have been conducted. Foreign groundwater laws have been analyzed and compared in tems of water ownerships, administrative systems, control through permits and regulations, groundwater quality protection, and violation of the law. In addition, the recently legislated Korean groundwater law has been analyzed and compared with the foreign groundwater laws. The principal sources and causes of groundwater pollution are introduced. Groundwater conservation techniques such as groundwater pollution protection, recharge methods have been suggested. In approaching full development of water resources, conjunctive use, which involves the coordinated and planned operation of both surface water and groundwater resources, has been suggested. Finally, the advantages and disadvantages, mostly economic, are summarized.

Bonded SOI 웨이퍼 제조를 위한 기초연구

정해도,문도민,강성건,류근걸 釜山大學校生産技術硏究所 1997 生産技術硏究所論文集 Vol.52 No.-

SOI(Silicon On Insulator)기술은 MOS(Metal-Oxide Semiconductor), CMOS(Complementary MOS)등의 전자집적회로 제조시 소자의 고속화, 고집적화, 저전력화, 발열 특성의 향상 등의 효과를 기대할 수 있다. 간략하게 Bonded SOI웨이퍼의 제조를 설명하면 SiO₂를 성장시킨 웨이퍼와 경면 가공한 다른 웨이퍼를 접합하여 열처리 등 후공정을 행한 후 한쪽 웨이퍼를 원하는 두께만큼 박막으로 가공한다. 본 연구에서는 기본적인 Bonded SOI 웨이퍼의 제조 공정 기술을 획득하고, 이를 통해 두께 3㎛ 이하, 표면거칠기 5Å이하의 상부 실리콘 박막을 가공하였다. SOI(Silicon On Insulator) technology is many advantages in the fabrication of MOS(Metal-Oxide Semiconductor) and CMOS(Complementary MOS) structures. These include high speed, lower dynamic power consumption, greater packing density, increased radiation tolearence et al. In the smiplest form of bonded SOI wafer manufacturing, creating, a bonded SOI structure involves oxidizing at least one of the mirror polished silicon surfaces, cleaning the oxidized surface and the surface of the layer to which it will be bonded, bringing the two cleanded surfaces together in close physical proximity, allowing the subsequent room temperature bonding to proceed to completion, and then following this room temperature joining with some form of heat treatment step, and device wafer is thinned to the target thickness. In this paper, The process of Bonded SOI wafer manufacturing is described briefly, and we made an attempt to manufacture the Bonded SOI safer that Si layer thickness is below 3㎛ and average roughness is below 5Å.

普賢十願歌 硏究

鄭尙均 朝鮮大學校 師範大學 國語敎育科 1984 國語敎育硏究 Vol.3 No.-

유한 요소 방법을 이용한 인간 움직임 추적에 관한 연구

丁鍾泌,魏丞廷,梁桓碩 順天靑巖大學 1997 論文集-順天靑巖大學 Vol.21 No.2

In this paper, we propose a motion of people tacking using Snakes Model. Snakes Model is an active contour model defined by an energy function in terms of the internal energy, the image energy, and the external energy. Then we can find the people contour model in the image by minimizing the energy function using Finite Element Methods. In order to increase and effect of object tracking and adaptable motion prediction, it used temporary motion information existing in an image and led to the transformating matrix from the motion tracking algorithm for the transformating process and motion of object.

이황의 <도산십이곡> 연구

정상균 한국고시가문학회 2004 한국시가문화연구 Vol.0 No.14

In succession to the poets Song Sun and Hwang Jin-I, Yi Hwang(1501-1570) composed Do-San-Sip-I-Gok(The Twelve Songs of Do-Mountain). This fact has a considerable meaning in the progress of Korean literary history. As the Buddhistic poet Gyun Yeo(923-973) had composed Bo-Hyeon-Sip-Weon-Ga in the form of the national poetry Hyang-Ga at his time, the Confucianistic poet Yi Hwang composed his poem Do-San-Sip-I-Gok in the form of Si-Jo. And as the Gyun Yeo had written his poem on the basis of Buddhism, so the Confucian Yi Hwang, according to the Confucianism, wrote his poem. First of all Yi Hwang's concerns for Korean language was a notable one. For this was an expression of independent spirit which was promoted after the creation of Korean alphabet. And it is noteworthy that Yi Hwang introduced a new method of philosophic poetry which had been widely favored in the Sung dynasty. That is, even the meanings of ordenary things and usual objects selected in the poems are transfigured as the Confucianistics. Therefore the poetic possility of Korean figurative language was, in result, enlarged and deepend. Though Yi Hwang's poetics might be connected with the Chinese philosophical one, the poem Do-San-Sip-I-Gok is not a plagiary. The poem Do-San-Sip-I-Gok composed in Korean native language is the fine example of success in utilizing a new poetic method.