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방탄소년단(BTS)와 백남준 작품의 접점을 활용한 세대통합 문화예술교육의 방향성 탐색
주영광 한국예술교육학회 2024 예술교육연구 Vol.22 No.1
본 연구는 시간적 차이를 두고 활동한 한국이 낳은 세계적인 예술가 둘을 고찰해 그들의 예술적 가치와 접점을 살펴보고, 이를 통해 세대통합 문화예술교육의 방향성을 제안하고자 한다. ‘BTS현상’으로 집약할 수 있는21세기의 방탄소년단과 ‘비디오 아트의 아버지’로 불리며 세계적인 영향력을 발휘한 20세기의 백남준을 통해세대통합 형태의 문화예술교육 프로그램의 가능성과 방향을 도출하는데 목적을 둔다. 백남준아트센터 누리집의교육자료(교사용지도서, 작품감상 활동지)에서 제시한 백남준 예술의 주요 예술적 가치인 ‘협업’, ‘시간과 공간’, ‘소통과 참여’의 3가지 키워드를 방탄소년단의 작품에서도 도출해보고 이 가치들을 연결해 다음과 같은 세대통합 문화예술교육의 방향성을 제안한다. 첫째, 백남준과 방탄소년단의 작품에 활용된 재창조의 미학을 학습 도구로 활용하여 학습자에게 작품에 대한 시대적 해석의 실제적 경험을 표현하게 함으로써 적극적인 참여를 유도한다. 둘째, 백남준과 방탄소년단의 작품에 배치된 서사와 오마주, 트랜스미디어를 통한 스토리텔링을 세대 간 소통의 도구로 활용하여 각자의 이야기를 결합해 예술적 향유와 자기주도학습을 돕는다. 셋째, 문화적 원심력과문화적 구심력을 통해 본 백남준과 방탄소년단의 시간에 대한 인식을 활용해 기성세대는 ‘원심력적인 세대 간이해’, 다음세대는 ‘구심력적인 세대 간 이해’를 도모하여 세대 간 통합교육의 지속적 실천을 도모한다. This study examines two globally renowned artists from Korea who have worked at different times, exploring their artistic values and intersections. Through the analysis of these artists, namely one of the 21st-century phenomena as 'BTS Phenomenon’ and the 20th-century figure globally acknowl- edged as the 'Father of Video Art,' Nam June Paik, the goal is to propose directions for intergenera- tional culture and arts education program. The study aims to derive possibilities and directions for cultural arts education blueprint that bridge generations by identifying key aspects in Nam June Paik's art such as 'collaboration,' 'time and space,' and 'communication and participation' borrowing educational materials from the Nam June Paik Art Center (teacher's guidebooks, artwork appreciation activities). Examining how these values are manifested in BTS's works, the study proposes the following directions for intergenerational cul- tural arts education program. Firstly, by employing the aesthetics of re-creation used in the works of Nam June Paik and BTS as learning tools, learners are encouraged to actively participate by express- ing their actual experiences of interpreting artworks in the context of their time. Secondly, by utiliz- ing the narratives, homages, and storytelling through transmedia found in the works of Nam June Paik and BTS as tools for intergenerational communication, the study aims to facilitate active enjoy- ment and proactive learning by combining individual stories. Thirdly, leveraging the understanding of time in Nam June Paik's and BTS's works through cultural centrifugal force and cultural centripetal force, the study promotes continuous intergenerational communication and education. It encourages the older generation to achieve 'centrifugal force-oriented intergenerational understanding' and the next generation to foster 'centripetal force-oriented intergenerational understanding.' This approach aims to facilitate ongoing practices of intergenerational communication and education.
일체형 아크릴재질의 인공수정체를 이용한 공막봉합 이차 인공수정체 삽입술
양종윤,주영광,Jong Yun Yang,MD,Young Kwang Chu,MD 대한안과학회 2012 대한안과학회지 Vol.53 No.12
Purpose: To introduce a new surgical method of transscleral intraocular lens (IOL) fixation using a foldable, single-piece acrylic IOL with 4 loop haptics and to report the surgical results. Methods: After a single-piece acrylic IOL with 4 loop haptics was injected into the anterior chamber and positioned on top of the iris diaphragm, a 10-0 Prolene STC-6 straight needle and a 27-gauge needle were used to string the prolene thread through the haptic openings from front to back fixating the IOL to the sclera, resulting in a transscleral “1 loop 4 points” fixation. Twenty-eight eyes of 28 patients who had received transscleral fixation via this new technique were retrospectively reviewed. The best corrected vision acuity (BCVA) was measured after a postoperative period of at least 6 months. Intraoperative and postoperative complications were investigated. Results: In 27 out of 28 eyes (96.4%), the postoperative BCVA was better than 0.5 (Snellen chart). The only complication found was 1 case of choroidal detachment (3.6%). Conclusions: The new transscleral “1 loop 4 points” fixation technique of a foldable, single-piece acrylic IOL in the absence of capsular support is an easy procedure and reduces surgical time and hastens visual rehabilitation due to excellent IOL positioning stability. Additionally, the technique described in the present study may be a safe procedure with minimal complications.