이사무 노구치의 작품에 관한 연구

원경환(Won, kyung-hwan),안민성(Ahn, min-sung) 한국조형디자인학회 2009 조형디자인연구 Vol.12 No.3

The purpose of this study is to examine the relationship between Isamu Noguchi's (1904 ∼1988) works and Japan's traditional characteristics. This can be done by trying to analyze his ceramic sculpture made in Japan, in which when this modern sculptor was immersed in seeking for his identity. The analysis will include and be compared to the formative characteristics in typically environmental sculptures that brought motif from Japanese traditional garden. Noguchi pursued a way to the sculpture that has an abstract quality, as well as a social relationship while concentrating on nature and a human being. He aimed to create sculptural environment for human activities as the actual place that art and society are connected, by introducing sculpture to the daily life. Isamu Noguchi's perspective of modern art was disciplined in Paris Studio of the sculptor Constantin Brancusi (1876〜1957), and was lively-integrated space by combining with the experience on Japan's traditional garden. The forms (what is geometrical and what is organic, what is traditional and what is modern), which are diversely shown in Noguchi's works, are maintaining the dialectical tension between oppositive propensities (what is spiritual and what is scientific, what is ideal and what is practical). Its reason can be found in Noguchi's personal experience and his individual history. These are composed of opposite elements such as his childhood in Japan and his adolescence in America, and the et tic difference that he felt simultaneously between his American mother and Japanese father. Ceramic work became the medium he explores his identity. Through ceramic work in Japan, Noguchi tried to establish his identity by experiencing combination of nature and abstraction and by pursuing connection with Japan. In order to seek for cultural identity in Japan, Noguchi maintained his characteristic of modernism, while utilizing elements in Japan's traditional aesthetics. Noguchi's continuous effort for exploring identity was shown as the uniquely formative characteristic in his work, and brought about expansion in sphere of modern sculpture as a pioneer of new environmental art.

현대 도예에 나타난 Installation에 대한 연구 비교 연구

원경환(Won, Kyung-Hwan),안민성(Ahn, Min-Sung) 한국조형디자인학회 2008 조형디자인연구 Vol.11 No.3

Installation Art is the art form of inducing the audience's participation by including the sense of sight, tactile sense, auditory sense, and sometimes the olfactory sensation in 3-dimensional space without remaining in the limitation of visual expression, escaping from the limitation of traditional art genre, which is divided into painting and sculpture, through expanding space of including choice and environment in diverse materials. The installation art has close relationship with a concept called ‘space.’ The installation, which was used in the whole space of exhibition, needs to allow the work to form one relationship rather than being separated from place. Here, the audience is emerged as an important role. An artist allows the audience to participate in the work, thereby leading to the accidental and unpredictable result. And, this can be seen to be the aim to cause the audience to have interest in the work and to provide the artist oneself with an opportunity that can be given inspiration. One of main characteristics in the work of installation art is what has ‘one-time attribute’ of coming to disappear with leaving just photos other records simultaneously with being withdrawal after a number of works had been installed for the fixed period. This is the plastic form that pursues the momentary behavior of escaping from the traditional art idea with saying that art needs to have perpetuity. Thus, in order to avoid a problem that is left just by these materials, the work is preserved by being permanently installed in a public place, or, the special attention is also paid to materials and techniques aiming to prevent damage, if possible. Meanwhile, since the start of the clay revolution centering on Peter Voulkos at the end of the 1950s, the modern art trend and modern ceramic art can be reminisced on one line. The installation art, which is recently showing the remarkable bullish trend in modern art, had natural influence upon modern ceramic art. And, this is possessing one genre in modern ceramic art in the contextual and methodological aspect. The modern ceramic art accepted a concept of modern sculpture, passed through more abundant experience, and arranged the firm position in the new ceramic-art aesthetics. The installation art arranged modern ceramists with the breakthrough of possibility for expression. As this is the sculpture of having the field base after passing through the form like performance, it is adding the motive power to development in ceramic art. Clay comes to have the semi-permanent property after passing through the process of plasticity. This is the part that can judge the possibility of ceramic art as the excellent art medium while supplementing a weak point in the installation art with saying of failing to have independence and permanence as the artistic work.

소형 이동 로봇의 사람 추적 성능 개선을 위한 휠 오도메트리 기반 실시간 보정에 관한 연구

박재훈(Jaehun Park),안민성(Min Sung Ahn),한재권(Jeakweon Han) 한국로봇학회(논문지) 2022 로봇학회 논문지 Vol.17 No.2

하시모토 갑상선염을 동반한 유두상 갑상선암의 임상병리학적 특징

강상현,하태권,박하경,이홍태,신재호,안민성,김광희,배기범,김태현,최창수,김진수<SUP>1<.SUP>,김기훈<SUP>1<.SUP>,김운원<SUP>1<.SUP>,김상효,Sang Hyun Kang,Tae Kwun Ha,Ha Kyoung Park,Hong Tae Lee,Jae Ho Shin,Min Sung Ahn,Kwang Hee Kim,Ki Beom Bae,Ta 대한갑상선-내분비외과학회 2013 The Koreran journal of Endocrine Surgery Vol.13 No.1

Purpose: Hashimoto's thyroiditis (HT) is an important cause of hypothyroidism caused by autoimmune chronic lymphocytic thyroiditis. In order to attain a better understanding for use in treatment of papillary thyroid carcinoma (PTC) coexisting with HT, we conducted an analysis of the clinicopathologic features, as well as the importance of HT as a prognostic factor. Methods: In this retrospective study, we analyzed 341 patients who were histopathologically diagnosed with PTC following surgery. Results: PTC coexisting with HT was observed in 19.6% (67 patients) of all PTC patients. A statistically significant gender difference was observed in the group with HT (two male vs. 65 female), with a higher positive rate of anti-thyroglobulin antibody and smaller tumor size, compared to the PTC group without HT. When tumor size increased, a lower coexistence rate of HT was observed. No significant differences were observed in multifocality, cervical lymph node (LN) metastasis, coexistence of benign nodule, and extent of LN dissection. However, frequency of extrathyroidal extension was significantly lower and total thyroidectomy rate was higher in the group with HT. TNM stage and AMES stage were similar in both groups; frequency of high MACIS score showed a significant decrease in the group with HT. The recurrence rate and disease-free survival in patients with PTC were not significantly affected by coexistence of HT. Conclusion: We found a significant relationship with gender, extrathyroidal extension, and tumor size in PTC coexisting with HT. However, no significant differences in recurrence rate and disease-free survival were observed between groups. Therefore, coexistence in PTC could not be applicable as a prognostic factor of PTC.

Cosmetic outcomes and patients’ satisfaction of oncoplastic surgery in Korean patient with breast cancer

Sumin Ha(하수민),Tae Hyun Kim(김태현),Anbok Lee(이안복),Kyung-Do Byun(변경도),Jae Woong Han(한재웅),Min Sung Ahn(안민성),Kwang Hee Kim(김광희),Ki Beom Bae(배기범),Ha Kyoung Park(박하경),Jae Ho Shin(신재호),Sang Hyuk Seo(서상혁) 대한종양외과학회 2015 Korean Journal of Clinical Oncology Vol.11 No.2

존 메이슨의 作品에 관한 硏究

원경환,안민성 弘益大學校 人文科學硏究所 2007 人文科學 Vol.15 No.-