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      • KCI등재후보

        민주름버섯의 조형미를 응용한 니트 패션디자인 연구

        김혜연,한은혜 한국니트디자인학회 2014 패션과 니트 Vol.12 No.1

        In this study, Aphyllophorales motif is used to show unique beauty of nature and knit material is used to represent the design. Knit material is heavily favored in modern fashion since it is good to express an unique texture and a variety of technic. Hand-knitting and machine-knitting were used for works. The tissues of Plain Stitch which is configured by single-plate machine and Tubular Jacquard (12GG) with Bird 'eye Jacquard (12GG) which were knitted by circular knitting machine (SES-124S) were used for this work. In addition to Jacquard technic, crochet technic of the long-knitting and short-knitting were used. Various yarns were used to represent various tissues well and most of yarns were 100% Cotton or PP100%. Each single AW and Spun yarn were braided. Conclusions from this study are as follows. First, in order to apply a beauty of the mushroom to fashion design, I could confirm that various design could be created through the process of reduction, exaggeration and deformation. It was not created by reproduction or imitation but designer’s subjective art will. Second, repetitive surface and line could be found from no-wrinkle mushrooms which inhabit with plurality of flock. And when these characteristics were expressed in the design, it made possible to express rhythmical feeling on works. Third, curl-up phenomenon from knit material, which cause discomfort during sewing and cutting, was a disadvantage of the knit, but by using as reflecting of unique beauty of the Aphyllophorales ‘s unique characteristic, ingenious design could be expressed. Fourth, by using together the machine-knitting with hand-knitting, various shape, texture and creative distinct tissues could be developed, and it was possible to discover the potential of various knit design development. In addition, the possibility of knit to expand its representation area to ​​Art and Design could be confirmed. In this study, there was an attempt to represent the unique beauty of mushroom, one of nature creature, to a knit fashion design. Also differentiated various materials were knitted by using hand-knitting and knitting-machine whereby the knit expression area could expand. I expect this study will contribute the development of knit by thoroughly studied tissues and the various techniques of knit.

      • KCI등재

        UV-Vis와 ED-XRF를 이용한 자연 색상의 담수 흑 양식진주 분석

        김혜연,박종완,Kim, Hea-Yeon,Park, Jong-Wan 한국패류학회 2008 The Korean Journal of Malacology Vol.24 No.3

        Analyses of UV-Vis spectrum and reflectance are useful tools to identify pearls of which color was naturally made or chemically changed. Contents of some trace elements of pearls by using ED-XRF may give us the information that the pearls were originated from marine shells or freshwater shells, and may give us whether the pearls were chemically treated or not. Three types of chemically untreated pearls, freshwater cultured, Akoya cultured and Tahitian cultured, were treated with silver nitrate. UV-Vis absorbance spectrum of Ag was changed after treatment, and reflectance of pearls was decreased. Absorbance of natural black colored Tahitian cultured pearls at 400, 500 and 700 nm was observed. Natural black colored freshwater cultured pearls showed two characteristic absorption patterns in UV-Vis spectra at 380-400, 480-500 nm. Unlike naturally black colored Tahitian cultured pearls, the absorption spectrum at 700 nm could not be found from black freshwater cultured pearls. Manganese was not detected in the pearls from marine shells, and strontium content of the pearls from marine cultured shells was higher than that from freshwater cultured shells. According to ED-XRF analysis, Ag contents of silver nitrate treated pearls increased as more time passed, because silver ion invaded to nacre layer of the pearls. Since Ag content of the black pearls known as untreated ranged under 0.1%, analysis of Ag content may used to distinguish the black pearls are treated or not in marketplace. 진주의 감별기법상 UV-Vis의 흡수 스펙트럼 분석과 반사율 분석은 흑진주의 색깔이 자연 그대로인지 아니면 처리에 의한 결과인지를 구별하는데 중요한 요소가 된다. 또한 ED-XRF을 이용한 미량 원소 분석은 진주가 해수산인지 담수산인지 여부와 은염 또는 염색 처리 유무를 판단하는데 이용될 수 있다. 본 연구에서는 은염 또는 염색 처리되지 않은 여러 종류(담수양식진주, 아코야양식진주, 타히티흑양식진주)의 진주에 은염처리를 한 결과, 은 이온 고유의 스펙트럼이 진주 고유의 스펙트럼에 영향을 주어 UV-Vis흡수 스펙트럼이 변화되었다. 또한 반사율도 은염처리하기 전보다 낮아짐을 알 수 있었다. 특히 자연 색상의 타히티흑양식진주의 경우 400 nm, 500nm, 700 nm의 고유 흡수 스펙트럼을 갖고 있었으며, 자연색상의 담수흑양식진주의 경우 380-400 nm, 480-500 nm 두 개의 특징적인 흡수 스펙트럼으로 나타났다. 자연 색상의 담수흑진주에서는 자연 색상의 타히티흑진주와는 달리 700nm의 흡수 스펙트럼이 관찰되지 않았다. 직접 은염처리한 진주 9 개를 ED-XRF를 이용하여 분석한 결과, 처리시간이 증가함에 따라 진주 층에 침투된 은의 함량이 점차로 증가했음을 알 수 있었다. 또한 시중에서 구입한 흑진주 18 개를 분석한 결과, 은 이온의 상대 함유량이 약 0.1%를 경계로 은염 또는 염색 처리 여부를 판단하는 데 도움을 줄 수 있을 것으로 생각되었다.

      • KCI등재

        『순수와 경험의 노래』에 나타나는 언어와 시각적 이미지 사이의 통합과 파편성의 문제

        김혜연 현대영미어문학회 2017 현대영미어문학 Vol.35 No.1

        The study examines the complex relationship between words and images in William Blake’s illustrated book, Songs of Innocence and Experience. Since the 1950s, Blake’s illustrated books have been considered “composit art” by Blake scholars like Northrop Frye, Jean Hagstrum and W. J. T. Mitchell. Most recently, however, influenced by Poststructuralism, some Blake scholars have begun to insist on observing the illustrated books as an “open and disintegrable text.” In examining “The Lamb,” “The Tyger,” “Infant Joy” and “The Fly” of Songs of Innocence and Experience, this paper argues that this illustrated book can be seen from both perspectives, as “composit art” and an “open and disintegrable text.” These are two contradictory characteristics of this book, and the inconsistent relationship between words and images can be an essential artistic framework of this book. .

      • KCI등재

        엘리자베스 비숍의 「대기실에서」에 나타나는 기하 추상과 바이오모픽 추상 연구

        김혜연 한국중앙영어영문학회 2022 영어영문학연구 Vol.64 No.1

        This study examines how two major Modern art trends, Geometric and Biomorphic abstractions, are embodied in Bishop’s “In the Waiting Room.” The poet who had been keeping interest in the visual arts throughout her whole life accomplishes her own ekphrasis through two nonobjective abstractions in the poem. Geometric abstraction has a “simple geometric forms” showing “nonillusionistc space” and “nonobjective compositions” like works of Piet Mondrian or Vladimir Tatlin. Bishop uses these Geometric compositions in describing the frame of The National Geographic Magazine and circular images, and shows integrative vision overcoming division of two different things. Biomorphism, contrary to Geometric abstraction, is “curvilinear, decorative, romantic, spontaneous and irrational.” Eva Hesse expresses her biomorphic arts through a description of genital organs. Bishop’s poem shows the Biomorphism through fragmented body parts which look sexual, and incomplete circular structure. Having “the wandering identity” the speaker makes her new adventure and faces up to the unknown world in the dentist’s waiting room. And this leads her into the inner growth. Representing the speaker’s inner growth, the two oppositional abstractions are infused into the poem.

      • KCI등재
      • KCI등재

        쓰기 과정 연구 방법론의 현황과 전망

        김혜연 한국 리터러시 학회 2019 리터러시 연구 Vol.10 No.5

        This study aims to analyze the domestic condition of writing process research methodology and forecast the possibilities of enhancing the current state. 63 research articles were collected from the domestic research databases and analyzed in terms of criteria mentioned in precedent research. As a result, we found that domestic writing process research tended to depend much on theoretical and conceptual studies. However, considering that writing processes need to be investigated based on the evidences from the actual writing scene, more empirical research should be conducted. Observation methods used for domestic empirical research were journal writing or interview, versioning, thinking- aloud protocol, text analysis, recording, questionnaire, etc. They were used alone or combined with each other; their frequency of use was also reported. Considering international research trends, some limitations in domestic research were presented. It is required to develop Korean module for keystroke logging and to introduce more various types of observation methods that have not yet been domestically used. 이 연구는 국내 쓰기 과정 연구 방법론의 활용 현황을 분석하고 이를 바탕으로 향후 방법론 활용의 가능성을 전망해봄으로써 국내 작문 연구 활성화를 위한 토대를 마련하는 것을 목적으로 한다. 이를 위하여 국내 연구논문 데이터베이스 검색 및 초록 검토를 통해 확인한 총 63편의 쓰기 과정 연구물들을 분석 대상으로 삼았다. 연구 방법론 현황 분석 결과에 따르면, 전반적으로 이론 소개나 개념적 탐구 등 이론 연구에 치중한 경향이 있었으나 쓰기 과정에 대한 탐구의 본질상 다양한 방식의 실증 연구가 더욱 뒷받침 될 필요가 있었다. 쓰기 과정에 대한 실증적 연구에서는 일지나 인터뷰, 버전 차별 전략, 사고 구술, 텍스트 분석, 녹화, 설문 등의 도구들이 활용되었다. 이들 도구들은 단독 혹은 결합되어 활용되었는데 연구물별, 도구별 빈도를 분석함으로써 방법론 활용 경향을 확인할 수 있었다. 또한 국제적 흐름을 고려할 때, 키스트로크 로깅에 의한 연구가 전무하다는 점, 여러 연구들에서 시선 추적 시스템 활용을 적극적으로 주장하였던 것과 달리 실제 이를 활용한 실증 연구가 거의 없다는 점, 비동기적 방법에 치우쳐 있고 동기적 방법 활용도가 낮다는 점 등에서 문제를 제기할 수 있었다. 이에 따라, 향후 쓰기 과정 연구 방법론 활용과 관련하여 한국어 키스트로크 로깅이 가능한 프로그램 개발을 제안하였으며 이를 통해 시선 추적 시스템 또한 활용도를 높일 수 있게 될 것으로 보았다. 또한, 직접성과 동기성 기준에 따른 쓰기 과정 관찰 도구 유형들 중에서 아직까지 활용되지 못한 유형들을 연구 방법론으로 더욱 적극적으로 도입할 것을 주장하였다.

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