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심미적 부위에서 가공치 하방 잔존치조제의 형성 및 연조직 복제 모형을 이용한 고정성 보철물 수복증례
김학천,노관태,권긍록,김형섭,Kim, Hak-Cheon,Noh, Kwantae,Kwon, Kung-Rock,Kim, Hyeong-Seob 대한치과보철학회 2013 대한치과보철학회지 Vol.51 No.4
고정성 국소의치를 이용한 수복 시 보철물 자체의 심미성뿐 아니라 보철물과 조화로운 주변 연조직의 형성 또한 중요한 요소이며, 임시보철물을 이용하여 조화로운 연조직의 형태를 형성할 수 있다. 임시보철물을 통해 형성한 연조직의 형태는 적절한 형태를 갖는 최종 수복물을 제작하는데 필요한 정보를 제공할 수 있도록 최종모형으로 정확하게 복제되어야 한다. 그러나, 임시보철물 주위 연조직의 형태는 인상과정 또는 인상재의 압력 등으로 최종 모형으로의 복제가 어렵다. 따라서, 임시보철물을 이용하여 형성한 구강내의 연조직 형태를 모형으로 복제하여 연조직과 조화로운 최종 수복물을 제작하는 서로 다른 2가지 방법을 본 증례보고에서 소개한다. Soft tissue collapse around prepared teeth and pontic is inevitable after removal of the provisional restoration during the impression taking procedures. When inserting gingival retraction cord, soft tissue is displaced to an undesired contour. Viscosity of impression material also causes gingival displacement. Therefore, the consideration to transfer the prosthetically contoured soft tissue to master cast is required, especially in the esthetic area. In this report, the methods to maintain the soft tissue contour and transfer to the mastercast will be introduced. Harmonious contour of the soft tissue can be achieved with provisional restoration and be transferred to the master cast with two different techniques mentioned in this case report.
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F. Scott Fitzgerald에 관한 연구 : The Great Gatsby를 중심으로
金學千 全北大學校 1981 論文集 Vol.23 No.-
F. Scott Fitzgerald's third novel 'The Great Gatsby' was a critical triumph, exceedingly almost all exceptions of his contemporaries, who saw in Fitzgerald's Past nothing with which to compare it. The story of how he had come about the writing of it is one of the three basic approaches to the novel; the other two have to do with its method and structure and its skillful use of the milieu with which it is centrally concerned. There was no one to know exactly who Gatsby was. In spite of this nearly everyone took advantage of his fabulous hospitality. And it really was fabulous. Jay Gatsby seemed to be a per-son without background, without history, yet the irony of this bright and brittle facade was that he had created it not to impress the world but to do just one person -a girl he had loved, and had had to leave, a girl who had loved him, but now married, a girl whom he had dreamed about for over four years. This dream had long ceased to have any substance or any connection with reality and for this reason he coull not awake from it. And only death could dispel this dream. The problem associated with the study of The Great Gatsby are clearly a product of the history of its composition. Gatsby is linked to the 1920's world itself, but he is also historically associated with "the American dream" with the progress of American wealth and ambition from the very dawn of New World aspiration. There are too many people who have studied 'The Great Gatsby' in many ways. Here I'd like to study the religious problem, especially the theme of "The Great Gatsby' and the situation of 1920's according to the progress of the critical rediscovery of American literature. As Alfred Kazin said, Fitzgerald's senses always opened outward to the world, and the world was full of Long Island, Sundays……the holiday lights, the holiday splendor, the zo's in the golden bowel, whose crack he knew so well.
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金學千 관동대학교 1978 關大論文集 Vol.6 No.1
Ernest Hemingway's colorful life as big game hunter, fisherman and Nobel Prize winner began in quiet Oak Park, Illinois, July 21, 1899. His mother was a devout, religious woman. He acquired his father's enthusiasm-a love of hunting and fishing and it is that phase of his childhood which formed important impressions. And he saw active service in World War Ⅱ. In 1942∼44 he volunteered himself and in the spring of 1944 he went to Eurpe as a war correspondent. There comes a time when most writers who care about the technical problems of their craft search for new ways of handling their material, and often, experiment with new kinds of subject. These experiments rarely constitute their best work, but the process of experiment is usually high instructive for their literary development. Ernest Hemingway has always been a thoughtful craftsman, a writer for whom each new book is, as he put it himself in his Nobel speech," a new beginning, where he tries again for something that is beyond attainment." So long as Hemingway probes within the boundaries of Harry's tormented psyche, "The Snows of kilimanjaro" is a superb story, surely among his finest. That its structure is looser than usual is determined by Harry's physical condition and is admirably handled. Though Harry's delirium dissolves the orderly pattern of chronological time, the fragmented memories that course through his five internal monologues unmistakably mark the stages of his dark passage. Even Hemingway's symbols-there had always been symbols in Hemingways writing-sometimes underscore Harry's inward struggle; the symbolic environmental contrast between the pure, snow-peaked mountain where the leopard dies a clean death and the hot plain where Harry dies of rot. The hyena is convincing, too, as a metaphor for the pervasive atmosphere of death. Technically 'The Snows of kilimanjaro' is Hemingway's most accomplished piece of writing. That is'nt the same as callingit his best piece of writing, but it is very good indeed: firm, subtle, and having the eloquence of deep feeling. And death had always been Hemingway's principal theme, one of his themes war, love and death.
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