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金學千 관동대학교 1978 關大論文集 Vol.6 No.1
Ernest Hemingway's colorful life as big game hunter, fisherman and Nobel Prize winner began in quiet Oak Park, Illinois, July 21, 1899. His mother was a devout, religious woman. He acquired his father's enthusiasm-a love of hunting and fishing and it is that phase of his childhood which formed important impressions. And he saw active service in World War Ⅱ. In 1942∼44 he volunteered himself and in the spring of 1944 he went to Eurpe as a war correspondent. There comes a time when most writers who care about the technical problems of their craft search for new ways of handling their material, and often, experiment with new kinds of subject. These experiments rarely constitute their best work, but the process of experiment is usually high instructive for their literary development. Ernest Hemingway has always been a thoughtful craftsman, a writer for whom each new book is, as he put it himself in his Nobel speech," a new beginning, where he tries again for something that is beyond attainment." So long as Hemingway probes within the boundaries of Harry's tormented psyche, "The Snows of kilimanjaro" is a superb story, surely among his finest. That its structure is looser than usual is determined by Harry's physical condition and is admirably handled. Though Harry's delirium dissolves the orderly pattern of chronological time, the fragmented memories that course through his five internal monologues unmistakably mark the stages of his dark passage. Even Hemingway's symbols-there had always been symbols in Hemingways writing-sometimes underscore Harry's inward struggle; the symbolic environmental contrast between the pure, snow-peaked mountain where the leopard dies a clean death and the hot plain where Harry dies of rot. The hyena is convincing, too, as a metaphor for the pervasive atmosphere of death. Technically 'The Snows of kilimanjaro' is Hemingway's most accomplished piece of writing. That is'nt the same as callingit his best piece of writing, but it is very good indeed: firm, subtle, and having the eloquence of deep feeling. And death had always been Hemingway's principal theme, one of his themes war, love and death.
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심미적 부위에서 가공치 하방 잔존치조제의 형성 및 연조직 복제 모형을 이용한 고정성 보철물 수복증례
김학천,노관태,권긍록,김형섭,Kim, Hak-Cheon,Noh, Kwantae,Kwon, Kung-Rock,Kim, Hyeong-Seob 대한치과보철학회 2013 대한치과보철학회지 Vol.51 No.4
고정성 국소의치를 이용한 수복 시 보철물 자체의 심미성뿐 아니라 보철물과 조화로운 주변 연조직의 형성 또한 중요한 요소이며, 임시보철물을 이용하여 조화로운 연조직의 형태를 형성할 수 있다. 임시보철물을 통해 형성한 연조직의 형태는 적절한 형태를 갖는 최종 수복물을 제작하는데 필요한 정보를 제공할 수 있도록 최종모형으로 정확하게 복제되어야 한다. 그러나, 임시보철물 주위 연조직의 형태는 인상과정 또는 인상재의 압력 등으로 최종 모형으로의 복제가 어렵다. 따라서, 임시보철물을 이용하여 형성한 구강내의 연조직 형태를 모형으로 복제하여 연조직과 조화로운 최종 수복물을 제작하는 서로 다른 2가지 방법을 본 증례보고에서 소개한다. Soft tissue collapse around prepared teeth and pontic is inevitable after removal of the provisional restoration during the impression taking procedures. When inserting gingival retraction cord, soft tissue is displaced to an undesired contour. Viscosity of impression material also causes gingival displacement. Therefore, the consideration to transfer the prosthetically contoured soft tissue to master cast is required, especially in the esthetic area. In this report, the methods to maintain the soft tissue contour and transfer to the mastercast will be introduced. Harmonious contour of the soft tissue can be achieved with provisional restoration and be transferred to the master cast with two different techniques mentioned in this case report.
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Tender is the Night에 나타난 Fitzgerald의 꿈
金學千 全北大學校 1982 論文集 Vol.24 No.-
F. Scott Fitzgerlad was born in St. Paul, Minnesota in 1896. The first of his novels This Side of Paradise(1920) was followed by two volumes of short stories, and at last The Great Gatsby(1925), which alone would assure Fitzgerald's place among our writers of major stature. He died in 1940 and gave a name to an age-the Jazz Age-lived through that age, and saw it burn itself out. Although his finest works were to come-The Great Gatsby, Tender is the Night, the unfinished The Last Tycoon, there would be tragedy in the remainder of his life. The extent of his literary success was not recognized by critics until after his death in the early 40's. There is also joy in Fitzgerald's work that should not be passed over in dwelling upon profundities, complexities, and tragic implications. Edmund Wilson described it early as a "Quality exceedingly rare among even the young American writers of the day ; he is almost the only one among them who has any real lighthearted gaiety." It also adds to the dimensions of The Great Gatsby and Tender is the Night, those novels that do most to maintain Fitzgerald's reputation as a serious writer. For it is not only the theme and technique that distinguish these novels but the flashes of brilliance, comic as well as tragic, that illuminate individual scenes. Tender is the Night is not a story of postwar degeneracy. The story has nothing to do with the famous 'lost generation,' although many playboy American figure on the periphecy as Mr. Fitzgerald's drama moves through Europe, from the Riviera to Paris, Switzerland and Rome. Dick Diver himself is a brilliant young man : Nicole Warren saves herself by transferring her outraged affection for her father to the young psychiatrist with solid bulwark for distress. The dream and the dreamer are Fitzgerald's subject matter in fiction : and in treating them he invariably delivers up the dreamer as victim of his own Romantic infatuations. And yet for all his sight, his self-lacerating satire, Fitzgerald leaves the dream and the dreamer somehow inviolable at the end. Gatsby, that most extravagant Romantic, leaking sawdust at every pore, is still intact at the end and dies with his dream intact. The "Ode to a Nightingale" declares exquisitely the abandonment of faith in the imagination. It is not until Tender is the Night that Fitzgerald abandons that last comfort of the Romantic, the notion that the botching, the disappointment of the imaginations most cherished ambitions may be blamed on the unworthy environment of the dreamer. Tender is the Night is a harder, harsher book than "Gatsby" : it tells us, that the superdream is an internal corruption, a damaging, selfbegotten beauty.
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Hemingway 文學에 있어서 傳道書의 理解 : The Sun Also Rises를 중심으로
金學天 건국대학교 영어영문학과 1973 영문 학보 Vol.- No.5
세계 제1차대전으로 인류가 지고의 가치라고 생각하였던 그리스도교적인 가치가 붕괴되고, 극도에 달한 근대적 과학기술의 발달에서 참전하였던 젊은이들은 배반을 느꼈다. 전쟁을 위해 끌려 나갔던 젊은이들은 전후에 "속았다"는 생각을 가지게 된 것이다. 그들은 누구를 위해, 무엇 때문에 자기들이 싸워야 했는가를 회의하게 된 것이다. 말하자면, 인류가 맞은 역사적인 위기-재래가치의 주저앉음과 새로운 모랄을 위한 진통기-에 직면하여 젊은 세대들은 허탈감에 싸여 주란, Sex, Violence 등으로 리액트하면서 방향의식을 잃었다. Lost Generation이란 명칭은 대전에 참가한 후 고국에 가지않고, 빠리를 중심으로 보헤미안적 생활을 하는 미국의 젊은 문인, 예술가 등을 미국의여류작가 Gertrude Stein(1874-1946)여사가 "You are all a Lost Generation"이라고 한데서 생긴 말이다.
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