沿海州 韓人社會의 갈등과 鄭淳萬의 피살

박걸순(Park Geol-Soon) 독립기념관 한국독립운동연구소 2009 한국독립운동사연구 Vol.0 No.34

정순만(1876~1911)은 한말부터 망국에 이르는 시기에 국내는 물론 연해주에서 국권회복운동을 전개한 중요한 인물이다. 1906년 그는 이상설, 이동녕 등과 함께 망명하여 북간도에서 민족교육의 요람인 서전서숙을 건립하여 운영하다가, 헤이그 특사 파견 지원을 위해 블라디보스토크로 온 이래 사거할 때까지 연해주의 독립운동을 주도하였다. 그는 자금 모금을 통해 헤이그 특사 사행을 지원하였고, 海潮新聞을 창간하여 주간·주필·총무의 역할을 수행하였다. 그는 논설을 통해 냉혹한 사회진화론적 국제질서를 이겨나가기 위해 교육의 중요성을 역설하였다. 그러나 국내에서 초빙해 온 장지연과 극심한 불화 관계가 조성된 것은 안타까운 일이었다. 그는 공립협회에도 참여하여 국민회 지회장에 피선되는 등 미주 동포사회와 연계를 맺으며 민족운동을 전개하였으며, 뒤 이어 창간된 大東共報에도 주필로 참여하였다. 당시 정순만은 同義會라는 비밀결사에 안중근과 함께 참여하였는데, 이를 배경으로 안중근의거를 계획하고, 의거후에도 안중근의 변호에 힘을 쏟았다. 이는 그가 민족운동을 위해서는 대립되는 계몽운동과 무장투쟁을 병행할 수 있다는 독립운동 이념의 포용성을 보여주는 것이라 할 수 있다. 그러나 연해주 한인사회의 분파와 파쟁은 조국 독립을 위한 그의 꿈을 접게 만들고 말았다. 그는 연해주에서 ‘정순만파’나 기호파(경성파)의 수장으로 성장하였으나, 자신이 연해주 한인사회로부터 신망을 잃었다고 여긴데다 민회에서 서북파에게 밀린 나머지 격정을 이기지 못하고 1910년 1월 23일 양성춘을 사살하는 ‘양성춘 사건’을 일으켰다. 이 사건은 우발적 상황에서 오발에 의해 발생한 사고였으나, 이를 둘러싸고 제기된 각종의 설은 복잡다기한 한인 사회의 상황을 반영하는 것이었다. 그러나 그 여파는 양성춘의 형 양덕춘과 미망인의 개인적 복수 참극을 일으켰고, 결국 출옥 후 의병투쟁 등 재기를 도모하던 정순만은 1911년 6월 21일 처참한 최후를 맞이하고 말았다. 정순만의 36년 일생은 민족운동 시기의 양면성을 극명하게 보여준다. 즉, 국권회복을 다방면으로 모색한 모범적 측면과 아울러, 지역적 파쟁과 개인의 격정을 관용하지 못한 편협성은 반성하여 마땅한 것이다. 그는 민족운동 시기의 지역적 분파와 파쟁이 가져온 가해자요 피해자였다. 그러나 그의 죽음은 결국 연해주 한인사회의 반성과 단합을 촉구하여 권업회를 창립하는 계기가 되었다는 점에서 의의가 적지 않다. Jeong Soon-Man(1876~1911) is an important figure who led a movement to restore Korea’s national sovereignty in Primorie, Russia as well as Korea from the end of the Korean Empire till national ruin. He went into exile into North Jiandao together with Sang-Seol Lee, Dong-Nyeong Lee and others in 1906, and established and managed Seojeonseossok(a school to educate Koreans abroad for the restoration of national sovereignty), and then led the independence movement in Primorie till the last since he came to Vladivostok to support dispatching a special envoy to The Hague. He supported dispatching a special envoy to The Hague through fund raising and began publication of “Haejoshinmun(Haejo Newspaper)” and did his part as its chief manager, chief editor and manager. In his editorials he emphasized the importance of education to overcome the grim international order, however, unfortunately a bitter feud with Ji-Yeon Jang who was invited to Vladivostok was bred. As he took part in Gongriphyeobhoi(a body established in San Francisco in 1905 for Korea’s independence movement) and was elected branch chairman of Gookminhoi(Grand Korean’s National Assembly), he establishedties with the Korean communities in America and participated in the racial movement. After that, he worked for Daedonggongbo(a newspaper published by Korean National Assembly in Vladivostok) as the chief editor, too. As Soon-Man Jeong participated in a secret society “Dongeuihoi” together with An Jung-geun at that time, he planned the noble undertaking of An Jung-geun and did his best to defend him after the undertaking on this background. This shows us that his ideology of the independence movement embraced the two conflicting movements, that is, enlightenment movement and armed struggle for the racial movement. But the factional strife in Korean society in Primorie, Russia collapsed his dream for the independence of his fatherland. He grew into the head of Jeong Soon-Man faction or Geeho faction(or Gyeongseong faction), however, as he considered that he lost his confidence and popularity in Korean society in Primorie and he couldn’t restrain his passion driven by being overpowered by Seobook faction(Northwest faction), he caused the case of murdering Seong-Choon Yang on 23rd of January, 1910. Though the case was caused by an accidental shooting in an accidental situation, various views raised on his murder reflected the complicated situation of Korean society, however, in the aftermath of the incident, as Deok-Choon Yang, Seong-Choon Yang’s brother, and his widow avenged his death, Soon-Man Jeong who attempted to make a comeback after his coming out of prison met with a violent end on 21st of June, 1911. His 36 year life clearly shows the double-sideness of the time of the racial movement, that is, there was a model side seeking the recovery of national sovereignty in various fields, however, a factional strife based on the region and bigotry which didn’t tolerate a private passion should be reconsidered. He was the harmer as well as victim of the factional strife based on the region. But what is important is, as his death demanded the reflection and unity of Korean society in Primorie, it served as a momentum to establish Kwoneobhoi(a body for Korea’s independence movement).

유도순(劉道順) 가요시의 테마와 유형 : 1930년대 대중문화의 한 경향

이동순(Lee Dong-Soon) 동북아시아문화학회 2010 동북아시아문화학회 국제학술대회 발표자료집 Vol.2010 No.5월

Yu Do Soon(劉道順 1904∼1943) is a poet, a writer of children's songs, and a writer of Song Poem. Born in Yeongbyun, Pyungbuk, he studied abroad in Japan and graduated from English language and literature of Nihon University. And then, he was a newspaper reporter for four years. He started his literary career with his poem, Song beneath fallen leaves, recommended in the issue 4 of Chosun Literary Circle in 1925. In his early literary career, he played an active part in children's literature, and then he became a writer of Song Poem. Though he is a significant and a colorful writer of Song Poem from the viewpoint of literary history or history of popular culture, the arrangement and analysis work on his pieces of Song Poem left unreported to the academic circles. Under this circumstances, this thesis is to try to arrange critically and to analyze his works of Song Poem. And also, this thesis is to make out the whole list and the source of his works, and their publishing years, and then to report to the academic circles for the first time. It is confirmed that all his Song Poem works are about 140 ones until now. It is anticipated that, as this research goes on, more works can be mined and found. This study is to survey comprehensively and arrange the general tendencies of Yu Do Soon's poetics, and then to find out by what kind of style they are shown in the works of Song Poem. Additionally, this thesis is to analyze the characteristics of his works of Song Poem, and then to examine out their meaning and category clearly.

재중(在中) 조선인 전 일본군성노예의 서사와 윤리공동체 - 석문자 위안소 거주자 김순옥의 서사 인터뷰를 중심으로 -

임경순 ( Lim Kyung-soon ) 한국문학치료학회 2014 문학치료연구 Vol.30 No.-

이 글에서는 서사 인터뷰를 통해 드러나는 일본군성노예 여성(김순옥)의 이야기에서 화자들이 의미를 부여하는 사건을 통해서 어떻게 자기 정체성을 형성해 나가는가를 밝히고, 나아가 중국(해외) 거주 전 일본군성노예 서사가 우리에게 주는 문제성에 입각하여 그것을 넘어서는 방법이 무엇인지를 진정한 수치심의 공유를 통한 윤리공동체 형성 차원에서 탐구하였다. 일본군성노예로 끌려간 여성들의 수와 미귀환 여성들의 수를 볼 때 적지 않은 여성들이 타국에 머물고 있다는 점을 고려해 볼 때 조사와 연구가 미흡하다는 사실은 문학적으로나 사회 역사적으로도 책무를 소홀히 하고 있는 듯하다. 다른 나라에 거주하는 일본군성노예 여성과 마찬가지로 중국 거주 그녀들의 문제는 국가, 민족, 성, 계급뿐 아니라 언어 문제가 귀환 당사자들과는 달리 복잡한 양상을 갖고 있다. 그녀들의 이야기에는 식민지 국민으로 타율에 의해 일본군성노예로 끌려가고, 그러한 삶의 질곡 속에서 겪어야 했던 고통은 기억을 거부할 뿐 아니라, 가해자에 대한 원한으로 정신적인 트라우마를 겪는 것으로 가득하다. 그리고 고향에 돌아갈 수 없음은 이들로 하여금 생존 수단으로서 결혼이 강요되고, 생활 속에 여전히 한민족으로서의 자부심이 자리잡고 있다. 또한 고향에 돌아갈 수 없음은 이국 땅에 머무를 수밖에 없는 체념으로 이어지고, 살아가야만 하는 생활 속의 고통은 역설적이게도 고통스런 기억을 망각하게 한다. 서사는 사건의 공유를 위해 매우 중요한 매개인데, 이야기를 제공하는 생존자들이 사라지고, 타율적 윤리관에 입각한 수치심이 사건의 공유와 해결을 가로 막고 있다. 진정한 수치심 공유를 통해 연대성과 해방을 모색할 수 있는 계기를 마련할 수 있기를 기대한다. This research aims to examine the identity of Korean Military Sexual Slavery by Japan in narrative interview of living in China(focused on the narrative interview of Kim, Soon-ok) and the methods for true ethical community through shame beyond the pain. The narrative is the most critical form of understanding of human experience. The narrative is the best way to express and understand of human experience. And the narrative thought is the core of their experience. In their narrative, as a colonized people, they are taken away by Military Sexual Slavery by Japan. And they have been suffering the pain. And the pain refusing their memories. Now they are suffering psychological trauma. Because they could not return to Korea, they were forced to marry with Chinese. And it led to abandonment. Nevertheless, they have pride as Korean nation. Narrative is a very important parameter for the sharing of events. But survivors providing story are disappearing, and the shame according to the heteronomous ethics is blocking the sharing and resolution of the events. Through the sharing of the true shame, we can be established an opportunity to be able to provide solidarity and liberation.

미국 지역전문연극의 발전 -초,중기의 주요 모델들을 중심으로-

허순자 ( Soon Ja Hur ) 한국연극교육학회 2012 연극교육연구 Vol.21 No.-

Development of Professional Regional Theatre in America -Focusing on A Few Significant Models in Early to Mid Periods- Hur, Soon-ja This paper concerns about the regional theatre movement of the American theatre which began to occur during the post World War era. It was to flourish during the 1970s and 1980s when nearly every major regional states or cities in the U.S. established performing arts centers and theatre companies in the form of permanent not-for-profit institution. However, most of the important conditions for the development of such regional theatre movement to facilitate decentralize the American theatre were largely made by those leaders who had struggled to found their own institutions during its early to mid eras that ranges from 1947 to the 1960s. Their profound contributions toward the decentralization aimed at liberating the American theatre from the Broadway commercial theatre, which had often referred to as the American theatre itself. As motivated by their truly impressive ideas and examples, this study concentrates, in particular, on those leading entities in those periods. With intentions to offer some wisdoms, even demerits, hopefully to Korean theatre, where, in recent years, a number of performing arts centers were(and still are) constructed by local governments throughout the major cities in the nation, and yet they appear to have been lacking in true professionalism in terms of both founding and running their institutions. As nothing starts from completely nothingness, either in inspiration and imagination or in practice, this paper goes back to the historical roots of the decentralization in the American theatre. This study, following an introduction, consists of main chapters(Precedents of the Regional Theatre Movement: Little Theatre Movement and the Group Theatre; Background and the Early Leaders of the Regional Theatre Movement; and At the Highpoint of the Mid Period in the Regional Theatre Movement), each begins with a brief historical background in order to provide readers, for certain basic information. And then, the conclusion will be made in the final chapter with a brief summary of those previous chapters. The little theatre movement which was spreaded over many places in the U.S. cities and towns during the 1910s and the 1920s as the alternative theatres to the Broadway commercial theatre, was the first attempt to put into practice their ideals beyond the geographical limits of the Broadway or New York City. But they were essentially amateur groups with little or no hopes to grow up as permanent professional institutions. As demonstrated in the selected examples of the most representative ones in the study, the Washington Square Players and the Provincetown Players, when their groups develop as large entities, there were, without exceptions, conflicts from different opinions and financial stress, arose forcing their premature disappearances from the scene. This happens to have also been true to a more mature producing organization Group Theatre(1931-1941). Though it was located on Broadway, it, as originally intended to emulate the Stanislavsky`s Moscow Art Theatre, was truly an artistic(and politically left-winged) organization, nursing many fine actors, resident playwrights and designers. Despite its discontinuation after 10 years of ``fervent`` existence, the Group Theatre left many important traditions and heritages to the following generations of artists who will start, eventually, the resident theatre movement in the next decades. Beginning with Margo Jones` Theatre ``47, Dallas, Texas in 1947, American theatre took a different turn from the preceding eras. What she presented was a permanent professional not-for-profit theatre with a specially devised theatre-in-the-round style physical stage in her native town. The emergence of regional theatres in a true sense of decentralization as she set a fine example with her vision and practice, was to be ensued immediately after her initiation such as Nina Vance`s Alley Theatre in Houston, Texas in that same year, and Zelda Fichandler`s Arena Stage in Washington D.C. in 1950. Although it was not her original idea to start a theatre in D.C. but her professor, Edward Mangum, but she is the one who actually took the burden of founding the organization as a permanent one. Unlike their mentor Jones, both Vance and Fichandler began their companies as amateur groups, but soon transformed into professional ones establishing the appropriate acting companies and staff members, by which they could quickly step onto the ground of the permanent regional theatre movement. They were, after some years of Bohemian lives, not only able to construct the custom-built theatre buildings, but also prove themselves as the founding artistic directors of the country`s leading professional institutions. But these charismatic leaders of the early regional theatre movement centered their practice on their individual vision, taking fully in charge of both the artistic and administrative obligations. With their exclusive position as the sole leaders of their organizations, they tended to have neglected a much-desired civic involvement, often causing them to rely upon corporate funding. The opening of the Guthrie Theatre in Minneapolis, Minnesota in May 1963 became a turning point in the American regional theatre movement. It had taken four and a half years just for the preparatory works towards its birth. Unlike those regional theatres in the previous decades, it was born by those who had careers on Broadway or in international theatre world such as Oliver Rea, Zoseph Zeigler, and world-renowned English director, Sir Tyrone Guthrie. And the trio, instead of an individual, appear to have been well aware of the means how to publicize their intention, and thereby achieving an unusual national attention and attracting a large sum of funding and unusual support from the community itself throughout the preparatory and the beginning phases. In other words, they reverse the processes of founding regional theatres as utilized by those leaders ahead of them. Having been equipped with a professional acting company, staff members, let alone constructing their multi-million dollar purpose-built thrust stage which was specifically designed for its classical repertoires, the Guthrie Theatre was able to start its life, from the beginning, as a highly coveted artistic organization so rare in those days. Rather, it was, indeed, a summation, a climax of the regional theatre movement done thus far. However, this all-powerful Guthrie Theatre happened to have encountered with crises when Guthrie and Rea left the organization a few years later, thereby bringing, eventually, a gap in leadership and resulting in the inevitable confusions in artistic direction as well as substantial decrease in subscription. The financial stress became, no doubt, one of major blocks in the continuous development of this institution. It was to take more than a decade for it to recover fully from that difficult situation and to regain the original confidence. Nevertheless, Guthrie Theatre manifested itself as the highest point in the development of the professional regional theatre movement in American theatre. And with both of its achievements and drawbacks together, Guthrie Theatre created, truly, a myth, and much of its traditions and heritages are to be inherited to those forthcoming generations who desire to create permanent regional not-for-profit-theatre institutions in the twenties century onwards.

종합건강 피검진자의 건강증진 행위와 관련요인

이진희,박재순,서순림 여성건강간호학회 1999 여성건강간호학회지 Vol.5 No.3

The purpose of this study was to identify the health promotion behavior and its related factors of persons who wanted a comprehensive health check-up in order to provide a basis for health education to promote health enhancing behavior. Study variables were induced from Pender's Health Promotion Model. The subjects were 160 persons who had a check-up at the health promotion center in a university hospital in Tae-Gu, between September 8 and 22. 1998. The following instruments were used in the study : Lee Tae Wha's Health Promoting Life-style Profile. Park Chaff Soon's Self-efficacy Instrument and Moon Jeong Soon's Perceived Benefit and Barrier Instrument. Data was collected by self-reporting questionnaire. Analysis of the data was done by SAS program, t-test, ANOVA and Pearson-Correlation Coefficient. The results of this study were as follows. 1. The average score for the health-promotion behavior was 104.64. In the subcategories, self-actualization showed the highest degree of performance and physical exercise showed the lowest degree of performance. 2. In the relation of general characteristics of subjects to the level of health-promoting behavior, the male, the married, the group with several symptoms showed a high level of health-promoting behavior. 3. The relationship between the degree of performance in health-promotion behavior and its correlates were as follows : Self-efficacy was positively correlated to health promotion behavior, while the perceived barrier was correlated negatively. But the perceived benefit did not show a significant correlation with health promotion behavior. Results suggest that the development of programs with strategies to strengthen doing physical exercise and concerning health, increase self-efficacy and exclude the barriers to health promotion is recommended to individuals seeking a comprehensive health check-up.

유목민, 리좀, 그리고 「무정한 여인」

장순열 ( Chang Soon-real ) 대한영어영문학회 2003 영어영문학연구 Vol.29 No.2

Soon-RealSetting up a new concept which can disintegrate what has been occupying the highest order of thoughts using the name of the logos, Gilles Deleuze and Felix Gattari, in their book named A Thousand Plateaus : Capitalism and Schizophrenia, designate it the nomos which is to be placed opposite to that hierarchical stratum. Though their work arrays themselves in the major trends of twentieth century concepts originating from a simple binary system which comprises the interplay of two sets of contrasts, they are useful when we try to capture the subtlety of the fluid nature of the nomos's strategy when to constantly undermine the rigid norms of the State space. The clear distinction of bifurcation--the gridded State space and open-ended space of the nomad--is taken advantage of by the analysis of the three major characters in the poem--the Knight, the Lady, and the narrator. The Knight represents the State space with his efforts to identify her in his conceptual schemes and to define her using the terminology of courtly love, ordering her status in the fixed hierarchical system of the chivalric world. Nevertheless she shakes the foundation of the root-based thought with the idea of rhizome, acting like a “war machine,” using her body as a good weapon to de-territorialize Knight's homogeneous world. His efforts to agglomerate her diverse acts in a semiotic chain of the logos always fail, because he is always “palely loitering” outside the life of immanence--that of the nomad. Keats, however, was wise enough to realize the extremity of confrontation of the two opposites--the cosmos and the chaos--and even much wiser than Deleuze and Gattari in his subtle handling of the narrator who is working as a mediator, integrating them under his world of chaosmos, the final site of enlightenment. < Kwangju University >

A Plant Breeder’s View on H5N1

Soon‐Kwon Kim 한국육종학회 2008 한국육종학회지 Vol.40 No.2

International conferences to block the spread of Avian bird flu occurred in Beijing, 2006 and others warned of the seriousness of the H5N1 strain. The meetings succeeded in generating billions of dollars from USA, EU and World Bank. Migratory birds seem to play a major role in the spread of the aggressive strain globally from Asia to Europe and Africa. Experiences of tolerance breeding of maize (Zea mays L.) for four decades against 20 biotic stresses suggest that the prime cause of the occurrence of H5N1 strain was due to the human beings’counter‐efforts against nature. Excessive use of chemicals (spray and injection) in the commercial poultry farms had created high selection pressure on virus. The new strain had mutated for survival. Attempting to eliminate the virus by chemicals for 100% control is a dangerous way to control biotic stresses. This can create more aggressive strains. A solution would be to build up tolerability of the commercial animals against the virus. Improvement of poultry cage environments and respect for nature must be integrated. Potential foes must be watched.

淸代 宗規를 통해서 본 族內統制

崔甲洵(Choi Gap­Soon) 동양사학회 1980 東洋史學硏究 Vol.15 No.-

대학 창업보육센터 매니저의 직무스트레스가 직무만족 및 조직몰입에 미치는 영향

현말순(Hyeun, Mall-Soon),조인석(Jo, In-Seog),안상봉(An, Sang-Bong) 한국창업학회 2017 한국창업학회지 Vol.12 No.2

본 연구의 목적은 대학에 근무하고 있는 창업보육센터 매니저의 직무스트레스 요인들이 무엇이며 이러한 창업보육센터 매니저들이 느끼는 직무스트레스가 직무만족 및 조직몰입에 어떤 영향을 미치는지를 살펴봄으로써 대학 창업보육센터 매니저에 대한 직무스트레스 관리방안에 대한 정책적 시사점을 제시하는데 있다. 분석결과, 첫째, 매니저들은 과도한 업무량 및 직무, 고용에 대한 불안정, 조직 내에서의 갈등, 기대 보상 부적절에 대한 직무스트레스를 나타내었다. 둘째, 직무스트레스가 직무만족에 미치는영향을 살펴본 결과, 직무스트레스 요인 중 조직체계, 직장문화가 직무만족을 저하시키는데 영향을 미치는 것으로 분석되었다. 셋째, 직무스트레스가 조직몰입에 미치는 영향을 검증한 결과, 관계갈등과 보상부적절 그리고 직장문화에 대한 스트레스가 대학창업보육매니저들의 정서적 조직몰입을 저하시키는데 영향을 미치는 것으로 분석되었다. 본 연구의 결과를 토대로 향후 대학창업보육매니저의 안정적인 직무를 위한 정책적 제언으로는 창업보육매니저의 직무에 대한 적정한 보상, 인사제도에 대한 개선, 창업보육매니저의 직무개선, 조직의 수직적 문화에 대한 개선, 창업보육매니저의 직무특성에 따른 직무 자율성 보장이 갖추어져야 할 것이다. Managers of business incubation centers are specialists equipped with experience, know-how, and expertise in diverse areas for business start-up as professional manpower who professionally develops and operates marketing, resources, and business suitable for companies needs. The objective of this study is to suggest the institutional implications for personnel management through measures to manage job stress for managers of college business incubation centers, by understanding their job stress factors and the effects of their job stress on job satisfaction and organizational commitment. In the results of analysis, first, managers had job stress abut excessive workload & job, employment instability, conflicts within organization, and improper expected reward. Second, in the results of examining the effects of job stress on job satisfaction, among job stress factors, organizational system and workplace culture had effects on lowering job satisfaction. Third, in the results of verifying the effects of job stress on organizational commitment, their stresses about interpersonal conflict, improper reward, and workplace culture had effects on lowering their emotional organizational commitment. Thus, as institutional implications for the stable job of managers of college business incubation centers, proper reward for their job, improvement of personnel management system, improvement of their job, improvement of organizational hierarchical culture, and guarantee of job autonomy in accordance with their job characteristics were suggested.

대추나무 미친병에 관한 연구 (1) - 이병식물의 (罹炳植物) 내외형태학적 특징 및 그 명명에 대해서 -

홍순우(Soon Woo Hong),김종진(Chong Chin Kim) 한국식물학회 1960 Journal of Plant Biology Vol.3 No.1

HONG, Soon-Woo, & KIM, Chong-Chin: A study of virus disease on chinese date tree (I). On the external and the internal morphogical characteristics of disease inrected plants. Kor. Jour. Bot. 3 (1). 32-38. 1960 Since the peeuliar virus disease of chinese date tree (Zizyphus jujuba Mill. var. inermis Rehd.) has been noted in South Korea around 1950, 70% to 80% of the economically important trees have been either completely destroyed or infected with the virus, severe damage has been noted, particularly, across the area ranged from middle east to the middle part of Korea, including Seoul area. Yoon,-Koock-Byung in 1958 first reported the disease and described it might be caused by a kind of yellows. But he did not conform in his paper that the disease is pecisely caused by yellows virus. The authors, hereby intend to identify the true cause of the disease of the chinese date tree by studying the external symptoms of the disease and the internal morphological characteristics of the diseaset plant which shows various abnormalities in contrast to the healthy checks. In view of fact that the leaves of the infected plants become yellowish in color similar to the peach yellows, aster yellows, it is likely to be identifiable as the common yellows. Furthermore, the abnormal characteristics observed by the authors are as follow: The floral organs such as petals, sepald, stamens, and pistil turn into vegetative leaves, the leaves on heavily infected plant appear as small sized one and also showing as a common witch`s broom like symptom. There are also an occuring of numerous advantitious shoots developed from both of stems and roots. The amount of photosynthetc starch grains increses iIn parenchymatous cells, necrosis takes place in mesophyll, Partlcularly, Palisade Parenchyma in the leaves of infected plants are distinguished in contrast to the healthy checks. From the symptoms and the present experiments described above, the authors are belived that the disease of chinese date tree is not caused by the yellows. It appears the disease is rather similar to the symptoms of sandal spike virus which was noted in India early in this centry. But the host plant of sandal disease, Santalum album L. and the insect vector, Jassus indicus Wal., have never been reported in Korean flora and the founa. The temperature and the other environmental factors is auite different Korea ard India. Thus the authors believe that the peculiar disease must be an endemic new virus origin in Korea and must be called as shoot cluster disease of chinese date tree.