윌러스 스티븐스의 역창조의 시론 : 추상과 최상의 상상

정성연 단국영어영문학회 2003 Athenaeum Vol.9 No.-

라깡식 독서

정성연 韓國外國語大學校 大學院 英語科 1994 外英論集 Vol.8 No.-

상상력의 빈곤: 스티븐스와 예이츠의 후기 시 연구

정성연 한국예이츠학회 2008 한국예이츠 저널 Vol.30 No.-

This paper focuses on the problems of poor imagination presented in the later poems of Wallace Stevens and W. B. Yeats. Being older and being barren of ideas, both poets feel the bitter anguish about their poetry writing. In his later poem, “Of Mere Being,” Stevens continues his endeavor to picture the ‘abstract’ or true reality but fails to accomplish “a supreme fiction” that is his own ultimate form of poetry. Yeats also seriously doubts of his own capabilities and laments the lack of theme as well as of subject matter in “The Circus Animals’ Desertion.” Although the imagination is sterile, however, the desire itself does not wither away totally. The elderly Stevens simply was not blessed with creative imagination in his later years. Hence, only the “mere” reality repetitively and gallantly appears in “Of Mere Being” and other later works. Yeats also does not give up but undertakes to write significant poems with integrity.

월러스 스티븐스;니체적 글읽기 : "최고의 허구를 위한 원고"를 중심으로 Wallace Stevens's "Notes Toward a Supreme Fiction"

정성연 명지영어영문학회 1999 명지영어영문학 Vol.4 No.1-2

Wallace Stevens's long poem,"Notes Toward a Supreme Fiction" is written for the definition of poetry. The title, fiction, suggests that he conceives the world as a fiction without an orthodoxy God that symbolizes the absolute truth. This is the point where this text can be interpreted in the viewpoint of Nietzschean Intertextuality. Friedrich Nietzsche once said God is dead in his Thus Spake Zarathustra, and Stevens says "the death of one god is the death of all"in his "Notes Toward a Supreme Fiction." All the existiong idea of the things becomes fictitious owing to the death of god. The old poet in part one teaches the poet-to-be ephebe about the abstraction. Abstraction means putting something off and removal. so the old poet insists we shold remove the fixed idea about the sun with its several names. And we must see the sun clearly with no idea of one's own but in its pure idea. Abstraction is necessary where there is an absence of God. Abstraction is a starting point to make a supreme fiction dut of the external, false reality. Interdependence between the imagination and reality is important for Stevens to create a supreme fiction. Through abstraction of reality we can get to the true reality, even though it is not enough in itself. The secound part, "It Must Change" emphasizes the changing reality as well as the perceiver's changing mind. The poet's will to create must operate on the changing reality, so the flexible reality is transformed into another reality such as the swans instantly become the angels and then saints. The will to change or the will to create is a common factor for both Stevens and Niretzche when the will means a man-hero. Nietzsche's idea of superman who has the will to overcome himself is very similar to that of major man. Poetic figure, the MacCullough and the Canon Aspirin, they represent the major man. The major man is the man who desires to create beyoud himself, so the supreme fiction results from the supreme man's will, from his mental faculty. Poet's function in a society is to help people to live their own lives, said Stevens in The Necessary Angel. The Canon Aspirin suggests the fat girl to believe in. Since the fat girl has the power to save us from this chaos world, she becomes the more than just a fat girl. She is a specific figure, an irrational distortion because she comes from the creator's intense feeling. She is the final truth which is never fixed, ever-changing, therefore she is the supreme fiction we should put our belief in. Fat girl slides and escapes from our check, our understanding. It reminds us of Nietzschean thinking, a seductive woman as a truth. Nietzsche supposed woman as truth, and advised the scholars not to drown into their self-dogma in his Beyond Good and Euil. A very attractive woman as truth draws our attention secretly and wants to pull us in. At the same time she glides away as we approach her. Women image as truth is another idea in Stevens that is also characteristic aspect in Nietzsche. Stevens as a poet wants poetry to replace the dead God's place. He said poetry is a kind of redemption in his Opus Posthumous and poetry is the supreme fiction in his poem. The fiction which does not mean the absoluteness, rather it can be interpreted as the thing tentative, uncertain. But he puts the adjective "supreme" to make the fiction the most important thing in this earth. He takes some Nietzschean viewpoint and absorbs his idea, but the idea of the supreme fiction is his own original idea and the final goal he emphasizes throughout most of his poems.

우연히 발견된 기관지원낭 1예

정성연,염호기,박이내 대한내과학회 2011 대한내과학회 추계학술대회 Vol.2011 No.-

마가렛 애트우드와 문정희의 여성 역량강화 비교연구

정성연 미래영어영문학회 2014 영어영문학 Vol.19 No.3

This paper focuses on ‘Women Empowerment’ implicit in the works of Margaret Atwood and Junghee, Moon. In her essay, Atwood calls herself ‘Margaret the Medusa’ and Moon, in her poems, ‘Gok-bi.’ However, though awkward and bizarre, these terms show both poets’s strong self-assertion. Women Empowerment is emphasized in love poems by Margaret Atwood and Junghee, Moon as well. The poems are mainly about the relation between two sexes for love and marriage. Through the relation, they want to reveal the women power that counts. In the patriarchal society, women with no education, no job, no career, are seen as inferior to men, being restricted within the domestic sphere. That’s why women, the powerless, have been regarded simply as ‘the weaker sex.’However, female speakers in the poems by Atwood and Moon show women’s potential in love and marriage life. For example, one female lover herself decides the immortal love. Another female speaker outspeaks the need to have vacation for her own self, abandoning the self sacrifice for trivial chores. As literary celebrities, Atwood and Moon are the prominent examples of women’s empowerment, having a voice to express their inner feelings in poems and trying to enhance women’s power in love and every aspects of life as well.

아동의 모애착과 삶의 만족의 관계에서 무조건적 자기수용의 매개효과 검증

정성연,최희철 한국청소년상담복지개발원 2013 청소년상담연구 Vol.21 No.2

The purpose of this study was to examine the mediating effects of unconditional self-acceptance in the relationship between attachment to mother and life satisfaction in children. For this purpose, a structural equation model was verified, based on data collected from 295 boy and girl students of elementary schools aged 11~12. As a result, first, attachment to mother predicted life satisfaction significantly. Second, attachment to mother predicted unconditional self-acceptance significantly. Third, unconditional self-acceptance predicted life satisfaction significantly. Fourth, unconditional self-acceptance mediated partially the relationship between attachment to mother and life satisfaction. Based on these findings, this study discussed implications regarding counseling practice of clients and parents education, limitations and proposals for further research. 본 연구는 아동을 대상으로 모애착과 삶의 만족의 관계에서 무조건적 자기수용이 매개 변인으로서의 역할을 하는가를 알아보았다. 이를 위해 만 11~12세 남녀 초등학생 295명 이 응답한 자료를 기초로 하여 구조방정식 모형을 검증하였다. 그 결과 첫째, 모애착은 삶의 만족을 유의하게 예측하였다. 둘째, 모애착은 무조건적 자기수용을 유의하게 예측 하였다. 셋째, 무조건적 자기수용은 삶의 만족을 유의하게 예측하였다. 넷째, 모애착과 삶의 만족의 관계는 무조건적 자기수용에 의하여 부분 매개되었다. 이 연구의 결과는 아동이 삶에 만족하기 위해서는 부모와 자녀의 안정된 애착관계가 형성되어, 자녀가 자 신과 타인을 무조건적으로 수용할 수 있는 것이 중요하다는 것을 보여주었다. 연구결과 를 바탕으로 아동 내담자의 상담실제와 부모교육에 대한 시사점, 제한점과 추후 연구의 제언을 논의 하였다.

『아라비안 나이트』에서 재현된 여성 임파워먼트 해석의 문제 --샤라자드(Shahrazad)의 스토리텔링과 교화--

정성연 한국여성철학회 2010 한국여성철학 Vol.14 No.-

This paper concentrates on the theme of ‘women's empowerment’presented in Arabian Nights. Arabian Nights, which belongs to tradition of an oral storytelling, is known to include not neutral but judgemental comments on women. Therefore, it reflects the ideological idea of women in patriarchal viewpoint. There are several women presented in "Story of King Shahryar and His Brother," as an introduction of Arabian Nights; adulterous two queens, a deceitful wife('a young lady') and a faithful and wise wife. Two queens and a false wife('a young lady') refer to undesirable woman type, while Shahrazad is described as a true and wise wife. Furthermore, she symbolizes ‘women's empowerment’. Through reading and telling the stories, she obviously got the power to control and enlighten her husband who once was a serial murderer. She could not be killed by a misogynist husband, she survived ‘one thousand and one nights’, a very long time. As an obedient and faithful wife, Shahrazad seems to fulfill traditional sex role thoroughly. However, viewed in the point of cognitive sense, self-educated Shahrazad improved and changed her husband's revengeful mind: a psychopath-like Shahryar became a loving father, husband and merciful ruler. In this respect, power of storytelling makes women's empowerment possible and materialzes ‘female mastery’. Even more, when Shahrazad accompanied Dunyazad to the palace, two sisters shows ‘female solidarity’, which supports each other and could help women's empowerment take root in the male-dominant society.

전략적 도시 브랜딩을 위한 탐색적 연구

정성연,임지은 한국이벤트컨벤션학회 2019 이벤트 컨벤션 연구 Vol.15 No.2

This research aims to explore the brand management status of seven major cities in South Korea, especially focusing on strategic and visual identity. Content analysis was applied in order to understand the strategic identity, a vision, mission, value, keyword, slogan, and visual identity, a logo, color, typeface, symbol (character) that are posted on the websites of the cities. There were three steps in analyzing the data: analyzing the strategic identity of the cities; comparing the strategic identity and visual identity; and comparing visual identity of the city brand and city’s tourism brand. Through this we acknowledged four major problems in branding major cities in Korea. First, most cities lacked strategic identity. Second, mismatch between strategic identity and visual identity, and even inconsistency among visual identity elements. Third, city brands and tourism brands not being created with a holistic view, caused inconsistency between them. Finally, shareholders’ lack of understanding of branding caused inconsistency in branding. This study adds richness to previous research in terms of adding a new perspective on understanding the city brand in tourism field. Previous studies focused on understanding brand image of the city in the view of tourists and communication with the tourists. However, in this research, we highlight the importance of establishing a concrete and clear strategic identity should be the first step for strong and consistent branding.

벤조싸이아졸, 또는 벤조이미다졸을 포함한 살균제 개발

정성연,이혁,허정녕,김범태,최경자,김주경 한국농약과학회 2009 한국농약과학회 학술발표대회 논문집 Vol.- No.-