舊韓末 農民紛爭의 背景硏究

黃善嬉 상명대학교 논문집 1984 상명대학교논문집 Vol.14 No.-

If the tenancy dispute at the age of Japanese imperialism is to be regarded as an antiimperialistic movement of modern peasants', its origin can be pursued out from the dispute of the land ownership at the end of the Yi Dynasty. Generally speaking, the peasant' dispute broke out almost in the form of spontaneity and locality. Their land ownership dispute at that time also arose from the protesting movement against the land-taxation which had been continued since the latter half period of the Yi dynasty. While the peasants' social position was radically specialized and their way of thinking was also actively advancing, the external factors like the policy of the government against their requests stimulated them to disbelieve its management and to induce the anti-government movement. And their dispute resulted even in that of the land ownership. The peasant' dispute of the nineteenth century which developed into the social movement of the anti-feudalism brought about the loyal soldiers' participation, the land owenrship dispute, the tenancy dispute, and the national movement of independence. For the purpose of reorganizing the course of the above mentioned, this thesis aims at the gradual and structural analysis of the system of the land owners and the background of the peasant' dispute, in the course of which few questions are needed (to answer) in order to synthesize this treatise. How had the peasant' disputes changed and developed from the protesting movement against the land taxation since the seventeenth century? How was it possible that the peasants' internal abilities, that is, their basic rights and their senses which enabled them to continue the above mentioned disputes? What kinds of policy did the government execute to cope with the continuous disputes of peasants', for instances, the protesting movement against the land taxation the revolt of the people, and the dispute of the land ownership? Why were the peasant' disputes inevitably intensified in spite of the governmental efforts of settling them?

김춘수의 『處容斷章』(1991)에 나타난 무의미시의 퇴행 양상 연구

황선희 한국문학회 2022 韓國文學論叢 Vol.90 No.-

Poet Kim Chun-Su, after long figuring out ‘Cheoyong’ as a literary figure, published a long series of poems called ‘Cheoyongdanjang’. As a long-term project, Cheoyongdanjang shows a different form from the previous form of Cheoyong. The judgment on Nonsense Poetry differed greatly depending on the author, but it is somewhat questionable whether Kim Chun-soo's early experiments were specifically explained in text. Also, there are not many discussions that examine the creative methodologies shown in the poetry texts without being bound by Kim Chun-su's poetry. Accordingly, in this thesis, Kim Chun-su's Cheoyongdanjang is defined as an 'autobiographical record of a problematic individual' and a project, and the characteristics of speech appearing in the text and the attitude of the poetic subject in the text were examined. In Cheoyongdanjang , which constitutes the culmination of an experiment on Nonsense Poetry, the poetic subject restricts the depth of the image while showing an obsession with the senses. The words implicitly expressed through the poetic subject's mouth are closer to utterance than conscious remarks, and the attitude of the subject, who cannot abandon the world, is difficult to regard as participation. Moving on to the second part, the poetic subject shows a paradoxical gesture that the more he tries to escape from reality, the stronger he is bound to reality. A poetic subject, who tried to hide the ‘I’, reveals itself without realizing it and ignites the reality and meaning. The subject of the third part of the speech retreats to the rhythm of the poem while fleeing to the place of the dream. Kim Chun-su's poetic subject pursues ‘meaninglessness’, but shows that he is constrained by the realm of meaning. What remained in the place where the confession and rhythm had deteriorated was a retreat from Nonsense Poetry and the limitations of Cheoyongdanjang . 시인 김춘수는 오랫동안 ‘처용’을 문학적으로 형상화하다가 處容斷章 이라는 장편 연작시를 발표했다. 장기간에 걸친 기획으로서 處容斷章 은 이전의 처용 형상과 변별되는 모습을 보여준다. 김춘수의 무의미시에 대한 판단은 논자에 따라 극심한 차이를 보였으나 정작 텍스트 차원에서 김춘수의 시작 실험이 구체적으로 해명되었는지는 다소 의문이다. 또한 김춘수 시론에 얽매이지 않고 시 텍스트에 나타난 창작 방법론을 살핀 논의는 많지 않다. 이에 따라 이 논문에서는 김춘수의 處容斷章 을 ‘문제적 개인의 자전적 기록물’이자 기획으로 규정하고, 텍스트에 나타나는 언술상의 특징과 시적 주체의 태도를 살펴보았다. 무의미시 실험의 극점을 이루는 處容斷章 에서 시적 주체는 이미지의 깊이가 깊어지는 것을 제한하면서도 감각에 대한 강박을 보인다. 시적 주체의 입을 통해 은연중에 나오는 말들은 의식적인 발언이라기보다는 발화에 가까우며, 세계를 저버리지 못하는 주체의 태도는 참여라기보다는 참가에 가깝다. 2부로 넘어가면서 시적 주체는 현실에서 벗어나려 할수록 현실에 강하게 구속되는 역설적인 몸짓을 보여준다. ‘나’를 숨기고자 했던 시적 주체는 자기도 모르는 사이에 자신을 내보이고 현실과 의미에 대해 발화한다. 3부의 시적 주체는 꿈의 자리로 달아나면서 시의 리듬을 후퇴시킨다. 김춘수의 시적 주체는 ‘무의미’를 지향하면서도 의미의 영역에 구속되어 있는 모습을 보여준다. 고백과 리듬이 퇴화한 자리에 남은 것은 무의미시의 후퇴이자 處容斷章 의 한계였다.

한·중남미 관계 변화 추이 및 고려사항

황선희 한국외국어대학교 중남미연구소 1996 라틴미주Report Vol.1996 No.2

Gait parameters as tools for analyzing phenotypic alterations of a mouse model of Charcot-Marie-Tooth disease

황선희,장은혁,곽건,전현진,최병옥,홍영빈 한국통합생물학회 2021 Animal cells and systems Vol.25 No.1

Charcot-Marie-Tooth disease (CMT), a genetically heterogeneous group of diseases in the peripheral nervous system, is characterized by progressive and symmetrical distal weakness resulting in gait abnormality. The necessity of the diagnostic and prognostic biomarkers has been raised for both basic research and clinical practice in CMT. Since biomarkers for animal study of CMT are limited, we evaluated the feasibility of gait parameters as tool for measuring disease phenotype of CMT mouse model. Using a Trembler-J (Tr-J) mouse, a CMT type 1 (CMT1) mouse model, we analyzed kinematic parameters such as angles of hip, knee and ankle (sagittal plane), and spatial parameters including step width and stride length (transverse plane). Regarding of kinematic parameters, Tr-J mice exhibited less plantarflexed ankle during the swing phase and more dorsiflexed ankle at the terminal stance compared to control mice. The range of motion in ankle angle of Tr-J mice was significantly greater than that of control mice. In spatial parameter, Tr-J mice exhibited wider step width compared to control mice. These results are similar to previously reported gait patterns of CMT1 patients. In comparison with other markers such as nerve conduction study and rotarod test, gait parameters dynamically reflected the disease progression of CMT1 mice. Therefore, these data imply that gait parameters can be used as useful tools to analyzed the disease phenotype and progression during preclinical study of peripheral neuropathy such as CMT.

주요우울장애 환자의 증상 심각도에 따른 신경인지적 특성

황선희,이헌정,김명선,Hwang, Seon-Hee,Lee, Heon-Jeong,Kim, Myung-Sun 대한생물정신의학회 2017 생물정신의학 Vol.24 No.3

Objectives This study investigated associations between symptom severity and neurocognitive functions in patients with major depressive disorder using comprehensive neuropsychological tests. Methods Ten patients with low depression (LD) and 22 patients with high depression (HD) participated. Symptom severity was determined by both the Beck Depression Inventory and the Hamilton Depression Rating Scale. Additionally, anxiety was measured by the Korean version of the State-Trait Anxiety Inventory (STAI-KYZ). Ten subtests of the Korean-Wechsler Adult Intelligence scale (K-WAIS), Stroop test, the word/design fluency tests were administered to assess cognition. Results The LD and HD groups did not differ in any of cognitive measures but anxiety level. Namely, the HD group obtained significantly higher scores on the state (U = 29.50, p < 0.01) and trait (U = 28.50, p < 0.001) anxiety scales than the LD group. A significant interaction effect between trait anxiety and depression severity was observed on the picture arrangement subtest of the K-WAIS [F (1, 27) = 5.09, p < 0.05]. Conclusions Cognitive deficits observed in patients with major depressive disorder may be related to other factors rather than current symptom severity. Trait anxiety possibly moderates the effect of current symptom severity on social judgment in these patients.

여성-증언시의 공동체 구축 방식과 가능성 : 에밀리 정민 윤의 시를 중심으로

황선희 중앙대학교 문화콘텐츠기술연구원 2023 다문화콘텐츠연구 Vol.- No.43

In this paper, ‘testimony poetry’ was set as a sub-category of testimony literature and testimony poetry written from a feminist perspective was examined. In particular, focusing on Emily Jungmin Yoon's first collection of poems, “A Cruelty Special to Our Species” we tried to find out where the testimony dealing with the “Japanese Military Sexual Slavery” could be placed in our current affairs. Just as Heo Soo-Kyung wrote a poem in Korean in Germany, Emily Jungmin Yoon dealt with the issue of “Japanese Military Sexual Slavery” outside the boundaries of the country as an immigrant woman who could feel “Minor feelings” The feminist perspective that draws attention at this time distanced itself from the nationalist perspective and showed a new aspect of testimony. The poet's gaze at “Japanese Military Sexual Slavery” women extends not only to women's problems around the world but also to environmental problems, forming a larger community of memories. As such, Emily Jungmin Yoon seeks the possibility of a new solidarity through women-testimony poetry. 이 논문에서는 증언문학의 하위 범주로 ‘증언시’를 설정하고 여성주의적 관점에서 쓰인 증언시를 살펴보았다. 특히 에밀리 정민 윤의 첫 시집 뺷우리 종족의 특별한 잔인함뺸을 중심으로 일본군 ‘위안부 문제를 다룬 증언시가 우리 시사에서 어떤 위치에 놓일 수 있는지 확인하고자 하였다. 허수경이 독일에서 한국어로 시를 썼듯이, 에밀리 정민 윤은 ‘소수적 감정’을 느낄 수 있는 이민자 여성으로서 국가의 경계를 벗어나 ‘위안부’ 문제를 다루었다. 이때 주목되는 여성주의적 관점은 민족주의적 시각과 거리를 두며 증언시의 새로운 모습을 보여준다. ‘위안부’ 여성들을 바라보는 시인의 시선은 전 세계 여성들의 문제뿐 아니라 환경 문제로까지 확장되며 더 커다란 기억의 공동체를 이룬다. 이렇듯 에밀리 정민 윤은 여성-증언시를 통해 새로운 연대의 가능성을 모색한다.

시와 음악의 창조적 감응 : 베를렌느의 시와 포레의 음악 「하얀 달 La lune blanche」

황선희 韓國比較文學會 2000 比較文學 Vol.25 No.-

초기 한국 근대시단에 나타난 프랑스 象徵主義 영향

황선희 韓國比較文學會 1999 比較文學 Vol.23 No.-

전쟁과 여성의 아카이브, 허수경의 시세계

황선희 한국여성문학학회 2022 여성문학연구 Vol.57 No.-

By focusing on Heo Soo-Kyung’s war-related poems, this paper attempts to identify the point of divergence between the poems of the previous generation of female poets and Heo Soo-Kyung’s war poems. Depictions of war in Heo Soo-Kyung’s poetry include not only the Korean War but also the terrible pain caused by the atomic bomb as well as imperial violence. Beginning with her first collection of poems, Heo Soo-Kyung has demonstrated insight into war and has indirectly conveyed the horrors that follow war. In Heo Soo-Kyung’s war poems, women remember and record the daily lives of people left to survive in the aftermath of war. As a female poet belonging to the generation that experienced war indirectly, Heo Soo-Kyung uses archaeological methods to archive small bits and pieces that exist outside the written record. The “women’s time” that Heo Soo-Kyung discovers is meaningful in that it has not been captured by official history. This enables Heo Soo-Kyung’s war poetry to make the indirect experiences of war physical and shape the space of memory called the “body.” In Heo Soo-Kyung’s poems, sadness is treated as an emotion that expands and remembers the “small wars” of those who have been omitted from history or have disappeared since the war. As female strangers, Heo Soo- Kyung’s poetic subjects explore the weakest link broken by the war and make archives of things that have not been verbalized. In this context, Heo Soo-Kyung’s war poetry can be seen as possessing feminist attributes. 이 논문은 허수경의 전쟁 관련 시에 주목함으로써 이전 세대 여성시인들과 허수경의 전쟁시가 변별되는 지점을 파악하고자 했다. 허수경 시에 나타나는 전쟁은 한국전쟁만을 의미하지 않으며, 원폭으로 인한 끔찍한 고통, 제국주의적 폭력 등을 포괄하는 것으로 그려진다. 허수경은 첫 시집에서부터 전쟁에 대한 통찰을 나타내며 전쟁 이후의 참상을 간접적으로 보여주고 곱씹는다. 허수경의 전쟁시에서 여성은 전쟁이 지나간 자리에 남은 일상과 사람들을 기억하고 기록한다. 전쟁을 간접 경험한 세대이자 여성시인으로서 허수경은 고고학적 방법을 통해 문서바깥에 놓인 작은 조각들을 아카이빙한다. 허수경이 발굴한 ‘여성의 시간’은 대문자 역사가 포착하지 못했던 것이라는 점에서 유의미하다. 이는 허수경의 전쟁시가 간접 경험을 신체화하고 ‘몸’이라는 기억의 공간을 형상화하게 한다. 허수경 시에서 슬픔은 전쟁 이후 생략되거나 사라져버린 자들의 ‘작은 전쟁들’을 확장하고 기억하는 감정으로 다루어진다. 여성 이방인으로서 허수경의 시적 주체들은 전쟁으로 인해 끊어진 가장 약한 고리를 탐사하며, 언어화되지 못했던 것들을 아카이브로 만들어 시화해 낸다. 이 지점에서 허수경의 전쟁시가 여성주의적 속성을 지닌다고 볼 수 있다.

충청북도 중학교 여학생의 기술에 대한 태도

황선희,최준섭,정성봉 한국기술교육학회 2005 한국기술교육학회지 Vol.5 No.2

The purpose of this study was to examine the attitude of girl students of middle school toward technology. This study was carried out using the questionnaire of attitude scale test developed by Lee(1999).In order to select the appropriate number of girl students cluster sampling with stratification has been employed in Chungbuk province: 4 girls' middle schools and 5 coeducational middle schools have been randomly selected, respectively.The main results of this research were as follows: (1) Girl students' response with attitude toward technology was in the level of average of 3.06 out of perfect 5.(2) Girl students showed negative attitude toward the tendency that they are differentiated from boy students in the daily activities related with technology. (3) Girl students recognized the importance and influence of technology. And also they thought technological activities positively. (4) Frequency of conversations with parents in their home regarding technology had greatly influenced on girl students' attitude toward technology.