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      • KCI등재

        수태음경근(手太陰經筋)과 수양명경근(手陽明經筋) 유주(流注)에 분포(分布)하는 근육(筋肉) 수축시(收縮時) 나타나는 자세(姿勢)에 대(對)한 고찰(考察)

        서광진,이준무,Seo, Kwang-Jin,Lee, Joon-Moo 대한한방내과학회 1992 大韓韓方內科學會誌 Vol.13 No.2

        For an effective acupuncture treatment, the location of muscles around Sutaeumkyongkun and Suyangmyongkyongkun were researched and they were made contracted. The conclusion is as follows; 1. The contraction of muscles around Sutaeumkyongkun gives appearance of the postures ; free movement of thumb, abduction of extension of wrist, flexion and pronation of elbow, depression and abduction of girdle of superior limb, flexion, internal rotation and horizontal flexion of shoulder joint These postures all together consequently produces the action 'holding something in arms'. 2. The contraction of muscles around Suyangmyongkyongkun gives appearance of the postures; extension of metacarpophalangeal and interphalangeal joint of index finger extension and abduction of thumb, extension of wrist, extension and supination of elbow, adduction, elevation and upward rotation of girdle of superior limb, extension, abduction, adduction, internal rotation, external rotation, horizontal extension of shoulder joint, flexion and opposite rotation of neck. These postures all together consequently produces the action 'raising arms'.

      • KCI등재

        문화,문학 : 예카테리나 2세의 문학과 18세기 후반 러시아 프리메이슨의 형상: 예카테리나 2세의 "안티-프리메이슨 삼부작"을 중심으로

        서광진 ( Kwang Jin Seo ) 경희대학교 비교문화연구소 2014 비교문화연구 Vol.37 No.-

        This article attempts to explore the literature of Catherine the second, focusing on her comedies in the light of anti-freemasonry in the late 18th-centuryof Russia. Her main idea towards social morals was consistently expressed from in herearly comedies during 1770s, such as ‘Oh! times!’(1772), to her late counterparts during 1880s, such as so called ‘anti-freemason trilogy,’ which includes ‘the deceiver’(1785), ‘the deceived one’(1785) and ‘Siberian shaman’(1786). By depicting antagonists-freemasons in her own trilogy, only as alchemists, shamans, fallacious chemists, hypocritical medical doctors, and so on, Caterine the second intended to undermine the mason influence against Russian Empire, which had ideationally attracted Russian nobles and intellectuals and furthermore to reinforce her political control over the intellectuals as well as the public. The above literacy attempts by Catherine can be said to aim to found morals of her own era through the utilization of social discourse, rather than through the political or governmental control.

      • KCI등재후보

        비계설정에 따른 한국어교실 대화 분석

        서광진 ( Kwang Jin Seo ) 전북대학교 인문학연구소 2011 건지인문학 Vol.5 No.-

        This study aimed to inquire how interaction between teacher and learner occur based on considering an aspect of discourse in Korean language classroom. To do this, Vygotsky`s ``Scaffolding`` and Long`s ``Interaction hypothesis`` are used as background theory. Teacher could facilitate interaction of learners doing modeling, turn-allocation, corrective feedback. Learners take part in classroom discourse by learner`s strategy, shorter length of utterances, easier vocabulary. The result of classroom discourse analysis show that Korean language classroom is not a learner-centered classroom in which communication take place, but a authentic teacher-centered classroom. This is far from Second language acquisition through classroom interaction that Communicative Language Teaching intend. Various utterance strategies are needed to facilitate interaction of learners.

      • 18세기 러시아의 지도 제작에 대한 소고

        서광진(Seo Kwang Jin) 경북대학교 러시아-유라시아 연구소 2020 러시아유라시아연구 Vol.3 No.1

        This paper aims to summarize the history of Russian cartography briefly and explore its significance. In the beginning of the 18th century, Russia had made Karta not Chertyozh, which was part of the modernization project. As a result, the perception of the territory has changed significantly. The Russian empire considered the territory only as an object of conquest until the 17th century, and relatively neglected in collecting information of each region. However, modernized Russia recognized cartography as a science for the management of the state, and completely renewed its perspective on territory. The new methodology and institutions were established for cartography in the 18th century. Modern Karta was the impetus for imperialism and patriotism for russian empire.

      • KCI등재

        여행기 텍스트의 세 가지 기능에 대하여

        서광진(SEO, Kwang Jin) 한국슬라브유라시아학회 2018 슬라브학보 Vol.33 No.1

        This paper aims to theoretically identify the three functions of travelogue texts, focusing on some poetic characteristics of Russian modern travelogues. Firstly, based on the understanding of modern travelogues, this suggests that travelogue texts have the informative, discursive and creative functions. Second, this explores which role the functions play in the travelogue texts, and furthermore how various kinds of travelogues text can be categorized in terms of these functions. By this end, I would like to provide a possibility for travelogue texts to be read rather analytically and systematically in the context of the history of modern literature.

      • KCI등재

        The Concept of Courage in A. N. Radishchev s Works in the Light of Russian Enlightenment

        서광진(Seo Kwang Jin) 충북대학교 러시아 알타이지역 연구소 2020 러시아학 Vol.- No.21

        본 논문은 라디셰프의 작품에 드러난 용기의 개념을 살펴보는 것이다. 18세기 후반의 러시아는 농노제와 전제정에 기반하여 차르의 강력한 통치권이 유지되었다. 따라서 귀족과 시민들은 실제 생활에서의 자유는 물론 사상의 자유도 충분히 누릴 수 없었다. 라디셰프가 보기에 이러한 상황을 타계하기 위해서는 강력하고 용기 있는 리더의 출현이 절실하였다. 본 논문은 라디셰프의 이러한 용기에 대한 개념이 어떻게 출현하였으며 어떻게 후세에 전달되는지 그 메커니즘을 연구한다. 이를 위해 18세기 후반의 러시아 계몽주의의 맥락을 충분히 참고하고자 한다. This article explores concepts of courage and its role in Alexander Nikolayevich Radishchev’s works. 18th century Russian society was governed by despotism and serfdom systems by the tsars. The social environment of the civilians and noblemen was bleak, as they were deprived not only of physical freedom, but also of freedom of thought. According to Radishchev’s idea of natural law and his view on humanity, serfdom and despotism corrupt both society and humans. From Radishchev’s point of view, a powerful and courageous leader was needed to overcome it. This article analyzes the mechanisms of the genesis and proliferation of Radishchev’s idea of what it is to have courage throughout his works, especially in A Journey from St. Petersburg to Moscow. In addition, the meaning of courage in 18th century Russian culture also is explored through cultural contexts.

      • KCI등재

        유사 의미 변별을 위한 문법 텍스트 구성 방안

        서광진(Seo, kwang-jin) 한국언어문학회 2016 한국언어문학 Vol.99 No.-

        This study is about developing grammar text to help Korean learners. Studying intermediate course, Korean learners usually make many mistakes or errors. To preventing this kinds of errors they need to study grammar form through grammar text which is constructed with two similar grmmar forms. Similar grammar form indicate relation between two grammar form which have similar meaning functionally. Accordingly inner or outward relation between two similar grammar form, grammar text are divided into next three types. First one is basic form-polysemous meaning, second is basic form-derivational meaning, third is different form-similar meaning. And also accordingly an individual distinction of similar grammar form, grammar text can be divided into conversational text, written language text, description text etc. Teaching grammar form through grammar text, Korean learners can avoid not only errors but also interference of meaning was caused from similarity in two grammar forms.

      • KCI등재

        『우리 시대의 영웅』과 러시아 제국의 군인들

        서광진(Seo, Kwang Jin) 한국노어노문학회 2015 노어노문학 Vol.27 No.4

        본 논문은 레르몬토프의 『우리 시대의 영웅』에서 나타난 제국주의를 바탕으로 이 작품의 주인공이 누구인지(혹은 무엇인지) 다시금 밝혀보려는 시도에서 비롯된다. 작품의 지리적 배경이 되는 당시 카프카즈는 러시아 제국에 새로운 활력을 공급하는 에너지원이었으며, 러시아의 근대적 정체성 형성에 있어 중요한 역할을 담당했다. 이 때 러시아는 정복전쟁을 위해 카프카즈에 군대를 파견하였으며, 『우리 시대의 영웅』은 그곳에 주둔했던 러시아군 장교들(페초린, 그루쉬니츠키, 막심 막시므이치, 화자 등)의 이야기로 이루어져 있음은 새삼 주목을 요한다. 그들의 이야기는 러시아 제국의 카프카즈 정복 전쟁이 없었다면, 그리고 그들이 그곳에 파견된 군인들이 아니었다면 존재할 수 없었던 것이다. 이 경우 이 작품의 숨은 주인공은 장교들의 어깨 위 견장이 상징하는 바, 러시아 제국임을 상정해 볼 수 있다. This paper aims to rediscover who (or what) is the real hero in Mikhail Lermontov’s A Hero of Our Time, focusing on imperialism appearing in this classic piece. Then Caucasia, which is the geographical place of the work, was a source providing new energy for the Russian Empire and even played an important role in the formation of Russian modern identity. Thus the fact that the Russian Empire sent troops to Caucasia for conquering the area in that time, and concurrently A Hero of Our Time consists of the stories of the commissioned officers staying there, such as Pechorin, Grushnitskiy, Maksim Maksimych, the narrator and so on, requires academic attention again. If the Russian empire had not carried out a conquest war against Caucasia, and they had not been a military officer, their stories could not have been made. If so, the author can argue that the hidden but real hero of this classic could be considered the Russian Empire, as the military officers’ shoulder epaulet symbolizes her.

      • KCI등재

        두 자살: 라디셰프와 카람진의 “리자”

        서광진 ( Kwang Jin Seo ) 서울대학교 러시아연구소 2016 러시아연구 Vol.26 No.1

        본 논문은 라디셰프의 죽음(그리고 라디셰프의 작품에서 등장하는 자살의 모티브)과 리자의 자살을 비교·분석하고 이를 바탕으로 18세기 말 자살의 의미와 문화사적 함의를 살펴보는 것을 목적으로 한다. 두 감상주의자, ‘러시아의 카토’인 라디셰프(그의 작품의 등장인물을 포함하여)와, ‘러시아의 베르테르’인 리자의 자살은 러시아 문화사에 독특한 비교적 관점을 제시해 준다. 라디셰프의 자살은 여전히 확정적이지 않지만, 그렇기 때문에 더욱 독자들과 학자들에 의해 문화적으로 해석되고 있다. 근대 러시아에서 ‘최초의’ 자살이라 할 수 있는 라디셰프의 죽음은 고대 세계의 모범을 따른 것이었다. 따라서 그의 자살과 그의 작품에서 나타나는 자살의 모티브는 귀족적이고, 영웅적이며, 시민적인 파토스가 강하다. 반면 비슷한 시기에 출간된 카람진의 「가엾은 리자」에서의 자살은 고상한 감정에서 비롯되긴 했지만, 농민적이고 개인적이며 비극적이다. 라지셰프에게 자살이 민중을 위한 귀족의 영웅적 자살이었다면, 리자에게 자살은 세속화된 개인이 느낀 고상한 감정에서 비롯된 농민의 것이었다. This paper aims to analyze Lisa’s and Radishchev’s suicide (including the motive of suicide in the Radishchev writings) comparatively, shed light on the meanings of suicide in the late 18th century based on the comparative analysis, and further examine its implications in the perspective of cultural history of Russia. The suicide of the two sentimentalists, Radishchev, Russian Cato and Lisa, Russian ‘Werther’ has a very unique meaning in the history of Russian literature. The former demonstrates strong noble, heroic and civil pathos, while the latter originates from folkloric and individual but elegant emotion. Suicide meant a novel’s heroic decision for public to Radishchev, whereas it was peasants’ own resolution, stemming from elegant emotion felt by a secularized individual-hero, for Lisa.

      • KCI등재

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