제3발표 ( 생산 , 계량 ) 3. 서비스산업의 품질관리 전개 모형에 관한 연구 - 품질 전략 변수의 영향력을 중심으로 -

전영일 한국경영학회 1989 추계학술연구발표회 발표논문집 Vol.- No.-

邵洵美的都市文學空間與文化資本

전영 한국중국학회 2023 중국학보 Vol.104 No.-

Shao Xunmei, who was active in the urban cultural space of Shanghai in the 1930s, was a writer who utilized the public space for intellectuals to interact with each other and promote exchanges between China and the West. Shao Xunmei’s literary activities have played an important media role in the development of modern literature through magazines and publishing. But so far, there are few studies that have included Shao Xunmei in the scope of orthodox literature research. Shao Xunmei is not only a poet and writer with a unique style, but also an accomplished publisher, translator, and critic. She is also a literary activist who made important contributions to the exchange of Chinese and foreign literature in the 1930s. This article breaks away from the scope of previous studies that mostly focused on the aesthetic literary practice of Shao Xunmei as a poet, and focuses on examining the urban literary space constructed by Shao Xunmei. Shao Xunmei’s urban literary space can be divided into two parts - the literary salon as Mr. Huating, and the magazine, bookstore, and publishing house established as a publisher. The former is a physical literary space for intellectual exchange in Shanghai, while the latter is a ‘paper’ salon for literati to discuss literature. Some researchers have pointed out that Shao Xunmei has multiple identities as both a publisher and a writer, that is, as a poet pursuing aesthetic literary views, and on the other hand, using a commercial operating model for literary production, which makes his literary views and literary practice have obvious contradictions. However, this viewpoint lacks a sufficient understanding of Shao Xunmei’s literary activities. Shao Xunmei’s literary activities are not aimed at profit, but rather at reading and writing poetry, engaging in social activities, and providing space for writers to express themselves. This article examines the different forms of urban literary spaces constructed by Shao Xunmei, and analyzes their impact and contribution to modern literature from the perspective of cultural capital. 二十世纪三十年代活跃于上海都市文化空间的邵洵美是利用知识分子之间彼此交往的公共空间,推动中西交流的作家。邵洵美的文学活动通过杂志和出版事业为现代文学的发展起到了重要的媒介作用。可是目前为止将邵洵美纳入正统文学研究范围的研究屈指可数。邵洵美不仅是独具风格的诗人、作家,而且还是颇有成就的出版家、翻译家、评论家,更是对三十年代中外文学交流做出重要贡献的文学活动家。 本文摆脱以往研究大多围绕邵洵美作为诗人的唯美主义文学实践的范畴,把重点聚焦在邵洵美所构筑的都市文学空间进行考察。邵洵美的都市文学空间可分为两个部分 —— 作为花厅先生的文艺沙龙,以及作为出版家设立的杂志、书店和出版社。前者是上海知识分子交流的物理上的文艺空间,後者则是文人讨论文学的“纸上”沙龙。 有研究者指出邵洵美兼有出版家和作家的多重身份,即作为诗人追求唯美主义的文学观,另一方面又借由商业化的运行模式进行文学生产,使他文艺观與文学实践具有明显的矛盾。但是这种观点对邵洵美的文学活动是缺乏充分理解的。邵洵美的文学活动并不是以盈利为目的,而旨在读书和作诗以及社交活动并为作家们提供发表言论的空间。本文通过考察邵洵美所构筑的不同形式的都市文学空间,从文化资本的角度分析其文学空间对现代文学的影响和贡献。

안드로이드 기기를 이용한 EEG/EOG 무선 모니터링 시스템 구현

전영일(Jeon Young IL),이승환(Lee Seung Hwan),김상규(Kim Sang Gyu),신성진(Shin Sung Jin),심수민(Shim Su Min),박성춘(Park Seong Chun),이욱준(Lee Uk Jun),신현철(Shin Hyun Chol) 한국통신학회 2014 한국통신학회 학술대회논문집 Vol.2014 No.11

상추 국외 도입 유전자원의 시들음병 저항성 검정

전영아,이주희,이재은,성정숙,허온숙,노나영,이석영,이호선 한국국제농업개발학회 2018 韓國國際農業開發學會誌 Vol.30 No.3

국내 시설재배 상추의 시들음병에 대한 안정적 재배를 위해 농가에 보급 가능한 저항성 자원을 탐색하기 위하여 12개 국가에서 육성한 111개 도입자원의 시들음병 저항성 정도를 조사하였다. 1. 병원균 접종 후 14일째 공시한 저항성 표준품종인 ‘뚝섬적축면’과 감수성 ‘미풍포찹적축면’을 포함한 공시 자원들의 병징이 뚜렷하게 나타남. 2. 시들음병 저항성 정도 범위는 전혀 고사되지 않은 자원( 발병정도 0)부터 전체 고사하는 자원(발병정도 4) 까지 넓게 분포하여 전체 111개 자원에 대한 평균 발병정도는 2.6±0.19 이었음. 3. 전체 자원 중 IT 294125 등 7개 자원이 병징이 전혀 나타나지 않았고, 저항성 기준으로 정한 발병정도 0인 개체비율이 80%이상이고 발병정도가 3이상인 개체비율이 20% 이하인 자원은 IT 289569 등 16개 자원이었음. 4. 저항성을 보인 16개 자원 중 IT 289569 등 미국 원산이 11개, 터키 원산이 IT296680 등 4개, 중국 원산이 IT 301287로 1개이었음. 1) 상추 유형으로는, 결구상추가 IT289569 등 8개, 잎상추는 IT 296679 등 5개, 로메인 상추가 IT296680 등 2개, 줄기상추 1개(IT 301287) 5. 본 연구결과 시들음병 저항성을 보인 16개 자원은 시들음병 발생이 높은 농가에서 이용 가능한 품종으로 생각되나, 병 저항성 검정이 유묘 단계에서 이루어졌기 때문에 생육 전반의 종합적인 특성을 고려하여 우수자원을 선발하는 후속연구 필요 This study was conducted to get information of Fusarium wilt resistance for introduced lettuce cultivars from 12 countries. 111 developed cultivars introduced from 12 countries showed intense and broad resistance symptom. The withered rates of the 111 accessions widely ranged from 0(no symptom) to 4(completely died caused by Fusarium wilt) index. The average of pathogenicity of all evaluated accessions was 2.6±0.19. Among them, 7 accessions including IT 294125 showed strong resistance(100 percent survival from Fusarium wilt) and 16 accessions including IT 289569, showed high level of resistance that is higher than 80% of 0 level and lower than 20 % of 3 or 4 level to young plants evaluated. Among the 16 accessions, 11 accessions were developed from U.S.A, 4 accessions from Turkey, and 1 from China. The 16 accessions consisted of 8 crisphead, 5 leaf lettuce, 2 romain type, and 1 stem type. As a result, 16 accessions which showed high level of resistance to Fusarium wilt can be possible to be used by commercial farmers and breeders. However, research related to the exploration of appropriate materials( accessions) for breeding cultivars with variable characters, good quality, high functional components, high consumer acceptability, etc. should be continued, considering pathogenicity test was conducted in young stage.

淩叔華『古韻』的副文本硏究

전영 한국중국학회 2022 중국학보 Vol.102 No.-

Ling shuhua is one of the first generation of female writers in the modern Chinese literary world affected by the May 4th New Literature Movement. In the 1920s and 1930s, she published a collection of short stories, including the Temple of Flowers, the Women, and the Little Brothers. Ling shuhua’s autobiographical novel “Ancients Melodies” was published in Britain in 1953 with the help of members of the Bloomsbury Group in Britain. After the novel was published, it caused a great sensation in the West and won her international reputation. The novel shows the western readers the childhood story of a woman growing up in a traditional Chinese family. Ling shuhua communicated with Julian Bell, Adeline Virginia Woolf, Vanessa Bell and other members of the Bloomsbury Group in the United Kingdom, showing the process of cross-cultural creation of the work Ancient Melodies. The work shows the west the scenery and stories with Chinese characteristics, using English as the text language and autobiography. Virginia Woolf has given a lot of guidance from the novel conception to the setting of target readers and the application of writing skills. It can be said that this work is a cross cultural achievement born in the process of Sino Western exchanges. Gerard Genette’s Parataxts theory focuses on the auxiliary content and information related to texts that have been ignored in literary research. In fact, it is the content and information of Parataxts around these texts that make the texts have higher meaning and value, and make the texts pass on to the readers as much as possible according to the author’s intention. ‘Parataxts’ is an important element in literary research, but a core element that complements and improves the original text and is as valuable as the original text. And the original text and ‘Parataxts’ are not independent individuals, but symbiotic relationships of interdependence and coexistence. This paper analyzes the content of ‘Parataxts’ in ancient Chinese rhymes, and explores the ‘self orientalization’ tendency reflected in Ling shuhua’s self paintings, which echoes with the ‘self orientalization’ shown in the original text and deepens the theme and significance of the work. On the other hand, this paper analyzes the preface vita sackville west wrote for the work, and examines its significance as a ‘symbolic capital’ through the preface as ‘Parataxts’. Through this study, we expect to expand the scope of ‘Parataxts’ research in the field of modern literature in the future, and re-examine the literary value of original text through ‘Parataxts’ research in the field of literature. 淩叔華是受五四新文學運動影響的中國現代文壇的第一代女性作家之一,在1920~30年代發表了短篇小說集 花之寺 、 女人 、 小哥兒倆 。 淩叔華的自傳體小說 古韻 在英國布盧姆斯伯裏成員的幫助之下,於1953年在英國出版。小說發表後在西方引起很大轟動,爲她贏得了國際聲譽。小說向西方讀者展現了一個中國傳統家庭裏成長的女性的童年故事。淩叔華與朱利安⋅貝爾,弗吉尼亞⋅伍爾夫以及瓦內撒⋅貝爾等英國布盧姆斯伯裏集團的成員交流,展現了 古韻 這部作品跨文化創作的過程。作品給西方展示了具有中國特色的風景和故事,以英語作爲文本語言,采用自傳體模式。從小說構思到目標讀者的設置以及寫作技巧的運用等方面,弗吉尼亞⋅伍爾夫都給與了許多指導意見。可以說這部作品是在中西交流的過程中誕生的跨文化成果。 熱拉爾⋅熱奈特的副文本理論關注文學研究中一直以來被忽略的與文本相關的輔助內容和信息。實際上正是這些文本周邊的副文本內容和信息才使文本具有更高的意義和價值,並使文本最大限度按作者意圖傳遞給讀者。 副文本在文學研究方面並不是無關緊要的要素,而是補充和完善正文本,與正文本一樣具有價值的核心要素。並且正文本與副文本不是獨立存在的個體,而是相互依存和共存的共生關系。本文對 古韻 中存在的副文本內容加以分析,從中探索出淩叔華自畫的插畫中體現出的自我東方化傾向,這與正文本中表露出的自我東方化相互呼應,深化作品主題和意義。另一方面, 本文分析英國女作家薇塔⋅薩克維爾⋅韋斯特爲作品撰寫的序文,通過作爲副文本的序文,考察其作爲象征資本所具有的意義。通過本文考察,期待今後現代文學領域擴大副文本研究範圍,通過文學領域的副文本研究重新審視正文本的文學價值。

위험요인이 포함된 시공간 모형을 이용한 5대 강력범죄 분석

전영은,강석복,서정인,Jeon, Young Eun,Kang, Suk-Bok,Seo, Jung-In 한국통계학회 2022 응용통계연구 Vol.35 No.5

5대 강력범죄(살인, 강도, 강간·강제추행, 절도, 폭력)는 사회 구성원들의 안전을 위협하는 대표 범죄들로 일상생활에서 자주 발생한다. 이러한 범죄들은 사회 구성원들의 삶의 질을 떨어뜨리는 등 부정적인 영향을 미친다. 대한민국의 수도인 서울의 경우, 지방에 있는 많은 인구가 서울로 이동하면서 서울의 인구 밀도는 증가하고, 이로 인해 5대 강력범죄 발생 위험성도 증가하고 있다. 본 연구에서는 이러한 위험성을 줄이기 위해 세 가지의 시공간 모형을 이용하여 서울의 5대 강력범죄 발생에 대한 상대위험도를 모델링하였다. 게다가, 상대위험도에 유의한 영향을 미치는 위험요인을 살펴보기 위해 다양한 위험요인을 포함하였다. 최적의 모형을 선택하기 위해 편차정보기준을 이용하였으며, 최적의 모형을 중심으로 다양한 시각화를 포함한 분석결과를 제공하였다. 본 연구는 각 자치구의 상대위험도와 5대 강력범죄에 대한 위험에 유의한 영향을 미치는 위험요인을 분석함으로써, 사람들의 안전한 일상생활을 유지하기 위한 효율적인 전략을 수립하는 데 도움을 준다. The five major violent crimes including murder, robbery, rape·forced indecent act, theft, and violence are representative crimes that threaten the safety of members of society and occur frequently in real life. These crimes have negative effects such as lowering the quality of citizens' life. In the case of Seoul, the capital of Korea, the risk for the five major violent crimes is increasing because the population density of Seoul is increasing as a large number of people in the provinces move to Seoul. In this study, to reduce this risk, the relative risk for the occurrence of the five major violent crimes in Seoul is modeled using three spatio-temporal models. In addition, various risk factors are included to identify factors that significantly affect the relative risk of the five major violent crimes. The best model is selected in terms of the deviance information criterion, and the analysis results including various visualizations for the best model are provided. This study will help to establish efficient strategies to sustain people's safe everyday living by analyzing important risk factors affecting the risk of the five major violent crimes and the relative risk of each region.

A Study on the Challenges Related to Intellectual Property Rights in Digital Artworks

전영,장경풍 인문사회 21 2022 인문사회 21 Vol.13 No.5

A Study on the Challenges Related to IntellectualProperty Rights in Digital ArtworksYong Qian & Qingfeng Zhang Abstract: This study explores the issues in intellectual property rights in the landscape of digital arts through tracing the shift in protecting and maintaining digital art. It intends to trace the shift in protecting and maintaining digital arts. It utilizes a qualitative research design through a literature data collection of existing studies and other resources available online. In understanding the role of intellectual property rights in digital arts, it emphasizes the problem of commodification of original artworks. Accordingly, it reviews existing intellectual property right laws and policies, how the rights shifted along with the digitization of traditional arts, and the challenges and strategies in preserving the rights over digital arts. It concludes that more strategies and policies must be taken to further protect and give proper recognition to the creators and artists. In this regard, it suggests digital artworks should be verified authentic through the block-chain, such as NFTs. Key Words: Digitization of Traditional Artwork, Commodification of Original Artwork, Preserving the Right of Digital Artwork, NFT, Intellectual Property Right 디지털 예술작품의 지식재산권상 문제점에 대한 연구전 영*ㆍ장 경 풍** 연구 목적: 본 연구는 디지털 예술과 관련한 저작권문제를 통해 디지털 예술을 유지하고 보호하기 위한 변화과정을 탐구하고자 한다. 연구 방법: 본 연구는 온라인상에서 접근할 수 있는 기존의 연구나 기타 자료 등의 문헌데이터 수집을 통한 질적 연구방법을 활용한다. 연구 내용: 디지털 예술에 있어서 저작권의 역할을 이해함에 있어, 본고는 원작품의 상품화에 관한 문제를 강조한다. 이를 위해 기존 저작권법들과 정책을 고찰하고, 어떻게 동 권리가 전통 예술의 디지털화에 대응해 변화되었는지, 그리고 디지털 예술에 대한 권리를 보호할 전략과 어려움을 찾아본다. 결론 및 제언: 창작자 및 예술가를 좀 더 인정하고 보호하기 위해 더 많은 전략과 정책이 필요하다는 점에서 NFT와 같은 블록체인기술의 활용을 통해 디지털 예술작품의 진위를 확인할 수 있도록 제안한다. 핵심어: 전통적 예술작품의 디지털화, 예술작품의 상품화, 디지털예술작품에 대한 권리 보호, 대체불가토큰, 지식재산권 □ Received: Sept. 5, 2022, Revised: Sept. 30, 2022, Accepted: Oct. 20, 2022* First Author, Doctoral Course, Dankook Univ. (주저자, 단국대학교 박사과정, Email: 410988741@qq.com)** Corresponding Author, Professor, Yonsei Univ. (교신저자, 연세대학교 객원교수, Email: ysdx@yonsei.ac.kr)

기업의 연구개발전략에 따른 환율 및 기술격차에 관한 연구

전영서 ( Young Seo Jeon ) 한국경제학회 1993 經濟學硏究 Vol.41 No.1

‘종이’ 살롱으로서의 林徽因의 서신 고찰 — 윌마 페어뱅크와의 서신을 중심으로

전영 한국중국현대문학학회 2021 中國現代文學 Vol.- No.99

Lin Huiyin, a famous Chinese contemporary female writer, and Wilma Canon Fairbank, an American scholar, are two women representing the East and the West, who communicated and interacted freely through letters even in the chaotic era of war, although their appearance and nationality are different. The letters they exchanged included important cultural reasons for Lin Huiyin and played an important role as a link in the exchange of East and West literature. This study examined the feminist consciousness expressed in the process of conflict with tradition through an intangible “paper” salon called a letter through the consideration of Lin Huiyin’s English letter. It is expected that it will be an opportunity to prove through letters the literary historical value of feminist discourse, which has been discussed only in Lin Huiyin’s poems and novels, and an important role in East-West literary exchange related to architecture and culture.

이청준의「석화촌」에 나타난 원형성과 속신의 코드 (pp.233-259)

전영의 한국언어문학교육학회 2009 한어문교육 Vol.21 No.-