R.M. Rilke 적 <장미인생> : 그 <순수한 모순 > 의 미학

이영일 한국독어독문학회 1979 獨逸文學 Vol.22 No.1

Der Bereich der Pflanzen wind fur Rike zum bevorzugten Gegenstand' einer idealisierenden Symbolik. Die eine Blume, die fur Rilke besondere Symbolbedeutung gewinnt, ist die Rose- Die Beziehurg zur Rose begleitet ihn auch sein ganzes Leben hindurch. Welche Deutung die Rosen in Rilkes. eigenem Leben gehabt haben, lasst sich aus den Briefen and Tagebuchblattern, vor allem der Worpsweder Zeit, leicht veriolgen. Die Rose ist immer wieder das Zeichen eines festlich gehobenen Lebensgefuhls. Vor allem in der letzten Zeit auf dem Turm von Muzot nimmt dies Verhaltnis immer engere Formen an. Die vierundzwanzig Gedichte des franzosischen Zyklus `Les Roses', auf den wir ebenfalls noch gesondert zuruckkommen,. zeugen nnmitteIbar von diesem Verhalt:zis. Hier heisst es in einer schon gradezu mystischen Wendung. So ist die Rose in dieser letzten Phase seiner Eniwiclclung fur Rilke wesentlich mehr als ein tiefsinniges Bild, sie ist fur ihn ein lebendiges. Wesen, mit dem er umgeht and schon fzst in einer Art von mystischer Teihabe mit seinem eigenem Leben verschmolzen ist. Es wirkt fast wie eine tiefere Fiigung, lass sich seine letzte Krankheit in der nichtheilenwollenden Verletztung durch einen Rosendorn ankiindigt. Und endlich nimmt er der Grabschrift, die er sich selbst bestimmte, in. einem betonten Sinn also in seinem letzten Wort sein eignes Leben mit dem der Rose zu einer Einheitzusammen. In ihr hat Rilkes Rosensybol darn seine letzte, gultigste Form gefunden. An ihr hat sich darum auch jedes Verstandnis nicht nur des Rosensymbols, sondern des spaten Rilke uberhaupt zu bewahren. Der entscheidende Schritt zu einer vertieften symbolischen Ausdeutung, wird in dem grossen Gedicht `Die Rosenschale' sichtbar. Hier ist das Neueim Verhaltnis zur Rose deutlich ausgesprochen, wie er sich entsprechend auch in dem Ptwa in derselben Zeit entstandenen Gedicht `Das Roseninnere' ausspricht. Hier setzt die nahere Analyse der Rose in ihrer symbolisch verstandenen Seinsform ein, wie sie in der `Rosenschale' and einigen eng damn zusammen hangenden Erwahnungen angedeutet wird. Die Rose uber alle Grenzen hinaustretende Hingabe wird jetzt dem Menschen unmittelbar als Vorbild hingestellt: So wie die Rose in der ruckhaltlosen Hingabe ihres Bluhens am aussersten Rand des Seins steht, dort, wo es i:n das Nicht-mehr-Sein unschiagt, and wie die Rose sich nicht von sich aus vor dieser Vernichtung zu sichern versucht, sondern sick selberin diese Gefahrdung hineindrangt, so soll auch uns Menschen diese selbe Leistung ein Ausserstes sein. Damit gewinnt jetzt die Rose eine fur den Menschen selber unmittelbar vorbildhafte Bedeutung. Urd wenn spater, in der Fortsetzung dieses Gedichts, sodann die Aufgabe der Rose dahin bestimmt wird, die Welt da draussen-in eine Hand voll Inneres zu verwandeln", so ist dieses Bild von der Rose als solcher her nicht mehr zu verstehen; denn was Boll bei der Rose das `Innere' sein, in die Welt verwandelt werden kann? Welches ist iiberhaupt das 'Innere' der Rose? Das Verhaltnis von Innen and Aussen wind als das einer Spiegelung genemmen, aber wiederum nicht im wortlichen Sinn, wie ein sicherbar verstandener Himmel sich im See spiegelt, sondern es ist ein im ubertragenen Sinn im Roseninneren abgespielt. Indem in der Rose these Vereinigung des Widers~prechenden verwirklicht erscheint, scheint in ihr also dasjenige gelungen zu sein, was fur den Narziss als so unvereinbar gait, Bass nach der Vereinigung auch nur zu streben als unsinnig and existenzwidrig er~chien. Darum fuhren hier die Gedanken noch einmal auf den Zusammenhang zuruck, der damals im Spiegelgedicht der `Sonette as Orpheus' mit der ratselhaften and dort kaum verstandlichen Andeutungvom `klaren gelosten Narziss' sichtbar gewordenvar. Ausdrucklich and wohl in bewusster Wiederaufnahme der damals gepragten Wendung taucht uieser Gedanke wider auf, wenn in den Rosedgedichten noch einmal and jetzt ausfuhrlicher vom `Narcisse exauce' die Rede ist. Die Rose erscheirt hier als das zuberhafte Wesen, das bei alley Hingabe doch zugleich in rich selber ruht, auf rich selber ;suruckbezogen, "mit sich beschaftgt". Es ist die Art, wie in der Rosenblute mit unendlicher Zartheit Blutenblatt ruhrt. Es ist die Art, wie sie im Umkreis ihres stromenden Duftes bleibt, der sick nicht ganz verliert, sondern sick wie eine schutzende Hulle um sie legt and sie am weiteren Verstromen hindert. Insofern ist die Rose dann wirklich ein neues Bild fur das, was zuvor in der Gestalt des Narziss gefasst wurde. Ihre Vollkommenheit besteht darin, loss sie im `Gleichgewicht' zwischen Geben and Zuruckempfangen in sich selber ruht. Und so wind man beim Grabspruch im Bild von dem in den taused Lidern schlafenden Schlaf zugleich auch die andere Vorstellung mit hinzunehmen mussen: des begluckt im Genuss des eigenen Gleichgewichts ohne Anstrergung and ohne Verkrampfung nur mit such selber beschaftigten reinen Seins, als Ausdruck einer letzten Lebensbejahung.

점토 광물 조성이 점토기반 분리막의 곡강도에 미치는 영향

이영일,엄정혜,김영욱,송인혁,Lee, Young-Il,Eom, Jung-Hye,Kim, Young-Wook,Song, In-Hyuck 한국세라믹학회 2014 한국세라믹학회지 Vol.51 No.5

Clay-based membranes with submicron pore size were successfully prepared by a simple pressing process using low-cost starting materials(e.g., kaolin (K), bentonite (B), talc (T), and sodium borate). The green bodies were sintered at $1000^{\circ}C$ for 2 h in air. The effect of clay-mineral composition on the flexural strength of clay-based membranes was investigated. The porosity of the clay-based membranes could be controlled within the range of 34 - 42% by adjusting the starting composition. The flexural strength of the low-cost membranes depended on both the porosity and the ${\alpha}$-quartz content. In turn, the porosity and ${\alpha}$-quartz content were affected by the (B+T) /(K+B+T) ratio. The plot of strength relative to this ratio, showed a maximum when the ratio was 0.4. The typical flexural strength of these clay-based membranes (with ratio 0.4) was 28 MPa at 34% porosity.

방사선 생명과학기술개발

이영일,Lee, Yeong-Il 한국동위원소협회 1997 동위원소회보 Vol.12 No.2

커뮤니티 댄스의 문화적 사회가치 연구

이영일 한양대학교 우리춤연구소 2014 우리춤과 과학기술 Vol.10 No.2

본 연구는 현대사회에 있어 소통이 가장 중요한 문제라고 생각하고 사회적 공동체적 공연의 일 환인 커뮤니티 댄스의 잠재적인 사회적가능성을 제고하여 커뮤니티 댄스의 문화적 예술가치를 연구하고자 하였다. 따라서 다음과 같은 결론을 제시할 수 있겠다. 커뮤니티 댄스가 지닌 문화적 사회가치는, 첫째, 커뮤니티 댄스는 21세기 현대 사회흐름에 따 른 예술활동으로 ‘다함께 소통하는 시민향유문화’와 ‘예술문화창조육성’이라는 우리 사회의 문 화정책의 이념을 반영하고 있는 적극적인 예술활동으로서의 가치를 지닌다. 둘째, 커뮤니티 댄스는 한국사회가 지닌 공동체적 특성을 바탕으로 다양한 예술프로그램을 실 시할 수 있는 문화적 교육가치를 지닌다. 셋째, 21세기의 문화대중예술로 누구에게나 개방되어 있는 예술활동으로 소외된 사회계층까지 도 함께 아우르는 적극적 형식의 예술활동으로써의 가치를 지닌다. 넷째, 커뮤니티 댄스는 현실에 대한 사회적 갈등 및 해소방안으로서의 사회적 가치를 지닌다. 다섯째, 무용예술의 다양한 장르개발로써의 문화적 사회가치를 지닌다. 따라서 커뮤니티 댄스 는 현대사회의 흐름과 가장 적합한 새로운 공연문화로 우리사회에 변화와 흐름에 적응하기위 한 예술가들의 적극적 움직임이라고 할 수 있다. Based on the belief that communication matters the most in modern society, this study aims at exploring the cultural and social value of community dance by improving social potential of community dance, which is one of the social collective performances. Therefore, the following conclusions can be drawn. The cultural and social values of community dance are as follows. First, community dance is the artistic activity following the modern society of the 21st century and it has the value as an active artistic activity which reflects the idea of our society's cultural policy - 'Development of culture in which every citizen enjoys and communicates' and 'Creation of artistic culture'. Second, community dance has the cultural educational value which enables to implement a variety of art programs based on the collective characteristics that Korean society has. Third, being the cultural public art of the 21st century, it is open to everyone and has the value as an active artistic activity that embraces all the minority groups. Fourth, community dance has the social value in terms of settling social conflicts. Fifth, it has the cultural social value in terms of developing various genres of art and dance. Thus, community dance is the new performance culture that suits the best with the flow of modern society and can be seen as the active movement of artists in order to adapt to changes and flow in our society.

발표논문초록 : 감마선 처리한 고구마 Callus 유래의 재분화식물체에서 유전자 발현기작을 이용한 변이 탐색

이영일,강권규,이상재,유장렬 한국식물생명공학회 ( 구 한국식물조직배양학회 ) 1995 한국식물생명공학회 춘계학술연구발표회 Vol.1995 No.-

흰쥐 해마복합체에서 Vasoactive Intestinal Polypeptide 신경세포의 비대칭적 분포에관한 면역조직화학적 연구

이영일,정윤희,백상호,차중익 대한해부학회 1998 Anatomy & Cell Biology Vol.31 No.2

기호와 해석: 동시대 중국 미술에서 모택동기호에 대한 재-약호화

이영일 한국기초조형학회 2014 기초조형학연구 Vol.15 No.4

모택동사상이 곧 중국식 마르크스주의와 등치된다면, 그것은 모택동과 중국홍색혁명의 불가분한 관계를 의미하는 것이기도 하다. 바꾸어 말하면, 모택동기호는 줄곧 중국재현(再现)체계의 중핵으로 자리잡아왔다는 이야기겠다. 아울러 동시대미술에서 탈-규범화(Decanonization)경향과 더불어서, 중국예술가들은 모택동 기호를 다양한 방식으로 전유하고 비틀고 재해석하고자 한다. 이를테면, 절대적 권위였던 모택동사상/홍색문화의 규범·정전·경전 등에 반하여, 그것의 경직성과 폭력화를 비판하고(80년대) 더 나아가 ‘신의 죽음’을 다양한 방식으로 희화화하는 방식으로 현실세계에 개입하는 것이다(90년대). 특히나 이런 흐름은 문화상품화의 논리와 더불어서 복합적이고 양가적으로 전개되는 양상을 보인다. 아울러 이런 모택동기호를 재-약호화하는 일계열의 작품은, 과거(의 기호)를 통하여 역사의 지평을 재조명하고 확장하고자 한다는 점에서 현실에 관여하고자 하는 충동을 중층적으로 드러내 보이겠다. 이를테면, 모택동의 죽음과 함께, ‘신’의 기호를 재-약호화하고자 하는 다양한 욕망은 작은 사람들(Kleine Leute)을 통해서 실현된다면, 그 작은 사람들의 서사란 기존의 언어(재현체계)로 담아낼 없는 것, 즉 언어 밖에 것에 대한 사유라고 해야 할 것이다. 즉 기존언어에 대한 수정·확장과 새로운 언어에 대한 구축작업인 것이다. 언어란 ‘대화’가운데서 생산되고 파생되는 것이다. 이러한 팽팽한 긴장을 수반한 대화를 둘러싸고 진행되는 기존기호의 재-약호화와 그 전개방식에 대한 분석에 초점을 맞추고자 논문제목을 “기호와 해석”이라고 하였다. With Mao ( Mao tsetung) Thought is regarded as the Chinese Marxism, it can also reveal the inseparable relationship between Mao and the Chinese Red Revolution. In other words, Mao mark has had a core status in the Chinese representational system all the time. Meanwhile, Chinese artists try to take sole possession of, twist and re-explain the Mao mark in different kinds of ways, together with Decanonization in the contemporary art. For example, Chinese artists opposed the absolute authority – the standards, classics of Mao Thought/ Red Culture, and even criticized the rigidity and violence of them (1980s). Furthermore, they intervened in the reality by satirizing “God Death” in various ways (1990s). Particularly, these trends show some multiple and opposite conditions together with the logic of the cultural commercialization in the present. So a series of products of re-symbolizing the Mao mark mainly show the thought of intervening in the reality by reintroducing and expanding the area of history through former marks. For instance, if various desires of re-symbolization of the sign of “God” is fulfilled through little people(Kleine Leute), their narrative is what cannot be expressed in the existing language(representational system), that is, a thought on the thing which resides out of the language. That is, the corrections, expansions of the existing languages and also away of creating new languages. While language is produced and derived through the “dialogues,” the purpose of this article is focused on the analysis of the re-symbolization of the existing mark carrying with dialogues and its developing method. Therefore, the author has entitled the article “Mark and Analysis.”

[동아리 탐방] 금오공과대학교 자동차동아리, 오토매니아

이영일,김세웅 대한기계학회 2015 기계저널 Vol.55 No.9

이식신의 혈관조영술

이영일 대한영상의학회 1977 대한영상의학회지 Vol.13 No.1

Selective angiography of transplanted kidney in recipient is the unique procedure to detect renal rejection, obstruction or stenosis of anastomotic site of renal artery and vein, renal venous thrombosis, and other renal complications. The materials consists of the transplanted kidneys in 6 patients who have been performed selective common or internal iliac angiography through the contralateral femoral catheterization between March 23, 1975 and July 27, 1976 at St. Mary's Hospital, Catholic Medical College. The patients are between 21 and 53 year old men. The clinical and postoperative pathologic diagnosis in the recipients prior to transplantation are 4 cases of chronic golmerulonephritis and 2 cases of chronic pyelonephritis. The transplanted kidneys in 6 recipients ar diagnosed angiographically 1 chronic pyelonephritis. The transplanted kidneys in 6 recipients are diagnosed angiographically 1 case of hyperacute rejection, 2 cases of acute rejection, 2 cases of chronic reject on and 1 case of occlusion of two polar arteries with edema. Final pathologic diagnoses of transplanted kidneys by biopsy are same as those of angiographic diagnoses except for Case 1 (acute rejection). The angiography of the transplanted kidney is the greatest value in evaluation of renal vascular system, infarction, and differentiation of renal rejections.

Ex-situ 7Li MAS NMR Study of Olivine Structured Material for Cathode of Lithium Ion Battery

이영일,안지은,박설아,송혜영 한국자기공명학회 2014 Journal of the Korean Magnetic Resonance Society Vol.18 No.2

7Li nuclear magnetic resonance (NMR) spectra have been observed for LiMPO4 (M = Fe, Mn) samples, as a promising cathode material of lithium ion battery. Observed 7Li shifts of LiFe1-xMnxPO4 (x = 0, 0.6, 0.8, and 1) synthesized with solid-state reaction are compared with calculated 7Li shift ranges based on the supertranferred hyperfine interaction of Li–O–M. Ex situ 7Li NMR study of LiFe0.4Mn0.6PO4 in different cut-off voltage for the first charge process is also performed to understand the relationship between 7Li chemical shift and oxidation state of metals affected by delithiation process. The increment of oxidation state for metals makes to downfield shift of 7Li by influencing the supertranferred hyperfine interaction.