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이보경 한국중국현대문학학회 2005 中國現代文學 Vol.0 No.33
Writing media have an influence on the whole process of literary production and consumption. It has been changed from jiagu(甲骨), jinwen(金文), zhujian(竹簡) to paper in Chinese writing history. Now, according to the rapid development of technology, Internet rises up as a new writing media. It was American-Chinese who lead up to the way of network literature. Since Chinese become to use internet in 1994, network literature has been increasing. Especially from 1998 to 1999, network literature was spread rapidly. Some of journalists and scholars described excitedly it as “the advent of the era of popularization in writing”, “the possibility of anti-utilitarian writing”, others mocked internet as “the mass-production place of beautiful women's writing.” However, the number of internet users is too few to say “the advent of the era of popularization in writing”, and because of commercialization of writers and internet sites, literature is being actively involved with markets, and it is impossible for Chinese women to access to the internet owing to their limited education and economics. Yet, in the light of development in literary genre, “network literature” as a new term deserves our attention. Because the new term sometimes indicates the possible mode of future literature. However, in conclusion, it is plausible to assert that internet more augment the inequality of information and culture rather than dissolve it in China.
이보경 한국중국현대문학학회 2007 中國現代文學 Vol.0 No.43
This article delves into the identity of Shanghai diaspora by reading Bai Xianyong's four short stories with Shanghai as sets: “The Eternal ‘Snow Beauty,’” “The Last Night of Madam Jin,” “Love's Lone Flower,” and “A Sky Full of Bright, Twinkling Stars.” In these short stories, characters are exiled from Shanghai to Taibei in the wake of the Cold War. The Taibei people imagine Shanghai as a figure of a dancing girl in which the vulgar capitalism represents the period. They try to permanently live in their previous glory by imagining a dancing girl who simultaneously is a witch in bad luck. As an alternative, they want to settle down in Taibei through the marriage with the native Taiwanese; they dream of a quasi-family through homosexual love. Yet, they regard aborigines as barbarous and mysterious because they came to Taiwan as conquerors. Therefore, their settlement cannot come true; their fate is to live in Taiwan as an eternal Shanghai people. In sum, Bai's short stories usher readers to a conclusion in that the Shanghai diaspora has no consciousness regarding history and time. Through describing the Taibei people, Bai indicates that the diaspora will give rise to catastrophic ending.
이보경 한국중국현대문학학회 2009 中國現代文學 Vol.0 No.51
Lu Xun becomes an interesting text in order to explore healing capacity embedded in writing. Starting his literary career, simultaneously giving up his medical school, Lu Xun exemplifies writing as an asset for a medical application. Writings of a philosopher, illuminator and revolutionary, Lu Xun’s texts require a careful reading regarding his conversations with the world. In this regard, the readings of the "lantern slide" occasion suggest Lu Xun’s literary career as a choice for self-healing. Instead of interpreting the experience as his literary enlightenment, I explore it as an origin of shame and despise directed to himself, which explains the reason for his preference of literature to medicine. Lu Xun sympathized with himself for spending his childhood as a beggar. Troubling with his suicidal impulse and matricidal drive, Lu Xun filled his life with a clinical pain. For Lu Xun, writing served as his self-healing machine. To this end, characters attempt to make conversations. Although narrative of conversation reveals incapacity, especially in pessimistic conditions, Lu Xun could not give up his belief in writing as in healing and subsequent consolation. Therefore, he continued to discover new literary dimensions such as childhood, fairy tales, and animal kingdoms. In addition, Lu Xun even destroyed basic narrative structure by interweaving his writings only with storytelling. Motivated by self-healing, Lu Xun, as a text, is even more significant in its extension to Chinese society; furthermore, Lu Xun’s thoughts of human freedom and liberty eventually justify his self-healing writing.
Korean EFL Learners’ Perspectives on ELT Materials Evaluation Criteria
이보경 한국영어어문교육학회 2013 영어어문교육 Vol.19 No.4
This study investigates Korean university-level adult learners’ opinions on ELT materials evaluation criteria based on the data collected quantitatively through questionnaire of pre-published evaluation checklist and qualitatively from interview and report paper. Quantitative data were collected from 496 survey respondents and qualitative data from 41 interview participants and 30 report-paper submitters. With regard to ELT materials evaluation criteria, the learners have general consensus on the importance of the criteria. ‘The quality of audio materials,’ and ‘affordable price and availability’ are considered critically important by the learners whereas ‘application of well-established methodology’ and ‘instruction of individual pronunciation’ are relatively less important criteria. It was found that the learners can be qualified evaluators when they are to evaluate their own course books or self-access materials in that they have generally systematic and consistent perspectives on the criteria, and pay substantial attention to in-depth evaluation criteria. The findings suggest that learners’ opinions on materials evaluation should be widely utilized in English teaching and learning, and materials writing.