http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
폴란드 전통 의상 콘투쉬(kontusz)와 장신구 연구
최성은(Choi, Sung-Eun) 아시아·중동부유럽학회 2003 동유럽발칸학 Vol.5 No.-
17 , 18세기 폴란드의 관복으로 널리 알려진 전통적인 민족의상, 콘투쉬(kontusz)는 가깝게는 터키ㆍ페르시아ㆍ인도, 멀게는 중국의 영향을 받아 탄생했다. ‘콘투쉬’라는 어원은 헝가리어인 쾬퇴쉬 (kontös) ’에서 비롯된 것으로 ‘주판’ (zupan) 이라는 긴 가운 위에 덧입는 남성용 상의를 말한다. 콘투쉬는 일상복이 아니라 특별한 예식이나 잔치가 있을 때 착용하는 귀족들의 예복, 또는 관복이었다. 폴란드는 그 지정학적 위치로 인해 주변국의 끊임없는 침략과 간섭을 받으면서도, 외래 복식과 민족 복식이라는 이중 구조 속에서 나름대로의 독자적인 복식 형태를 지녀 왔다 동양과 서양의 다채로운 문화적 요소에다 고유의 전통적 감각을 결합시켜 독특한 폴란드적 정체성을 창출t~는데 성공했던 것이다 터키, 페르시아, 인도, 중국 등 ‘동양’의 민속 의상이 ’서양’에 속하는 폴란드의 전통과 역사에 절묘하게 융합되어, 하나의 문화적 징후로 확고하게 뿌리내리게 된 중요한단서가 바로 폴란드의 전통 의상 ‘콘투쉬’였던 것이다. 콘투쉬는 아시아 문화로부터 영감을 받아 탄생했지만. 200 여 년간의 토착화시기를 거치면서 폴란드 민족을 대표하는 전통 의상으로 자리 잡았다‘ 이후 폴란드가 러시아, 프로이센, 오스트리아 3국에 의해 분할 점령을 당하게 되면서, 슬라브와 서유럽의 침략에 맞서 민족의 자주성과 민족혼을 표현하는 상징적인 의미로 널리 인식되었다. 본 논문에서는 콘투쉬의 재료, 디자인, 색감, 문양, 장신구 등에 나타난 다양한 동양 모티브들을 살펴보고, 조선 시대 관복과의 유사점을 고찰해 보았다. 그 궁극적인 목적은 기독교와 이슬람의 충돌이 심각한 문제로 부상하고 있는 현실에서 동 서양의 의복이 공유하고 있는 보편적인 미적 감각을 강조함으로써 . 21세기 인류 문화의 화합적인 실마리를 찾을 수 있는 범세계적인 요소들에 대해서 진지하게 생각해보기 위한 것이다. 다분히 동양적인 정서를 대변하고 있는 콘투쉬가 폴란드 문화로 토착화된 사례는 동양과 서양이 미적 감각이나 취향에 있어 일맥상통하는 보편적인 요소를 공유하고 있음을 입증하는 하나의 단서로 평가할 수 있을 것이다. Kontusz was the traditional dress of Poland in the 17th and 18th centuries which had been influenced by Turkey. Persia, India and remote China , The origin of the word ''kontusz'' comes from the Hungarian word. Kontos". which refers to men’s overcoats worn over long gowns. Kontusz was not everyday clothing but. instead. fancy dress garments worn by the nobility at balls and parties Due to its geographical location. Poland was continuouslY invaded and interfered with by surrounding countries. Despite this. it has succeeded in creating and keeping its own unique clothing style in a dual structure by combining the Polish traditional sense and diverse culture with foreign elements from the East and West. Oriental folk clothes from Turkey. Persia. India and China were exquisitely assimilated with Polish tradition along with Western history to firmly plant its roots as a cultural symbol in Poland today. Much important evidence of this assimilation can be discovered from a close examination of the Polish kontusz traditional clothing. Although kontusz was originally inspired by Asian culture. after 200 years of assimilation. it has become a traditional “national clothing exclusively representing Poland. After Poland was partitioned by the three nations of Russia. Prussia and Austria. the spirit of kontusz fought against these foreign nations. Because of this , kontusz eventuallY became widely recognized as an important Polish symbol of national independence. In this paper, various oriental motifs which appear on the material dealing with design , color, pattern and accessories of the kontusz are investigated. In the shadow of the current conflict between Christianity and Islam. the ultimate goal of this paper is to think seriously about reaching world peace in the 21st century by emphasizing the aesthetic sense that commonly exists in both Western and Eastern clothing. The assimilation of kontusz into Polish culture can be studied for important clues which may prove that there is a common thread running through the East and West involving the senses of beauty and good taste.
돼지진피아교질(Porcine Dermal Collagen, Permacol<SUP>®</SUP>)로 만든 삽입물을 이용한 오염된 근막 결손의 재건
최성일(Sung Il Choi),이길연(Kil Yeon Lee),박선진(Sun Jin Park),이석환(Suk-Hwan Lee) 대한외과학회 2009 Annals of Surgical Treatment and Research(ASRT) Vol.77 No.3
Reconstruction of the fascia defect, especially complicated one is challenging problem. We report our experiences of porcine acellular dermal collagen (Permacol<SUP>®</SUP>) in contaminated fascia defects. Three patients with contaminated fascia defect were reconstructed using Permacol<SUP>®</SUP>. Permacol<SUP>®</SUP> was fixed to fascia with 2-0 polypropylene sutures and at least 2 cm of the implant was allowed to overlap the defect. Types of fascia defect consisted of large parastomal hernia in rectal cancer patients, multiple enterocutaneous fistulas in Crohn’s disease and evisceration due to surgical site infection. Postoperative complication was 1 case of graft infection in a Crohn’s disease patient, but infection was controlled using antibiotics.
리샤르드 카푸시친스키의 『헤로도토스와의 여행 (Podroze z Herodotem)』에 나타난 유랑의 모티브와 타자의 시선을 통한 존재 인식
최성은 ( Sung Eun Choi ) 韓國世界文學比較學會 2012 世界文學比較硏究 Vol.39 No.-
Travels with Herodotus published in 2006 was the last reportage of Ryszard Kapuscinski (1932-2007) a representative journalist of the twentieth century. This is an hommage to the life of Herodotus and his work History but is also an autobiographical story of Kapuscinski. By figuring out the motif of wandering in Travels with Herodotus, this article analyzed how the experiences of ‘wandering’ and ‘travel’ of Kapuscinski, who wandered all his life, influenced on his writings. And by examining the problem of ‘perspective,’ which frequently appeared in his works, it aimed to examine the meaning of ‘others’ to the protagonist who wandered in a strange space, and to investigate how the process of being exposed to the others` perspective and exchanging perspective influenced on Kapuscinski`s philosophy on journalism. Kapuscinski argued that ‘travel’ is a challenge and adventure to journalists as well as difficult task and ambitious project. The reason for the importance of travel to them is that they could have an opportunity to meet with ‘Others (Inny)’. To accept ‘difference’ of the Other, to make the ‘difference’ as a mirror to reflect one`s true self, to recognize multi-culture and to work hard to make a peaceful world: Those are the essence and belief of the philosophy on journalism that Kapuscinski, "the 20th century Herodotus", had.
발레무용수(舞踊手)의 고관절(股關節)의 특성(特性)에 관(關)한 연구(硏究)
최성이(Choi, Sung-Yi) 한국체육철학회 1996 움직임의철학 : 한국체육철학회지 Vol.4 No.1
Many ballet movements exceed the normal range of motion of the joint of the lower extrmeties, and hip joint of Ballet dancers were changed to adapt to these special motion of ballet. The goal of this study was to investigate the characteristics of hip joint of ballet dancer. Various variables were measured in 16 female college students majoring in ballet (group A) and 8 female college students who had not participated in ballet at all (group B). The result of this study was as follows : 1) There was no significant difference between two groups in the range of internal rotation of hip joint in flexion (43.13±2.73° in group A and 42.50±.438° in group B). 2) There was significant difference between two groups in the range of external rotation of hip joint in flexion (73.94±6.57° in group A and 60.00±7.50° in group B). 3) There was significant difference between two groups in the range of external rotation of hip joint in extension. (29.63±2.97° in group A and 16.88±3.63° in group B). 4) There was significant difference between two groups in the angle of femur neck anteversion. (6.94±4.06° in group A and 23.13±4.84° in group B). Finally hip joint of Ballet dancers were changed to adapt to the special motion of ballet and possibility of injury of lower extremities and spine can be reduced.