시어의 전략적 의미와 미학 - 1930년대 시인들의 방언 사용을 중심으로

장창영(Jang Chang Young) 한국언어문학회 2004 한국언어문학 Vol.53 No.-

The purpose of this research is to find out the strategy function of dialects in the 1930's Korea modern poets. This study aims to emphasize the meaning of accepting poetic functions of dialect in Bag-seok, Young-rang, Mok-wol, Seo-jeong ju's poetry. Their poetry contribute to the promotion of national identity through the experience of national culture. The national dialect is traditional, but it is not a permanent racial characteristic. Literature is an important media that can spread national emotion and make constituents of community have strong ties emotionally. Specially, Korean modern poetry in the 1930's for the regional culture to understand is a good example. Some Korean poets struggled with Japan's invasion and created national traditions in Korean poetry in the 1930's. This study is significant in stance that the interest for practices of regional culture traditions and learner's education. Korean poets in the 1930's use the idiolect and their poetic language concentrates on the derivative in the dialect. Literature dialect is important for learners to have experience of emotions which have represented national realities typically in national history.

디지털 문학의 텍스트성과 입체화 전략

장창영 ( Jang Chang Young ) 한국문학이론과 비평학회 2004 한국문학이론과 비평 Vol.25 No.-

The purpose of this study is to suggest one of various ways to teach college students how to read literary texts in the digital age. This study intended to show how to integrate Korean language with digital culture around literary texts through digital media. The point of this trial is that, although digital texts for literature belong to an independent area in the digital culture, it can not help being integrated in real activity and our life. On this aspect, I consider the character of digital media as interactivity, visualization, making text, overcome of difference time and space and new self-creation. Texts have potential for meaning in communication and mass media. This potential can be realized through the interpretation between text and reader. In other words, meaning can be understood during the processes of reading using his own linguistic and schematic knowledge in Analogue age. But digital age is different of the Analogue age's style. digital environment stimulate netizen’ emotion and their's life style. The nature of netizen's literature is reviewed six facets(self-increase, approximate, crossing, speed, collection, ideological) in content and form. On this paper, some implications of those researches are discussed in digital literary text. According to our discussion, the conclusion will be that such a Literary text gives some implications for developing writing process and to recognized of digital culture.

기구학 정보를 이용한 Peg 과 Hole 간의 상대위치추정

최명수(M. S. Choi),이동혁(D. H. Lee),박현준(H. J. Park),장가람(G. R. Jang),노정민(J. M. Noh),서승덕(S. D. Seo),신용우(Y. W. Shin),박재한(J. H. Park),배지훈(J. H. Bae) Korean Society for Precision Engineering 2019 한국정밀공학회 학술발표대회 논문집 Vol.2019 No.5월

이상 (李箱) 관계 참고문헌 자료 목록

장창영(Chang Young Jang) 현대문학이론학회 1993 現代文學理論硏究 Vol.2 No.-

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문화콘텐츠를 활용한 체험형 글쓰기 학습-모형 개발

장창영(Jang Chang-young) 국어문학회 2015 국어문학 Vol.59 No.-

이 연구는 텍스트 위주의 글쓰기 방식에서 벗어나 현장 체험형 글쓰기 모형을 개발하기 위한 것이다. 그동안 우리의 글쓰기 교육은 ‘교실’과 ‘텍스트’라는 한계를 극복하기 어려웠다. 이 연구에서는 지역에 소재한 문화콘텐츠를 중심으로 참가 학생들이 현장을 직접 보고 듣고 느끼는 등 오감을 활용한 글쓰기를 시도하고자 하였다. 그동안의 글쓰기 방식과 달리 현장 위주의 글쓰기는 현장 탐방 전, 실제 탐방, 탐방 이후 글쓰기 등으로 진행된다. 이 과정에서 학생들은 텍스트의 재해석, 현장의 직접 체험, 문화콘텐츠의 현대적 해석, 집단 창작 등을 경험할 수 있다. 참가 학생들은 개인과 집단 글쓰기 과정에서 감각을 활용하여 자신들의 상상력과 창의력을 발산하는 기회를 얻을 수 있다. 또한 참가 학생들은 글쓰기를 통하여 자신이 처한 문제와 직면하고 자성할 수 있다. 이것은 체험형 글쓰기가 내면 치유의 의미와 다른 이들과 상생하는 방법을 제시하기 때문에 가능하다. 그러므로 문화콘텐츠를 바탕으로 하는 체험형 글쓰기는 텍스트 위주의 글쓰기 문화의 근본적인 변화로 이어지는 계기가 될 것이다. The study is to develop a model-site hands-on writing off the writing style of the text-based. Meanwhile, our writing education is difficult to overcome the limits of ‘class’ and ‘Text’. In this study, focusing on participation of students, based on local cultural content was to try writing utilizing the senses such as feel heard reports directly to the site. Writing in the field, unlike oriented writing style will be conducted onbefore the actual tour, during actual tour, and after actual tour. In the process, students will experience re-interpretation of the text, direct experience of the field, a modern interpretation of cultural content and collective writing. Participating students can get a chance to shed their imagination and creativity to take advantage of the sense of individual and collective in the writing process. Also, participating students can be faced with a problem they are facing and reflect on themselves through the writing. This is possible because it provides a way to develop in a mutually reinforcing way and their inner healing hands-on writing. Therefore, based on the culture of hands-on writing content will be an opportunity leading to a fundamental change in the culture of writing text-based.

디지털 시대의 정전 위상과 의미

장창영(Jang Chang-young) 국어문학회 2009 국어문학 Vol.47 No.-

태권도 심판과 지도자들의 스포츠활동 참가기준에 따른 사회적 지지와 스트레스 대처 행동의 관계

장창영 ( Chang Young Jang ),고영철 ( Young Chul Ko ) 대한무도학회 2003 대한무도학회지 Vol.5 No.1

서정주 시의 불교적 상상력과 시적 변용

장창영 ( Chang Young Jang ) 전북대학교 인문학연구소 2015 건지인문학 Vol.14 No.-

The Buddhist imagination can be said to be the origin supporting Seo Jeongju’s poetry. He displayed the aspect which he sticked to the body and desire strongly in the early poetry, but he showed the aspect purifying these latterly. In the background of this kind of change, the emptiness mind that aims at Buddhism is situated. In that point, when it deviates from the desire, it fills ‘emptying’ can be said to be another starting point for the change to Seo Jeongju. Based on the emptiness, Seo Jeongju could be free from the stress of the reality and pressure and sense of inferiority and sense of shame. The spirit of Buddhism has had an effect on Seo Jeongju``s poetry spirit since the first stage continuously. The libido, love of money, and desire of this world like the love of fame were the theme captivating him, and they were the element bringing the suffering. The lack and absent awareness related to the economic problem was the factor which it makes in order to secure the denture nature the power in which Seo Jeongju writes the poem. In that point, the Buddhism was the ways and means he selected to relieve and control his own desire. Seo Jeongju did not stay in the borrowing the Buddhism just, and he tried to practice in the real life adoring and searching the spirit of Buddhism. His poetics of emptiness is the product of this kind of effort. Eventually the emptiness and distance are the conclusion of the long wandering and the attempt for finding the poetic stability. However, Seo Jeongju does not believe or stick to the Buddhism blindly While he still maintains the fixed distance through putting boundary to Buddhism, and he tries to keep its own identity. As a result, in spite of intending the buddhism through his life, he could not convert to the Buddhism. His inconsistency that he could not hang his hat up anywhere and his thoughts that consider himself to be a wanderer, which they were the energy that let him write the poetry and the tragedy of the life.

개별 발표 논문 : 방언과 시교육 방법론

장창영 ( Chang Young Jang ) 한국문학교육학회 2005 문학교육학 Vol.17 No.-

한국 현대시에 나타난 갯벌의 생태지형학

장창영(Jang, Chang-young) 한국언어문학회 2014 한국언어문학 Vol.88 No.-

This research handles the space recognition aspect about the mud flat of the Korean modern poem and unfolding method. So far, in the modern premiere, the discussion on the mud flat was restrictive. It had been being sketchily progressed. If the mud flat sees from the bionomics aspect, it is the very important object. However, the mud flat embraces the blind spot which relatively the discussion was not nearly comprised in comparison with the other natural object. In the eagle, the awareness of the approvals about the mud flat was naturally classified into the view, win-win and healing point of view, and stork about the damage from development point of view and it grasped. As shown in 「aloeswood」 of Seo Jeongju, the harmonization of the subject of nature which the foreshore carries and attribute looks back on the origin of the life to us. In addition, the primitive vitality of the mud flat and restoring force contemplates the meaning which the win-win and healing has for the hard-hearted peoples. As shown in ham minbok and jeon gyang, this energy checks the reason for living a life to us used to the development competition and speed logic with the meaning of the existence. Finally, there is the approval paid attention to the situation progressed in the extreme opposition of the development and maintenance. It which the deep insight gives Bak yeonggeun, Bak namjun, and Bak seongwoo provides the power watching our future in the win-win view of the subject of nature in general. The eagle looking into the aspect of the mud flat shown up in the Korean modern poem can prompt the discussion which is active in the various side abouts the mud flat. It will contribute in extending the vista of the Korean modern poem which the naked bud was put at the blind spot of the discussion about the mud flat so far. Besides, the potential resources which the mud flat carries is utilized and it can link with the spot of education. If the theory and field learning is gone side by side to the students and it links with the environmental education and ecological education, the meaningful effectiveness of education will be able to be expected.