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        • KCI등재후보

          선진대학입시에 대한 의식조사연구 -전북대학교 입장사정관제 전형을 중심으로-

          여종문,김경진,차동욱 전북대학교 인문학연구소 2011 건지인문학 Vol.5 No.-

          In I. und II. dieses Aufsatzes wird eine spezifische Analysemethode aufgestellt. Dabei werden wesentliche Fragen fur das neue Aufnahmeprufungssystem der Universitat Chonbuk aufgegriffen und die Untersuchungsergebnisse dargestellt. In III. werden auf Basis dieser Untersuchungs- ergebnisse Verbesserungsvorschlage aufgezeigt.

        • KCI등재

          고고유적 발굴경험을 통한 역사관광지 만들기 - 국립강화문화재연구소를 사례로 -

          정정훈 ( Jeong Jeong Hun ) 전북대학교 인문학연구소 2018 건지인문학 Vol.0 No.23

          Discussions on the development of tourist destinations are covered in various academic disciplines. In contrast to the positive factors for economic growth, negative factors of inequality in economic discrimination coexist. This study presents an alternative to the negative factors due to the development of tourism. In particular, we will discuss the revitalization of tourism using archeological sites. In addition, the theory of existential authenticity is applied to the utilization of archaeological remains. For this purpose, use the case of ‘seongneung royal tomb ganghwa’ and its surroundings, which were excavated. This study understands excavations as a ritual for the acquistion of existential authenticity. It is composed of experience programs in which citizen participate in the excavation process. In the end, through the experience of the excavation process, the partcipant reconsiders from artifact-centered thinking. Partcipants concentrate on the importance of ‘symbolic value’ of the remains. In addition Ganghwa island will be recognized as a cultural tourist destination by tourists.

        • KCI등재후보

          대학 글쓰기 교재의 개발 방향 -전북대학교 글쓰기 교재를 중심으로-

          문신 ( Moon Shin ) 전북대학교 인문학연구소 2015 건지인문학 Vol.13 No.-

          This paper aims to present the development direction of college textbook writing. For this, it is examined the characteristic of college writing education. The achievement of writing education is determined by the ability to execute rather than knowledge. Therefore, college writing textbook should not be composed of knowledge about the properties of the ‘article’. Verbal thinking activities should be subject to the contents of the writing education. In this respect, this paper checks the special phenomenon of the college writing education. And it is analyzed the writing textbook of Chonbuk National University and proposed a constitution direction of the college writing textbook. As a result, the new textbook is basically divided into syntax area, imagination area and the actual writing area. If teaching students with new textbooks, writing education of college is to enhance the student``s academic communication ability to be able to realize educational purposes.

        • KCI등재후보

          ≪주역(周易)≫ 혁괘(革卦)를 이용한 동양고전읽기 교육에 관한 연구 - 거점 국립대학의 한 교재를 중심으로 -

          한만성 ( Han Mahnsoung ) 전북대학교 인문학연구소 2021 건지인문학 Vol.- No.31

          이 논문은 인문학의 다양한 분과 연구를 ≪周易≫과 목록학을 방법론 삼아 통합하고자 하였다. 대학 인문 교양 교육용 교재에 실린 동양편 여섯 작품에 관한 목록학적 성과를 요약하였고, ≪周易≫ 주역의 “革”괘를 적용하여 혁신의 의미를 읽어내고자 시도하였다. ≪道德經≫에서는 ≪藝文志≫와 ≪經籍志≫의 저록을 비교 분석하였다. ≪史記≫에서는 130편을 선별하여 교육할 필요성을 논의하였다. ≪古文眞寶≫는 조선시대에 전범으로 읽혔던 ≪詳說古文眞寶大全≫ 판본의 문제들을 요약하였다. ≪마음≫에서는 소세키가 어떻게 동양 고전의 세례를 받아 근대문학을 개척하였는지 ≪蒙求≫의 영향을 제시하여 논증하였다. ≪아Q정전≫의 루쉰은 고전 작품의 창의적 읽기와 쓰기로서 혁신의 화신으로 재확인되었다. ≪가람시조집≫에서는 가람이 고전을 발굴하고 조직해 낸 서지학자로서의 측면에 초점을 맞추었다. This paper attempts to integrate the study of various branches of humanities with “I-ching(周易)” and “bibliography” as a methodology. In the six installments of the Asian Classics, which was published in the textbook for the reading of the liberal arts at the university, efforts were made to summarize the bibliographical achievements and to interpret the meaning of innovation by applying the “Hyuk(革)” code. The Do-deok-gyeong(道德經) was used to compare the lists of Ye-mun-ji(藝文志) and Gyeong-jeok-ji(經籍志). The sa-gi(史記) was selected to discuss the need for a screening list of 130 episodes. The Go-mun-jin-bo(古文眞寶) summarizes the issue of Sang-seol-go-mun-jin-bo-daejeon(詳說古文眞寶大全), a version that was read mainly during the Joseon Dynasty as a standard. In “The Mind,” the influence of Mong-gu(蒙求) was given as an example of how Soseki pioneered the path of modern literature under the baptism of classics. It was reaffirmed that Lu Xun of “The True Story of Ah Q” was the embodiment of innovation that demonstrated the innovative reading of classical literature in practice. In “GARAM collection of sijo poems” the focus was on Garam as a bibliographer who excavated and organized the classics.

        • KCI등재

          야류(野遊) 탈놀이의 어릿광대적 성격 등장인물 연구 - 부산동래·수영 야류를 중심으로 -

          최락용 ( Choi Ragyong ) 전북대학교 인문학연구소 2018 건지인문학 Vol.0 No.23

          The aim of this study is to examine Yaryu Talnori’s character of clown in Korean traditional mask drama. especially, Focusing on Donglae·Suyoung Yaryu. There are a many handed down traditional mask drama in Korea. And also it is found in all Busan regions. Especially, in this paper, dealt with the southern region Gyoungsangnamdo in Korea’s mask drama that is called Yaryu Talnori. And among characters that looked the clown character. Characters are called Malddugi and Youngno. Each of these characters have appeared in a separate scenes. Malddugi is the character against the ruling class. He is both a protagonist and at the same time antagonist in the performance. He mocks and satirizes that was called the ruling class as Yangban in Joseon Dynasty. And Youngno is a monster and a spiritual being. Youngno is counted as a kind of Ymugy, the appearance of Youngno has halfway looks between dragon and Ymugy. People see also emerging as a hybrids between dragon and Ymugy. Youngno eat very well without choosing anything. So it is compared with a legendary foreign object ‘Bulgasari’. Youngno eat all kinds of animals, as well as trees, rocks and iron. Even the man catch eat. All the people is hailed as a holly being, because it eat to choose only the corrupt officials and dirty Yangban. So sometimes people admired it as a hero of people. Youngno eat out the incompetent and corrupt Yangban. So they were so enthusiastic welcome from the lower classes. They are the figures of the clown character as well. they are called Eoritgwangdae in Korea. Eoritgwangdae is similar to Clown, Fool, Joker, Jokester, Wit-cracker, Prankster, Buffon, Trickster, Jester, and Villains in western. The most important characteristics of Eoritgwangdaes are that they mediate and interact with performer and audience. At the same time they are perfomer, acrobatic player, comic actor, partial director, and critical audience. So they are very significant being. Therefore I have been carried out fieldwork and research them. Eoritgwangdaes’ performance has meanings with the internalization of social conflicts. and they exist only as actions, interactions, and relationship. They entertain, and mark or change identity. After all they are healing people. Eoritgwangdaes make conversation with audience constantly. So I wish that their existence come to knowledge in the world. The stakes and the spirit are the special characters with the role and the character of the clown character character. Yaryu Talnori’ Malddugi and Youngno come on spectacular the stage as Eoritgwangdae(Korean traditional clown) They play various roles and have what it takes. That is to say. They have a lot of characteristics. Malddugi is the protagonist and the antagonist of the work as the representative of the oppressed people. Youngno is an imaginary object: a monster or a spirit, as an antagonist punishing the corrupt ruling class.

        • KCI등재후보

          중국어를 처음 배우는 한국 학생들의 발음 편오(偏誤) 분석

          한봉지,김은주 전북대학교 인문학연구소 2011 건지인문학 Vol.5 No.-

          중국어는 오래된 언어로서, 자신만의 어음 특징을 가지고 있다. 특히 한국 학생들이 처음 중국어를 학습하는데 있어, 각각의 성모와 운모의 발음, 성모운모의 배합, 성조 등에서 발음 偏誤현상이 발생하게 된다. 본문을 한국학생들의 발음 偏誤의 유형을 지적해 보고, 偏誤발생의 주요원인을 분석하였다. 또한 이러한 현상이 나타나는 주요 원인이 모국어나 타국어, 모국어 문화에 옮겨 실려 가거나 교학의 부정적인 영향에 있음을 인지하고, 발음 偏誤를 줄일 수 있는 책략을 제시해 보았다.

        • KCI등재

          조선예술좌 <토성낭> 공연의 무대 디자인

          김남석 전북대학교 인문학연구소 2018 건지인문학 Vol.0 No.22

          Joseonyesuljwa performed the Toseongnang by Han Taecheon in Tokyo in 1935. Toseongnang was a work for the New Year Literary Drama Award of Dongailbo in 1935, and it was the work that had planned to perform by Geugyesuryeonguhoe once. Although the Korean performance by Geugyesuryeonguhoe was not successful, the performance of Joseonyesuljwa could be concluded. There are still a lot of data about the theatrical performances, and the performances at that time can be partially restored. This study was conceived with the purpose of discussing the significance and value of the theatrical performance in 1935, focusing on the slope as the stage design of the reconstructed Toseongnang. This is the reason it was not a one-time event held in Tokyo, but was a good example of introducing realism theaters into Korea and exploring important principles of the modern drama.

        • KCI등재후보
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