백제 사부전 가요 연구

안동주 한국고시가문학회 1998 한국시가문화연구 Vol.5 No.1

중년 남성의 드레스셔츠 착용 실태와 맞음새 조사- 키 집단에 따른 차이를 중심으로 -

안동주,이정임 한국의류산업학회 2018 한국의류산업학회지 Vol.20 No.6

The purpose of this study was to investigate the wearing & fit of ready-made and online custom dress shirts by surveying middle-aged men aged 40-54 years in order to collect information necessary for making good fit dress shirts. Also, we analyzed whether there were significant differences in the actual wearing of dress shirts according to the stature of middle-aged men. The stature was classified according to KS K 0050 as R(157≤x<170) and T(170≤x<182). The 23 questionnaire items were divided into three categories: ‘General purchasing behavior and wearing’, ‘Fit satisfaction of ready-made dress shirts’ and ‘Wearing and fit satisfaction of online custom dress shirts’. Through the results of the study, we could understand the actual wearing condition of ready-made and online custom dress shirts. Also, differences in stature groups were found. The significant differences according to the stature groups were found in the interest in fashion, the purchase criteria, the limitation of the shirt size selection due to stature and body shape, shirt size satisfaction, repair experience, dissatisfaction with purchase and the experience of purchasing online custom dress shirts. Suggestions should be made to improve dissatisfaction with stature groups in the ready-made dress shirts. In addition, the study confirmed the consumer demand for the online custom dress shirts. In order to activate the online custom market, the online custom dress shirts company needs to reduce consumer dissatisfaction and improve size suitability.

韓國抵抗期詩의 志向性 考

安東柱 湖南大學校 1985 호남대학교 학술논문집 Vol.5 No.-

The purpose of this paper is to study the directional of the Korean Poems suring the resistance period more apparantly. The directional of the poem is subdivided into the resistance will for enlight enment and the creative will. The former always places the social utility at the head and the latter emphasizes the art. The directional of the Korean poems during the resistance period shows the conflicts with the national enlightenment, patriotism, self-reflection, and nihility. Be the way, if the times is in a difficult situation, the resistance will for enlightenment is generally heightened prior to the art. However, the art of poem can be supplemented by the symbolic expression technique. As the examples of the above, Shin Eui-gwan Changeuike shows the former, and Lee yuk-sa does the latter. In conclusion, in order to elevate the voluntary poem on the artistic level we should recognize the fact there are both sides of a philosophy and an artistic style in a poem. Also, the magnification of the moral senses to heighten the human value and the emotional refinements by the native language are required.

詩文學派의 詩語考察

安東柱 湖南大學校 1985 호남대학교 학술논문집 Vol.5 No.-

As a result of analyzing the poetic diction of Park Yong-chul, Kim Yong-lang and Jung Jee-yong, the major poets of the Si Moon Hak School, with special reference to their anthologies, their characteristics can be summarized as follows : While they pursued standard form in metre, they experimented new metre, sound symbols and rhyme and so forth in order to approach to modern Western poetry and added refinement and modernity to Korean poetry. In their use of poetic imagery they made subject-material sensual and gave impetus to the technical change of versification even though their use of imagery had no other functions than that of stimulating imagination. They attached importance to poetic diction not as a means of communication but as something to mean more than the ordinary. One of the contributions of the School was that they made significant the primary meaning in poetic language. The above three poets have something common in their preference for colourusage in poetic diction. When we notice that colour imagery in poetry, is based upon the universality of human mind, their usage is quite natural. White colour is used quite often while green colour is rare to be found. Besides, When we compare the frequency of using primary colours with that of using secondary colours the unhappy poets who lived in the colonial period seem to have embodied Korean national emotions inwardly although they were unable to thematize their social and historical consciousness.

百濟文學의 背景硏究

安東柱 조선대학교 인문과학연구소 1996 인문과학연구 Vol.18 No.-

百濟文學의 史的 考察

安東柱 조선대학교 인문과학연구소 1989 인문과학연구 Vol.10 No.-

詩的 領域의 擴大와 回歸- 未堂의 경우-

安東柱 湖南大學校 1984 호남대학교 학술논문집 Vol.4 No.-

Korean modern poetry must aim at humanistic vision through an extention of poetic domain and a return to poetic origin. The flood of foreign culture and institutions caused by national sufferings, the industrial society by urbanization in the 20th century and the expansion of scientific civilization not only estranged human beings but also enslaved them. In this period, if a poet departs from the tradition of Korean poetry and is insterested in the new poetic style, he will check the development of Korean poetry. In this view, Midang's (Such Jeong-joo) poems suggest that they answer several questions about Korean poetry. Extending the poetic domain recursively and revolvingly, Midang, who is old enough to have the ripe experience in life, has found the courses Korean modern poetry should follow. In the first place, in “Whasa” written at the time of chaos, we realize it is dotted with Charles Baudelarie's morals and Friedrich wilhelm Nietzsche's will to exploit fate on the basis of humanism. In the second place, in his poems written after “Gwichokdo”, which we can call a return to the orien oriental idea, he exalts the thought towards externalism with Shamanism, unconventional confucianism's bitter grudge, No-Ja's sheer naturalism, and Buddhism's Transmigration. In the third place, In “poems of a Wanderer”, he recognizes the identity in the world, recreats historical data, makes life clear by wisdom, and reaches the starting-point of poetic revolution.

詞傳 百濟歌謠의 硏究

安東柱 호남대학교 인문사회과학연구소 1999 인문사회과학연구 Vol.6 No.-

白濟 漢文學 資料에 對한 再考察

安東柱 호남대학교 1998 호남대학교 학술논문집 Vol.19 No.1

1. The background of formation in Paekje classical literature would experience a good-neighbor process in literary style during the frequent contact with China. That it was the time of king Geunchogo was assumed. 2. The materials which are able to estimate literary collection of Paekje classical literature are no more than 10 volumes but some of them show literary characteristics well. The main style of Paekje classical literature is Sanbyunghonhapche(style) and it presents rhetorical characteristics according to the influence on Geungo and Daejang, Chiness literature. 3. It is approved that the materials of Paekje classical literature are more practical to epigraphy, well preserved as literary and writing style of the day than documentary records, that the authenticity is not clear. Appearing in documentary records, it is clear that Chilijidomyung and Inmulhwa, japaness materials, were made in 396 and 503 A.D each. Even though the nationality of author is not positive, Buyeagyungmyoji, chiness material, is certainly Paekje official's work and followed the exact and universe literary rules of that time. There is a description of the period and authors in Sataekjijukbiji, Korean material and its structure is also important material which assumes the level of paekje classical literature. It formed lyrical atmosphere through describing scenery and emotions closely and indirectly. Like aboves, the level of Paekje classical literature has been studied. On the furthur study, it is expected that research on new material analyze inner elements like the structure of Pyoungchuksandgae and prose.

韓國近代詩에 나타난 民族志向意識 考察

安東柱 조선대학교 인문과학연구소 1986 인문과학연구 Vol.8 No.-