혈액투석 환자에서 영양 지표로서의 투석 간 체중 증가

신호식,정연순,임학 KOSIN UNIVERSITY COLLEGE OF MEDICINE 2006 高神大學校 醫學部 論文集 Vol.21 No.1

Background: Interdialytic weight gain (IDWG) is mainly resulted from salt and water retension between two dialysis sessions. The consequences of IDWG have been interpreted in two different ways. While a high interdialytic weight gain is considered to be an indicator of noncompliance, it could also be interpreted as an index of appetite. Water and salt retension give rise to a volume overload, which may lead to high blood pressure and left ventricle hypertrophy. On the other hand, the water and saline intake can be done along with caloric and protein foods, which may result in a better nutritional status. In the latter case, the interdialytic weight gain (IDWG) can be an index of appetite. The objective of the this study was to investigate the relationships between the IDWG and indicators of malnutrition, and hypertension in hemodialysis (HD) patients. Methods: We conducted a retrospective study in which 74 HD patients with ages between 22 and 74 were involved (36 males and 38 females) and collected average values of %IDWG accordings to dry weight (%IDWG/DW), nutritional parameters, and mean blood pressure (MBP) during the initial 4 week-period of dialysis. Patients were divided into 2 groups according to %IDWG/DW (group Ⅰ%IDWG/DW ≥3, group Ⅱ %IDWG/DW <3). Student t test, linear regression analysis, and Kaplan-Meier survival curves compared with log-rank test were used for statistical evaluation of data. Results: In group Ⅰ, blood urea nitrogen (BUN) (P=0.037), plasma K+(P=0.025), and normalized protein catabolic rate (nPCR) (P=0.024) were significantly higher than those of group Ⅱ. MBP, albumin, hemoglobin, phosphate, calcium and total cholesterol levels in the plasma showed no significant difference between the two groups. Survival rate showed no statistical difference between the two groups. Survival rate in diabetic group tended to be lower than the non-diabetic group. Conclusion: These results suggest that a greater IDWG may be associated with a better nutritional status as reflected by a higher nPCR, BUN and serum K level, although it is not associated with albumin, hemoglobin and total cholesterol levels. This, in turn, suggest a possible risk developing a malnutrition in HD patients with low IDWG.

성인 남성에서 발생한 자가적혈구감작증후군 1예

신호식,박찬호,이찬우,제호준,강헌대,이상학 대한혈액학회 2007 Blood Research Vol.42 No.1

자가적혈구감작증후군(Gardner-Diamond 증후군)은 동통성타박상증후군 또는 심인성자반증으로 알려져 있으며 정신적인 스트레스 상황이 발생한 후에 갑작스런 동통이 동반된 반상출혈이 발생되는 질환이다. 현재까지 이 질환의 원인은 밝혀지지 않은 상태이며 감정적, 정신적으로 취약한 중년 여성에서 주로 발생한다고 한다. 검사상 기질적인 질환이 없다는 것이 확인된 상태에서 임상양상, 자가적혈구 감작검사 및 신경정신과적 검사를 통해서 진단을 내리게 된다. 저자들은 성인 남성에서 발생한 자가적혈구감작증후군으로 진단된 1예를 경험하였기에 보고하는 바이다.

한류스타는 어떻게 북한군이 되었는가? - 북한 관련 드라마의 내용변화 -

신호식 한양대학교(ERICA캠퍼스) 한국미래문화연구소 2022 미래문화 Vol.0 No.3

냉전기에 시작된 북한 관련 드라마의 내용은 대북정책의 영향을 많이 받았다. 반공드라마에서 북한은 위협적이고, 경계의 대상이었으나 서울올림픽개최와 북방정책의 영향으로 공산권 국가들과의 교류가 증가하면서 분단의고통을 함께 겪는 이산가족 이미지로 변모했다. 1990년대부터는 미디어 환경의 변화로 북한 관련 드라마도 상업화되었고, 남북정상회담의 성사와 함께 대북포용정책이 활발하던 시기부터는 적대적인 이미지에서 벗어나 동반자 이미지가 자리잡았다. 보수정부의 실용주의에 입각한 대북정책이 추진되면서부터 북한 관련 드라마는 더욱 상업화가 되어 첩보물과 탈북민 관련소재를 통해 북한은 다시 독재국가와 인권유린사회로 묘사되었다. 한편, 진보정부의 평화체제 구축정책이 추진되면서 북한사회는 이념적 문제에서 벗어나 다양한 관점에서 묘사되었고, 남한여성과 사랑을 나누는 부드러운 이미지의 북한군 남성을 한류스타가 연기하기도 했다. The content of North Korean-related dramas that began during the Cold War was greatly influenced by North Korea policy. In the anti-communist drama, North Korea was a threat and a target of caution, but as exchanges with communist countries increased due to the hosting of the Seoul Olympics and the influence of the Northern Policy, it has transformed into an image of a separated family suffering the pain of division. From the 1990s, North Korean-related dramas were commercialized due to the change in the media environment, and from the period when North Korea engagement policy was active with the success of the inter-Korean summit, the image of a companion was established, moving away from the hostile image. As the conservative government's pragmatic policy toward North Korea was pursued, dramas related to North Korea became more commercialized, and through espionage and defectors-related material, North Korea was again portrayed as a dictatorship and a human rights-violating society. Meanwhile, as the progressive government's policy of establishing a peace regime was promoted, North Korean society was portrayed from various perspectives away from ideological problems, and a Hallyu star played a North Korean military man with a soft image who shared love with a South Korean woman.

국가 디자인 박물관의 전시방법 고찰- 이탈리아 디자인 박물관을 중심으로

신호식 한국예술종합학교 한국예술연구소 2022 한국예술연구 Vol.- No.35

The Triennale di Milano foundation, supported by the Italian Ministry of Culture, operated Triennale design museum(TDM) and Italian design museum with the aim of exhibiting Italian design collections. TDM, which opened first, showed social and historical context. In addition, an experimental operation was conducted to replace the exhibition every year so that the identity of Italian design could be seen from various perspectives. However, the exhibition content was difficult for visitors. In the end, TDM was closed after twelve years. Italian design museum, which was opened soon after, displayed representative works in chronological order so that anyone could easily understand them without background knowledge. As a result, in this case study, it was found that the exhibition techniques that most effectively conveys the design culture of a national design museum is important, but more crucially, an techniques that generated high publicity that is easy for anyone to understand should be given priority. 이 연구에서는 국가 디자인 박물관의 전시방법을 이탈리아 디자인 컬렉션의 전시사례들을 통해 고찰하는 것이 목적이다. 이탈리아 문화부가 지원하는 밀라노 트리엔날레 재단은 이탈리아 디자인 컬렉션을 전시할 목적으로 트리엔날레 디자인 박물관과 이탈리아 디자인 박물관을 운영했다. 먼저 개관한 트리엔날레 디자인 박물관은 디자인 전시의 특성을 적용하고, 시대적 배경과 사회적 맥락을 보여주며 이탈리아 디자인의 정체성을 다양한 관점에서 볼 수 있도록 1년마다 전시를 교체하는 실험적인 운영을 하였다. 그러나 심화된 전시내용이 관람객에게는 난해하였고, 매번 특정 주제와 관련된 전시만 볼 수 있었기 때문에 이탈리아 디자인을 전체적으로 조망할 수 없었다. 결국 트리엔날레 디자인 박물관은 12년 만에 폐관하였고, 곧이어 새롭게 개관한 이탈리아 디자인 박물관은 대표작들을 연대순으로 평이하게 전시하여 배경지식이 없어도 누구나 쉽게 이해할 수 있었다. 결과적으로 이 사례연구에서는 국가 디자인 박물관은 자국의 디자인 문화를 효과적으로 전달하는 전시방법도 중요하지만, 누구나 이해하기 쉬운 공공성이 높은 전시방법이 우선되어야 한다는 점을 알 수 있었다.

푸코와 장애의 통치 : 셀리 트레마인 엮음, 박정수ㆍ임송이 옮김, 그린비, 2020.12

신호식 부산대학교 인문학연구소 2021 코기토 Vol.- No.93

위탁선사 실습생의 일반적 특성 추이 분석

신호식,김진수,임명환 해양환경안전학회 2020 해양환경안전학회 학술발표대회 논문집 Vol.2020 No.06

홍시 (수상작)

신호식 기독교대한성결교회 활천사 2023 활천 Vol.836 No.7

재미(在美) 아시아계 가족의 스테레오타입의 변화

신호식 전남대학교 인문학연구원 2022 가족과 커뮤니티 Vol.0 No.6

In this paper, the stereotype changes of Asian families in North America were examined through movies and TV series. In the white-centered American society, prejudice against Asians has been reflected in popular culture for a long time. Until the mid-20th century, American films featuring Asian families are representative of The Good Earth(1937) and Flower Drum Song(1961), adapted from the novels of Pearl S. Buck and Chin Yang Lee. The two films formed a stereotype by focusing on exotically showing the patriarchal-based familial culture. However, since the 1980s, when Asian directors such as Wayne Wang appeared, A Great Wall(1986), Eat a Bowl of Tea(1989), Mississippi Masala(1991), and The Joy Luck Club(1993), focused on the westernized appearance of Asian families and personal lives as in All-American Girl(1994-1995). In the 2000s, when Asian directors and actors fully assimilated into American culture appeared, Saving Face(2004), A Thousand Years of Good Prayers(2007), Dim Sum Funeral(2008), The People I’ve Slept With(2009) ), the story of the Asian family was told from various perspectives. In the 2010s, when the media environment changed, TV series featuring Asian families such as Fresh Off the Boat(2015-2020) and Kim’s Convenience(2016-2021), which are adaptations of the autobiographical stories of descendants of Asian immigrants, were aired. It showed the hybrid culture of westernized Asian families as part of American culture that embraces diversity. As Asian content such as Hallyu became popular in American society, Asian films, such as Crazy Rich Asians(2018), were successful even though they used Asian materials such as high-income conflicts. Films like Go Back to China(2019) and The Farewell(2019), in which children of Asian immigrants visit their parents’ countries, show Asian cities that are more capitalist than the United States, changing the stereotype of Asians.

음식물류 잔존물의 친환경적 처리를 통한 자원순환시스템

신호식 한국열환경공학회 2019 한국열환경공학회 학술대회지 Vol.2019 No.-

일부 농촌지역에서의 음독에 의한 급성 약물중독에 관한 조사연구

신호식,김종일,최회영,황혜헌 대한가정의학회 1994 Korean Journal of Family Medicine Vol.15 No.6