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김재임(Jae Im Kim),박춘순(Chun Soon Park) 한국복식학회 2004 服飾 Vol.54 No.4
The Purpose of this study was to find a phase of clothing in Korean proverb. The results of the analysis of this research was as follows: In the case of headgear, was expose that symbolize handsomeness, conduct of life, personality that display charm and position which is not usage as only head protection. Upper wear was expressing aspect and person`s similarity, and was symbolizing conduct of life by meaning of dress and its ornaments according to a person that dress displays that change. Trousers(bottom wear) was expose that it means aspect or conduct of life(a 4 case. 40%) through site. Overcoat showed that overcoat that is clothes that is symbolizing wearer`s situation, aspect and wear most on face because is involved with behavior that is not right in clothes usage is used by standard that foretell personality. Underwear can know that expressed being involved with right behavior, nature by the basic clothes. I was able to know that I express an attitude of a life or a form through shoe, and the accessories won an minor order but that I have a large influence on a character or the appearance of a person. Silk fabrics expresses position, and hemp cloth expressed by symbol that display ability. Also, silk fabrics had meaning that hint person`s background. Dress and its ornaments that is used in proverb by these result can know that have function as symbolic symbol that display person`s nature or situation, aspect that is wearing clothes that is not function as only simple clothes.
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김재임(Jae Im Kim),박춘순(Chun Soon Park) 한국복식학회 1999 服飾 Vol.44 No.-
The purpose of this study is to infer the shape and change as auspicious symbolic meaning and figures of a peony pattern. For this study. I analyzed the example of a peony pattern, which is traditional Chinese pattern appeared on a ceramic and textile. The results of this study are as following. First, a peony has particular title, such as `the king of flowers(花王)` and `the most beautiful woman in country and the smell in heaven(國色天香)` originated in a verse of a poet at Dang`s Dynasty. It is reputed to be the best of all flowers, representing beauty, and, a beauty. Second, the basic meaning of a peony pattern used as auspicious pattern is prosperity and it has various meanings of it`s similar kind through several auspicious objects and combination. Also, it was used for the purpose of adequating the desire of man`s blessing mentality. Third, four kinds of characteristics of a peony pattern are as following. 1) A peony pattern has similar shape with `Bosanghwamoon(寶相華紋)`, which was used as a pattern at formerly period of peony flowers. It was used as realistic shape gave vividness to the characteristic of peony on the shape of `Bosanghwamoon`. 2) 8-petaled, unique leaves and veins were described in detail by vivid sketching shape of real peony flower. 3) Laying stress on the characteristics of peony flower, which is large and magnificent, several folds petals were described abundantly by exaggerated shape or a shape of big honeycomb. And unique leaves were described realistically on these. 4) It was also expressed peculiar characteristic of peony flower composed of several pieces by weakened design shape.
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영화 ‘위대한 개츠비’와 ‘시카고’에 나타난 1920년대 여성복 분석
김정분(Joung Bun Kim),김재임(Jae Im Kim),최종명(Jong Myoung Choi) 충북대학교 생활과학연구소 2005 생활과학연구논총 Vol.9 No.2
The purpose of this study was to compare the women"s costumes of "The Great Gatsby" with those of "Chicago," both of which movies were showing the same social settings though they were produced in different time by almost 30 years. The clothing in the movie "The Great Gatsby" showed romantic and elegant women"s beauty with pastel colors and soft fabrics. It discriminated also against selecting items, colors, and details according to personality. The clothing in the movie "Chicago" which expressed sexy and gorgeous beauty of women showed a dynamic and rhythmic sense with jazz. It used black and white color in order to make impressive contrast and elegance, and it created the gorgeous beauty with red color. The silhouette was emphasized by the body line, the deep neckline, the short skirt, and the beads decorations that played an important role to inspire visual effect rather than reflecting the mode of the era. The clothing of 1920s was expressed in the form of romantic and elegant beauty of "The Great Gatsby", and also the gorgeousness and sexy beauty of "Chicago". In actuality, these factors appeared in the movies seemed to have some differences from the actual clothing of 1920s.
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인체 간암세포에서 β-lapachone 처리에 의한 Tight Junction 관련 유전자의 변화
김성옥,권재임,김기영,김남득,최영현,Kim, Sung-Ok,Kwon, Jae-Im,Kim, Gi-Young,Kim, Nam-Deuk,Choi, Yung-Hyun 한국생명과학회 2007 생명과학회지 Vol.17 No.9
${\beta}-lapachone$은 남미지역에서 자생하는 Tabebuia avellanedae라는 나무의 수피에서 동정된 quinone계 물질로서 다양한 인체암세포에서 항암효과가 있는 것으로 알려져있다. 본 연구에서는 ${\beta}-lapachone$의 암 전이 억제에 대한 연구의 일환으로 HepG2 및 Hep3B 인체 간암 세포의 전이관련 유전자의 발현에 미치는 ${\beta}-lapachone$의 영향을 조사하였다. MTT assay 및 세포형태변화 관찰 결과에서 ${\beta}-lapachone$ 처리에 따라 HepG2와 Hep3B 세포들은 ${\beta}-lapachone$ 농도 의존적으로 세포의 증식이 억제되었으며 그 형태적 변형도 동반하였다. ${\beta}-lapachone$처리에 의한 암 전이 지표가 되는 IGF-lR, Tjs (ZO-1, claudin-3,-4) 및 Tj 조절인자(${\beta}-catenin$)의 발현을 RT-PCR과 Western blot analysis를 통하여 확인한 결과 ${\beta}-lapachone$ 처리가 IGF-1R의 발현 억제와 Tj 유전자 발현의 증가를 유도함으로써 ${\beta}-lapachone$이 Tj를 강화하여 암세포의 전이 억제작용을 하는 것으로 관찰 되었다. 이상의 결과는 인체 간암세포에서 ${\beta}-lapachone$의 항전이 작용의 이해에 중요한 기초 자료가 될 것으로 생각한다. A hallmark of cancers is 'leaky' tight junctions (Tjs). TJs mediated paracellular permeability is elevated and TJs maintained cell polarity is frequently lost. Concomitantly, TJs-associated proteins including members of the claudin family of proteins are dysregulated. Recent findings indicate that these TJs changes can contribute to cancer progression. In this study, we examined the effects of ${\beta}-lapachone$, a quinone compound obtained from the bark of the lapacho tree (Tabebuia avellanedae), on the Tjs-associated regulators in human hepatocarcinoma cell lines, HepG2 and Hep3B. ${\beta}-lapachone$ treatment downregulated the levels of insulin-like growth factor 1 receptor (IGF-lR) proteins in both HepG2 and Hep3B cells. But the levels of claudin-3 and -4 proteins were increased in ${\beta}-lapachone$-treated HepG2 and Hep3B cells. And also the zonnula occludens-l (la-I) and p-catenin protein levels by ${\beta}-lapachone$ were increased in a time-dependent manner. However, claudin-3 and -4 mRNA levels were uninhibited by ${\beta}-lapachone$ in HepG2 and Hep3B. The present results suggest that the upregulation of claudin-3 and -4 protein levels by ${\beta}-lapachone$ occurs by a post-transcriptional mechanism and points to a novel mechanism by ${\beta}-lapachone$.
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金再姙(JAE-IM KIM) 한국차학회 2004 한국차학회지 Vol.10 No.2
Tea painting in Chosun Dynasty is making the harmony between human beings and nature of idea with the style of painting that the Taoistic philosophy thought of then high official nobility and the Confucian classical scholar thought were reflected well as what the painters from painting circle drew mainly. This tea panting are being distributed in various kinds such as landscape painting, genre painting, and folk painting etc. Then, it becomes the tea painting to be important for the history of tea cultures as the date to be able to steal a glance at then tea culture. In this thesis, this researcher defined the drawing related to tea, that is, the drawing that tea is theme or subsidiary theme as tea painting, though it is not drinking tea or boiling tea, and studied the period thought and tea culture which change by periods by classifying the tea painting tin Chosun Dynasty into 4 periods. The summary of this thesis is as follows: At the introduction in the chapter 1, this researcher defined the term, tea painting and clarified the range of study with the goal of study and the method of study. At the main discourse in the chapter 2, this researcher discussed the period background of tea painting in Chosun Dynasty by classifying in into 4 periods. And, in the chapter 3, so as to examine the composition analysis of tea painting, this researcher examined it centering around artists and works and arranged it with <table 1>. And, this researcher explained the anonymous tea painting and the tea painting in folk paining separa tely. And, while this researcher discussed the composition and feature of tea painting, this researcher arranged them with<table 2>. Lastly, in the chapter 4, this researcher discussed the tea culture which showed in tea painting by periods. At the conclusion in the chapter 5, while this researcher emphasized the spirit world handled in tea painting and the part that tea painting occupies in the tea culture of today, this researcher hopes that this thesis may be of help to continuing the study about tea painting in the future also.
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