중년 남성 수트 디자인 요소에 따른 이미지의 시각적 효과에 관한 연구

복식문화학회 복식문화학회 2002 服飾文化硏究 Vol.10 No.6

대중문화 이론을 통해 본 복식 문화의 연구방법에 대한 연구

엄소희,김문숙 服飾文化學會 1997 服飾文化硏究 Vol.5 No.1

The purpose of this study is to present the study method in order to analysis the fashion phenomena in popular culture by popular culture theory. The method of this study is showed the method of fashion culture, after it was examined that the trends of popular cultural method, the type of Koran popular culture discussion, and the relationship of fashion and popular culture. The results of this study are following as: 1. Analysis of this study are structuralism stand and culturalism stand, and the application of criticism about the cultural technology in a new stand by means of the composition of Gramscic. A and Foucalul. 2. Application of the ethnographic access method as anthropological approach method about C. Geertz's culture. This is to describe and interpret the practice of subject through directive observation and conduct on a spot, thus is likely to be useful in the fashion study. 3. It needs a historical access method for that purpose, If it applicate Weber's methodology, it will have the use of both meaning interpretation and explanation of cause and effect on the basis of realistic conditions(historical data), and would appear that the peculiar apportunity of mental(cultural) progressional process became definitive explanation. 4. It must be made up of the discussion (which is) based on the durability of tradition and culture. It is undeniable that the discussion, which related to popular culture up to the present, showed the disconnectedness of the past tradition and culture, and naturally accepts it's connection to epepistemology. The cultural study is a theory interested in what it brings about, what way it's organized and what way it's used. The research of the fashion's connection to popular culture is composed of such topic : how fashion is produces, how it is consumed, and then, the proposition whic his concerned in what meaning it produce is made up of. The regulation of the realm of this research will be to help a researcher explain where to begin and how to do it. Although this cultural study method is more or less quantitative, or despite the expense of the accuracy of statistical analysis, this means that such method of cultural research needs to give attention to both aspects of phenomena and basic problems.

우리나라 놀이 문화가 대학생 패션에 미친 영향

양아랑,이효진 복식문화학회 2008 服飾文化硏究 Vol.16 No.1

우리나라 여성복식의 변화에 미친 요인 연구 : 1945~1960년을 중심으로

박길순 服飾文化學會 1993 服飾文化硏究 Vol.1 No.1

The purpose of this paper is to survey the influence of the culture change on the dress and personal adornmentns, and to survey the change of factors from the August 15, 1945 to 1960, in connection with the social and cultural background, applying B. Malinowski's "Theory of Culture Change" which means an acculturation is the change's elements of the dress and its ornaments. It is remarkable that the dress and personal adornments of Korean women after August 15, 1945 has a great change from the traditional dress of the thousands years. Through the Liberation on August 15, 1945, American military government and the establishment of the Korean government, American democracy has brought many changes on Korean society. Advancement of education, an society with developed economic life, and introduction of scientific skill have influenced on the women's way of thinking and a style of behavior and the view of value. The acculturation, the supply of mass communication, introduction of new institution and the reorganization of the old institution, the change of the economic situation, the change of the educational system, the change of the point of value, the development of scientific skill have greatly influenced on the dress and personal adornments. Modern dress and personal adornments of Korean women has the following developing procedure. The Liberation from Japan on the 15th, of August, 1945, the stationing of American Soldiers during the Korean War, returning of the oversea's brethern, and the mass communication have the direct and indirect contact with western civilization. and bring the occasion of development of the modern dress of Korean women. The increase of mass communication, such as radio, TV, newspaper, magazines and the frequent fashion shows showed fine design and practical western style dress to the women. This was the real beginning of the western style dress in Korea. By the increase of employment and the improvement of the ecomonic situation, the consumption of clothing and the adornments was increased, so that a wide variety of fashions was set, and numerous kind and form of dress came in. As the insrease of the number of women students, their practical and free dress life demanded western style dress. After the Liberation from Japan, the open-door policy of sex, public morals and traditional ethics became lax, and in this disordered society, indecent expose of the body was common. By the different kind of technological development, the form, fabrics, colors and patterns in clothes were much influenced and the hair style, make up, shoes and adornments were much influenced too. As shown above, the change of the dress has the same connection with that of society and culture. This shows that the dress and personal adornments represent clearly the cultural phenomenon of the society. In this respect, a study of the history of costume should be changed to the study of the various factors of the cultural change of the society.

현대복식에 나타난 에로티시즘(Eroticism)의 표현양식에 관한 연구

李京和,韓明淑 服飾文化學會 1999 服飾文化硏究 Vol.7 No.1

The Psychology of putting on clothes has close relation with sexuality, and eroticism is of important in clothing. Present article aims to understand eroticism correctly and to make it evaluated as an art in modern fashion and as an aesthetic to experss woman's beauty. Modern eroticism in fashion may be divided into direct, indirect and symbolic expression made. The result are as follows: First, direct made, a representation of desire to exhibit, expresses eroticism by exposition of body or physical curve with tight garment. Second, indirect made, a see-through technique using association, represents sexual appeal by imagination on body area hidden by clothes made of see-through material. And third, symbolic made expresses sexual libido by representing body area or clothes which symbolizing woman's sexuality using materials like fur or silk. Eroticism in modern clothing, therefore, should be understood as a beauty that is expressed by human artistic desire. Further studies are needed to explain the characteristics of eroticism in every culture because human nature is apt to form diverse kind of cultures.

시베리아 샤머니즘 정신문화의 관점에서 본 샤먼복식 연구

유수 ( Shuai Liu ),권미정 ( Mi Jeong Kwon ) 복식문화학회 2021 服飾文化硏究 Vol.29 No.1

This study interprets Siberian shaman costumes from the perspective of Siberian shamanism’s spiritual culture by combining theoretical and empirical studies. According to the natural environment and language families, the Siberian people are classified into the Altai, Tungus, Ural, and Paleo-Siberian groups. Se Yin’s research classifies the spiritual culture of Siberian shamanism as cosmic, spiritual, and nature view. Eliade’s research has divided Siberian shaman costumes into form, headdress, and ornament. According to the present study, shaman costume form and decoration reflect the Siberian three-tiered cosmic view, such that the shaman’s head, body and feet correspond to the upperworld, middleworld and underworld. In addition, animism, totemism and ancestral worship appear in the shamanism’s spiritual view. For example, the costume’s form shows the totem of each tribe, while the costume accessories reflect animal worship, plant worship and ancestral worship. Finally, shamanism’s nature view mainly manifests through three processes: personification, deification, and ethics. As an intermediary between man and the spirits, shaman use their clothing to reproduce the image of half man and half spirit. The shaman’s costumes are deified and considered to have divine power. For example, the animals represented on the costume help the shaman travel through space. Generally, good animals help a shaman enter the upperworld, while animals that help a shaman enter the underworld are considered evil. Also, the number of hanging accessories represents the shaman’s ability.

Adobe Illustrator 9.0을 이용한 의류용 텍스타일 디자인 개발 : 전통문양의 캐릭터화 사례를 응용하여

곽태기,양수영 복식문화학회 2001 服飾文化硏究 Vol.9 No.3

This study is focused on apparel textile design process applying pre-developed Korean traditional motifs. Since the fusion culture is in trend, Orientalism or Oriental look is the center of attraction in fashion. Under the circumstances, developing the traditional resources as sophisticated Korean-style is the goal of the BK21 team. This study makes a move to achieve the goal. As n method of accomplishing this study, 4 trendy motif samples such as stylized letter, butterfly, peony, and female face are selected after investigating fashion magazines and fashion related websites. As a result pre-developed Korean traditional motifs are elected and revised using Adobe Illustrator 9.0. The newly revised motifs are applied to the textile pattern repeat farm. The completed textile patterns are simulated on the shawls to show their usages as one of souvenir items since the year of 2001 is the year of "Visit Korea" Key worlds: Korean traditional motifs(한국전통문양), fashion culture(퓨전문화), traditional resources(문화유산), textile pattern repeat form(텍스타일 패턴의 반복 배열 방법), souvenir items(관광상품).

<복식문화연구>의 지적구조와 연구동향- 계량정보학적 양적 접근과 의미연결망의 질적 접근 -

최영현,최미화 복식문화학회 2022 服飾文化硏究 Vol.30 No.4

The purpose of this study is to examine the relationships between citations and the research trends of The Research Journal of the Costume Culture (RJCC) using bibliometric and network analyses. The results are as follows. First, the RJCC has been cited by a greater number of journals and high-reputation journals today. The RJCC has been mentioned in global academic journals in various fields, and it has been noted the most in environmental science. Second, because of examining the articles published in the RJCC over the past three years (2019–2021), it was found that the number of topics was evenly distributed in various subfields of the clothing and textiles sector. The RJCC principally deals with traditional clothing, ethics and sustainability, and technology, which means that the RJCC reflects the past, present, and future. As a result of conducting a cluster analysis using the Wakita-Tsurumi algorithm, the subjects of ethical fashion and sustainability were derived from the subdivisions of the RJCC. This suggests that the RJCC is a journal specialized in ethical fashion and sustainability sectors such as environmental, animal, and labor ethics. This study outlined the current status and future direction of academic journals in the field of clothing through an analysis of the RJCC’s influence change and the relationship between citations. In addition, it is academically significant because it identifies research trends and knowledge-structure changes in the apparel science field by identifying changes in research keywords and significant research topics by sector.

朴通事 諺解의 服飾硏究

金鎭玖 服飾文化學會 2000 服飾文化硏究 Vol.8 No.3

The objective of this study was to trace and to examine costume terminologies recorded in Pak Tong Sa Eun Hae. Names of costumes and costume related terms were collected from Pak Tong Sa Eun Hae. Books and various references from China and Korea were used for this study. Costume terms were examined from the Chinese and Korean. Classifications of costume terminologies from the data were made for the analysis: man and woman's costume, accessories, names of fabrics, colors, and decorative motifs used, professional costume, special occasion dresses and so on. Conclusions and summary of results and findings can be summarized as fallows: It revealed that manes of man's costume and other costume related words were a large in number compared with those of woman. Olny one name of woman's costume appeared in the text: It was a kind of long vests, However, names of accessories such as a hat, a hat decorated with jewels and phoenix design, a hair pin, earings, bracelets, finger rings, a soft belt were shown in the text. While many costume names of man included in the text were of garments such as a kind of long vest, a short vest, an outer robe, a kind of long coat with pleated skirt, leg coverings, outer jacket and so on. Also names of undergarments such as an under skirt, a belly covering, and drawers were found in the text. Fabric names were mostly silks such as brocade, twill, sarcenet, damasks and plain silks. Blue was the most widely appeared fabric color in the text and red was the second. Design motifs of fabric design were of dragon, flowers, eight precious things, clouds which were characteristic design motifs of the Chinese. It was found that some of the Chinese costume terminologies were translated into the Korean although many Chinese costume terms were used as the original Chinese.

영국의 문화 정체성이 반영된 영국패션의 내재적 특징

정혜연,서승희 복식문화학회 2013 服飾文化硏究 Vol.21 No.2