조선시대 검시의 과학성

곽정식,Kwak, Jyung-Sik 대한수사과학회 2006 대한수사과학회지 Vol.1 No.1

In the era of Joseon Dynasty there was a national system of postmortem investigation with literatures of postmortem inspection. The author reviewed the postmortem findings in the literature(Shinjumoowonrok) to compare with recent knowledges of forensic medicine. Characteristics of old system of postmortem investigation was three instance investigation system and was carried out only with a postmortem inspection without autopsy. The postmortem findings described in the old literature were about various kinds of death, such as cases of suicide and homicide and natural and unnatural death. Most of postmortem findings in the Shinjumoowonrok were accurate and reasonable in the aspect of recent knowledges of forensic medicine.

女性英雄小說 出現의 社會的 要因에 대한 管見

곽정식(Kwak Jung-Sik) 경성대학교 인문과학연구소 2001 인문학논총 Vol.3 No.-

The purpose of this study is to research the motive of the heroine-novel's appearance. First, Our traditional outlook on man and woman is not that of Confucianism or of Chosun dynasty period. In Korea, ever since the age of Old Chosun and the Three States, was no partiality between man and woman in a daily life until the establishment of Chosun dynasty. In the mean times, A normative outlook on man and woman which is based on rThe Book of Changes, (周易) is related with the establishment of Chosun dynasty. Chosun dynasty was established to conquest and solve the social-political contradiction and abuse of Goryeo. Because of that, Administrators controled strictly the dissolute life of the woman and established a normative outlook on man and woman. It rationalized the one-sided superintendence over woman by man on the assumption the superiority of man. Therefore, between the traditional outlook and the normative outlook on man and woman was an huge unbalance. In addition the Administrator forced the persons to go with the normative outlook on man and woman by laws and a system. In the mean times, All the men, including the Administrator revealed their inability and cowardice within the Japanese Invasion(1592-1598) and the Manchu war of 1636. In these circumstances, the woman had an up-to-date thought of life and demanded a social change. When we take above affairs into consideration it is a fairly reasonable that heroine-novel was appeared by demands and an up-to-date thought of life of the woman who was troubled with between the traditional outlook and the normative outlook on man and woman.

〈頭紅傳〉의 설화 수용 양상과 그 의미

곽정식(Kwak, Jung-sik) 한국어문학회 2012 語文學 Vol.0 No.115

The purpose of this study is to research the acceptant shape of legendary and the meaning in 〈Duhongjeon〉. First of all, 〈Duhongjeon〉 adopts the family’s scattering and reunion which was derived from a villainous retainer’s entrap and a nation’s crisis and it’s subjugation as the pivot narration. however it is not hero’s special capability but a blue-dragon’s leading role that develops the dramatic incidents in a work. In other words a blue-dragon works on driving force by present herself before a superior or dispatch a representative. Therefore 〈Duhongjeon〉 has a close internal connection with a legend of dragon, to put it concretely, ’115-2 a hero who helps one side by intervene in a dispute of dragons on tales-type of 『An Outline of Korean oral literature』. On the other hand the meaning’s intention of 〈Duhongjeon〉 are revealed the realization of the moral discipline, the gratitude-thought and the cult of success. The realization of morals and discipline is described by the family’s scattering and reunion, a nation’s crisis and it’s subjugation which was derived from a villainous retainer’s entrap and foreign invasion. The gratitude-thought is connected with a legend of dragon’s accommodation, yet the gratitude-thought of Duhong as a hero is described by obeying his parent and being loyal to the king, on the other hand the gratitude-thought of blue-dragon is described by helping Duhong who has rescued a blue-dragon from death. Lastly the intention of cult of success is described by obtaining a high post in the government and living in honor and wealth.

〈雲水誌〉의 敍事 構造的 特性 硏究

곽정식(Kwak Jung-Sik),이재식(Lee Jae-Soon) 경성대학교 인문과학연구소 2008 인문학논총 Vol.13 No.2

본 연구는 조선조 후기의 장편국문소설인 〈운수지〉를 대상으로 서사 구조적 특성에 관해 논의하는 것을 목적으로 한다. 우선 〈운수지〉는 다양댄 서사 구조를 원용하고 서사의 편폭을 계속 확장하는 가운데서 서사의 중심축이 분화되는 것으로 나타나는데, 우선 도입부에서는 서사의 중심축이 宋나라 충신 岳飛를 중심으로 그의 가문에 놓여져 있다. 그러나 岳飛의 사후에 옥황상제에 의하여 충의지사들이 신선으로 인간 세상에 적강하는 것을 계기로 서사의 중심축은 9인의 충의지사의 가문으로 분화, 확대되고, 또 이로 인하여 9인의 충의지사들의 가문이 서로 대등한 비중을 지니게 된다. 또한 〈운수지〉에는 서사 전개상 중요한 사건으로서, 옥황상제에 의해 충의지사와 난신적자가 인간세상에 적강하거나 환생한다는 것, 그리고 원나라 과거에 장원급제하여 부마 간택을 받은 악문용이 大宋憤義將軍이라 자칭하고 문경천, 육봉일 등과 宋朝 中興의 뜻을 같이하게 된 것, 요·금에 이어 원나라를 정벌하고 마침내 송조를 중흥한 충의지사들이 천하를 吳王에게 맡기고 西湖에 은거하여 풍월주인으로 돌아간 것 등을 들 수 있는 데, 이와 같은 사건 전개를 위한 국면 전환이 오랜 시간에 걸쳐 여러 사건이 진행되는 가운데서 단계적, 점진적으로 이루어고 있는 바 이러한 단계적 서사 진행을 통해서 독자들에게 긴장감과 흥미를 유발하는 효과를 얻고 있다. 아울러 〈운수지〉에서는 충의지사와 난신적자라는 서로 대비되는 두 人物群을 설정하고, 이들의 덕성과 행적, 결말 등을 비교하는 한편, 몇 차례 관계의 역전을 거듭한 끝에 충의지사들이 최종적으로 승리를 거두는 결말을 통하여 忠節意識의 鼓吹와 같은 전통적인 주제를 효과적으로 그려놓았다. The purpose of this study is to research the narrative structural traits of 〈Unsoochi〉, a korean classical novel. I epitomize the subject matters which discussed in the upper parts as following. The first narrative structural trait is a specialization of the central axis. In the part of the introduction the central axis of the narrative is placed on Ak Bi's family. But in the part of the development the central axis of the narrative is specialized and magnificated along the nine familys who are men of loyalty and uprightness. The second narrative structural trait is the gradual development of the narrative. the important events in 〈Unsoochi〉 are the banishment of men of loyalty and uprightness, the stirring up to revive the Song Empire by men of loyalty and uprightness and enjoying to converse with nature. These events are combined to turnover the aspect of affairs in the narrative development, though these diversion is not accomplished once for all or rapidly, but step by step, gradually for a long time. and these gradual progress of the nan-ative arouse reader’s a state of tension and the interest. The last narrative structural trait is contradiction of characters and the relation-reversion. there are setted up two contradiction characters in 〈Unsoochi〉. though the author described effectively the traditional subjet matter by the triumph of men of loyalty and uprightness, comparing one with another in the moral character, the achievements and the death of two contradiction characters, and repeating several relation-reversion.

여성영웅소설의 존재양상과 역사적 전개

곽정식(Kwak Jung-Sik),강화수(Kang Hwa-Su) 경성대학교 인문과학연구소 2004 인문학논총 Vol.9 No.-

The purpose of this study is to research the existential types and historical development of the novels of female hero. therefore, the result is as follow; First, the type of 'A' is the form of heroine who escapes an imminent dager. To see the most important features that the novel of Female Hero has orderly structure is as follow. Baby betrothal-Primary test(=Separation from family)-Marriage forced (=Breaking off a marriage engagement)-Trial conquest by rescuer-Receiving instruction-Applying for the state examination court appearance-Rising in the world and gaining the fame -Position disclosure-Marriage. The motif of 'Betrothal' begins and the motif of 'Marriage' ends lastly in this type. Therefore the structure of the meeting and parting of men and women appears in this type. The type of 'A' can be subdivided into the type of 'A-1', that of 'A-2' and of 'A-3' according to the degree of a heroic deed between hero and heroine in the motif of 'Going to war and paying tribut-e'. Second, the type of 'B' is the form of heroine who refuses the view of men and women in the patriarchal society of the day. The basis of this type is the structure of the opposition and reconciliation of men and women which appears after a marriage. the type of 'A' is transformed into the type of 'B-1'. The type of 'B-1' can be divided into the first haif and the second half on the basis of the motif of 'Marriage' . The structure of the meeting and parting of men and women appears in the first half of the work. The structure of the opposition and reconciliation of men and women appears in the second half of the work. Therefore the type of B-1' is endowed with all the two bases of the types of 'A' and 'B' and is considered to a form in a transition period. Third, the type of 'B-2' where the motif of 'Betrothal' disappears escapes from the structure of the meeting and parting of men and women. This type shows the structure of the opposition and reconciliation of men and women which comes out after a marriage. First of all, the basis of this type is the motif of 'Wearing men I s clothes' which is presented at first in the work. This motif means the heroine who refuses the view of men and women in the patriarchal society of the day from her child wood. Forth, the type of 'C' is the form of heroine who realizes the two sexes. The motif of 'Wearing men's clothes' is not temporary but conducting a funeral in a male attire. The Disclosing her identity just before the death is the basis of this type. Protagonists of the novel of Female Hero who lived a consistent life as a heretic of the times threw away her whole life as a comtemporary topic and presented the aim to which the patriarchal society of the day pointed. Fifth, this thesis presents 〈Syeljyejeon〉 and 〈Yewajeon〉 as a supporting evidence. 〈Syeljyejeon〉 estimates a created period in the late seventeenth century and 〈Yewajeon〉 estimates the created period in the eighteenth. From this viewpoint it can be said that the novel of Female Hero was formed and passed by a full-dress development pross through the eighteenth century. Sixth, all these types show clearly the development of the novel of Female Hero. The novel of Female Hero once reached completion with the type of 'A', then transformed into the type of 'B' and 'C'. The type of 'A' can be subdivided into the type of 'A-1', that of 'A-2' and of 'A-3'. The type of 'B' can be subdivided into the type of 'B-1' and 'B-2'. The type of 'B-2' can be transfomded into the type of 'C'. The type of 'A' is the form of the formative piriod and a typical form. The type of 'C' is the completed form.

새로 발굴한 고소설〈雲水誌〉연구

곽정식(Kwak Jung-Sik) 한국문학회 2007 韓國文學論叢 Vol.46 No.-

The purpose of this study is to research the formative process, the narrative expansion, the character"s figuration and the writer"s consciousness of Unsoochi(雲水誌) which is excavated recently as a korean classical novel and introduced into ascientific treatise for the first time. First of all, Unsoochi(雲水誌) was created as a korean classical novel by the material of MumokWangChongchungnok(武穆王精忠錄) which was translated on 1760, as a translation of TaesongJunghungTongsyokYeonui(大宋中興通俗演義) and the time of creation is presumed to be the late 18th century and the mid-19th century. Secondarily, The stem story is the struggle and the vengeance of traitors and men of loyalty and uprightness in Unsoochi(雲水誌), which is arranged beforehand by the highest of the heavenly gods of Taoism. In addition, several subsidiary characters enter the stage and plait forming the relationship of male and female, scattering of a family and so forth on. Especially the evil deeds of traitors bring about the struggle and the interest. The third, the character"s group, appeared on Unsoochi(雲水誌) are divided into as a man of loyalty and uprightness and a traitor in the large. and subsidiary characters help them. A man of loyalty and uprightness is descrived as a figure to be faithful to Confucianism. The figuration of men of loyalty and uprightness and the triumph of Confucianism are the central axis in Unsoochi(雲水誌), but the impracticable fantasy is appeared throughout the work. and the consciousness intending to the general and the premier dominates the work, also the consciousness intending to a scholar in retirement and a Taoist hermit with supernatural powers are appeared everywhere.

저승설화의 전승 양상과 현실주의적 성격

곽정식(Kwak Jung-sik) 한국어문학회 2008 語文學 Vol.0 No.101

The purpose of this study is to research the aspect of transmission and the realistic character of the Underworld Legendary. I epitomize the subject matters which discussed in the upper parts as following. First, concerning the aspect of transmission in the Underworld Legendary, the story of moral was appeared in reflection moral demands which means a judgement of virtue and vice during one’s lifetime. The hell and heaven which are described in the Underworld Legendary contributed to promotion of virtue and reproval of vice. and through the process of transmission, it assumed a different aspect gradually as that a dead person accumulated virtuous deeds by borrowing property of other people’s storehouse in the Underworld. The story of life-lengthen is that a person born a short life lengthens oneself lifetime actively. and it takes high specific gravity in the Underworld Legendary, 〈Dongbangsag〉 story is regarded as a typical one in the story of life-lengthen. The story of the Underworld officials is that a person of this world after death is becamed a Underworld official. However the story of the Underworld officials displayed a various changes according as the a dead person’s rebirth by mistake of Underworld messenger is transfigurated towad promotion the interest. Last, the story of joking is appeared in the later ages. it is mostly untrustworthy joking. but it has wit and tact, or criticizes absurdity, fault, and lack of enlightenment of person or society. So l think that the story of joking is formed in the later ages concerning the secularization of society in the whole. In the mean time, the Underworld is called the Underworld vaguely as it is in the Underworld Legendary. But in such a case of explanation or description, it appeared as extremely human and actuality-experiential shape. so we cannot distinguish between the Underworld and the human society. also in the subjective meaning the Underworld Legendary heading toward the human society of this world, configurating general human needs of macrobiosis and showing that it cannot be distinguished between the Underworld officials and the human of this world, it exhibits the realistic character or attitude obviously. moreover the story of joking shows the realistic character or attitude because of the innuendo’s purpose and the target.

조선후기 문헌설화에서 살펴본 여성의 烈과 性의 문제

곽정식(Jung-Sik Kwak) 경성대학교 인문과학연구소 2006 인문학논총 Vol.11 No.1

17세기에 이룩된 “於子野譚”을 비롯하여 18~9세기에 나온 “雪橋別集”, “東稗洛誦”, “溪西野譚”, “靑邱野談”, “東野彙輯“ 등 여러 문헌설화집에는 특히 여성의 性的 본능에 관심을 가지고, 여성 자신 혹은 가족 구성원 간의 갈등을 보여주는 一群의 이야기들이 다수 채록되어 있다. 이들 이야기는 대개 청상과부를 주인공으로 내세워서 여성의 성적 욕구와 기본규범과의 모순을 중대한 문제로 제기하고, 아울러 다양한 관점과 방법으로 그 해결에의 추구를 진지하게 그려내고 있는 바, 그 자체로서 조선후기의 변모된 사회상을 충실히 반영한다고 할 수 있을 것이다. 그런데 여성의 烈과 性이라는 상호 모순적, 대립적인 문제가 여성 자신 혹은 가족 구성원에 의해서 어떻게 해결되고 있는가 하는 점에 관심을 가져보면, 크게 烈 우위에서의 해결과 性 우위에서의 해결로 나뉘어지고 있으며, 이들은 다시 갈등 당사자로서 여성 자신의 주체적 의지의 작용 여부에 따라 적극적인 경우와 그렇지 못한 경우로 나타나고 있음을 볼 수 있다. 그리고 이와 같은 문제 해결의 방식에 따라서 전승집단의 전승의식이 달라지고 있는 바, 적극적인 열 우위의 문제 해결 방식을 통해서는 여성의 정절에 대한 사회 일반의 요구와 기대가 강하게 반영되고 있으며, 소극적인 열 우위의 문제 해결 방식에서는 수절을 강요하는 세상의 習俗이나 禮法에 대한 문제제기의 성격이 강하게 나타난다. 한편 적극적인 성 우위의 문제 해결 방식에서는 여성의 열이 부정되고, 과부의 개가는 자연스러울 뿐 아니라 새로운 인생을 개척하는 것이라는 인식이 반영되고 있으며, 소극적인 성 우위의 문제 해결 방식에서는 열녀의 허구성에 대한 비판정신이 잘 나타나 있다고 할 수 있다. The purpose of this study is to research the problems of the Woman's Chastity and Sex in documentary Tales at the late period of the Chosun dynasty. In connection with the problem's revolving method of the Woman's Chastity and Sex, 17 materials are divided into 4 types, as that, ① type which the woman's Chastity attained superiority over the woman's sex positively, ②type which the woman's Chastity attained superiority over the woman's sex negatively, ③type which the woman's sex attained superiority over the woman's Chastity positively, ④type which the woman's sex attained superiority over the woman's Chastity negatively. Secondary, in the transmitter's consciousness, in the type which the woman's Chastity attained superiority over the woman's sex positively, the people's demand and the expectation of the woman's Chastity was revealed. in the type which the woman's Chastity attained superiority over the woman's sex negatively, the critical mind of the social convention or the courtesy which compeled chastity from a woman was revealed by new recognition about woman's sex. in the type which the woman's sex attained superiority over the woman's Chastity positively, transmitter's view of the woman's remarriage that was unrestrained the social convention or the courtesy which compeled chastity from a woman was revealed in the affirmative and the type which the woman's sex attained superiority over the woman's Chastity negatively is belong to sham heroine tales, in this type, the critical attitude of the faithfulness-consciousness in connection with the social frustration was revealed.

〈위씨절행록〉 연구

곽정식(Kwak, Jung-Sik) 한국문학회 2011 韓國文學論叢 Vol.58 No.-

이 글은 〈위씨절행록〉에 나타난 여성의 열행을 중심으로 개별 작품으로서의 성격과 의의에 대해 논의하는 것을 목적으로 한다. 이에 먼저 구성적 특징과 서술의식을 중심으로 작품의 열녀소설적 성격에 대해 자세히 살펴보았다. 작품에서 위씨는 남편의 절도 정배와 시가에서의 축출을 계기로 수절형 열녀의 모습으로 그려지고, 열행의 실천 과정에서 작품 전편에 등장하는 여러 인물들과 서로 긴밀한 관계를 맺는다. 이로 보아, 인물 구성에서 위씨가 그 중심에 위치할 뿐 아니라, 사건 구성 또한 위씨의 열행을 중심으로 서사가 이루어지고 있음이 분명하다. 또한 서술의식을 보면, 주씨에 대해서는 매우 비판적, 부정적으로 서술하는 데 비해, 위씨에 대해서는 적극적으로 지지, 옹호하는 태도를 취하여 때로는 깊은 연민과 동정적 심정을 드러내기도 하고, 정절을 지키고자 하는 위씨의 신념과 행동에 대해 稱歎의 감정과 언사를 적극적으로 표출하였다. 아울러 위씨의 열행을 중심으로 개별 작품으로서의 독자적 성격과 의의에 대해 검토하였다. 남편의 절도 정배와 시가에서의 축출에서 비롯된 위씨의 열행은 친정에서의 가출과 원적사에서의 削髮爲僧으로 한층 더 구체화되고 있는데, 이때 원적사는 위씨가 훼절의 위협에서 벗어나 정절을 지킬 수 있는 곳이라는 점에서 의의를 지니지만, 다른 한편으로 자식으로서의 인륜을 저버려야 하는 곳인 데다 지리적, 공간적으로도 바깥세상과 격리된 채 死地와 별반 다름이 없는 곳으로 그려져 있어 夫婦之義를 위한 열행이 여성의 수난을 의미한다고 하겠다. 그리고 열행에 따르는 수난을 여타의 열녀소설과 달리 불교에 대한 작자의 긍정적인 시각을 반영하여 원적사에서의 삭발위승으로 형상화하고 있다는 점에서 특징적이라 할 수 있으며, 나아가 여주인공 위씨가 죽음에 상응하는 열행의 실천과정을 통해 불합리한 여성 현실에 대한 자각과 새로운 인식으로서의 질적 변화, 곧 존재론적 전환을 이룩하는 것으로 그려냄으로써, 단순히 여성의 열행을 美化, 顯彰하는 데서 그치는 여타의 열녀소설과는 그 성격을 크게 달리하는 바, 이 점에서도 〈위씨절행록〉에 대해 특별한 의의를 인정할 수 있을 것이다. The purpose of this study is to research the personality as a heroic woman story and it’s own individuality as a particular work on 〈Wissijulhaengrok〉. In constitutional feature of the characters, the greater part of characters are connected with leading a chaste of Wissi as a heroine. Therefore the cohabitation trouble between Wissi and Jussi is secondary, of minor importance, so much too it exercised an influence in part or in secondary on the whole of the work. The other side, in constitutional feature of the affairs, the cohabitation trouble between Wissi and Jussi takes charge an episodical functions in the internal of the work and leading a chaste of Wissi as a heroine takes charge important function as the core motive which assumes leadership of plot in the whole of the work. Therefore 〈Wissijulhaengrok〉 is a heroic woman story which is expansioned by the beginning and the end of leading a chaste of Wissi as the structure principle. Next connection the narration-consciousness of the writer, The writer takes negative, critical eyes upon Jussi but takes positive support, safeguard eyes upon Wissi. therefore 〈Wissijulhaengrok〉 has come into being by narration-consciousness of the writer same as admiration and social education. And relation the individuality as a particular work on 〈Wissijulhaengrok〉. A chaste of Wissi is correspond with death. Anyone cannot leading a chaste, if don’t prepare for death, it means inhumanity and harshness of woman’s reality. 〈Wissijulhaengrok〉 is similar to the other heroic woman stories in the point of which takes a chaste of woman as the core motive and describes woman’s sufferings, but the sufferings that is followed in the course of practiceing a chaste of Wissi are largely shaped by being ordained a priest of Onejuk temple(원적사) and in this respect I understood that 〈Wissijulhaengrok〉 was reflected the writer’s affirmative visual to Buddhism. Moreover a chaste of Wissi in 〈Wissijulhaengrok〉 is not ceased in a disaster of woman as a tragedy, introduces Wissi into a new being through process of qualitative alteration. therefore 〈Wissijulhaengrok〉 is diffferent largely with the other heroic woman stories which adjust the focus on beautification and awarding of woman’s chastity.

활자본 고소설의 <수호전> 수용 양상과 그 소설사적 의의

곽정식(Kwak, Jung-Sik) 한국문학회 2010 韓國文學論叢 Vol.55 No.-

활자본 고소설은 중세에서 근대로의 이행기 문학의 주된 갈래로서 舊作과 改作, 新作의 다양한 형태로 출간되었는데, 新作가운데는 역사적 실존인물을 주인공으로 하는 경우가 대부분이다. 그런데 이들 중 일부 작품에서 기왕에 부정적으로 인식되어 왔던 중국소설 <수호전>이 적극적으로 수용되고 있음을 볼 수 있는 바, 이 글에서는 삽화 위주의 서사구조와 인물 형상을 중심으로 <수호전>이 어떻게 수용되고 있는지를 구체적으로 알아보고, 아울러 활자본 고소설에서 <수호전>의 수용이 갖는 소설사적 의의가 무엇인지에 대해 살펴보았다. 그 결과 <수호전> 제22회에서 제30회까지의 武松이야기를 번역, 편집해서 개별 작품으로 나온 것이 <타호무송>이며, <홍장군전>은 <수호전>의 무송 이야기와 함께 제2회, 제3회에 나오는 일부 삽화까지 번안의 형태로 수용하였다. 또 <한씨보응록>은 <수호전> 제21회와 제37회의 일부 삽화를 수용한 데다 <홍장군전>과 마찬가지로 <수호전>에 자주 등장하는 姦通모티프까지 차용하였으며, <원두표실기> 또한 무송 이야기를 수용한 <홍장군전>의 전반부를 그대로 모방, 답습하였다. 이와 같은 삽화의 수용과 함께 역사적 실존인물에 대한 과거의 부정적 인식에도 불구하고, <수호전> 호한의 인물 형상을 그대로 모방, 답습함으로써 홍윤성, 한명회, 원두표 등을 극히 긍정적인 인물로 개조하였다. 이와 같은 활자본 고소설의 <수호전> 수용은 과거 <수호전>을 부정적으로 인식하게 했던 도덕적 관점을 극복한 것을 의미하는 동시에, <수호전> 호한들의 崇力思想 혹은 尙武思想을 본받음으로써 不義한 외세의 지배와 억압을 극복하고자 하였고, 나아가 1930년대 洪命憙의 장편역사소설 <임꺽정>의 출현에 선행 작품으로서 일정 부분 그 역할이 인정된다는 점 등에서 소설사적 의의를 지닌다고 하였다. The purpose of this study is to research the acceptant Shape of <Shui-hu-chuan> in korean old classical novels with printed book and it's novel-historical Significance, for example <Taho Musong>, <Hong Changgun chon>, <Han-ssi boungnok>, <One Dupyo silgi> etc. In our korean old classical novels with printed book, these works came into being from the effects of <Shui-hu-chuan> which is one of the four great favourite novels in China. <Taho Musong> is built up by translating the Chinese langauge into Korean and compiling the chapter from 22 to 30 of <Shui-hu-chuan> which had been introduced from China. <Hong Changgun chon> was formed by initiating or following <Taho Musong> and accepting the episodes of <Shui-hu-chuan> from the chapter 2 to 3. In the same way, <Han-ssi boungnok> was lined up by accepting episodes of <Shui-hu-chuan> from the chapter 21 and 37. and <One Dupyo silgi> was lined up the first half part by initating or following <Taho Musong> and <Hong Changgun chon>. As well as these works, in spite of negative recognition on historical figures, imitated 108 jolly fellows of <Shui-hu-chuan> in the configuration of characters, therefore Hong younsung(홍윤성), Han Myunghwe(한명회) and One Dupyo(원두표) were reconstructed as a devoted retainers. Finally, Concerning the novel-historical significance of acceptance <Shui-hu-chuan> in korean old classical novels with printed book. <Han-ssi Boung nok> in the novel-history, I discussed in three points of view. in the first place, acceptance of <Shui-hu-chuan> in korean old classical novels has an important meaning such as affirmative recognition of <Shui-hu-chuan>, at the same time, it aims counteraction against the control and suppression of an immoral foreign power by inspiration the militaristic spirit, chivalrous and justice spirit. and we can consider these works's effects in the appearance of <Im kkeok chon> as a river novel.