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박경수 문창어문학회 1999 문창어문논집 Vol.36 No.-
The purpose of this study is to grasp the chracteristics and the meaning of Korean poets' works which were written in Japanese in Japan in the 1920's. Most of these poets were studying abroad in Japan at that time, and announced a great number of poems in Japanese literary circles. Jung, Ji-yong was one of them, announced lots of poems on <Modern Landscape>(근대풍경). He was an imagist poet who accepted the European modernism by means of the understanding of Japanease literature and English literature. His poems could be divided by two parts on the basis of the relations of his Korean poems. The first part was poems written by JApanese again based on his former Korean poems, and so could not have fully it's originality. But the second part was poems which we could not find the same sort of poems in the list of his Korean poetry. So it could have an orginality by itself as such. These poems did not express directly a thought or an emotion, but figurated sensitively it by means of the image of objective things. Because he accepted the imagism, and intended to write a modern poetry by new writting skills according to the influences of Japanese imagist poets, such as Kitahara Hakyusu(화원백추). As the result, these poems could extend his poetic world, and made a catalytic action in the development of his Korean poetry. But his poems did not show the historical reality of those days. It leaves something to be desired in this point. Kim, Hee-mung, who was involved in the NAPF in Japan, was a poet that we could say he had been being on the opposite side of Jung, Ji-yong. Although we could not know well his personal history, most of his poems were works inspiring the struggle consciousness of the proletariat. Especially <the sadness of a foreign country>(이방애수) of them was a narrative poem telling a tragic story that a Korean labore had experienced the bitterness of national discrimination in Japan. With this work, one of Kim, Byung-ho's poems, <I am a Korean> expressed the sorrowful life of Korean wandering people and immigrants in Japan under the rule of Japanese imperialism. I could ascertain the national identity of Korean poets' poems in Japanese by these poems.
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박경수 한국구비문학회 2023 口碑文學硏究 Vol.- No.68
이 논문은 민요 정선아리랑을 수용한 공연콘텐츠를 폭넓게 조사하여 그 현황과 상호관련성을 파악한 후, 이들 공연콘텐츠에서 정선아리랑이 어떠한 서사와 결합하면서 가창되고 있는지 그 양상과 특징을 구체적으로 밝히는 것을 목적으로 한다. 정선아리랑을 수용한 창작 공연콘텐츠는 다양했다. 이들 중 김도후의 극본이 전체 23편 중 16편인데, 김도후가 각색, 연출한 1편을 더하면 17편이다. 김도후의 극본들 중에는 정선아리랑을 고려 말 칠현 서사와 결합하여 가창하는 콘텐츠들, 세 자매의 기구한 인생 서사와 결합하고 있는 콘텐츠들, 그리고 아우라지 전설을 재구성한 서사 등 독자적 서사와 결합하고 있는 콘텐츠들로 크게 세 유형을 보여주었다. 첫째 칠현 서사와 결합하고 있는 정선아리랑 창극으로 <아! 정선, 정선아리랑>(2000)과 <신들의 소리>(2001)를 대표로 들 수 있다. 전자는 칠현의 안내로 정선이 정선아리랑의 의미를 깨닫게 된다는 것으로, 칠현 서사와 정선의 성장 서사가 결합되면서 정선아리랑이 가창되는 특징을 보인다. 후자는 칠현의 서사를 스토리텔링의 중심 서사로 삼으면서 정선아리랑이 가창되는 경우이다. 전ㆍ후자 모두 칠현 서사의 무비판적 수용에 따른 문제점을 안고 있다. 둘째 유형은 세 자매의 기구한 인생 서사 속에서 정선아리랑이 불리는 것으로, 대표적 극본으로 <아리랑고개 너머>(2009)가 있다. 셋째는 여러 독립된 서사와 결합된 정선아리랑 창극 유형이다. 아우라지전설을 조혼풍속의 폐해와 연결하고 있는 창극으로 <아우라지>(2002), 하늘의 아름다운 소리를 훔친 어둠의 마왕으로부터 하늘의 천사인 다섯 아리아나가 다시 소리를 되찾는 과정을 정선아리랑과 흥미롭게 엮은 창극 <소풍>(2009), 조혼풍속을 현대사 속에서 각시의 성장 서사에 따라 정선아리랑을 부르는 창극 <어머이>(2012)가 있다. 한편, 허규의 <애오라지>(1980)는 정선아리랑을 수용한 첫 희곡 작품으로, 민담의 환상적 스토리에 정선아리랑이 부분적으로 교합되어 인간의 이기적인 욕망이 허황된 꿈에 지나지 않는다는 일깨움을 준다. 이하륜의 <아리랑 정선1>(1980)은 아우라지 전설에 밀착된 서사의 극적 구성에 정선아리랑이 결합된 면모를 보여준다. 이 작품은 이후 정선아리랑의 창극 창출에 상당한 자극과 영향을 주었다. 최병화의 <메나리>(2014)는 선녀와 나무꾼, 견우와 직녀 설화를 혼성한 스토리를 바탕으로 선녀인 월녀와 농사꾼 월우 사이의 애틋한 사랑의 서사에 정선아리랑 등 동부메나리로 부르는 여러 소리를 결합한 창극이다. 윤정환의 <아리아라리>(2018)는 가족사 스토리를 새롭게 구성한 서사, 자연스러운 극적 구성을 보여준다. 특히 뗏목 운반에서 경복궁중수사업으로 연결되는 서사에 따라 정선아리랑을 비롯한 여러 민요가 다채롭게 가창됨으로써 경쾌하면서도 진지한 창극의 양면성을 보여준다.
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박경수 대한기계학회 2018 JOURNAL OF MECHANICAL SCIENCE AND TECHNOLOGY Vol.32 No.10
SAW-based capacitance sensors were developed by measuring the changes in the voltage ratio between an output inter-digital transducer (IDT) and an input IDT, induced by the variation in the capacitance between hemi-spherical conductive tips with diameters on the order of micrometers. We derived the transfer and sensitivity functions, which describes the ratio of the variation in the output voltage to the variation in the input voltage with a 2-port network model of a SAW based on Mason’s equivalent electro-acoustic circuit and analytical model for the apex capacitance. We then conducted an experiment to verify and measure the transfer function and the 3-D shape. The system was found to have an average resolution of approximately 10 nanometers. We also used the constructed system to measure nano- and submicro-sized 3-D shapes, and verified that the measurement results were accurate.
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Confinement effects of Ni nanoparticles in ordered mesoporous materials for dry reforming of methane
박경수,조재민,함형원,배종욱 한국공업화학회 2019 한국공업화학회 연구논문 초록집 Vol.2019 No.0
For a dry reforming of methane (DRM), Ni-based catalysts have a lot of problems due to their thermal instability by a sintering of supported Ni nanoparticles (NPs) to form less active larger agglomerates at a high temperature as well as significant coke formation compared to the novel metal-based catalysts. In order to suppress those limitations for a commercial application, the ordered mesoporous materials of SiO<sub>2</sub> and Al<sub>2</sub>O<sub>3</sub> were used to solve the deactivation of Ni nanoparticles, which were synthesized by a chemical reduction method by using nickel (II) acetylacetonate with borane tertbutylamine. The Ni nanoparticles were successfully confined in the ordered mesoporous structures, which suppressed the aggregations of the confined Ni nanoparticles thus showed a stable production of syngas at a high temperature without any significant aggregation and coke deposition.
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박경수 우리말글학회 2003 우리말 글 Vol.29 No.-
This paper aims to find out and settle Lee, Ju Hong's poems with investigating journals and newspapers in the colonial period, and prove characteristics of the world of his poems. the results so far achieved is as follows. 1. As the results I investigated Lee, Ju Hong's poems, I could find out newly three pieces which was published each in 『Jungoe Ilbo』, 『Urideul』(i. e. We), and 『Dong Yang Ji Kwang』, and make sure bibliographical facts of four works exactly. 2. I could divide his poems into three categories according to characteristics of the poetic world. First category consists of woks that express the homesickness and the feeling of loneliness before the early in 1930. Second category is composed of the proletarian poems that expose the proletarian consciousness criticizing the world of class contradiction and the tragic affairs of life based on socialism from 1930 to 1935. And works of third category are poems that express the mental state of an autism or a self-torment, or the image of petty bourgeois from 1936 to 1945.(Pusan University of Foreign Studies)
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