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양우석 ( Yang Woo Seok ) 민족음악학회 2018 음악과 민족 Vol.0 No.56
한국의 실용음악교육의 역사는 1988년부터 2017년 현재까지 30년이 되었다. 실용음악은 현재 가장 인기 있는 학과 중의 하나가 되었으며 특히 보컬 전공은 602:1에 이르기도 한다. 그러나 음악산업과 소통하지 못하고 있는 현재 대학의 실용음악교육은 연주 중심적 교육의 한계에 와있다. 특히 이미 세계 10권에 진입한 한국 음악산업의 발전에 적극적으로 대응하는 새로운 커리큘럼을 전공으로 개설해야 한다. 본고는 연구의 결론으로 대학의 실용음악교육이 음악산업의 빠른 변화에 신속하게 대응하며 다양한 음악산업 인력을 배출하기 위한 구체적인 방법으로 5개 전공을 제안하였다. 한국의 대학 실용음악교육은 뮤직 프로덕션, 레코딩 엔지니어링, MIDI 및 사운드 디자인, APP, 뮤직 비즈니스를 기준으로 특성화된 커리큘럼을 만들어서 음악산업 발전과 세계적 경쟁력 확보에 창조적으로 기여할 수 있기를 기대한다. History of applied music in Korea has turned 30 years now in 2017 beginning from 1988. Applied music has become one of the most popular subjects, and particularly, the competition for majoring vocal music reaches 602:1. However, the applied music education at universities of now that cannot interact with music industry has reached the limit of performance-focused education. A new curriculum should particularly be extended to a major that can positively respond to the progress of music industry of Korea which has now been within top 10 in the world. The result of above analysis was compared to those of Canada, USA. and Japan in order to develop more objective curriculum. The performer-centered practical education period has settled down as a leading characteristic of applied music education in Korea passing through until now. In this study as a conclusion of research, 5 majors were proposed as a detailed method to raise various man forces for music industry in order for applied music education of universities to quickly respond to rapid change of music industry. Much expectation is taken so that applied music education at universities of Korea will creatively contribute to development of music industry now here and to securing competition ability in the world while forming characterized curriculum of its own based on aforesaid 5 majors including Music production, Recording engineering, MIDI and sound design, APP, and Music business.
양우석(Woo Seok Yang),문승언(Seung Eon Moon),이재우(Jaewoo Lee),김종대(Jongdae Kim) 대한전자공학회 2010 대한전자공학회 학술대회 Vol.2010 No.6
Microsensors have been developing by technology convergence of semiconductor, MEMS and nano. MEMS microphone, iMEMS infrared image sensor and nano-MEMS gas sensor are currently prominent in industries. So, we are summarized their technology development trend and R&D results in ETRI.
양우석(Woo Seok Yang),김혜명(Hye myeong Kim),조영식(Young seek Cho),박대희(Dae Hee Park) 한국조명·전기설비학회 2015 조명·전기설비학회논문지 Vol.29 No.1
In this paper, an LED lighting system that is capable of automatic or maunal dimming control using a ultrasonic sensor and Bluetooth wireless communication technology is presented. The LED lighting system consists of a ultrasonic sensor, microcontroller unit, Bluetooth wireless communication, LED driver, and LED light source. By using the implemented LED lighting system sample, it is shown that the automatic and manual dimming control is realized. By using the ultrasonic sensor, the LED lighting is automatically brighter or dimmer depending on the distance between the sensor and an object. When using a smartphone that includes Bluetooth wireless communication function, one can not only manually control the brightness of the LED lighting from level 1 to 10, but also monitor the distance between the sensor and object on the smartphone.
박시춘 작품의 음악적 특징: 한국전쟁 이전 작품을 중심으로
양우석 ( Woo Seok Yang ) 한국음악학학회 2014 음악학 Vol.22 No.1
한국의 대중가요는 일제강점기를 거치면서 성립되었다. 여기에는 음반산업 이라는 매개가 중요한 영향을 주었다. 3000여곡이라는 많은 노래를 작곡한 박시춘은 한국가요사에 있어서 주류 작곡가로서 거론이 된다. 타계 4주기를 맞아 김점도에 의해 주도된 『박시춘 명작집 - 애수의 소야곡』 에 수록된 300곡의 가요는 그의 대표적인 작품이라 할 수 있을 것이다. 본고에서는 300곡의 수록곡 중에서 1950년 이전의 노래 122곡을 분석할 것이다. 요나누키 단음계의 무분별적 수용으로 인한 한국대중가요의 폄하와 근거 없는 한국대중가요의 정체성에 관한 주관적 접근에 대한 문제와 함께 판소리의 음계와 비교분석을 통해 한국대중가요의 주요 요소인 선율구조를 자세히 조사하여 한국전통음악과 한국대중음악의 연결 고리를 찾고자 한다. 1950년 이전을 기점으로 삼는 이유는 6.25전쟁 이후가 미8군을 통해 유입된 서양의 선율이 강한 영향을 준 시기이기 때문이다. 박시춘의 작품이 모든 한국대중가요를 대표한다고 말할 수는 없지만 많은 영향을 준 것이 사실이기 때문에 그의 음악의 분석을 통한 한국대중가요의 정체성에 관한 접근은 의의가 있다고 생각된다. Korean pop music was shaped during the period of Japanese occupation in Korea, and it was greatly influenced by the medium called the recording industry. As the renowned Korean pop composer of over 3,000 songs, Park Shi-Choon is referred to as a major songwriter in the history of Korean pop music. In honor of Park, Shi-Choon who passed away 4 years ago, Park Shi-Choon’s Masterpieces: The Serenade of Sorrow was created with the great support and interest of many pop musicians, which could be considered as his sole collection initiated by Kim Jeom-Do. Any incomplete music transcription was modified indeed in this paper. Park Shi-Choon is remembered as a great songwriter with a copious number of hits and his music is still being played in KBS 1TV - Gayo Stage on almost every week. According to MBC’s survey in 1981, 10 songs of his were listed in Koreans’ top 100 favorite songs, and this represents that he greatly influenced on a history of Korean songs and ballads. Although every check on his 3,000 songs in total was not made, the 300 songs listed on Park Shi-Choon’s Selection of Masterpieces could be recognized as his representative works. This paper intends to analyze the 122 songs out of his 300 ones, which were composed before 1950. Facing the derogation on Korean pop music with the indiscriminate acceptance of yonanuki minor scale and the groundless subjective approach to the identity of Korean pop music, this paper also attempts to find the link between Korean music and Korean pop music by thoroughly examining the melodic structure which is an essential element of Korean pop music through the comparative analysis with pansori scale. The period of Pre-1950 was set as starting point for this analysis because Korean pop music was greatly influenced since the Korean War due to the inflow of the Western melody from the 8th US Army. Park Shi-Choon’s works can hardly be called representative of all Korean pop music, but no one can deny the fact that they had a profound effect on it. In this regard, it is considered that an approach to the identity of Korean pop music through the analysis of his musical works has a great significance.