중국의 국유기업제도 개혁과정에 관한 연구

백권호 계명대학교 국제학연구소 2000 국제학논총 Vol.5 No.-

The reform of state enterprise system has been the foremost part of the reform process in China since she had proclaimed often door policy together with economic system reform at December 1978. Even though it is generally being accepted that the system reform has been quite successful in China comparing with those of other former socialist countries in once-called eastern europe before, there is no clear evidence yet to have succeeded specially in the field of state enterprise reform. So China has been executing three major reform programs as a millenium project in the sectors of state enterprise system, financing market rood governmental organization that are quite closely interrelated one another in the viewpoint of governance structure of state enterprise system. Since 1992, the year when China has defined her economic system as socialistic market economy or market economy of socialism, she has been experimenting a thoroughly different system's reform from the conventional system of socialism in terms of social paradigm or ideology. The focal point of this reform process is introducing a market for property rights combined with a capital market. This paper tries to review all the reform process of Chinese state enterprise system from 1978 when starting her system's reform at the viewpoint of 'ser-M' approach developed by Cho & Lee(1995). In this approach, 's' denotes as a CEO(subject) of a firm, while 'e' as business environment and 'r' as resources of a firm respectively, where 'M' means for interaction mechanism among above three factors. This paper suggests that the process of reform for chinese enterprise system is on the verge of drastic chage in terms of governance structure from power delegation to limited corporation. The proclamation of market economy including capital & property one makes it possible for China to reform the state enterprise system into contemporary limited corporation system. The reform of labor market which not only external but also internal including CEO's, also plays a very important role as a pushing factor for the state enterprise reform. Finally, stepwise and try & error-based reform process makes it possible for China to minimize a transaction cost of purchasing(or selecting) a reform product for institutional change thru learning mechanism.

남창가곡 노랫말의 四聲·連音標·음높이

송권준 부산대 예술대학 2001 藝術論文集 Vol.15 No.-

The Korean traditional lyric songs(Kagog 歌曲) are precious musical properties. The plentiful properties are amounted to 664 male songs and 190 female songs in Kagowollyou 歌曲源流. But because of imperfective notation 連音標 these songs can not revive. This study is on the intonation 四聲, notation 連音標, pitch 音高 of the words in the male lyric songs 男唱歌曲. The relationship of this three essential elements is very important to revive the songs. The purpose of this is an effort for revival the lyric songs. As a result of this study the following facts become clear ; In Pyoungjo 平調 low tone mark( ( ) is related with low sound word 平聲 and high sound word 去聲. The main pitch is bb 림. Middle tone mark( | ) is related with high sound word 去聲 and upper sound word 上聲. The main pitch is f 太. High tone mark( / ) is related with abrupt sound word 入聲, the main pitch is eb' 潢 and ab 仲. In Kyemyounjo 界面調 low tone mark( ( ) is related with low sound word 平聲, high sound word 去聲 and upper sound word 上聲 except abrupt sound word 入聲. The main pitch is bb 림 and eb 黃 Middle tone mark( | ) is related with high sound word 去聲 and upper sound word 上聲. The main pitch is ab 仲. High tone mark( / ) is related with abrput sound 入聲, the main pitch is eb 潢. In Korean native word the intonation is not clear. Therefore the rule in the relationship of this three essential elements, intonation 四聲, notation 連音標 and pitch 音高 of the word in the male lyric songs 男唱歌曲.

한국음악 선율의 多音性(Mehrstimmigkeit)연구 : 영산회상에 기하여

송권준 부산대학교 예술대학 2003 藝術論文集 Vol.17 No.-

Recently the issue, of special feature of melody line in Korean traditional music, was proposed. As a new idea "mehrstimmigkeit" was proposed instead of "heterophony" of melody line in Korean traditional music. As a result on study of mehrstimmigkeit of Yeongsanhoesang 靈山會相, the representative instrumental music, there are three types of mehrstimmigkeit. The three types are two-tones, three-tones, four-tones type per one beat in five instrumental melody, Daegun 大琴·Piri??·Haegum奚琴·Gayaeum伽倻琴·Geomungo玄琴. The melodies of mehrstimmigkeit form 41% of all in Yeongsanhoesang. And two-tones type of mehrstimmigkeit form 31%. three-tones type 9.4%, four-tones type 0.6% of all. The most colorful tune among 9 tunes Yeongsanhoesan is Sanghyeondoduri. On the contrary the most monotonous tune is Garakdeori. The most numerous type of between each instrumental melody in two-tones type is "wind melody:string melody", for instance "Daegum·Piri·Haegum:Gayagum·Geomungo" The most numerous type of between each instrumental melody in three-tones type is "wind melody(Daegum·Piri·Haegum): string melody(Gayagum):string melody (Geomungo)". In four-tones type there are a few types but no peculiarity. The "mehrstimmigkeit", a special feature in Yeongsanhoesang melody line, explains Hwa-I-Bu-Dong和而不同(means harmony of dissimilary) in Korean traditional music.

영산회상의 해금 시김새에 관한 고찰

宋權準 부산대학교 예술대학 1989 藝術論文集 Vol.5 No.-

Through all classical music (Chongak) for Haegum(two stringed fiddle) 17 kinds of Sigimsae(ornaments) were used, 12 sorts of these were used in Yongsanhoesang. All ornaments can be classified three groups according to style. The first group is fore-ornament, the second group is back-ornament, and the third group is peculiar one. Each of ornament appears individually in every 9 tune of Yongsanhoesang(sangyongsan, chungyongsan, seryongsan, karakdori, sanghyonhwanip, hahyonhwanip, yombulhwanip, taryong, kunak) In slow tune various ornaments appear affluently, in quick tune they appear in contrast with slow one. Each of ornament has a special function. For example, ornament ㅅ is used for continuance of same tone and ornament ㄷ is used for start of phrase. The function of ornament 9 same with string instrument and ornament □□ is similar to other wind instrument. The remarkable fingering of all ornament is same as follow. In case of fore-ornament, the fingering of index finger-ring finger-middle finger and index finger-ring finger-index finger were applied. In case of back-ornament, the fingering of middle finger-ring finger-middle finger-index finger and index finger-ring finger-middle finger-index finger were applied.

대중국 투자 한국계 기업의 경영성과 요인분석

백권호 계명대학교 국제학연구소 1996 국제학논총 Vol.1 No.-

經濟發展과 經濟文化 要素의 關係에 관한 中日間 比較

白權鎬 계명대학교 국제학연구소 1997 국제학논총 Vol.2 No.-

PM 공간에서 공통 부동점 정리

정권수,조정구 順天大學校 師範大學 附屬 科學敎育硏究所 1994 科學과 敎育 Vol.2 No.-

PM 공간에서 타입 (A)의 양립 사상의 성질을 이용하여 Fisher의 일반화된 축소 사상의 조건을 만족하는 사상들의 공통 부동점 정리를 증명하였다.

Ag_2Se電極을 利用한 할로겐산이온과 할로겐화이온의 混合物의 電位差 適定

印權植,閔泰원 東國大學校 1977 論文集 Vol.16 No.-

銀 이온 選擇性 電極을 指市電極으로 使用하여 브롬산이온(BrO_3^-)과 요오드산이온 (IO_3^-)의 단독정량과 요오드산이온(IO_3^-), 요도드화이온(I^-)과 브롬화이온(Br^-)의 혼합물을 전위차 적정법으로 定量하였다. 사용한 銀 이온 選擇性 電極은 直接 製作한 Ag_2Se電極 이었다. 混合物 電位差 滴定을 할때는 理論的인 當量點과 變曲點의 誤差를 감소시키기 爲하여 뭉침제로서 에칠알콜, 질산나트륨, 덱스트린, 니트로벤젠 등을 사용하였다. 뭉침제를 사용함으로서 I^-과 IO_3, Br^-와 IO-3^-, 또한 Br^-, I^-, IO_3^-의 混合物 定量時 第一, 第二變曲點에서 誤差를 줄일 수 있었으며 비교적 좋은 結果를 얻었다. Potentiometric titration of iodide, bromide and iodate in mixtures, bromate, iodate with silver nitrate using silver ion-selective electrode, indicator electrode, has been studied. Silver ion-selective electrode was a sintered silver selenide electrode which had been prepared in this laboratory. In the titration of mixture solution, early alcohol, sodium nitrate, dextrin, and nitrobenzene as flocculant have been used to decrease the relative error of inflection point to theoretical equivalent point. The relative error of first and second inflection point in the titration of iodide and iodate, bromide and iodate, bromide, iodide, and iodate, respectively, was decreased, and attained the good results.

움직임벡터를 이용한 디지털 비디오 워터마킹의 비가시성형상

류권열 위덕대학교 산업기술연구소 2005 산업기술연구소 논문집 Vol.9 No.1

움직임벡터를 이용하는 워터마킹에서 기존의 방법은 움직임 벡터의 수정으로 인한 화질의 저하를 초래한다. 따라서 본 논문에서는 움직임 벡터의 변경을 최소화하는 워터마킹 삽입방법을 제안한다. 제안한 방법은 비디오 비트스트림의 변화가 없기 때문에 기존의 동영상 압축 표준과의 호환성을 유지할 수 있다. 실험결과 화질적인 측면에서 기존의 방법보다 약 0.5~1.0 dB가 향상됨을 알 수 있었다. Conventional methods of watermarking using motion vectors bring about deterioration of video quality, because modification of motion vectors. Thus, in this paper I propose the watermarking insertion method that minimize to change of motion vectors. Proposed method is compatible with current video compression standards because without a change of bitstream. Consequently, proposed method has improved about 0.5~1.0 dB in video quality.

재중 한국계 투자기업의 경영관리 현지화 실태조사

백권호 계명대학교 국제학연구소 2001 국제학논총 Vol.6 No.-

Localization of management administration is an emerging issue for the FIEs in China especially after she has joined in WTO. In this paper, management styles, efforts for localization, management routines were surveyed at the view points of employees of korean FIEs in China together with their responses for those localization efforts. This paper is some kind of a pilot survey for the further study on localization of korean FIEs in China, so there is no rigorous theoretical reasoning attempts here. But according to the previous research, difference in size of HQ-namely large vs small-medium, business field in which FIEs are operating, and division where employees are assigned to, is proved to have some relationship with localization of management administration. Regional difference could be a important factor to explain the difference of localization style, because of the socio-cultural differences in China regionally. The 40.8% of responses think that korean FIEs in China are adopting korean management style while 48.6% think in between korean and chinese style. About the rate of satisfaction for the management style of their company, small-medium, Qindao city, operation division is higher respectively than any other categories.