J.S.Bach(1685~1750)의 '平均律曲集'의 樣式的 考察

김인일 부산대 예술대학 2001 藝術論文集 Vol.15 No.-

It is a hard planning for simple classification about J.S.Bach's Well-tempered Clavier because have a universal character of music in style that great musical works. But we must to do operation for analytic research and branch from Well-tempered Clavier as a larger keyboard work. So it's supplies as much helpful information about performance to an audience or study this music. Musical preferences also favor a clean, mathematical and metronomic realization - a safe but somewhat noncommittal solution to the communication of Bach' artistry. On a different level, then, is the enjoyment of incorporation the often neglected elements of rhetoric, musical construction of variety styles, the structures of the strong and weak within a given pulse and meter, and the fingering techniques of the time-shifting and sequential fingering rather than consecutive scale fingerings-. We can see about musical aspect and style for tuning method, a style or mode of a nationality and the trend of the times, and through the instrumentality of musical performance of J.S.Bach life days. These components, which are strongly interrelated and directly influence choices of articulation and flexibility of rhythm, often answer automatically questions of stuly, especially when they are understood as basic elements of the musical language. There a many technical approach for compositional setting of Prelude and Fugue Works. For example J.S.Bach had application larger episodes for Fugue, and used to motive of episodes as the same rank from thematic materials. He used to many dance style music in his works of Well-tempered Clavier, it is a different style playing Well-tempered Clavier from Tempo, Phrasing, Articulations and so on.

天地創造의 靈的 意味와 聖畵의 世界

김영길 부산대 예술대학 1993 藝術論文集 Vol.9 No.-

1. The creation of heaven and earth, 3 of the light, 6 of the firmament, 9 of the earth separated form the waters, 11 and made fruitful, 14 of the sun, moon, and stars, 20 of fish and fowl, 24 of beasts and cattle, 26 of man in the image of God ; 29 also the appointment of food. IN the ^(a) beginning ^(b) God created the heaven and the earth. 2. And the earth was without form, and void ; and darkness was upon the face of the deep. ^(c) And the Spirit of God moved upon the face of the waters. 3. ^(d) And God said, ^(e) Let there be light : and there was light. 4. And God saw the light, that it was good : and God divided ^(2) the light from the darkness. 5. And God called the light ^(f) Day, and the darkness he called Night. ^(3) And the evening and the morning were the first day. 6. [ And God said, ^(g) Let there be a ^(4) firmanment in the midst of the waters, and let it divide the waters from the waters. 7. And God made the firmament ^(h) and divided the waters which were under the firmament from the waters which were above the firmament ; and it was so. 8. And God called the firmament Heaven. And the evening and the morning were the second day. 9. [ And God said, ^(k) Let the under the heaven be gathered together unto one place, and let the dry land appear : and it was so. 10. And God called the dry land Earth ; and the gathering together of the waters called he Seas : and God saw that it was good. 11. And God said, Let the earth ^(l) bring forth ^(5) grass, the herb yield-ing seed, and the fruit tree yielding ^(m) fruit after his kind, whose seed is in itself, upon the earth : and it was so. 12. And the earth brought forth grass, and herb yielding seed after his kind, and the tree yielding fruit, whose seed was in itself, after his kind : and God saw that it was good. 13. And the evening and the morning were the third day. 14. [ And God said, Let there be ^(n) lights in the firmament of the heaven to divide ^(6) the day form the night ; and let them be for signs, and ^(o) for seasons, and for days, and years : 15. And let them be for lights in the firmament of the heaven to give light upon the earth : and it was so. 16. And God ^(p) made two great lights ; the greater light ^(7) to rule the day, and ^(q) the lesser light to rule the night : he made ^(r) the stars also. 17. And God set them in the firmament of the heaven to give light upon the earth, 18. And to ^(3) rule over the day and over the night, and to divide the light from the darkness : and God saw that it was good. 19. And the evening and the morning were the fourth day. 20. And God said, Let the waters bring forth abundantly the ^(8) moving creature that hath ^(9) life, and ^(10) fowl that may fly above the earth in the ^(11) open firmament of heaven. 21. And ^(t) God created great whales, and every living creature that moveth, which the waters brought forth abundantly, after their kind, and every fowl after his kind : and God saw that it was good. 22. And God blessed them, saying, ^(u) Be fruitful, and multiply, and fill the waters in the seas, and let fowl multiply in the earth. 23. And the evening and the morning were the fifth day. 24. [ And God said, Let the earth bring forth the living creature after his kind, cattle, and creeping thing, and beast of the earth after his Kind : and it was so. 25. And God made the beast of the earth after his kind, and cattle after their kind, and everything that creepeth upon the earth after his kind : and God saw that it was good. 26. [ And God said, ^(x) Let us make manin our image, after our likeness : and ^(y) let them have dominion over the fish of the sea, and over the fowl of the air, and over the cattle, and over all the earth, and over every creeping thing that creepeth upon the earth. 27. So God created man in his own image, ^(z) in the image of God created he him ; ^(a) male and female created he them. 28. And God blessed them, and God said unto them, ^(b) Be fruitful, and multiply, and replenish the earth, and subdue it : and have dominion over the fish of the sea, and over the fowl of the air, and over every living thing that ^(2) moveth upon the earth. 29. [ And God said, Behold, I have given you every herb ^(3) bearting seed, which is upon the face of all the earth, and every tree, in the which is the fruit of a tree yielding seed : ^(c) to you it shall be for meat. 30. And to ^(d) every beast of the earth, and to every ^(e) fowl of the air, and to every thing that creepeth upon the earth, wherein there is ^(4) life, I have given every green herb for meat : and it was so. 31. And ^(f) God saw every thing that he had made, and, behold, it was very good. And the evening and the morning were the sixth day.

奚琴의 韓國流入에 관한 考察

송권준 부산대 예술대학 1993 藝術論文集 Vol.9 No.-

미적 인간학으로서 독일 표현주의 예술론 연구

송만용 부산대 예술대학 1998 藝術論文集 Vol.13 No.-

Franz Liszt 성장기의 피아노 학습

김인일 부산대 예술대학 1999 藝術論文集 Vol.14 No.-

We need a sample case for genius piano students as an early stage piano educations. Franz Liszt was most famous pianis with a legend, composer, and conductor as throughout music history. His piano studing was very distinctions method and surrounding with musical events from planning object of his father Adam Liszt. It is very similar from Mozart's piano studing in last century but has no likeness with piano praticing method or dealing of Etudes. Franz Liszt has a clear motivations for a virtuoso level pianists, and has much indirection musical events for progress genius piano student. And he has most famous piano teachers like Carl Czerny(1791-1857) and Salieri(1750-1825) as an excellanat teacher of composer. He has much occasion for improvisetions by Czerny, it is very useful method for piano praticing with musical imaginations. So we have new method example for good piano praticing for talented students, that is must to do well controled motivations and clear objections from teachers or musical surroung material. And have to piano studing with actual events like public piano concert or actual concert tarvel like Mozart and Franz Liszt. We have new conception as pianist for next millennium, that is must to do multiple capacity and skillful keyboardist as Baroque musician and Franz Liszt. For well control piano works from base on much musical materials with source of structure, harmonic frame, composers idiom and other cultural events. Genius piano student is very important in our nation and at this decade because it is a paradaim as new pianist type of new era, and for new cultural industry.

관현악곡 낙동강 : 부산시립국악관현악단 위촉작품

황의종 부산대 예술대학 1994 藝術論文集 Vol.10 No.-

창세로부터 성경 속에 감추인 비밀 표현(VI) : 6000년간 율법과 기복으로 마귀에게 포로 된 전 세계 교계를 복음으로 소생시키자!

김영길 부산대 예술대학 2001 藝術論文集 Vol.15 No.-

Having abolished in His flesh the enmity, that is, the law commandment contained in ordinances, through the cross, thereby puttings to death enmity. Having wiped out the handwritting of requirements that was against us, which was contrary to us, And He has taken it out the way, having naild it to the cross. For Christ is the end of the law for righteousness to everyone who believes. "For if righteousness comes through the law, then Christ died in vain." What purpose then does the law serve? It was added because of transgressions, till the Seed should come to whom the promise was made; and it was appointed through angels by the hand of a mediator. You observe days and months and seasons and years. I am afraid for you, lest I have labored for you in vain. You have become estranged from Christ, you who attempt to be justified by law; you have fallen from grace. Therefore let no one judge you in food or in drink, or regarding a festival or a new moon or sabbaths. Concerned only with foods and drinks, various washings, and fleshly ordinances imposed until the time of reformation. Days Adam So when the woman saw that the tree was good for food, that it was pleasant to the eyes, and a tree desirable to make one wise, she took of its fruit and ate. She also gave to her husband with her, and he ate. "declaring the end from the beginning, and from ancient time things that are not yet done, saying, 'My counsel shall stand, and will do all My pleasure' Days Noah "But as the days of Noah were, so also will the comming of the Son of Man be. "For as in the days before the flood, they were eating and drinking, marring and giving in marringe, until the day that Noah entered the ark, "and did not know until the flood came and took them all away, so also will the coming of the son of Man be. So He destroyed all living things which were on the face of the ground: both man and cattle, creeping thing and bird of the air. They were destroyed from the earth. Only Noah and those who were with him in the ark remained alive. And the waters prevailed on the earth one hundred and fifty days. They were commanded not to harm the grass of the earth, or any green thing, or any tree, ut only those men who do not have the seal of God on their foreheads. And they were not given authority to kill them, but to torment them for five months, And their torment was like the torment of a scorpion when it strikes a man. In those dats men will seek death and will not find it; they will desire to die, and death will fiee from them. Days of Moses 'Do you want to kill me as you did the Egyptian yesterdays?' "Then God turned and gave them up to worship the host of heaven, as it written in the book of the Prophets: 'Did you offer Me salughtered animals and sacrifices during forty years in the wilderness, O house of Israel? Or do you not know that your body is the temple of the Holy Spirit who is in you, whom you have from God, and you are not your own? So the LORD sent fiery serprnts among the people, and they bit the people; and many of the people of Israel died. Therefore the people come to Moses, and said, " We have sinned, for we have spoken against the LORD and against you; pray to the LORD that He take away the serpents from us." So Moses prayed for the people. Then the LORD said to Moses, "Make a flery serpent, and set it on a pole; and it shall be that everyone who is bitten, when he looks at it, shall live," So Moses made a bronze serpent, and put it on a pole; and so ti was, of a serpent had bitten anyone, when he looked at the bronze serpent, hi lived. "And as Moses lifted up the serpent in the wilderness, even so must the Son of Man be lifted up, "that whoever believes in Him should not perish but have eternal life. Days of Jesus "Do not think that I came to destroy the Law or the Prophets. I did not come to destroy but to fulfill. "For assuredly, I say to you, till heaven and earth pass away, One jot or one tittle will by no means pass from the law till all is fulfilled. "Do not think that I came to bring peace on earth. I did not come to bting peace but a sword. "For I have come to 'set a man against his father, a daughter against her mother, and a daughter-in-law against her mother-in-law.' "And 'a man's foes will be those of his own household.' 'These people draw near to Me with their mouth, and honor Me with their lips, but their heart is far from Me.' And in vain they worship Me, teaching as doctrines the commandments of men.'" But He answered and said, " I was not sent except to the lost of the house of Israel." "And you shall know the truth, and the truth shall make you free." But Jeses did that which having abolished in his flesh the enmity, that is, the law of commandments contained in ordinances, so as to create in Himself one new man from the two, thus making peace, and that he might reconcile them both to God in one body through the cross, thereby putting to death the enmity. Days of Grace Beware lest anyone chest you through philosophy and empty deceit, according to the tradition of men, according to the basic principles of the world, and not according to Christ. "Woe to you, scribes and Pharisees, hypocrites! For you travel land and sea to win one proselyte, and when hi is won, you make him twice as much a son of hell as youselves. Dayw of Tribute "However, the Most High does not dwell in temples made with hands, as the prophet ways: 'Heaven is My throne, and earth is My footstool. What house will you build for Me? says the LORD, of what is the place of My rest? 'has My hand not made all these things?' Do you not know that you are the temple of God and that the Spirit of God dwells in you? Or do you not know that your body is the temple of the Holy Spirit who is in you, whom you have from God, and you are not your own? And what agreement has the temple of God with idols? For you are the temple of the living God. A s God has said: "I will dwell in them and walk among them. I will their God, and they shall be My people." but I saw no temple in it, for the Lord God Almighty and the lamb are its temple.

1600~1750년경의 Keyboard sonata의 변화 과정

김인일 부산대 예술대학 1998 藝術論文集 Vol.13 No.-

The sonata style of the Baroque period can be generalized, the most consistent traid besides the use of continuo is the tendency towards motivic play the frequent passing about of a melodic fragment rather than phrase grouping. In the early Baroque Sonata style represent at its best by G.B, Buonamente, the forms are single-movement or multi-sectional, in the manner of the canzona. In the middle Baroque, represented by Corelli, the multi-sectional forms that can be called movements. It was very contrasted as tempo and music style on structure, and favored four movements as [slow-fast-slow-fast] on 'Sonata da Chiesa' and 'Sonata da Camera'. There are many contrafuntal style in music of Sonata in Baroque period like 'Canon' and 'Fugue'. And used many dance like style in Gigue or Minuetto as last movement. In the late Baroque sonata was much confusing in 'Sonata da Chiesa' with 'Sonata da Camera'. There are same music materiel in movements as [slow-fast-slow-fast] and same tempo's name in sonatas. Constrduction of sonata formes in late Baroque, sometimes the final section repeated or resembled the first section, both in early multi-sectional canzonas or sonatas and Venetian, usually five-movement sonatas of Legrenzi. And same method as one movement of D.Scarlatti sonatas. In the last movement of late Baroque Sonatas, has from Gigue like as dance style structures to Minuetto and Rondeaux by whom through J.S.Bach, J.A.Hasse, C.Wagenseil, G.Benda and J.C.Bach, but not yet come out accurate sonata-allegro forms still Wiener Classic period like Haydn and Mozart's Late Sonatas.

뱃노래 주제에 의한 flute·25현 가야금 이중주

황의종 부산대 예술대학 1999 藝術論文集 Vol.14 No.-

뱃노래는 굿거리 장단의 흥겨운 경상도 민요이다. 이 뱃노래를 flute가 25현 개량가야금의 2중주로 변주해 보았다. 제1악장은 파도의 물결을 연상시키는 도입부로 시작하여 굿거리 장단으로 이어진다. 굿거리장단에서 flute과 가야금이 대화를 나누며 분위기를 고조시킨 후 자진모리 장단으로 연결되고 마지막은 빠른 4박자로 경쾌하게 끝난다. 제2악장은 느린 중모리 장단의 가야금 solo로 시작하여 단모리 장단으로 변화를 준 뒤 굿거리 장단으로 이어진다. 25현 가야금의 넓은 음역을 폭넓게 사용하였으며, 왼손과 오른손을 이용한 다양한 형태의 분산화음과 7개의 음까지 중첩시키는 화음을 사용하여 새로운 느낌이 들도록 하였다. 그리고 가야금의 특징인 왼손의 농현과 퇴성, 전성 등을 적절이 구사하여 전체적으로 전통과 새로움이 조화를 이루도록 하였다. The paetnorae in minyo of Kyongsangdo province in Kutkoˇri changdan(a swaying 12/8 rhythm). I made an effort to write a variation of paetnorae for the 25 string kayagum and flute. The opening section of the first movement brings to mind the waves of the sea going into the kutkoˇri changadn. In this part the flute and kayagum raise the mood of the piece by sharing a moment in conversation. Which in followed by change to chajinmori (a quicker 12/8), closing with a brisk 4/4, light in nature. The second movement begins with the kayagum soloing in a slow jungmori, moving tanmori (fast 4/4) and back to kutkoˇri. The wide range of notes of the 25 string kayagum are used along with two-handed plucking to create diverse broken chords with all seven notes of the scale stacked upon each other, creating new feelings of expression. In addition, the special left hand techniques of the kayagum (nonghyoˇn-vibrato, toesoˇng-falling tone, choˇnsoˇng-short vibrate) are all suitably employed, to achieve a hamonious union of the traditional and the new.

생활 공동체 문화와 민족굿

채희완 부산대 예술대학 1996 藝術論文集 Vol.11 No.-