http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
Alice Kolawole Olaniyi,Shallon Atuheire,Lesley Lally,Ruá,n Kane,Iryna Danilova,Claudia Walker,Lynda Earls,Eimí,le Holton 한국임상모래놀이치료학회 2021 상징과 모래놀이치료 Vol.12 No.1
The authors analysed the effects of group Sandplay therapy on adolescents psychological health and resilience in a mixed-method research. They explored and categorized the themes these adolescents expressed during therapy. Fifteen children (n=15) were recruited for the study; (Boarding school children = 5; Day school children = 5; Street children = 5). The selection process was conducted in cooperation with an orphanage in Kabale, Uganda. The children who participated in the study underwent a forty-five-minute sand play therapy every week for nine weeks. The SDQ and RCADS were administered to the groups both pre- and post-intervention, with the data entered and analysed using SPSS. Group sandplay was found to significantly decrease the adolescents internalizing problems such as anxiety and depression, while their resilience had also significantly improved. The narrative analysis, in turn, yielded seven themes: basic needs; community-love-celebration; giving help-leadership-empowerment; security-danger, recreation-self-development-self-nurturance, education, and seeking help-faith.
임승미(Eim, Seung-Mi),윤동식(Yoon, Dong-Sik) 대한건축학회 2024 대한건축학회 학술발표대회 논문집 Vol.44 No.1
The purpose of this study is to derive the organic characteristics applied to each space type of winery. Already overseas, wineries are not only playing a role as facilities for producing wine, but also providing information on wine and experiencing various wine cultures. As the demand for wine increases in Korea, it is necessary to analyze the direction of the spatial design of wineries in the future. Cases have various organic characteristics in each space and are applied in various ways. Through this study, it is expected to be used as basic data for future winery spatial design plans.
정임전(Eim-Jen Joung),이주영(Ju-Young Lee) 한국인체미용예술학회 2013 한국인체미용예술학회지 Vol.14 No.4
This study tried to provide basic data for improving sales power by choice and concentration in service items of general beauty salon through survey about status of using beauty salon. 1. In general characteristics of questionnaire survey, women mostly used beauty salon as women accounted for 92.5% (172), women in 20s visited most frequently as 48.4%(90). Especially, frequency using beauty salon was not related to monthly income. 2. For status of using beauty salon each service item, 'haircut' was 88(47.3%) which is in most high portion; 'dyeingㆍbleaching' 64(34.4%), 'permanent' 28(15.1%), 'scalp clinic' 6(3.2%). Accordingly, it is recommended that general beauty salon specialize in haircut, dyeingㆍbleaching, and permanent to increase competitiveness. As home styling products, most frequently product was Essence (74.2 %), spray (17.2 %), wax (6.5%). The reason why Essence was most frequently used is that this prevents damage of hair and maintains beautiful hair. On the other hand, spray as a hair setting product was used secondly. It is thought that this should be controlled in use because this is non-environmental material to destruct ozone layer.
정임전 ( Eim Jen Jung ),김혜경 ( Hye Kyung Kim ) 대한미용학회 2012 대한미용학회지 Vol.8 No.4
The following is an important, historical reference for the Pongnaesan incense burner, which was superb not only for its overall shape, but also in its intricacy. This study aims to reproduce the display of individuality in the free expressions of Baekjae citizens while reviving a part of the Baekjae hairstyle, which met its limits in studies of the Three Kingdoms period, by studying a statue of five people performing atop an incense burner that seems to demonstrate a common form at first glance, but a closer look reveals the individuality through differences in tying methods. The overall form of the hairstyle of 5-Juaksang is style where the hair is tied to the right of the musician, where the length of knot is longer than the face length except for komungo statue. The form of the knot is evenly and linearly attached to the face for baeso statue and komungo statue, diagonal for jangso statue and wanham statue, and linear with tail changing diagonally for drum statue. The tying method involves one thick braid folded in zigzags or wound in 9-shape, or two or more thinner braids each wound up on its own for X-shape.
20세기 후반 패션에 나타난 헤어스타일의 포스트 모더니즘에 관한 연구
정임전(Joung Eim-Jen) 한국인체미용예술학회 2006 한국인체미용예술학회지 Vol.7 No.2
The post-modern hair style appearing in the late 20th century reflects the features of the times and aesthetic marks as follows:<BR> First. it is expressed as avant garde style of shocking apparence for the social weak, and minority like distinct hippie, moz, funk style from existing forms, but suggests the message of alternate factors to realistic adaptive process.<BR> Second, it is expressed as a complicated hair style demanding diverse interpretation of strong personality, ethnic, restorative, humorous, and playful hair concept due to the vogue of popular and universal street hair fashion, not a high class society<BR> Third, it produces a unique and creative hair style as a creation of alien materials and mixing, peculiar texture using exaggerated expression and objev.<BR> Fourth, it produces complex, diverse, mixed, and imitative hair style such as a vague uni-sex mode trespassing the times, space at a personality producing era rather than harmonizing beauty.<BR> Fifth, breaking away from a systematic, simple and structural style, it produces a sublime hair style including diverse message distinct from existing images.<BR> The post-modern trends continue to find out the interconnect in many fields like other systems or movements, so this study strives to grasp the characters of post-modern hair style expressed in social issues and cultural phases through the then background, and present new paradigms of hair beauty in the modern society via various approaches to post-modern fashion, beauty culture, social, economic trends. The conditions of beauty has diversified by social influences with close connection with living, so needs to weigh and explore the directions of present and future hair style. This is thought to present new, various message, diverse, and tolerant directions to our life.
Jacques Derrida의 해체와 인체에 표현된 해체 양식에 관한 조형 연구 - 2000~2002년까지 여성 컬렉션을 중심으로
정임전(Joung Eim-Jen),김희숙(Kim Hee-Sook) 한국인체미용예술학회 2002 한국인체미용예술학회지 Vol.3 No.3
This study is on the form of Jacques Derrida"s dismantling and dismantling style expressed in the human body. French philosopher, Jacques Derrida said that the central thought of modernistic logos, that is, metaphysical philosophical tradition is the product of false ideology trying to make the social system of a certain age absolute, and deconstruction is the only way to re-interpret, filter out a variety of inheritage of enlightenment and newly construct culture.<BR> As conceptual features to explain his philosophy, we can illustrate "difference", "supplementation", "decomposition", "trace", "essence and absence", "mutual textualism" and whatever, whose concepts are not independently used, but closely linked with one another. These are revealed in all fields such as architecture, art, and fashion, and as a result of classifying deconstruction style as difference, sublimity, uncertainty, mutual textualism, discrimination of classes, taste and post-centralism, the deconstruction style revealed in the human body brought up with free and new types of formative beauty.
1990년대 이후 향수적 헤어스타일과 오브제 장식의 조형 연구
정임전(Joung Eim-jen) 한국인체미용예술학회 2002 한국인체미용예술학회지 Vol.3 No.2
Erich From, a renowned social psychologist, contented that human had emerged with new attributes, which differentiated themselves from animal. The attributes are perception of oneself as a separate entity, recollection of the past, foresight of the future, ability to express object and action into various symbols, etc.<BR> This study, as a result of analyzing plastic beauty appeared in nostalgic hairstyle and object decoration since 1990s, can be summarized as follows.<BR> In every corner of art, the concept of retro can be seen as the process of making a creation. The creation where the old modes, popularized and familiarized by people in the past, are re-created into todays fashion and styles with new expressivity by the process of parody: the old-fashioned styles are being not only copied, but also changed in inner and outer format. The post-1990s culture can be characterized by one word, diversity, and nostalgia for the past history goes beyond generation and nostalgic productions such as revival, memoir, ethnic and girlish style clearly appears ubiquitous in culture, society, art, etc. Especially, the nostalgic trend in object artworks gives new motive to hair design by instilling inspiration and emotion.<BR> Nostalgic hairstyle, by adopting both use of classic object decoration and traditional methods, makes romantic expressions by various methods and new styles, leaves message of new meaning, and stimulates sensibility.