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동시대 파운드푸티지 영상의 아카이브 수행: 페테르 포르가츠와 피오나 탄의 경우
최정은(Choi, Jeong Eun) 서양미술사학회 2024 서양미술사학회논문집 Vol.61 No.-
Péter Forgács and Fiona Tan’s archival films show the ‘tour de force’ of contemporary found footage. This research intends to argue that their found footages have a practical ‘archive effect’ and archival performativity which deal with the trauma inhered in modernity which cannot appear in itself. Especially I approach it through the concept of ‘trauma’ and ‘post-memory’. They are rewriting traumatic modern history such as Holocaust by National Socialism, tragedies under Imperialism and colonialism. In their works, the trauma is not revealed directly. Their found footages involve spectators into the situation, and finally make aware of different views, therefore the filmic ‘archival effect’ is accomplished. Found footages make multi-directional memory, and remind the absent in representation, also make visible the unspoken and the invisible within the written and the spoken. As a disappered trace, the absent traumatic events are operating as a structure, also the remainder haunts in the archive. The ‘archival effect’ via the anthropological views using research archive, in a distinguished way from the early cinema’s ethnological views. Their films show the same experimental aspects pursued by the past avant-garde directors, but accomplish more meaningful results, by way of archival performing with narrative and also repositioning, repurposing and recontextualizing found footage. This research suggests that it is also the power of the archival performativity inhered the recomposed archival footages.
백서의 척수강 내로 투여한 Metabotropic Glutamate 수용체 약물의 항침해효과 및 Morphine과의 상호작용
최정일 ( Jeong Il Choi ),이형곤 ( Hyung Kon Lee ),정성태 ( Sung Tae Chung ),김창모 ( Chang Mo Kim ),배홍범 ( Hong Beom Bae ),김석재 ( Seok Jai Kim ),윤명하 ( Myung Ha Yoon ),정성수 ( Sung Su Chung ),정창영 ( Chang Young Jeong ) 대한통증학회 2005 The Korean Journal of Pain Vol.18 No.1
Combined Derivational Adverbs from Old Korean
Jeong Eun Choi(최정은) 한국어학회 2011 한국어학 Vol.51 No.-
고대국어 자토 석독 구결 자료에는 중세 국어와 현대 국어에서와는 달리 다양한 형태의 부사 파생 접미사가 나타난다. 본 논의에서는 그것들 중 ``이``와 ``오``를 연구 대상으로 삼고자 한다. ``이`` 혹은 ``오``와 결합한 파생 부사가 사용된 문장 가운데 파생 부사 앞에 논항이 나타나는 예들이 상당 부분 발견된다. 기존의 연구들에서는 이러한 현상에 대해 ``이`` 파생 부사와 ``오`` 파생 부사가 앞에 나타난 논항을 지배하고 있으며, 그렇기 때문에 부사 파생 접미사 ``이``와 "오``가 어미적 성격을 가지는 것으로 해석하고 있다. 하지만 파생 부사가 논항을 취하는 것은 언어 일반적인 현상이 아니므로, 이를 다른 시각으로 해석하고자 한다. ``이`` 파생 부사와 ``오`` 파생 부사가 나타난 문장들의 통사적 환경을 살펴, 파생 부사가 논항을 취하는 것이 아닌, 파생 부사와 파생 부사 뒤에 나타나는 ``하`` 동사 전체 구성이 논항을 취하고 있는 것임을 밝힌다.
최정만(Choi, Jeong-Man),오대석(Oh, Dae-Seok),김형도(Kim, Hyung-Do),최기선(Choi, Ki-Sun),유영찬(You, Young-Chan) 대한건축학회 2013 대한건축학회논문집 Vol.29 No.12
In this study, the carbon emissions from old buildings in selected regions of the Masan downtown area were estimated. Recently, there has been research on the carbon emissions in cities and metropolitan areas in Korea. However, there has not been any related research focusing on specific areas of a city containing severely old buildings for the purpose of urban regeneration. As for the IPCC guideline, which is used to estimate the carbon emission based on the amount of energy used by the target area, data on public energy sources can be easily obtained and utilized, whereas it is difficult to make an accurate estimation of the individual energy sources. The carbon emission calculation method of using the basic unit of nationwide and regional areas is deemed inappropriate for predicting the energy consumption pattern in an old city center as they are average estimates of carbon emissions from the entire nation and metropolitan areas. In order to reflect the characteristics of the buildings in an old city center, representative buildings were selected and a field survey was conducted in order to perform an energy simulation. The carbon emissions from the buildings, classified according to their purpose and year of construction, were estimated and the resulting values were multiplied by the gross floor area of buildings of the same pattern as a means to estimate the total carbon emission.
무형문화재 유형분류에 따른 전시기법 및 연출매체 분석에 관한 연구
최정은(Choi, Jeong-Eun),공순구(Kong, Soon-Ku) 한국실내디자인학회 2015 한국실내디자인학회 학술대회논문집 Vol.2015 No.5
Culture is the concept in which every intangible product is included in meaning intangible cultural asset is the best spiritual value that confirms national communal identification and cultural asset shared by all human beings. Exhibiting products of various tangible culture as history, folklore, industry, and science mainly around archaeological, art historical, and historical relics as the exhibit material is common in museums of modern times. However, museums of modern times exhibit products of various tangible culture mainly around tangible relics in general. Intangible cultural asset has the best spiritual value that provides affirmation of the ethnic communal identity by its function. There are many difficult things to understand about intangible cultural heritage when relics do not show their essential value, process, or continuous context despite having or not having their forms. With a recognition that it would be necessary to show and reenact the process or deliver the demonstration process to viewers and use various exhibition categories and directing media for effective communication, this study intends to suggest effective exhibition type and media of intangible cultural heritage by analyzing exhibition cases of intangible cultural heritage in museum.