이화여자대학교 학생들의 의료실태에 관한 조사 연구

이종숙,Lee, Jong-Sook 대한예방의학회 1982 Journal of Preventive Medicine and Public Health Vol.15 No.1

A study was carried out in order to obtain the status of student sickness and medical care in University Health Service, Ewha Womans University. This study was based on the clinical records of University Health Service and hospitals 'for student insurance pay claims during the year of 1981. And the findings from the study were as follows; 1. A total number of student patients cared at University Health Service in 1981 was 9,822 and the incidence rate of primary cared was 773 per 1,000 students. 2. A total number of student patients cared at hospitals was 393 and the incidence rate of secondary cared was 31 per 1,000 students and 5 student out of 31 per 1000 was cared under the haspitalization. 3. The evacuation rate of student patients from University Health Service to hospital was 393 out of 9,822 student primary cared or 4.0 percent. 4. The order of 5 major diseases of primary cared in University Health Service was respiratory system diseases (36.6%), Digestive system diseases (17.4%), Skin and subcutaneous tissue diseases (16.0%), Symptoms and undetermined diagnosis (13.7%) and Nerve and sensory organ diseases (12.0%) respectively. 5. The disease order of student patients(333) cared in hospitals as out-patients was Skin and subcutaneous tissue diseases (40.3%), Nervous and Sensory organ disease (19.2%), Digestive system diseases (10.8%) respectively. 6. The disease order of student patients (60) cared in hospitals as in-patients was Digestive system diseases (35.0%), Respiratory system diseases (13.3%), Nerve and sensory organ diseases (10.0%), Infectious and parasitic diseases (10.0%), and Symptom and Undetermined diagonsis (10.0%) respectively. 7. The evacuation rate of student patients in University Health Service to hospital was varied according to disease groups; the lowest rate was the diseases evacuated to Internal Medicine Department 1.5% or 75 out of 5,072 patient primary cared and the highest rate was Neuropsychiatry department 63.7% or 7 out of 11 patients. 8. The monthly distribution of student patients in University Health Service was the highest in September (17.9%) and April (15.5%) each semester. 9. The monthly number of student patients treated in hospitals was the range 20 to 40 in out patients and 2 to 9 in in-patients. 10. The hospital ill days per case were $4.3{\pm}5.0$ days in out-patients and $9.7{\pm}9.5$ days in in-patients.

HS-SPME-GC/MS에 의한 혈액중 17종 유기인계 농약의 동시분석법

이종숙,정진미,이한선,염혜선,이상기,박유신,정희선,Rhee, Jong-Sook,Jung, Jin-Mi,Lee, Han-Sun,Yeom, Hye-Sun,Lee, Sang-Ki,Park, Yoo-Sin,Chung, Hee-Sun 대한약학회 2010 약학회지 Vol.54 No.6

HS-SPME-GC/MS was studied and optimized for the determination of 17 orgarnophosphorous pesiticides (OPPs: chlorpyrifos, chlorpyrifos-methyl, demeton-s-methyl, diazinon, dimethoate, EPN, fenitrothion, fenthion, malathion, methidathion, monocrotophos, parathion, phenthoate, phosphamidon, sulfotep, terbufos, triazophos) in blood. Optimum SPME parameters were selected: choice of SPME fiber (85 ${\mu}m$ polyacrylate), pH effect (0.5 N HCl), salt effect ($Na_2SO_4$, 0.2 g; 20%), headspace incubation temperature ($80^{\circ}C$), headspace incubation time (1 min), headspace adsorption time (30 min) and GC desorption time (2 min). These parameters were optimized using HS-SPME autosampler coupled with gas chromatography-mass spectrometry (GC-MS). Method validation was carried out in terms of linearity, limit of detection (LOD), limit of quantitation (LOQ) and recovery in blood. The assay was linear over 0.5~5.0 mg/l ($r^2$=0.955~1.000). Limit of detection (LOD) and limit of quantitation (LOQ) in blood were determined 0.03~0.3 mg/l (S/N=3) and 0.1~1.1 mg/l (S/N=10), respectively. Relative recovery with 0.5, 1 and 5 mg/l (in blood) were 90.8%, 98.5% and 94.1%, respectively. This method will be applied to the determination of the orgarnophosphorous pesticides in postmortem blood. The proposed protocol can be an attractive alternative to be used in routine toxicological analysis.

실내디자인에 나타난 유기적 형태 디자인의 표현특성 유형에 관한 연구 -2000년대 이후 인테리어디자인 잡지에 게재된 작품을 중심으로-

이종숙,박현옥,이한나,Lee, Jong-Sook,Park, Hyun-Ok,Lee, Han-Na 한국디지털건축·인테리어학회 2005 한국디지털건축인테리어학회 논문집 Vol.5 No.1

To begin with, this research arranged this concepts by analyzing paper a reference paper. So, the theory was arranged by approaching the ideal, formative and contemporary side. In order to type characteristics expression of organic design, after year 2000 printed in "Interiors" journal analyzed the contents based on interior works. 1. A type of metaphorical expression, order and the imitations of animals and plants. 2. A type of non liner, and dynamical balance and irregularity. 3. A type of mass of indeterminate form. 4. A type of fluidity by a curved line and a curved surface.

겉보리 및 쌀보리의 수화속도

이종숙,김성곤,Lee, Jong-Sook,Kim, Sung-Kon 한국식품과학회 1983 한국식품과학회지 Vol.15 No.3

겉보리(올보리와 강보리) 및 쌀보리(세도하다가와 백동)를 각각 40 및 30%도정한 다음, 20, 30 및 $40^{\circ}C$에서 6시간 침지하면서 수화속도를 검토하였다. 수화속도는 수화시간의 평방근에 비례하였고, 확산계수 ($D,\;cm^{2}/min$)는 D = $D_{0}\;{\exp}\;(-E_{a}/RT)$로 표시되었다. 확산계수 값은 강보리가 돌보리보다 다소 높았으며, 세도하다가와 백동은 비슷하였다. 쌀보리의 확산계수는 겉보리보다 다소 높았다. The hydration of water, at $20^{\circ}\;30^{\circ}$ and $40^{\circ}C$ for 10-360 minutes, by the two varieties of husked barley and of naked barley which were polished to 40 and 30%, respectively, was investigated. The absorption was directly proportional to the square root of the hydration time and accounted for by the diffusion equation: 1-M = $(2/{\sqrt\pi})\;(S/V){\sqrt{Dt}}$, where 1-M is the relative moisture gain and S/V is the surface-to-volume ratio. The average diffusion coefficient (D) was given by the Arrhenius relation: D = $D_{0}\;exp\;(-Ea/RT)$, where the activation energy for both husked and naked barley was about 7.2 Kcal/mole. The average value of D for naked barley was slightly higher than that for husked barley.

승전무(勝戰舞) 원류(源流)에 관한 재고찰 - 북춤을 중심으로 -

이종숙 ( Lee Jong Sook ) 무용역사기록학회 2004 한국무용사학 Vol.3 No.-

The Comparative study on the history of the Drum Dance in Tongyeong and Mugo(舞鼓) of the Joseon dynasty resulted in that the origin of the former is the latter. In Tongyeong Drum Dance, they sing Jeongeups(井邑詞),beat the drum at the first beat of the rhythmic cycle and they move round to the right. All of these facts are in accord with the records in Akhakgwebeom(樂學軌範) written in the early Joseon dynasty. Compared to the present Mugo of the National Center for Korean Traditional Performing Arts, Tongyeong Drum dance is closer to the original Mugo of the Joseon dynasty. Tongyeong Drum dance in which Jeongeupsa is sung can be traced back to the Goryeo dynasty and the dance should officially be called “Mugo” Seungjeon-mu, the name of the Tongyeong Drum dance, was the name which was made in relation to the excavation project of the cultural assets. It is a wrong name which was made without any derivation. The originality and the historicity of Mugo has been performed for 700 years were distorted by the wrong name. Tongyeong Drum Dnce is the very Mugo that had been handed down by the dancers of the court and the provincial office for gisaeng.

조선시대 지방 교방 춤 종목 연구

이종숙(Jong-Sook Lee) 순천향대학교 인문학연구소 2012 순천향 인문과학논총 Vol.31 No.1

보통 무용 이론에서는 궁중무용과 민속무용이 서로 다른 것이라고 해 왔다. 특히 궁중에서 추어지는 춤의 종목과 궁중 밖에서 향유되는 춤의 종목은 각각 차이가 있으며, 그 질이 다른 것이라고 학습했다. 본 연구는 이러한 기존이론에 문제를 제기하며, 경향(京鄕) 간에 서로 같은 종목의 춤들이 공유되었음을 밝히고자 했다. 조선시대 전국의 지방 교방(敎坊)에서는 헌선도(獻仙桃), 포구락(抛毬樂), 연화대(蓮花臺), 육화대(六花隊), 학무(鶴舞), 아박(牙拍), 향발(響鈸), 무고(舞鼓), 광수무(廣袖舞), 처용무(處容舞), 검무(劒舞), 사자무(獅子舞), 선유락(船遊樂), 항장무(項莊舞), 황창무(黃昌舞), 승무(僧舞)가 연행되었다. 특히 이들 중 2종목을 제외하고는 모두 국가의 기록인 『악학궤범(樂學軌範)』과 『정재무도홀기(呈才舞圖笏記)』에서 볼 수 있는 정재 종목으로서 기존의 이론에서는 궁중정재라고 믿었던 것들이다. 그러나 이런 춤이 전국의 교방에서 기생들에 의해 춤추어진 종목이라는 점을 읍지(邑誌)와 『교방가요(敎坊歌謠)』, 화보(畵報)를 통해 확인하고 정리했다. 조선초기부터 이미 궁중과 지방의 춤이 축수(祝壽)를 올리거나 놀이적 특성을 갖는 정재 혹은 악기를 연주하며 춤을 추는 등의 정재를 중심으로 공유되었고 유기적으로 상호 유통되었다. 정재(呈才)는 재주를 헌정한다는 뜻일 뿐이다. 춤이나 노래 및 배우ㆍ광대놀이 등이 모두 재주이며, 가무악(歌舞樂)의 집합체인 춤을 올린다는 뜻의 정재는 그 중 하나로써 궁중에서 연향되었고, 또 전국 각지에서도 폭넓게 연행되었다는 사실을 밝혔다. 지방 교방의 춤 역시 예악(禮樂) 사상에 의해 운영되었음을 살폈다. 그로써 궁중예술로 제한되는 정재에 대한 오해를 풀어 한국무용사학의 학술적 오류를 바로잡는데 의의를 둔다. Existing theories on dance argue that royal dance and folk dance are different from each other. Notably, it has been argued that dances performed at royal palaces and those enjoyed outside are different from each other, and that their quality also differs. This study argues the contrary and aims to reveal that the same types of dance were shared between the provincial areas and the capital areas. Dances performed in Gyobang (female entertainer training schools) nationwide in the Joseon period include Heonseondo (獻仙桃), Pogurak (抛毬樂), Yeonhwadae (蓮花臺), Yukhwadae (六花隊), Hankmu (鶴舞), Abak (牙拍), Hyangbal (響鈸), Mugo (舞鼓), Gwangsumu (廣袖舞), Cheoyongmu (處容舞), Geommu (劒舞), Sajamu (獅子舞), Seonyurak (船遊樂), Hangjangmu (項莊舞), Hwangchangmu (黃昌舞), and Seungmu (僧舞). Notably, all these types of dance except two, are mentioned in the state records, namely, Akhakgwebeom (樂學軌範) and Jeongjae mudo holgi (呈才舞圖笏記). The existing theories argue that these Jeongjae dance types are Royal Jeongjae. However, in this study, based on Eupji (records on counties), Gyobang gayo (敎坊歌謠) and records of pictures, it has been confirmed that these dances were performed by giseng (female entertainers) in Gyobang nationwide. This proves that from the early Joseon period, royal palace dances and local dances were similar to each other. The word Jeongjae (呈才) means only dedication of talent. Dance, song, and actor and entertaining performance are all talents. Thus, the finding of this study reveal that Jeongjae, which means 'dedication of dance' the combination of song, dance and music, was one of these, in which Jeongjae was widely performed nationwide. It was also revealed that Jeongjae was an artistic and aesthetic type of dance in the entertainment culture among intellectuals. This study thus corrects the misunderstanding of Jeongjae which was limited only to a form of royal palace arts.

18세기 로코코 시대의 나라별 헤어스타일 비교분석

이종숙 ( Jong Sook Lee ) 대한미용학회 2012 대한미용학회지 Vol.8 No.4

The 18th century was the very transitional period when Western Europe underwent modernization. The seemingly endless pursuit of extravagant and luxury hair styles well represent such tendencies of the century. Such transitional aspect of the century and changes in costumes gave rise to highly unique hair styles and went through various changes. This paper arranged the hair styles by country and period and analyzed the correlation of styles and by country with focus on the illustration in order to help to understand history of Rococo hair styles in the 18th century and to effectively apply the design ideas for formative hair styles. In accordance with the analysis, Rococo hair style was bigger than other periods, but big formative hair styles were popular only in France and England. Base on the analysis results on the correlation by country, the most similar styles were found in France and England. Other countries in Western Europe showed slightly different styles. The Rococo hair styles in the 18th century also varied on the politics, public emotion and relationship among countries and had the in-depth relationship with economic and cultural level due to the industrial development.

자연사박물관의 전시매체유형 및 연출기법에 관한 고찰

이종숙(Lee, Jong-Sook),김경미(Kim, Kyung-Mi),유동림(Yoo, Dong-Lim) 한국실내디자인학회 2006 한국실내디자인학회논문집 Vol.15 No.1

일러스트에 나타난 바로크 시대의 나라별 헤어스타일

이종숙 ( Jong Sook Lee ) 대한미용학회 2012 대한미용학회지 Vol.8 No.2

This study has comparatively analyzed baroque hair styles during the 17th century by era and country, which have recently been revitalized into modern hair styles in order to make a contribution to the development of concept and research activities on hair styles. Unlike the hair styles in the past, the baroque hair styles from the 17th century have quickly developed in diverse styles. As a result, contemporary hair styles have been in vogue in many countries. The silhouette hair styles from the 17th century have gradually changed without changing the mainstream. The major features of baroque style such as vitality and rhythm have been expressed in hair styles. In addition, the changes in contemporary patterns have been reflected on hair styles. This kind of results will be available in predicting hair style trends in modern times, in which retro-trend has been popular. In addition, they will be used as standard to lead the trend.

일러스트에 나타난 르네상스 시대의 나라별 헤어스타일 연구

이종숙 ( Jong Sook Lee ) 대한미용학회 2012 대한미용학회지 Vol.8 No.1

In this study, the relations among historical and geographical features of hair styles were identified with the summary of features of hair styles which were presented in illustration and its comparison and analysis through the preliminary research and documentary survey both on hair styles which have a huge influence on the external image and on the countries who have significantly influenced fashion of the Renaissance period were carried out. In the 16th century, hair styles were presented differently in the first half and the latter half. In the first half of the century, natural hair styles which cover ears and complicatedly decorated head dress were in trend. But hair style with more decorations and volume and small and simplified head dress were in trend in the latter half. In the 16th century, hair styles have changed with the changes in geographical and political conditions. Hair styles have changed with the influence of various and exaggerated changes in clothing shape due to economic and technological development. Features of trend found in hair styles during the Renaissance period were also classified by country to identify mutual relations among them.