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이재봉(Lee Jae-Bong) 한국문학회 2003 韓國文學論叢 Vol.34 No.-
The novels of Kim Seok-bum, who is a Korean-Japanese novelist, have unique characters. They are idiotic characters appearing from his first novel to the latest novel, Hwasando. Continuously appearing with important meanings in novels, they have been attracting many critics's interest. Until now both domestic and foreign critics can be said only to discover the image of the people and its resistant meaning through the idiots. However the important thing is that the time and space is Jeju Island around the 4·3 incident. At that time Kim Seok-bum was not in Jeju Island and the settings of his novels are based on his collection of data and materials in Japan and the witnesses of those who ran away to Japan for survival. The resistance may differ from that on the scene, and thus the idiots are thought to have metaphorical and symbolic meanings. The idiotic character usually gives a laugh to the readers through his or her ridiculous behavior. Undoubtedly the laugh is not simple, but it may be the laugh in tears as in the characters of Kim You-jung or be the laugh commenting and attacking the evil conducts or the distorted views of others in Chae Man-sik's Satires. Or it may be the cannibal laugh pursuing the liveliness of life by overthrowing the formal authority and order. However the idiotic characters of Kim Seok-bum are different from them. Unlike the common idiots who are be laughed by the misjudgement of their false desire or its results, the idiots in the novels of Kim Seok-bum are the characters of the mythic world in which human beings and nature are in unity, no conflict with the world, and no distinction between the seriousness and the absurdity. They cannot help being the idiots in the world of conflicts and contrasts risking their life and in the world filled with extreme killings. Therefore they don't give laughs to readers in the end. Rather, they are the idiots in the Foucault's meaning who place deeply in the reader's mind and stimulate the forgotten truth acutely. They are recognizers and messengers of the truth that common people do not recognize or forget in the everyday life. For example, the readers can't laugh at Mandeok who is dragged to the execution ground denying the policeman's order to kill the spies because they are not human beings. Rather he is the character by whom people cannot help looking back on their life and thinking of the true meaning of 4·3 situations once again. And thus the idiots in the novels of Kim Seokbum do not die. The swelled old man in Kwandeokjung is alive in the form of rumor even if his role in the novel is nearly over. And Yongbaek in The Shit and the Freedom and seizes the consciousness of Sung Tae-il to the end and controls his behavior. Also Mandeok in Mandeok's Ghost Stories becomes a living ghost and appears among people at any time. Like various kinds of ghosts created by Jeju history, Mandeok, as a mythic being, makes himself known incessantly in people's stories or in people's consciousness.
돼지편도(扁桃)로부터 STAPHYLOCOCCUS AUREUS균(菌)의 분리(分離)
이재봉 ( Jae Bong Lee ),고주영 ( Ju Young Ko ),조영보 ( Young Bo Cho ),정승기 ( Seung Gi Jung ) 한국동물위생학회 1991 한국동물위생학회지 (KOJVS) Vol.14 No.2
Between June and August 1990, the tonsils of 86 healthy pigs were examined for the presence of staphylococci. All of the pigs examined harboured Staphylococci in the tonsils, the most predominant Staphylococcus species was Staphylococcus aureus(45.3%) followed by Staph hyicus subsp chromogenes (20.9%), Staph hyicus subsp hyicus (16. 3℃), Staph hominis (4.7%), Staph simulans (2.3%) and Staph xylosus (1.2%), Unidentifiable species were isolated from 3(3.5%) of the 86 tonsils examined. Thirty-nine strains of Staph aureus were subjected to the biotyping scheme of Hajek & Marsalek all the strains were classified as biotype B.
이재봉(Lee, Jae-Bong) 부산대학교 인문학연구소 2024 코기토 Vol.- No.102
일본에서 조선/ 한국문학에 대한 관심은 정치적 상황과 관련되어 있다. 그렇기 때문에 정치적 상황에 따라 조선/한국문학에 대한 관심도 변하기 마련이었다. 식민지 말기 조선문학에 대한 관심이 폭증했다가 패전 후 사라져 버린 것은 이를 증명한다. 조선/한국문학에 대한 관심이 다시 나타나기 시작한 것은 1960년대 이후이다. 한일 관계의 변화가 그 중요한 요인으로 작용했기 때문이다. 1970년에 이르면 ‘조선’문학이라는 표제를 걸고 ‘朝鮮文学の会’라는 동인이 결성되고, 1970년 12월 『朝鮮文學-紹介と硏究」가 창간된다. 이 잡지는 순수하게 일본인들로만 구성된 동인의 손으로 발행된 최초의 잡지라는 점에서 적지 않은 의미를 지닌다. 그렇지만 이 잡지에 대한 관심은 간헐적이고 산발적이었다. 그리고 오류와 불명확한 점도 있을 뿐 아니라 기본적인 서지 작업도 온전하지 않았으며 따라서 전면적인 연구도 이루어지지 않았다. 이런 전제에서 이 논문에서는 기존의 연구 성과들을 수용하면서 더욱 세밀한 서지 작업을 가장 중요한 목적으로 삼았다. 동인의 구성과 변화를 정리하고, 창간과 종간의 과정을 명확하게 규명하고자 했다. 그리고 잡지의 전체적인 구성과 편집체계를 밝혀서 앞으로의 연구에 디딤돌을 놓고자 했다. The interest in Chosun/Korean literature in Japan is closely tied to political circumstances. Therefore, it tends to fluctuate depending on political situations. The surge of interest in Chosun literature at the end of the colonial period, followed by its disappearance after the defeat, serves as evidence of this phenomenon. The resurgence of interest in Chosun/Korean literature began in the 1960s, with changes in the relationship between Korea and Japan being a significant factor. By 1970, a literary circle titled “Chosen Bungaku no Kai” was established, and in December of the same year, the journal “Chosen Bungaku - Shokai to Kenkyu” was founded. This was the first magazine published solely by Japanese enthusiasts, signifying considerable importance. However, interest in this journal was sporadic and intermittent. Moreover, there were errors and ambiguities, and even basic bibliographic work was not complete, resulting in a lack of comprehensive research. In light of these premises, this paper prioritizes a more detailed bibliographic work while accommodating existing research achievements. It seeks to organize and document the composition and changes of the literary circle, along with elucidating the processes of establishment and discontinuation. Additionally, the aim is to shed light on the overall structure and editorial system of the journal, laying the groundwork for future research endeavors.