불어 과거시제의 상적 특성 연구

원유상(Yoo-Sang WON) 한국프랑스문화학회 1999 프랑스문화연구 Vol.3 No.-

Notre étude a pour objet de confirmer la condition nécessaire à la structuration aspectuelle des temps grammaticaux du passé en français en nous référant sur le résultat des études de linguistes, qui ont mené des études d’une façon sémasiologique ou onomasiologique. Les linguistes montrent que la situation référée par les temps grammaticaux du passé se répartissent en deux ou trois catégories, perfectif vs imperfeetifif, état-événement-processus, qui sont. à leur tour, susceptibles de se diviser en plusieurs sous-catégories. Cependant, la relation entre l’aspect et le temps n’est pas si simple, car un opérateur temporel possède plus d’un aspect selon le prédicat, en fonction du contexte, etc. D’où, la nécessité d’une étude approfondie à l’égard du phénomène aspectuel relatif à une situation d’énonciation et au cognitif humain. En tant que tentative vers l’éclaircissement du problème de l’aspect encore inexploité, nous avons essayé de chercher la valeur de l’aspect au niveau de l’énonciation qui servirait à la signification implicitement espérée par l’énonciateur.

「典圜局」攷

元裕漢(Won You-han) 역사학회 1968 역사학보 Vol.37 No.-

현대음악과 오락영화의 탈경계적 상상력: 니콜 리제의 ≪타란티노 에튀드≫ 연구

원유선 ( Won Yuseon ) 서울대학교 서양음악연구소 2021 음악이론연구 Vol.37 No.-

본 논문은 캐나다의 현대음악 작곡가 니콜 리제(Nicole Lizee, 1973-)의 <타란티노 에튀드>(2015)에 관한 연구이다. 미국 오락영화의 거장 쿠엔틴 타란티노(Quentin Tarantino, 1963-)의 영화에 바탕을 둔 이 작품은 단순히 타란티노의 영화를 인용하는 차원에서 나아가, 타란티노 특유의 영화적 기법과 미학적 특징이 음악으로 전이되고 증폭되는 탈경계적 시도를 보여주고 있다. 이 글에서는 타란티노의 영화적 세계가 음악과 교차되는 시도를 작품의 구성방식과 인용방식, 라이브 악기와 영상의 상호작용이라는 세 가지 방식으로 살펴보았다. 전통적인 서사구조를 해체하는 타란티노의 탈연대기적 서사구조는 작품의 전체구성과 세부구성에서 여러 개의 에피소드를 병치하고 충돌시키는 방식으로 나타난다. 잘게 쪼개진 에피소드들이 수시로 전환되는 구조는 고정된 형식적 프레임에서 벗어나 오락적인 재미를 제공한다. 또한 이 작품은 디지털 소프트웨어로 영화에서 인용한 재료들을 왜곡하는 방식으로 타란티노의 아날로그에 대한 노스탤지어를 구현한다. 라이브 악기로 사용된 베이스 플루트의 연주기법은 영상 속 내용과 어우러지면서 타란티노 특유의 폭력과 풍자, 유머를 극대화한다. 이를 통해 이 작품은 현대음악의 이미지로 고착된 엄숙함에서 벗어나 영화와 음악, 아날로그와 디지털, 악기와 영상의 경계를 자유롭게 횡단하면서 동시대 멀티미디어 환경의 변화된 음악적 사고와 긴밀히 호흡하는 유쾌한 음악을 들려주고 있다. This is a study on Tarantino Etudes by Nicole Lizee, a contemporary music composer in Canada. Tarantino Etude was based on the movie of Quentin Tarantino who is a master of the entertainment movie territory in the US and shows a trans-boundary attempt in which the unique cinematic techniques and aesthetic characteristics of Tarantino are transformed and amplified to music going beyond from simply citing Tarantino’s movies. This study explored the attempts of which the cinematic world of Tarantino is combined with music in three ways such as formation, citation, and the interaction between live musical instruments and video clips. The chronologic narrative structure of Tarantino, which disassembles the traditional narrative structure, appears as a way that many episodes are handled simultaneously and collided, in terms of the overall configuration and detailed composition of the work. The structure in which finely split episodes are frequently transitioned each other provides a type of pleasant funs, deviating from a fixed formal frame. In addition, the work implements a nostalgia for analog of Tarantino in a way that distorts the materials cited in movies using digital software. The playing technique of a bass flute, which was used as a live musical instrument, is well harmonized with the contents of the video clip, thereby maximizing the violence, satire, and humor that were unique specialties of Tarantino. These characteristics resonate with the contemporary culture that freely causes the inter-media convergence due to technological advancement, and they are also presenting a pleasant aesthetic sensibility, at the same time, deviating from the solemnity that was fixated as a unique image of the contemporary music.

「茶山 丁若鏞의 발전적 화폐론」

元裕漢(Won Yu-han) 역사교육연구회 1971 역사교육 Vol.14 No.-

The prevailing monetary theory of a given era is the measure of the economic and financial development achieved in that era. From this point of view, the present writer has long cherished a desire to make a comparatiue study of monetary theories advanced by the three scholars of the Silhak(Practical Learning Sckool)…Yu Hyong-Won (Pan-gye, 1622~1673) Yi Ik (Sonho, 1681~1763) and Chong Yak-Yong (Tasan, 1762~1836)…in an attempt to throw light an the development of monetary economy in the latter half of the Yi dynasty. The present paper is a partial realigation of that desire, and the writer will deal here with some aspects of the development of monetary economy in the 18th century of Yi dynasty society on the basis of a study of Tasan"s monetay theory. Tasan developed a unique and revalutionary theory of money on the basis of his study of the historical development of monetary systems in Korea and China, his personal experience with the coinage policy pursued by the Yi dynasty government in his times, and his knowledge of the monetary systems in South-Eastern Asia and west. Tasan"s monetary theory developed from such a background is positive and advanced toward coinage. He valued money as one of the basic factars of the national economy. Therefore, he proposed that the Yi dynasty government should decidedly rationalize and realize the monetary system in his times. Tasan proposed the establishment of Chonwhansu(典?署), as a permanent central mint, to rationalize the monetary system which was not suitable to the society of those days. His proposal, above mentioned, was reasonable, but could not be realized in his times Tasan proposed the circulation of the gold and silver coins with copper coins on the basis his knowledge of monetary systems in Southestern Asia and West. But gold and silver coins were not circulated with copper coins, because such complicated monetary system could not be admitted in the rustic traditional society of those days. Tasan proposed to implement Chinese mint system aimed at improving of crude mint system in his times, He asserted that Yi dynasty government should implement the advanced chinese mining art to overcome the scanty supply of copper, which was needed as the raw materials far the mint, so that the quality of coins might be always kept on a standard level. In order to maintain the standard value and quality of coins, Tasan said, the government should have an expert coin artisan. His proposal, above mentioned, was needed to rationalize and realize the traditional monetary system in the latter half of the Yi dynasty, through advanced monetary theory of Tasan (1762-1836), as a nated practical scholar.

도시의 창조적 인력ㆍ기반ㆍ관용이 수도권 창조산업의 성장에 미치는 영향

원유호(You Ho Won),김성은(Seong Eun Kim) 서울연구원 2011 서울도시연구 Vol.12 No.4

韓國實學 理解視角 擴大를 위한 試論

원유한(Won Yoo Han) 역사실학회 2001 역사와실학 Vol.19·20 No.-

The silhak ideology of the late-Joseon dynasty is mainly known for its social reforms, which had a mix of nationalistic and modern-minded traits. The history of silhak is understood to have developed during the cross over from medieval ideals, a period of foreign invasions(l592-1598) which emphasized honor, tradition and social standing, to more modem ideals which emphasized practicality, objectivity, and empirical evidence. Silhak were avidly studied in the period after independence, especially in the 1950s. It is known as a field of study that left many discoveries and accomplishments in the fields of Korean History and Korean studies. Early on I have studied the history of the commodities and monetary economy of practical scientists as a part of my research on the history of the late-Joseon dynasty′s monetary economy. Additionally, to have a more broad, objective understanding of the commodities and monetary economy of the silhakja(實學者), I have studied the monarchy, the high-level officials, and the rural scholars in detail. Furthermore, by chronologically organizing the accomplishment of many silhakja, I have been able to give a personal input on the creation, development, and defining of the silhak. However there has always been something that doesn′t fail to escape my mind every time I write a paper on this topic. That is the view point that silhak should expand from the point of view of a few important scholars to a wider historical view point Moving our point of view to the historical perspective means answering the following questions. One, where was the first place that created and developed the silhak of the late-Joseon dynasty? Two, what were the developmental stages that the silhak had to go through that eventually led to our opening our borders to foreign nations? Have these historical positions been correctly appraised and recognized? Third, is it impossible to regulate the definition of silhak that embodies metaphysics, as it was done during the late-Goryeo and early-Joseon period? Reanalyzing these key factors seemed like the ideal way to have a deeper, better understanding of the creation, development, and historical stand point of the silhak. When the point of view shifted to a historical perspective, the following facts were observed. First, the area of study for the silhak expanded time-wise and space-wise. The period of establishment was traced back to early-Joseon, and the place of establishment was traced to Gaeseong(開城), the cultural center of the Goryeo dynasty which was outside of the Hanyang(漢陽) cultural realm. Secondly, authorities who believed that the role and position of the silhak movement of late-Joseon to be relative to those of the few progressive silhakja are thought to have had more influence socially than previously thought. These authorities included 430 high-ranking officials from a community of scholars from Gaeseong who supported the advancement of the silhak. Thirdly, the development of the silhak could be studied in three distinct stages. The first stage was the late-Goryeo and early-Joseon silhak, or ‘Ancient Silhak’. The second stage was the late-Joseon silhak, or ‘Medieval Silhak’. And the third stage was the silhak that need further studying, or ‘Modern Silhak’. Also a field of study that embodies all three of these eras, or ‘Korean Silhak’, can also be considered. Finally, by comparing and studying the monetary economy theories of the silhakja and enlightenment scholars and that of the monarchy, high-ranking officials and rural scholars of the same period, a fuller, more detailed understanding of the development of the silhak of the late-Joseon currency economy and how these developments led to the open-door policy of the enlightenment era, could be achieved.

2 특집: 서울대학교 서양음악연구소 주최 세미나 <한국을 듣다> : 응답하라 1980-1990년대: <객석>에 나타난 한국 음악가들의 해외진출상

원유선 ( Yu Sun Won ) 서울대학교 서양음악연구소 2015 음악이론연구 Vol.24 No.-

기회특집: 화장품 기술 트렌드 : 미백 소재 화이트 이온 미네랄

원유용 ( You Young Won ) 한국공업화학회 2010 공업화학전망 Vol.13 No.4

論文(논문) : 복합재 로터 블레이드 단면 이산최적설계

원유진 ( You Jin Won ),이수용 ( Soo Yong Lee ) 한국항공운항학회 2013 한국항공운항학회지 Vol.21 No.2

In this paper, the optimal design of composite rotor blade cross-section is performed using a genetic algorithm. Skin thickness, torsion box thickness and skin lay-up angle are adopted as discrete design variables. The position and width of a torsion box are considered as continuous variables. An object function of optimal design is to minimize the mass of a rotor blade, and constraints are failure index, center mass, natural frequency and blade minimum mass per unit length. Finally, design variables such as the thickness and lay-up angles of a skin, and the thickness, position and width of a torsion box are determined by using an in-house program developed for the optimal design of rotor blade cross-section.

상의 한정작용과 인지

원유상(WON Yoo-Sang) 프랑스학회 2003 프랑스학연구 Vol.27 No.-