[Music People] 환자들에게 희망의 불꽃 밝히다 : 九旬에도 환자 위해 바이올린 연주 장충식 단국대 이사장

손수연 리음아트앤컴퍼니 2023 월간리뷰 Vol.2023 No.9

네덜란드 장르화에서 고전의 탐색

손수연 서양미술사학회 2019 서양미술사학회논문집 Vol.50 No.-

This paper discusses the development of Dutch classicism in art by examining the writings and activities of the art critics and patrons of classicism during the Dutch Golden Age, when a variety of art genres simultaneously flourished. Interests in the classics had steadily been built up by Dutch writers and artists since the first half of the seventeenth century. By the late seventeenth century, the classical style became dominant in Dutch painting, overshadowing the regional style represented by Rembrandt. This period also saw publication in Dutch of Franciscus Junius’ study on ancient literature, publications of print books of classical antiquities and ruins, and building of Amsterdam Town Hall in classical style, sparking attention to classical themes and forms. Classicism, which had been observed in history paintings and religious paintings, spread to genre painting at that point. Gerard de Lairesse’s art theory, as advocated in his Het groot schilderboeck (Great Book of Painting), played a leading role in the classical tendencies of Dutch genre painting – to the extent of having raised genre painting to the level of history painting. This paper also examines the works of classical art critics who contributed to the formation of de Lairesse’s art theory and the activities of Nil Volentibus Arduum, the Amsterdam literary society. 네덜란드 황금시대에 장르화, 풍경화, 정물화 등 다양한 미술이 공존했던 상황에서 고전주의 양식을 주창한 미술평론가들과 후원계층은 어떠했는지 네덜란드 고전주의 양식의 전개를 살펴본다. 네덜란드에서 고전에 대한 관심은 18세기 이후 제기되었다고 여겨져 왔으나, 17세기 전반부터 네덜란드의문학가들과 예술가들에 의해 꾸준히 제기 되었으며 17세기 후반에는 렘브란트로 대표되는 네덜란드의자국양식을 제치고 주도적인 양식으로 자리 잡았다. 프란시스쿠스 유니우스의 고대문헌연구 저서가네덜란드에서 출판되었고 고대 유적들을 판화로 옮긴 판화집의 출판과 새로 지은 암스테르담 시청사건물의 고전주의 양식도 고전, 고대의 주제와 양식에 대한 관심을 불러 일으켰다. 17세기 후반에는역사화와 종교화에서 주로 볼 수 있었던 고전주의 양식이 평범한 일상을 그린 장르화에까지 확산된다. 이러한 변화의 원인에 대해 1678년 ‘재난의 해’ 이후 미술시장의 주체가 상류 엘리트층으로 한정되는향유층을 통한 수요의 변화를 꼽을 수 있을 것이다. 그러나 내부적으로는 미술이론가들의 평가도 중요한 역할을 했는데, 헤라르트 드 라이레스의 회화대전을 주요분석 사례로 삼아서 드 라이레스의 비평내용이 17세기 말 장르화가들의 작품들과 부합함을 증명한다. 17세기말 활동했던 네덜란드의 ‘세련된 양식의 화가들(fijnschilder)’의 장르화는 고전 건축의 요소들이 강조된 화면 배경에 우아한 표정과손 모양, 헤어스타일 강조된 인물들이 눈에 띈다. 이러한 특징들은 드 라이레스의 저서에서 강조했던장르화를 역사화 수준으로 격상하는 방법으로, 드 라이레스의 미술이론이 네덜란드 장르화의 고전주의 경향에 주도적 역할을 했음을 증명한다. 논문에서는 드 라이레스의 미술이론이 형성될 수 있었던선대 비평가들의 주장과 암스테르담 문학 엘리트 인문학 모임인 ‘닐’의 활동을 살펴본다.

X-by-Wire 시스템용 SRM의 전류제어에 관한 연구

손수연,이윤성,정민창,김재혁 한국기계기술학회 2022 한국기계기술학회지 Vol.24 No.1

This paper proposes predictive deadbeat current control, one of the model predictive controls. The predictive deadbeat control is compared to the conventional current control methods to validate its feasibility in X-by-Wire systems.

Relation between Black Hole Mass and Bulge Luminosity in Hard X-ray Selected Type 1 AGNs

손수연,김민진,Aaron J. Barth,Luis C. Ho 한국천문학회 2022 Journal of The Korean Astronomical Society Vol.55 No.2

Using I-band images of 35 nearby (z < 0.1) type 1 active galactic nuclei (AGNs) obtained with Hubble Space Telescope, selected from the 70-month Swift-BAT X-ray source catalog, we investigate the photometric properties of the host galaxies. With a careful treatment of the point-spread function (PSF) model and imaging decomposition, we robustly measure the I-band brightness and the effective radius of bulges in our sample. Along with black hole (BH) mass estimates from single-epoch spectroscopic data, we present the relation between BH mass and I-band bulge luminosity (M_{BH}--M_{I, bul} relation) of our sample AGNs. We find that our sample lies offset from the M_{BH}--M_{I, bul} relation of inactive galaxies by 0.4 dex, i.e., at a given bulge luminosity, the BH mass of our sample is systematically smaller than that of inactive galaxies. We also demonstrate that the zero point offset in the M_{BH}--M_{I, bul} relation with respect to inactive galaxies is correlated with the Eddington ratio. Based on the Kormendy relation, we find that the mean surface brightness of ellipticals and classical bulges in our sample is comparable to that of normal galaxies, revealing that bulge brightness is not enhanced in our sample. As a result, we conclude that the deviation in the M_{BH}--M_{I, bul} relation from inactive galaxies is possibly because the scaling factor in the virial BH mass estimator depends on the Eddington ratio. Using I-band images of 35 nearby (z < 0.1) type 1 active galactic nuclei (AGNs) obtained with Hubble Space Telescope, selected from the 70-month Swift-BAT X-ray source catalog, we investigate the photometric properties of the host galaxies. With a careful treatment of the point-spread function (PSF) model and imaging decomposition, we robustly measure the I-band brightness and the effective radius of bulges in our sample. Along with black hole (BH) mass estimates from single-epoch spectroscopic data, we present the relation between BH mass and I-band bulge luminosity (M_{BH}–M_{I,bul} relation) of our sample AGNs. We find that our sample lies offset from the M_{BH}–M_{I,bul} relation of inactive galaxies by 0.4 dex, i.e., at a given bulge luminosity, the BH mass of our sample is systematically smaller than that of inactive galaxies. We also demonstrate that the zero point offset in the M_{BH}–M_{I,bul} relation with respect to inactive galaxies is correlated with the Eddington ratio. Based on the Kormendy relation, we find that the mean surface brightness of ellipticals and classical bulges in our sample is comparable to that of normal galaxies, revealing that bulge brightness is not enhanced in our sample. As a result, we conclude that the deviation in the M_{BH}–M_{I,bul} relation from inactive galaxies is possibly because the scaling factor in the virial BH mass estimator depends on the Eddington ratio.

살균제 나무주사를 이용한 참나무 시들음병 방제 효과

손수연,서상태,박지현 한국식물병리학회 2014 식물병연구 Vol.20 No.4

Oak wilt caused by Raffaelea quercus-mongolicae was first noticed in South Korea in 2004 and, ever since, itsdistribution and damage have been increasing. To screen a fungicide effective for oak wilt control by tree injection,laboratory and field experiments were conducted. Ten fungicides and one antibiotic were examined in vivofor their effectiveness in restricting the growth of R. quercus-mongolicae and R. quercivora (Japanese oak wiltpathogen) isolates. To the Korean isolates of R. quercus-mongolicae, chlorothalonil showed the highest fungicidaleffects, followed by benomyl and propiconazole. To the Japanese one, propiconazole was highest in the fungicidal effectiveness, followed by benomyl and bitertanol. Propiconazole was selected for field-testing of its control efficacy because it showed good fungicidal effects in vitro and systemic activity. The control efficacy in the field was 87.5% in the first year of injection and 66.7% in the second year, indicating the fungicidal effects last at least over one year. Oak wilt caused by Raffaelea quercus-mongolicae was first noticed in South Korea in 2004 and, ever since, itsdistribution and damage have been increasing. To screen a fungicide effective for oak wilt control by tree injection, laboratory and field experiments were conducted. Ten fungicides and one antibiotic were examined in vivo for their effectiveness in restricting the growth of R. quercus-mongolicae and R. quercivora (Japanese oak wiltpathogen) isolates. To the Korean isolates of R. quercus-mongolicae, chlorothalonil showed the highest fungicidaleffects, followed by benomyl and propiconazole. To the Japanese one, propiconazole was highest in the fungicidaleffectiveness, followed by benomyl and bitertanol. Propiconazole was selected for field-testing of its controlefficacy because it showed good fungicidal effects in vitro and systemic activity. The control efficacy in thefield was 87.5% in the first year of injection and 66.7% in the second year, indicating the fungicidal effects lastat least over one year.

[종교개혁과 예술 - 미술 (2)] 종교개혁과 16세기 화가들

손수연 대한기독교서회 2016 基督敎 思想 Vol.687 No.-

조셉 라이트의 <공기펌프속의 새의 실험> (1768)

손수연 대한전기학회 2017 전기의 세계 Vol.66 No.7

Raffaelea quercus-mongolicae와 Raffaelea spp. 인공접종에 의한 신갈나무 줄기에서의 병원성 평가

손수연,서상태,박형철 한국식물병리학회 2014 식물병연구 Vol.20 No.4

The objective of this study was to evaluate the virulence of geographically different isolates of oak wilt pathogen, Raffaelea quercus-mongolicae and other Raffaelea species. In this study, mature trees of Quercus mongolica were inoculated with the various isolates of Raffaelea spp. and their virulence was evaluated by measuring the extent of sapwood discoloration resulting from the inoculation. The average length of discolored sapwood in a lateral direction was longest in the trees inoculated with the isolates from Korea (8.69 cm) followed by R. quercivora (7.51 cm) and the other Raffaelea spp. (3.35 cm). The lateral length of discolored sapwood caused by the inoculation with Korean strains varied from 4.71 to 14.90 cm indicating their differences in virulence. The area of discolored sapwood caused by the inoculation with Raffaelea spp. varied from 1.57 to 8.42 cm2 indicating their differences in virulence. Based on the length and area of the discolored sapwoods, isolated YY and wj43 appeared to have the highest virulence among all the Raffaelea isolates tested. Each of the two isolates was obtained from Gangwon Province and Jeonbuk Province, respectively.

로렌초 로토의 <로자리의 마돈나>제단화(1536)의 감각적 명상에 대한 연구

손수연 한국기초조형학회 2023 기초조형학연구 Vol.24 No.2

This study points out that the analysis of the senses and meditation has been overlooked in the study of Lotto’s altarpiece, despite the expansion of perception of the senses in the West in the 16th century and the representation of the senses beginning to be reflected in images. The purpose of this study is to examine Lorenzo Lotto’s <Madonna of the Rosary> altarpiece, which has been analyzed in terms of the relationship with the patron, from the perspective of the recipient, the appreciator of the work. The research method is based on the contemporary meditation practices, and analyzes how the structure of the Art of Memory and the use of the five senses are reflected in the altarpiece. The Virgin seated on the throne delivers a rosary to Saint Dominic against the backdrop of a closed garden. On the rose tree behind the Virgin Mary, scenes from Christ’s life are depicted in 3 tiers of 5 scenes in 15 circular crowns. Since ancient times, art of memory has helped to remember the object of memory by arranging images in places, and this method is used for meditation by monks and actively accepted by the Dominicans. The lives of Christ and the Virgin Mary, arranged in three stages of five scenes from the top left to the bottom right, match the Hail Mary and the Lord’s Prayer and demonstrate that this altarpiece is an effective image for the rosary devotion. The rose tree, roses, and all kinds of various flowers throughout the painting not only symbolize the purity and virtue of the Virgin Mary, but also stimulate the viewer’s senses of sight and smell with various colors and scents. In addition, the baby angel in the center scatters a handful of rose petals towards the viewer, stimulating the sense of smell of the viewer. The rosary prayer performed in front of this altarpiece makes one feel the surface of the rosary beads and at the same time touch the rosary beads repeatedly, which leads to repetitive and in-depth meditation on the Virgin Mary and Christ. Viewers could experience sacred sensations while remembering the scenes from the life of Christ depicted on trees as well as the exemplary actions of the saints.

동아시아 공연예술콘텐츠로서 일본오페라의 소재적 다양성 연구

손수연 인문사회 21 2020 인문사회 21 Vol.11 No.4

Among the various genres of Western music, Japan has performed more than 1,000 works with the aim of globalizing the Japanese opera. The purpose of this study is to examine the development method and process of the Japanese opera, and to find out the specific reasons why the Japanese Opera aims to globalize. For this purpose, the analysis was made based on literature review, the records and actual conditions of the performance and research studies. As a result of the research, the Japanese Opera has developed with two main purposes. First, it is the activation of Japanese opera. Currently, though Japan Opera is not actively performed, but for the development and protection of pure culture and arts, it is recognized that Japan Opera should make efforts to be continuously created and activated. Second, the globalization of Japanese opera. The reason for making constant efforts to achieve this can be found in Western-centrism. Japan considered that opera could equate them with Westerners and use it as a tool for effective cultural communication. Though the Japanese opera contains many Western-oriented views, but it is encouraging that for the development of East Asian performing arts, many operas with diverse personalities and characteristics appear. In the future, in-depth analysis and research on individual Japanese opera works are deemed necessary in this regard. 일본은 서양음악 가운데서도 오페라에 많은 관심을 쏟아왔다. 일본오페라의 세계화를 목표로, 지금까지 1,000편이 넘는 작품을 창작, 공연했다. 본 연구는 일본오페라의 발전 방식과 과정을 살펴보고, 일본오페라가 세계화를 추진하는 구체적인 이유를 찾아보는 것에 목적이 있다. 이를 위해 문헌고찰, 공연의 기록과 실황, 조사연구 등을 토대로 분석하고자 하였다. 연구의 결과, 일본오페라는 두 가지 주요한 목적을 가지고 발전해왔다. 첫째, 일본오페라의 활성화다. 현재 일본오페라는 활발히 공연되지 못하고 있지만 순수문화예술의 발전과 보호를 위해 일본오페라를 지속적으로 창작하고 활성화시키기 위한 노력을 해야 한다고 인식되고 있다. 둘째, 일본오페라의 세계화다. 이를 위해 끊임없이 노력하는 이유를 서구중심주의에서 찾아볼 수 있다. 일본은 오페라를 통해 서구인들과 동일시를 이끌어내고, 효과적인 문화커뮤니케이션의 도구로 활용할 수 있다고 보았다. 비록 일본오페라에는 서구지향적인 시각이 많이 포함돼 있지만 동아시아 공연예술의 발전을 위해서, 다양한 개성과 특질을 가진 오페라가 많이 등장하는 것은 고무적인 일이다. 향후 이와 관련하여 개별적인 일본오페라 작품에 대한 심도 깊은 분석과 연구가 필요하다고 판단된다.