가변성 중심의 국외 오픈하우징 계획 요소

박효은(Park, Hyo-Eun),박지영(Park, Ji-Young) 대한건축학회 2016 대한건축학회 학술발표대회 논문집 Vol.36 No.2

긍정적, 부정적 쇼핑감정이 쇼핑가치와 인터넷 의류 쇼핑사이트 접근행동에 미치는 영향

박효은(Park Hyo-Eun),여은아(Yoh Eunah) 한국유통학회 2010 流通硏究 Vol.15 No.2

본 연구에서는 인터넷 쇼핑 사이트를 이용하여 의류 구매시 느끼는 긍정적, 부정적 감정이 쾌락적, 실용적 가치지각에 미치는 영향과, 이러한 쾌락적, 실용적 가치지각이 점포접근 행동에 미치는 영향관계를 연구하였다. 이 연구를 위하여 Babin and Attaway가 오프라인 쇼핑 사이트 연구에 활용한 연구모형을 인터넷 쇼핑상황에 적용하여 연구모형을 제시하고 실험자료를 통하여 검증하였다. 인터넷 쇼핑몰을 통해 의류상품을 쇼핑하는 과업을 수행하고 제시된 설문 문항에 응답하도록 하는 실험을 실시하여 278명의 결과가 통계분석에 이용되었으며 탐색적/확인적 요인분석과 Amos 6.0을 활용한 구조방정식 모형 검증을 실시하였다. 구조방정식 모형검증 결과 인터넷 의류 쇼핑 사이트에 대해 부정적인 감정을 많이 느낄수록 사이트에 대한 쾌락적, 실용적 가치지각이 낮았으며, 긍정적인 감정을 많이 느낄수록 사이트에 대한 쾌락적, 실용적 가치지각이 높았다. 이렇게 지각된 인터넷 의류쇼핑 사이트의 쾌락적, 실용적 가치는 태도에 긍정적인 영향을 미치나, 재방문의도에는 실용적 가치만이 긍정적인 영향을 미쳤다. 본 연구결과를 바탕으로 이론적, 실무적 시사점들이 제시되었다. In this study, it is explored whether positive and negative emotions affected hedonic and utilitarian values experienced while shopping apparel in the Internet. In addition, the effect of hedonic and utilitarian shopping values on store approach behaviors was explored. For this study, Babin and Attaway's research model that was used for off-line shopping malls was adopted to investigate the relationships among research variables. Data obtained through experiments with 278 female college students were submitted for an analysis. Exploratory and confirmatory factor analysis and structural equation modeling with AMOS 6.0 were used to analyze data. Based on the model test, negative emotions negatively affected hedonic and utilitarian shopping value perception while positive emotions positively affected hedonic and utilitarian shopping value perception for the Internet apparel shopping site. Hedonic and utilitarian shopping values positively influenced attitude toward the Internet shopping site while only utilitarian shopping value affected revisiting Internet apparel shopping site. Managerial and academic implications were generated based on results.

17-19세기 한국화가의 중국 도시 인식과 그 표현

朴孝銀 ( Park Hyo-eun ) 명청사학회 2016 명청사연구 Vol.0 No.46

This study examines how urbanism is represented in paintings by investigating the urban landscapes of Chinese cities executed by Joseon-era painters. The primary and secondary capital cities of Ming and Qing, namely Beijing and Nanjing, were depicted as the imperial cities and capitals of politics, economy, and culture, in Joseon paintings of the seventeenth to nineteenth centuries. Following the production practice of documentary paintings, Joseon court painters of Dohwaseo (government office of painting) were dispatched to China and painted the Chinese imperial cities. Examples of these include urban landscapes featured in the paintings of Sea Passage to Ming (航海朝天圖, 1624), Sites of Shenyang (瀋陽館圖帖, 1761), Travelling to China (中國紀行帖, 1784), Joseon Envoys to Beijing (燕行圖, 1790?), and Sketching Albums of Yi Sinwon (李信園寫生帖, 1812). Their dominant impressions of the cities portrayed in the paintings feature palaces and government buildings within the fortified grand city walls and gates, organized streets, bridges, and paifang gateways, among others. Beijing, the capital of Ming and Qing, where the Joseon envoys continuously visited, were filled with imperial buildings, and Confucian, Buddhist, and Taoist architectural monuments. In addition, the capital was a complex city with much to explore and newly determine on the famous sites, and booming with new interest in developing into a commercial society at the same time. On the other hand, Nanjing, the southern metropolis, where the late-Joseon envoys had never visited, was envisioned as a capital of the early Ming Dynasty through the images of different media such as woodblock prints and scroll paintings. In the painting of Joseon Envoys Departing China (送朝天客歸國詩章圖), attributed to the post-seventeenth century era, Nanjing is portrayed as the stage where descendants of former visitors to the imperial capital were provided with an opportunity to claim their social positions and the justification for being loyal to the Ming Dynasty (崇明事大). Additionally, it is extremely interesting that the eight-fold screen titled The City of Supreme Peace (太平城市圖), attributed to the last decade of the eighteenth century or the early-nineteenth century, shows an idealized dynastic urbanism. It was painted referring to other sources of media depicting the prosperity of commercialism of Beijing, Nanjing, Kaifeng, or Suzhou, and represents a virtual space where figures clad in Tang, Song, or Ming style costumes inside the Qing-style buildings sometimes used the Joseon-style objects. Chinese cities had thus been the subject of Korean painters’ documentary paintings and eventually later became the background of urban genre paintings in the process. I believe that studying such representations of capital cities will lead to closer scrutiny of the dynastic urbanism of the seventeenth and nineteenth centuries where multiple facets coexisted in East Asia.

3D 가상현실을 활용한 건축물 가변성에 따른 가상현실 구축에 관한 연구

박효은(Park, Hyo-Eun),박지영(Park, Ji-Young) 대한건축학회 2015 대한건축학회 학술발표대회 논문집 Vol.2015 No.-

18세기 朝鮮 文人들의 繪畵蒐集活動과 畵壇

朴孝銀(Park Hyo-eun) 한국미술사학회 2002 美術史學硏究 Vol.- No.233·234

The trend of collecting and appreciating antique and beautiful artifacts was prevalent amongst the literary men of Seoul-Gyeonggi areas in the 18th century Joseon, and this resulted in the appearance of a lot of individual collectors, They included a wide range of gentlemen from noble families to middle class families who shared a consciousness of literati, Many studies have been conducted about it as they were influential to their contemporary painters as patrons. However, there is no explanation as to how they patronized the painters. This study traces and presents the collector' s painting collections and examines their collecting methods in order to investigate the relationship between collectors and painters. Based upon it, this paper also examines how the 'great collectors of the 18th century' namely Yi Byeong-yeon (李秉淵), Yi Ha-gon (李夏坤), Kim Gwang-su (金光遂), and Kim Gwang-guk (金光國) patronized the contemporary painters through their collecting activities. This will further the investigation of characters of the collectors as patrons and see their influence on painters and their works in the 18th century in details. Collectors from the gentry literary men had some aspects in common: they were members of noble families which had established the physical grounds for political, economical and social development since Seonjo (宣祖)' s reign: landowners whose ancestors held posts of high ranking central government officials in the 17th century: elite literary men who were brought up in the environment where they had easier access to the products of Chinese culture. Many of them, however. pursued the recluse life style and gave up successful official careers. They enthusiastically practiced collecting, appreciating and criticizing beautiful artifacts in private sectors such as sarangbang, gentlemen's studies and poetry gatherings. It was considered the ideal path of a literati' s life and was regarded as the elegant way towards valuable friendships. The middle class literary men who took part in the above circles shared the taste of the gentry literary men and eventually identified themselves as the successors of Joseon literati culture. This consequently produced collectors from the class. Kim Gwang-guk was a medical official from the family who practiced medicine for generations and became an outstanding collector whose wealth was accumulated through his career as well as trade activities in China. The painting collections of the literati collectors in the 18th century mostly consisted of old and modem paintings from Korea and China. However, Japanese and Western paintings were sometimes found as well (see table 1-4). Literati men and painters observed the ample collection of Chinese paintings from Tang to Qing dynasties, and they were attracted to the works of the great masters of Southern School such as Tung Yuan (董源), Mi Fu (米?), Huang Kung-wang (黃公望), Ni Tsan (倪瓚), Shen Chou (沈周) , Wen Cheng-ming (文徵明), and Tung Ch' i-ch' ang (董其昌). It was also possible to enjoy the works of Nanking school, Anhui school. Orthodox school, and Individualist school in the late Ming and early Qing. It is believed that these Chinese paintings played a significant role in the painters' understanding of Chinese literary painting style along with that of all sorts of wood block prints. This at the same time initiated the painters to deal with various subject matter than they did before. On the other hand, Kim Gwang-guk mainly collected Joseon paintings and compiled them into a set of album, Seoknonghwawon (石農畵苑). Although the album has been divided and scattered, it still maintains the systematic form of the three perfections-prosaic writing, calligraphy and painting. This unique, completed form of the album which he intended for suggests that he was a genuine collector and an enlightened conservationist. Such paintings came into the hands of collectors through either inheritance in the family or purchase or commission in the 18t

국민건강영양조사 제 5기(2010-2012)를 활용한 한국의 19세 이상 성인의 식습관에 따른 정신건강상태

박효은(Hyo-Eun Park),배연희(Yeonhee Bae) 한국산학기술학회 2016 한국산학기술학회논문지 Vol.17 No.10

본 연구는 한국 성인의 식습관과 정신건강과의 관련성을 규명함으로써 올바른 식습관 형성의 중요성을 알리고 한국인의 정신건강증진을 위해 기초자료를 제공하는데 그 목적이 있다. 연구 대상자는 국민건강영양조사 5기(2010-2012)에 참여한 19세 이상 성인 15,848명(남자 6,348명, 여자 9,500명)을 대상으로 하였다. 자료분석에서 일반적은 특성은 기술분석을 활용하였으며, 식사와 정신건강과의 관련성은 카이제곱검정을 실시하였다. 그리고 다중 로지스틱 회귀분석과 선형경향성을 사용하여 식습관과 정신건강과의 관련성을 파악하였다. 연구결과, 남성은 식사횟수가 증가할수록 스트레스와 자살생각이 감소하는 경향을 보였다. 그리고 여성은 식사횟수가 증가할수록 스트레스, 우울, 자살생각이 모두 감소하는 경향을 보였다. 특히, 여성은 1식에 비해 2식을 할 경우 스트레스가 0.667배 감소하였다. 그리고 1식에 비해 3식을 할 경우 스트레스는 0.522배, 우울 0.605배, 자살생각 0.508배 감소함을 규명하여 식사횟수가 정신건강에 영향을 미치는 것을 확인할 수 있었다. 결론적으로 규칙적인 식습관이 정신건강에 영향을 줄 수 있기 때문에 올바른 식습관과 그로 인한 균형 잡힌 영양소 섭취가 정신건강에 중요함을 알리는 교육과 사회적 관심이 필요하다. The purpose of this study was to investigate eating habits and patterns in accordance with the mental health status in Korea. Data from the fifth Korean National Health and Nutrition Examination Survey in 2010-2012 by the CDCP were used to target 19-year-olds. A total of 15,484 subjects (6,348 men and 9,500 women) were enrolled in this study. The collected data were analyzed using frequency analysis, cross-analysis, and multiple logistic regression analysis. The results revealed that men showed, with linear tendency, a decrease in stress and suicidal ideation with an increase in the number of meals. (p<.05). Women also showed, with linear tendency, that an increase in the number of meals resulted in a reduction of stress, depression, and suicidal ideation (p<.05). The stress level of women decreased by 0.667 times when they ate two meals rather than one time meal per day. If women ate three meals compared with one meal per day, stress, depression, and suicidal ideation were reduced by 0.522, 0.605, and 0.508 times, respectively (p<.05). It was found that Aa regular eating habit may have an impact on stress, depression, and suicidal ideation. Moreover, irregular meals, brought on by modern influences, could have a negative impact on mental health, leading to social and economic losses. These results suggest that we need to educate and promote awareness on proper eating habits

손발톱거침증 환자에서 경구 알리트레티노인의 치료 효과

박효은 ( Hyo Eun Park ),유승아 ( Seung Ah Yoo ),박현정 ( Hyun Jeong Park ),김미리 ( Miri Kim ) 대한피부과학회 2020 대한피부과학회지 Vol.58 No.5

Background: Trachyonychia is a condition characterized by longitudinal ridging, pitting, and roughness of the nail surface. It tends to be resistant to various treatment modalities, often leading to a clinically unsatisfactory outcome. Alitretinoin (9-cis-retinoic acid; Alitoc Capsule) is approved for patients with severe chronic hand eczema and has been shown to be effective for other skin diseases. However, only few studies have demonstrated the efficacy of oral alitretinoin for the treatment of trachyonychia. Objective: We aimed to evaluate the efficacy and safety of oral alitretinoin therapy for the treatment of trachyonychia. Methods: We reviewed the medical records and clinical photographs of patients with trachyonychia who were treated with oral alitretinoin therapy between January 2016 and December 2019 in the Department of Dermatology of Yeouido St. Mary’s Hospital. Photographs of the lesions were taken and evaluated at 0, 1, 3, 6, and 12 months. The severity of trachyonychia was assessed into 5 grades according to the roughness of the nail and the distribution of affected areas. Results: Thirty patients (male: 12, female: 18) with a mean age of 51.5±11.1 years were included in the study. After treatment with oral alitretinoin at a dosage of 10∼30 mg/day, the severity of trachyonychia tended to decrease as the number of treatment sessions increased. The mean treatment duration was 6.9±4.1 months. The therapeutic effects were as follows. After 3 months of treatment, 88.0% of the patients showed partial remission, and all the patients showed improvement after >6 months of treatment. After 12 months of treatment, 20.0% of the patients achieved complete remission. Conclusion: Oral alitretinoin therapy may be an effective and safe treatment option for trachyonychia. (Korean J Dermatol 2020;58(5):299∼304)

청년 1인 가구의 특성을 고려한 모바일 기반 가구 공유 방법

박효은(Park, Hyo-Eun),이상홍(Lee, Sang-Hong) 한국주거학회 2019 한국주거학회 학술대회논문집 Vol.31 No.1

가변성을 고려한 1인 가구 거주실태 및 요구도

박효은(Park, Hyo-Eun) 한국주거학회 2017 한국주거학회 학술대회논문집 Vol.29 No.1

시간의 틈새

박효은(Park, Hyo-eun) 숭실대학교 한국문학과예술연구소 2017 한국문학과 예술 Vol.21 No.-

본고는 명·청대 중국과 조선시대 한국에서 그려진 설경화의 공통되는 주제적 단층을 검토해 이전의 회화전통을 의식한 復古主義와 唐代 畵家 王維와의 연합이 16-18세기 설경화 제작의 주된 배경이었음을 밝힌 것이다. 19세기 화첩인 <畵苑別集>에는 조선 초기와 중기, 후기의 설경화 5폭이 수록되어 있는데, 각각은 경관재현적 범주, 서사적 범주, 방고적 범주를 포괄하는 주제적 단층에 속한다. 당 이후 수묵화 전개의 흐름을 의식한 復古主義는 그 단층의 분화에 기여했고, 16세기 강남에서 부상해 17-18세기 동아시아 전체로 확대된 사회문화적 조류는 한 · 중 · 일 모두에 그 단층이 공유되는데 기여했다. 그 결과 주제 · 화풍 · 화법의 기원 모두 중국에 있던 <화원별집>내 설경화 5폭이 조선화가에 의해 그려져 한국회화 전통의 일부가 되었다. 한편 그런 설경화 각 폭의 주제와 의미, 표현적 기원에서 발견되는 ‘당대 화가 왕유’는 원 · 명 · 청대 설경 표현의 기법 · 도상 · 방식의 비약적 발전을 자극했고, 인간의 사고와 의지와 감정을 표출하는 장으로 회화의 표현가능성을 확장시키는데 기여했다. 그러한 왕유 인식이 역사적 사실이기보다 蘇軾을 중심으로 한 북송 문인이나 명대 서위 · 문징명 · 동기창 · 석도 같은 이들의 詩的 · 禪的 발상과 文人的 現想 추구의 결과인 점, 그 창의적인 회화 주변에 상인집단, 특히 휘상이 자리잡고 있는 점은 매우 흥미로운 현상이다. 본고는 회화작품이 기후나 환경의 반영이기보다 정치 · 경제와 같은 인간활동에 의해 조성된 사회문화적 시간의 구조에서 파생된 인문학적 산물이라 보았다. 그 구조는 대항해시대 유럽-동아시아의 도시 간 연결과 도시문화의 상호교류가 회화에 미친 작용력을 설명하거나 겨울이 배경인 회화를 애호한 개인의 성향을 부각시킬 이론적 근거가 될 수 있다. 그것은 다양한 접근과 사례 분석으로 신중히 탐색되고 검토돼야 할 상이한 단층의 합인 것이다.