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Wallace Stevens 시의 특성과 새로운 모색 : 禪詩的 요소
韓泰鎬 관동대학교 1999 關大論文集 Vol.27 No.1
The poetry of Wallace Stevens is the meditative poetry, which requires some new intelligence, different from the general Western approach. As part of a comparative literature study. I propose that his poetry has a lot of affinity with the Eastern poetry in general, especially Zen poetry. Zenistic critical approach is recommended for his self-conscious poetry, rhetorical poetry, and disjunctive poetry. Thus, I illuminate some lights on his poetic features, general conventional critical ideas on his veiling poetry, and then the applicability of Eastern ideas on his abstraction. His central ideas, such as First Idea. Decreation. Abstraction. Majorman or Subman. Reality vs Imagination. etc. has been compared with the affinitive ideas in Zenistic poetry. I majorly focus on his main methaphor of Nothingness or nakedness, and the supreme idea of Zen as well. I read closely Section 8. "Notes Towards a Supreme Fiction" to detect the cursive process of his basic idea on the highest mental entity and "A rabbit as King of the Ghosts" to compare his temporality and oriental feelings. The critical terms in Zen buddhism were introduced into his poetics for better understanding: Resultantly, his poetic estheticism might be somewhat ignored in the process of criticism. Anyhow, the philosophical generality in West and East could be lexicalized into a critical aphorisms for better convenience. Further stylistic as well as poetic study will be advisable for clear illucidation of insights to share Stevensean innate ideas with ours.
한태호,김한별,김영범,최경민,박기연,이파름,이재희,김혜영,박철규,강영남,오석배,나흥식 대한약리학회 2018 The Korean Journal of Physiology & Pharmacology Vol.22 No.2
Recent studies have provided several lines of evidence that peripheral administration of oxytocin induces analgesia in human and rodents. However, the exact underlying mechanism of analgesia still remains elusive. In the present study, we aimed to identify which receptor could mediate the analgesic effect of intraperitoneal injection of oxytocin and its cellular mechanisms in thermal pain behavior. We found that oxytocin-induced analgesia could be reversed by d(CH2)5[Tyr(Me)2,Dab5] AVP, a vasopressin-1a (V1a) receptor antagonist, but not by desGly-NH2-d(CH2)5[D-Tyr2, Thr4]OVT, an oxytocin receptor antagonist. Single cell RT-PCR analysis revealed that V1a receptor, compared to oxytocin, vasopressin-1b and vasopressin-2 receptors, was more profoundly expressed in dorsal root ganglion (DRG) neurons and the expression of V1a receptor was predominant in transient receptor potential vanilloid 1 (TRPV1)-expressing DRG neurons. Fura-2 based calcium imaging experiments showed that capsaicin-induced calcium transient was significantly inhibited by oxytocin and that such inhibition was reversed by V1a receptor antagonist. Additionally, whole cell patch clamp recording demonstrated that oxytocin significantly increased potassium conductance via V1a receptor in DRG neurons. Taken together, our findings suggest that analgesic effects produced by peripheral administration of oxytocin were attributable to the activation of V1a receptor, resulting in reduction of TRPV1 activity and enhancement of potassium conductance in DRG neurons.
Wallace Stevens 시 "The Snow Man" 의 'Nothing' 에 대한 선사적 응시(凝視) : A Zenistic Gaze
한태호 한국현대영어영문학회 2002 현대영어영문학 Vol.46 No.2
Stevens' poetry expresses the particulars and universals of reality into the total metaphor through the power of poetic imagination. His expressive poetic techniques of resemblance reveals the affinity with the meditative process of Zen and the self-consciousness process toward the symbolic world of psychology. I make use of his "resemblance" theory in Opus Posthumous and Lacan's "gaze" theory to understand the signified of "nothing" in "The Snow Man." Lacan's psychoanalytic gaze functions as a medium to find the significations of nothingness. Stevens' poetry is based on "the interdepnedence of are and nature" which implies the causation of existence in Zen, the poetic supremacy in general poetry, the religious supreme entity, and the psycho-analytic process toward Ideality, enough to overcome some differences in detailed aspects. Especially, Stevens' poetic consciousness toward the metaphoric Supreme Fiction or nothingness shows the close similitude with the Zen-like viewpoints and transfigurizations. His repetitive returns to Reality surmounts the flowery metaphors and presages the nothingness of all the fictive metaphoric resemblances. His poetic manifestos of "Eventually an imaginary world is entirely without interest"(OP 200) and "Reality is the spirit's true centre"(OP 201) expounds the Zen's supreme world of reality. I placed a Zenistic gaze on the signifying elements of "nothing" in "nothing himself," "nothing that is not there," and "the nothing that is." Its evasive innuendoes, fragmentary, multi-plex, and sometimes overlapping, gradually open its sliding doors to the meditative silence of a Zenistic gaze. Its nothingness implicates two-channelled gazes toward the Nothing as Being and the Nothing as Nothing, or the Nothing to see and the Nothing to be seen, or as a surely-existing reality and as a fictive imagination, or the unitive and the disjunctive, or the visible residue in totality and the invisible tremblings in transience, etc.