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화예의 생태 미학적 가능성 -국제 대지 미술제 출품작과 다니엘 오스트 작품을 중심으로-
홍성덕 ( Sung Duck Hong ) 한국화예디자인학회 2014 한국화예디자인학 연구 Vol.30 No.-
The interest in ecology in modern art began in the late 20th century and has continued as the areas of ecological art grow. As thedestruction of the environment has emerged as one of main issues in our society, people have become more aware of ecology. With such current trends ecological art has become closely connected to floral art through a common formative language, art. The purpose of this article is to explore the aesthetic relation of floral art to ecological art through the study of land art, environmental art, and art-in-nature. Modern floral art, considered as a part of ecological art, may have potential eco-aesthetic value and may give new approaches to some issues for future studies in ecological art. In order to explore the relationship between floral art and ecological art, this paper will examine first the study of land art, environmental art, and art-in-nature. Floral art has been influenced by eastern culture and includes the nature-oriented view that emphasizes respect for life and considers both nature and man to be equally important. Recent studies in ecology claim that it is important to have coexistence and interconnectivity between nature and man and between nature and culture so that all living things including human beings will eventually have a better life. Scholars in floral art also acknowledge and support the idea of coexistence and interconnectivity in ecological art. In the same context, regarding to ecological issues, land art, environmental art, and art-in-nature may be included as broader themes of ecological art. Land art has expanded our views of perceptual space through making an environment, nature and culture object. Environmental art has contributed to the foundations of ecological art by showing the potential to share environmental creativity, life, and multilayers between the environment and man. Art-in-nature has opened the door for ecological art to communicate between the life of nature and spirituality. Finally floral art creates formativeness and natural forms using materials from nature such as flowers and trees and rearranging them into our living environment. I argue that floral art in essence has similarities and close interrelationship with land art, environmental art, and art-in-nature.
한국경제(韓國經濟)의 성장요인분석(成長要因分析)(1963~92)
홍성덕,Hong, Seong-Deok 한국개발연구원 1994 韓國 開發 硏究 Vol.16 No.3
우리나라 경제(經濟)는 1960년대초 이후 거의 지속적(持續的)인 고도성장(高度成長)을 이룩하여 왔다. 이와 같은 고도성장(高度成長)이 가능하였던 원인(原因)으로서는 1960년대초 이후 수출주도형(輸出主導型) 공업화정책(工業化政策)의 계속적이고 성공적인 추진을 들 수 있으며, 또한 정치적(政治的), 사회(社會) 경제적(經濟的) 여건과 요인들도 고도성장(高度成長)에 기여(寄與)했을 것이다. 본고(本稿)는 인적(人的) 및 물적(物的) 부존자원조건(賦存資源條件)과 그에 따른 자원(資源)의 배분(配分) 및 생산성변화(生産性變化)등과 관련된 우리나라 경제성장요인별(經濟成長要因別) 기여도(寄與度)를 Edward F. Denison의 접근방법에 의해서 추정했으며 1963~92년간을 분석대상으로 하였다. 이 접근방법으로 추정한 1963~82년간에 대한 Kim and Park(1985) 의 측정결과를 수정발표된 국민계정자료(國民計定資料)에 의해서 1972년부터 수정하고 1992년까지 연장추정하였다. 추정결과는, 과거 우리나라의 고도성장요인(高度成長要因)이 구체적으로 무엇이었던가 하는 문제에 대한 해답과, 선진국가(先進國家)의 성장요인(成長要因)과의 비교분석을 통하여 일반적(一般的)인 경제성장과정(經濟成長過程)의 보다 확실한 이해를 위한 자료로서, 또는 우리나라의 장내(將來) 성장잠재력(成長潛在力)을 전망(展望)하는 데 유용한 자료로서 이용될 수 있을 것으로 기대한다.