대조를 통한 조화 : 밀튼의 "L'Allegro"와 "Il Penseroso" 연구 A Reading of Milton's "L'Allegro" and "Il Penseroso"

임성균 청주대학교 인문과학연구소 1994 人文科學論集 Vol.13 No.-

The aesthetic beauty and power of the companion poems, "L'Allegro" and "Il Penserose," seem to be based upon the contrast in theme, mood, and imagery. The Thematic significance of each poem, Mirth and Melancholy or day and night, is contrasting. The predominant mood of "L'Allegro" is joyous and active while the other poem generally deals with somewhat pensive, yet rich pleasure. And if the former is full of pleasant sounds and dazzling colors, the latter shows abundant use of quietness and gloomy black/white images. When we further examine the poems, however, we will soon find that these various contrasting elements are carefully interwoven and juxtaposed in each poem, so that the two poems work as a whole to achieve a single vision. And this vision aims at an ultimate harmony in which the two opposing extremes are incorporated and transformed into a new unified form of joy and happiness. Thus, the paper will examine how the contrasting elements work in the two poems so as to achieve a harmonious unity, discussing the structure of the poems as well as the significances of some particular scenes.

골드칼라엔지니어상 수상자 임성균 상무

임성균 한국공학교육학회 2012 Ingenium(人材니움) Vol.19 No.4

인터뷰 : “골드칼라엔지니어상” 수상자 임성균 상무

임성균 한국공학교육학회(구 한국공학교육기술학회) 2012 공학교육동향 Vol.19 No.4

“Number there in love was slain”: A Reading of “The Phoenix and Turtle”

임성균 한국셰익스피어학회 2014 셰익스피어 비평 Vol.50 No.1

윌리엄 셰익스피어의 「불사조와 산비둘기」는 종종 영시 중에서 가장 난해한 작품 중 하나로 불린다. 따라서 많은 비평가들은 이 작품에 대해서 서로 다른 해석과 주장을 펼쳐왔다. 약강사음보라는 독특한 운율체계를 가지고 있는 이 작품은 사랑 때문에 함께 죽었기에 고귀한 사랑으로 영원히 이름을 남긴 이름 모를 연인들의 장례식을 다루고 있다. 작품에서 불사조는 사랑을 상징하며 산비둘기는 정절을 대변한다. 하지만 수많은 추측과 제안에도 불구하고 이 두 연인이 과연 누구인지는 여전히 신비에 싸여있다. 심지어 작품의 첫 번째 부분에 등장하는 새들의 정체에 관해서도 모두가 동의하는 해답은 아직도 나오지 않고 있다. 작품에 등장하는 불사조는 전통적인 인식과는 달리 여성이며 부활에 대한 명확한 약속이 유보된 채 죽고, 남성인 산비둘기는 그녀를 태우는 불꽃 안에서 함께 죽을 정도로 그녀를 흠모하고 있다. 두 연인은 죽음을 통해서 하나가 된다. 그들은 분명히 구분되는 두 개체임에도 본질적으로 하나라는 것이다. 그동안 신비하고 역설적인 구절—“하나의 본질에 두 이름이 있어”—에 대한 (기독교의 삼위일체를 포함한) 많은 철학적, 신학적 해석이 제시되었다. 하지만 동양철학, 특히 도교 사상을 통하여 작품의 핵심에 접근하는 것이 오히려 타당해 보인다. 본 논문은 작품이 드러내는 문제점들이 무엇인가 확인하고 비평가들이 어떻게 이러한 문제들을 다루었는지 살펴보면서 그 중 일부에 대해서 필자의 의견을 제시함으로써 작품의 의미에 좀 더 가까이 접근해보고자 하는 시도이다.

휘발성 지방산의 주입을 통한 생물학적 영양염류 제거공정의 효율증진에 관한 연구

임성균,고광백,김수진,정연규 대한상하수도학회 1996 상하수도학회지 Vol.10 No.3

The removal efficiencies of organic substrates, nitrogen and phosphorus in the anaerobic-aerobic biological phosphorus removal process were investigated by addition of acetic acid, propionic acid and butyric acid which are normal volatile fatty acids contained in anaerobic digester supernatants. Substrate utilization coefficients for the phosphorus release and uptake were also estimated. The effect of a VFA, which showed higher phosphorus removal efficiency than the other VFAs did, was also studied in an anaerobic-aerobic-anoxic biological nutrient removal process. For the anaerobic-aerobic process added by VFA, the phosphorus removal efficiencies were up to about 68%, 55% and 61% for the reactors of acetic acid, propionic acid and butyric acid added, respectively, which indicates the efficiencies were increased by about 8-21%, comparing to that of 47% for the reactor with no VFA added. There were no significant difference in removal efficiencies for organic substrate and NH_3-N without regard to addition of VFA. However, the removal efficiency of total nitrogen was increased in the case of VFA added, since NH_3-N was less produced. For the anaerobic-aerobic-anoxic process added VFA, the removal efficiencies for NH_3-N and PO_4^3--P were increased by 5% and 13%, respectively, comparing with them in the reactors not added VFA.

암모니아 연소 화학반응식 개발

임성균 대한기계학회 2023 대한기계학회 춘추학술대회 Vol.2023 No.4

"My Fruits Are Only Flowers": A Reading of Andrew Marvell's "The Coronet"

임성균 한국고전중세르네상스영문학회 2008 중세근세영문학 Vol.18 No.1

As a Protestant, and especially a Puritan, Andrew Marvell finds the problem of glorifying God with human arts a very difficult task to practice. On the one hand, he has to do his best to achieve something beautiful and great to reveal God’s supremacy or Grace; on the other hand, however, he must be cautious not to make his own works too admirable, so that the work itself may not intercept the praises which is to be directed to God and God only. “The Coronet” is unique in the sense that it manifests Marvell’s dilemma as a Protestant humanist. The poem is self-reflective and confessional. It becomes in itself the poet's coronet to glorify his Saviour, but the poet realizes that his work is contaminated by his own worldly desire. Compared to that of Donne or Herbert, Marvell’s awareness that his own artistic endeavor is ultimately insufficient to praise God seems more intense and pervasive. What is “crooked winding ways” to Herbert becomes “the Serpent old” to Marvell. It is ironic that the poet should recognize the serpent when his confidence in his work reaches its highest point. And to make the dramatic moment more catastrophic, this serpent appears to be closer to the poet himself than to Satan, and this makes the poet’s dilemma more difficult to resolve. Andrew Marvell’s “The Coronet,” although it inherits metaphysical conventions of Donne and Herbert in its style and metaphors, must be read within the tradition of Spenser and Milton. Marvell’s political stance and his pastoral sensitivity, together with his mild scepticism―as we can see in “To His Coy Mistress”―may have located him in the line of Cavaliers or metaphysical poets. But his keen awareness of the dilemma between Christianity and human aesthetics and the way he proposes to resolve it clearly position him within the Protestant humanism of the early modern period.

양날의 칼: 불타는 절구공이의 기사 에 나타난 풍자와 패러디

임성균 한국중세근세영문학회 2013 중세르네상스 영문학 Vol.21 No.2

Francis Beaumont's The Knight of the Burning Pestle includes three separate plots, which, at the first sight, do not seem to be logically connected to one another: a city comedy, a chivalric romance, and what is close to a farce created by George and Nell. And it is my contention that the most important step to the meaning of the work as a whole would be understanding the citizen George and his wife Nell. Since they are spectators of the drama, actors in the drama,and surrogates of the poet, to comprehend who they are, what their functions in the work are, and what the author tries to say through the couple is an inevitable step for us to see the core of the work. Their role in the drama is paradoxical, for they interrupt the proceedings of the plot and at the same time create their own drama. While criticizing and evaluating the characters of the drama, they induce the audience's criticism towards themselves. Through the couple and the drama produced by them, Beaumont criticizes and ridicules both the upper class and citizens in the seventeen-century England. It is the most significant aspects of the work that the drama parodies and satirizes both classes together. George and Nell are in fact the main characters of the work. The Knight of the Burning Pestle establishes itself as one of the greatest Renaissance drama through their incompatible and ingenuous wits. This paper is to re-examine the parody and satire in the work while re-reading what they say and do in the work.

"성스런 상징"과 "천상의 처녀":선녀여왕의 레드크로스와 가이언

임성균 한국중세근세영문학회 2004 중세르네상스 영문학 Vol.12 No.2

Feasibility of Adopting the "Step-up Approach" in Managing Necrotizing Pancreatitis-induced Pancreatic-colonic Fistula

임성균,김성훈,서승영,양희찬,이승옥 대한소화기학회 2019 대한소화기학회지 Vol.73 No.6

Managing acute pancreatitis is clinically challenging because of the generally poor patient condition, the variety of treatment options depending on the severity and complications, and the uncertainty of outcomes. Recently, the step-up approach, which involves less invasive initial treatment and more invasive subsequent treatment, where necessary, has been proposed as the mainstay of managing pancreatitis. This paper presents a case of a 57-year-old man with severe acute pancreatitis, who developed an unexpected fistula in the rectum, which was treated successfully using the step-up approach. In managing this case, the authors faced clinical challenges in determining the infection of necrotic tissue in the early phase of the disease, the optimal timing and method of drainage, and the fistula closure or repair technique. Successful management of this case using the step-up approach validated current recommendations and suggests that it is a reasonable treatment strategy for pancreatic-colonic fistulas. This case also highlights the importance of an awareness that pancreatitis-associated complications can develop in an unexpected manner.