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RISS 인기검색어
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- 저자 : ( Yongwook Lee ) (검색결과 118 건)
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Clinical Study of 31 Polydactyly Cases Admitted to Neonatal Intensive Care Unit
( Yongwook Lee ),( Mihyeon Gang ),( Meayoung Chang ),( Wungjoo Song ),( Sookza Kim ) 대한주산의학회 2019 Perinatology Vol.30 No.3
Objective: To investigate polydactyly in neonates who were admitted to neonatal intensive care unit (NICU) due to urgent medical needs. Methods: Retrospective chart review of polydactyly neonates admitted to NICU of Chungnam National University Hospital between September 1997 and September 2018 was carried out. Patient data, type of polydactyly accompanying anomalies, genetic testing and clinical follow-up after discharge were reviewed and analyzed. Results: Thirty-one neonates with polydactyly were admitted to NICU during the selected period. 61.3% were male. Most were admitted for the evaluation and treatment for other congenital anomalies. Ten neonates (32%) were small for gestational age. The most frequently observed forms of polydactyly were preaxial hand polydactyly and postaxial foot polydactyly. Cardiac anomalies (35%) were more frequent in the population than genitourinary tract anomalies (22%), central nervous system anomalies (22%), gastrointestinal tract anomalies (19%) and congenital hypothyroidism. Four neonates showed abnormal genetic finding. Three neonates were diagnosed syndromic disorder after discharge (CATCH22 syndrome, VACTERL association, Joubert syndrome). Pregnancy of these neonates was complicated by maternal diabetes (13%), hepatitis B virus (6%), exposure to herbal medicine or smoking (6%), pre-eclampsia and hypertension. Only one case in the study had positive family history for polydactyly. Conclusion: Polydactyly could serve as a clue to syndromes and genetic disorders if associated with multiple major organ anomalies.
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패러다임 쉬프트(Paradigm Shift)와 소설의 운명
이용욱(Lee, Yongwook) 국어문학회 2013 국어문학 Vol.55 No.-
지금까지 문예 창작은 작가 개인의 상상력과 독창성에 의존하기 때문에 이론화가 힘든 비체계적이고 심미적인 경험의 영역이라고 인식되어 왔다. 그러나 컴퓨터 테크놀로지의 발달과 함께 서사 창작 과정이 DB화 규칙화 패턴화 추출화의 단계로 공식화할 수 있게 됨으로써 최근에는 창작과정을 자동화할 수 있는 기술적 토대가 마련되었다. 기왕의 이야기들이 일정한 규칙에 따라 데이터로 구축되고 구축된 데이터베이스에서 패턴이 추출된 후 일정한 알고리즘에 따라 서사구조로 짜여 가는 일련의 과정이 가능해진 것이다. 기술적 진보는 이미 시작되었다. 독창과 창의의 산물이라고 여겨졌던 상상력이 정량화 계측화될 수 있느냐 없느냐의 판단은 DB를 구축하는 규칙이 얼마나 정교하고 합목적적이냐에 달려있다. 규칙이 정교하면 정교할수록 신뢰성 높은 패턴들이 생성될 것이고, 그것을 화소로 하여 확장되고 추출되어지는 서사구조의 스토리벨류도 당연히 높아질 것이기 때문이다. 지금까지 아날로그 방식으로 해왔던 기억의 축적을 DB 구축이라는 디지털방식으로 전환하면서 새로운 차원의 스토리텔링이 가능해졌다. 데이터베이스의 디렉토리 구조가 깊이(Depth)를 한 눈에 요약하고 시각화해줄 수 있으며 계층과 계열의 자유로운 이동이 가능하다는 것을 생각해보면 문예창작은 이제 혁명적인 패러다임 전환기를 맞이하고 있다. 『지옥설계도』에서 이인화는 ‘소설’이라는 관습적 서사 양식에 대한 공격과 수비를 노련하게 수행하면서, 소설의 운명에 대한 흥미로운 메타포로 조직해냈다. 이 논문은 『지옥설계도』를 통해 이인화가 새롭게 제시한 창작방법론을 〈싱크로율의 미학〉이라 특징짓고, 그 저변에 깔린 정치적 함의를 분석해 봄으로써, ‘소설의 시대’에서 ‘이야기의 시대’로 넘어가는 패러다임 쉬프트(Paradigm Shift)를 검토해보는데 목적이 있다. 그가 문학공간으로 돌아온 이유는 이인화가 소설가가 아니라 이야기꾼이기 때문이다. 21세기에도 소설은 여전히 그 명칭을 유지할 것이며 서사예술로서의 유효성을 상실하지 않을 것이며, 다만 이야기의 전달 방식이 바뀔 것이다. Because it depends on the creativity and imagination of the individual writer, creative, has been recognized as the area of aesthetic experience and non-systematic theorizing is difficult so far. However, that it is possible that with the development of computer technology, Dramatic creative process to develop in the stage of DB of ordered patterning abstraction, technical can be automated creative process in recent foundation has been built. After extracting the pattern from the database that was constructed story of history is built on the data based on a certain rule, a series of processes that bear grand structure based on a certain algorithm’s became possible. Advances in technology have already started. Decided that imagination is probably the product of window and originality is quantification measurement of or does not will depend on whether the purposive rules for building the DB is sophisticated much. Story value of the grand structure pattern highly reliable as sophisticated rules and sophisticated is generated, it is expand it to that pixel, was also extracted because the higher course. The digital conversion of DB build the accumulation of memory that we have done in analog form until now, storytelling new dimension has become possible. Creation celebrated its paradigm turning point revolutionary another to think that it ensures that the directory structure of the database is summarized at a glance depth (Depth), can you visualize, the free movement of the sequence and hierarchy can be are. The reason has returned to the literary space, rather than a novelist, Lee Infa is because the narrator is a he. Novel is intended to maintain the name still in the 21st century, it is as it does not lose its effectiveness as magnificent art, just to change the delivery method of the story.
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인터넷 연재소설의 상호 소통 방식 : 작가의 태도와 독자의 반응을 중심으로
이용욱(Lee, yongwook) 한국언어문학회 2011 한국언어문학 Vol.77 No.-
Study purpose of this paper is examining 〈Internet publication in serial form〉 relationship literary meaning that is observed into the new novel publication in serial form room laying stress on mutual understanding between writer/reader through notice board comment. In Korean language and literature study yet Internet serial novel into study compensation bringing round do and five glows represent traffic is recognized by literature foreign enemy action unconcerned with text mutually. Despite writer and reader and text are extant on notice board, observe in ‘Result’ of character textbook that our scientific interest is published by book after publication in serial form is ended that ‘Process’ of Internet publication in serial form is not. It is rightful that observe in creation process that ‘Publication in serial form’ is present progressive form that set definite decision point of time of work in the future differently with ‘Apportioning an inheritance’ that load dividing article who is already completed. Moreover, definite decision of text is impossible throughout if publication in serial form is gone from digital space of Internet (time, that concept is registered by selective present style on non-linear coordinate). If recognize the Internet to literature space, study about mutual understanding between gone various way need while work is serialized. Because interaction through comment is inspired in writer’s imagination going in gear with form ‘Publication in serial form’ although is literature foreign enemy action that is gone although from text outside or affects to creation methodology, and interferes in story unfolding and permeates by both directly and indirectly in text. But, to do creation process meaning Tuesday and synchronizes with result, there is scientific difficulty. Belief which scientific prejudice and creation that recognize wave and result that is accomplished through custom of the center and it do year of old order that is writer’s share completely is still valid in Korean language and literature study. To do process meaning Tuesday, effect that mutual understanding between digital text and writer through comparative analysis of analog text/reader gets in text materialize and take spare be able to must . Study target that writer wishes to reach ultimately establishes structure esthetics enemy of Internet serial novel by analyzing in writer’s attitude and side that is reader’s reaction who is caused in difference of (space) if build street esthetics enemy between newspaper publication in serial form and the 198 - 90 literary work publication in serial form, and Internet publication in serial form since the 2000 in the 1970s. This paper is first scratch line of scientific mileage of 〈Internet serial novel study〉.
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디지털스토리텔링의 서사시학(1) : 논의를 위한 몇 가지 전제
이용욱(Lee yongwook) 국어문학회 2007 국어문학 Vol.43 No.-
On-line game subjectification narration style of multiplex speaker and ambivalent point of time that multiful union of story and plot is attained as non-linear with space spindle which is depersonalised on done time axis be. Time and space, story and plot, speaker and visual point are already element of accustomed traditional narration style, but on-line game overwrites at the same time newly being bitter joining the elements. If it is narratology that observe to 'continue write', 'To overwrite' that put center of gravity game learning be. But, on-line game that overwrite that is bitter continuously 'Time and space', 'Story and plot', 'Speaker and visual point' components because is"Is bitter"on-line game narration be. These three components are literature and movie, homogeneity and inhomogeneity between each narrative text may be grasped and new narration theory that can do area Tuesday this ultimately <digital narration learning> may appear if examine whether is structured from on-line game to each some way. This paper is scratch line of study to be gone forward.
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기술편집시대 매체미학의 제문제(1) : 투명화, 신뢰화, 재매개를 중심으로
이용욱(Lee yongwook) 한국언어문학회 2021 한국언어문학 Vol.116 No.-
This thesis studies the change in artistry brought about by the dynamic relationship between technology and art. Among the characteristics of <Technical Editing Art>, this study aims to establish the theory of media aesthetics in the era of technological editing, focusing on ‘transparency’, ‘trust’ and ‘remediation’ caused by the immateriality of tools and texts. The transparency of the subject does not mean that the subject is concealed, but refers to the unity state of beings that do not feel the difference between the subject of the material space and the subject of the non-material space. Recognizing the transparency of the subject is a new perspective on the relationship between humans and tools in the post-human era. If it evolves to the stage of mutual transformation, it goes beyond simple immersion and enters the process of unity. In this process, the distinction between the subject and the tool itself becomes transparent, and the post-human era of the half-human period arrives. The trust of the network-space is the trust in the relationship and connection between the subject-object-space. The starting point of relationships and connections begins with a transparent subject, and the method by which this subject measures the trust of content (including knowledge and information) is ‘knowledge about knowledge’, or ‘metaknowledge’. Meta-knowledge is a virtual device that gives order (trust) to knowledge, and is learned through the sequence-persistence-frequency of connections, and includes the level of search algorithm, the arrangement and distance of the screen, and quantified interest and empathy. And it is the network-space that creates and controls this virtual device. The remediation of the artistic conception is “to negate the existing artistic conception and form and attempt to convert the perception into a new idea.” Art that was familiar and customary is suddenly unfamiliar at some point. In the category of remediation of the idea of art, not only the concept of art but also the mechanism of creation and enjoyment is included, and now we must start preparing to meet an unfamiliar art that we have never experienced before. If the creative editors of technical editing art find art forms corresponding to technological development and work on art creation with a consciousness corresponding to technology, a new art genre comparable to that of a 20th century film will soon emerge. <Techediting arts> will be a characteristic art trend of digital media aesthetics that directs avant-garde artistic movements and a series of flows.
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