일제강점기 역사소설의 세 양상

박종홍(Park Jong-hong) 우리말글학회 2012 우리말 글 Vol.56 No.-

본고에서는 발생 동인에 의거하여 일제강점기 한국 역사소설의 세 양상을 구체적으로 살펴보면서 각 양상 내에서 개별 작가 간의 차이점도 아울러 살펴보았다. 이런 작업은 당시 역사소설의 전체적인 면모를 충실히 파악하는데 기여할 뿐만 아니라, 균형 잡힌 시야로 개별 작품의 의미를 충실히 파악할 수 있도록 하는데도 기여할 것이다. 먼저 연의적 동인의 역사소설이라 할 수 있는 이광수와 박종화의 작품은 공통적으로 왕실과 조정의 역사적 유명인물을 주인공으로 삼아 관찬사료에 의거해 주류적인 사건을 전개하면서 민족의식을 고취하고자 하였다. 그러면서도 이광수의 역사소설이 역사의 윤리화를 통해 허무의식에 빠져들고 있다면, 박종화의 역사소설은 역사의 심리화를 통해 역사의 진실성을 훼손시키고 있었다. 그리고 상업적 동인의 역사소설이라 할 수 있는 김동인과 윤백남의 작품은 왕실과 조정의 역사적 유명인물뿐만 아니라 허구적 무명인물이 주도적 역할을 함으로써 관찬의 역사를 비판적으로 재해석하거나 야담에 의거하여 허구적 사건을 전개하여 독자의 관심을 끌고자 하였다. 이것들은 민족주의 이념에 무관심하다는 점에서 연의적 동인의 역사소설과 뚜렷이 변별된다. 그렇지만 김동인의 역사소설이 역사를 개성화하여 상업화의 한계를 어느 정도 벗어나고 있다면, 윤백남의 역사소설은 역사를 대중화하여 봉건 체제의 부당성을 소박하게 고발하는데 머물고 있었다. 마지막으로 민중자각적 동인의 역사소설이라 할 수 있는 현진건과 홍명희의 작품은 민중이나 민중적인 영웅을 주인공으로 삼아 관찬 사료의 구속에서 벗어난 허구적 사건이나 시정의 생활상을 주로 보여주면서 모순된 현실을 적극적으로 극복하려 하고 있었다. 그러면서도 현진건의 역사소설이 낭만적 초월 속에서 역사를 현재화하고 있다면, 홍명희의 역사소설은 현재의 전사로서 역사를 풍속화하고 있었다. 이를 통해 발생 동인에 의거한 일제강점기 한국 역사소설의 세 양상속에서 개별 작가에 따라 다르게 역사가 소설화되는 여섯 가지 경우를 확인할 수 있었다. On this paper, Korean historical novels were categorized into three apperances. They were carefully looked into through the novels of Lee Kwang-Soo, Park Jong-Hwa, Kim Dong-In, Yoon Baek-Nam, Hyun Jin-Gun, and Hong Myeong-Hee. At the same time, the differences of each authors were also compared. First of all, Lee Kwang-Soo and Park Jong-Hwa, under the category of popular history, both chose a historical figure as the protagonist and unfolded events according to historical facts, and through this tried to arouse national consciousness. However, although Lee Kwang-Soo shows a nihilistic attitude by historical moralization, Park Jong-Hwa was damaging the truthfulness of history by psychologically analyzing it. As of Kim Dong-In and Yoon Baek-Nam, under commercial novels, their works are led by not only historical figures but also low-class unknowns, and history is critically reinterpreted or sometimes fabricated events are unfolded, thus did not pay interest to the political ideology of the time. Whereas Kim Dong-In personalizes history and exceeds the limitations of commercialization, Yoon Baek-Nam"s works stayed at the democratizational level. Finally, enlightening historical novels such as the works of Hyun Jin-Gun and Hong Myeong-Hee has the people as protagonists, unfolds events and lives that are made up, and actively tried to overcome the contradictory reality. As Hyun Jin-Gun"s works tried to make present of the history through romantic transcendency, Hong Myung-Hee tried to concretely depict the customs.

공공임무를 위한 무인이동체 탑재용 임무소프트웨어 구조 분석

박종홍,최성찬,안일엽,Park, Jong-Hong,Choi, Sungchan,Ahn, Il-Yeup 한국정보통신학회 2020 한국정보통신학회논문지 Vol.24 No.3

최근 무인이동체를 활용한 서비스 수요가 다양해지고 무인이동체 서비스 시장의 규모가 급격하게 증가하고 있다. 특히 산불 진압, 우편 배송, 시설 관리 등 공공임무 분야에서의 무인이동체 활용 서비스 요구도가 높아지고 있다. 이러한 요구도의 증가와 함께 무인이동체 기반의 다양한 임무 수행을 지원하기 위한 무인이동체 탑재용 임무소프트웨어 개발의 중요도가 갈수록 높아지고 있는 추세이다. 공통화 된 임무소프트웨어 개발을 위해서는 다양한 공공기관에서 공통적으로 필요한 임무 분석을 통해 재사용 가능한 기능들을 라이브러리로 개발하고, 이를 활용하여 무인이동체 관련 기업들이 쉽게 임무소프트웨어를 개발할 수 있도록 구조 설계가 이루어져야 한다. 본 논문에서는 공공임무용 무인이동체 전용 임무소프트웨어 연구 동향에 대해서 언급하고, 소프트웨어 개발을 위한 정형화된 임무소프트웨어의 구조 설계를 제안한다. 마지막으로, 임무소프트웨어와 데이터 플랫폼 간 데이터 전송 아키텍처를 제안한다. The application of the unmanned vehicles in various fields has been attracting attention, and the development of a service utilizing unmanned vehicles has been proceeding. As the service market using the unmanned vehicles rapidly increases, the demand for the development of software for performing the mission with unmanned vehicles is increasing. In particular, as the demand for unmanned vehicle utilization services for public missions such as fire detection, mail delivery, and facility management increases, the importance of developing mission software for unmanned vehicle is increasing. To develop common mission software, architecture design should be made so that unmanned vehicle service provider can easily develop software using reusable libraries or functions through analysis commonly required by various public institutions. In this paper, we discuss the research trends of mission software for public mission unmanned vehicles. In addition, the architecture design of developing formal mission software is proposed. Finally, we propose a data transfer architecture between mission software and data platform.

통신해양기상위성 통신탑재체용 Ka 대역 초고주파 부품 국내 개발을 위한 선행 기술 검증

박종홍,엄만석,염인복,Park, Jong-Hong,Eom, Man-Seok,Yeom, In-Bok 한국위성정보통신학회 2004 위성통신과 우주산업 Vol.12 No.1

지나온 궤적을 돌아보며 새로운 미래를 연다

박종홍,Park, Jong-Hong 한국주택협회 2006 주택과 사람들 Vol.195 No.-

최명익 창작집 『장삼이사』의 초점화 양상 고찰

박종홍(Park Jong-hong) 국어교육학회 2010 국어교육연구 Vol.46 No.-

This paper specifically went through the process of three types of focalization coming true in the novels of Choi Myeong-ik listed on Jang Sam I Sa . The introduction of the work was more focused on because the process, in which the frame of the narration and the imagination of the readers is combined, begins at the very beginning of the writing. 4 out of 6 works was about “internal focalization", taking a considerably big portion. In these cases, usually the seperated consciousness of a learned man is the focalizer, then a learned woman who is similar to the focalizer and a snobbish man who is different from the focalizer are the sub-focalizer. However, in cases like <Rainy Road>, <Paradox>, <A man with no characteristics> where the narrator does not exist with the characters, the indifferent attitude of the focalizers were turning into willingness. Also, when the narrator existed with the characters as of heterodiegestic internal focalization in <Interrogation>, in the midst of the influence of the object of focalization, the possibility of the focalizers seperated consciousness combining was shown. This shows the gradual change in the consciousness of the author. In the first stories of each, <Spring and the new road> as of zero focalization, and <Jang Sam I Sa> as of homodiegetic external focalization, the learned focalizer is gone, or his proportion has diminished considerably. And women arose as the main object of focalization, and their sadness or will to live on due to the suppressing circumstances was more focused on. These are only 2 of the many, but they held great importance because they showed a significant change of the author himself. Thus, Choi Myeong-ik was showing how learned people looked into themselves effectively through internal focalization, and at the same time used zero focalization and external focalization to show women's sadness and strong will to survive. Through this, we can know that Choi Myeong-ik is choosing appropriate focalization to show his purpose of writing in order to achieve great success in literature.

한국에 있어서의 근대적인 사상의 추이

박종홍 ( Park Jong Hong ) 성균관대학교 대동문화연구원 1964 大東文化硏究 Vol.1 No.-

<심문>의 ‘질투’ 고찰

박종홍(Park, Jong-hong) 국어국문학회 2016 국어국문학 Vol.- No.175

본고에서는 최명익의 <심문>에 나타난 ‘질투’란 정념의 양상과 의미를 ‘형성화’, ‘장치화’, ‘정념화’, ‘정동화’, ‘도덕화’란 정념 도식의 다섯 단계에 따라 체계적으로 살펴보고 있다. 여옥의 질투 시퀀스와 현일영의 질투 시퀀스를 정념 도식에 의거하여 차례로 검토해 볼 때에 현일영의 ‘질투’는 여옥보다 훨씬 강하다. 여옥에게는 연적이 죽은 혜숙이라 현실적인 경쟁자가 없다면, 현일영에게는 연적이 살아 있는 명일이라 현실적인 경쟁자가 있다. 그리하여 여옥은 경쟁자에 대해 특정 행동이 없는 ‘시기심’을 보여주고 있다면, 현일영은 자신의 비하하는 ‘경계심’을 보여주고 있기 때문이다. 여옥과 현일영은 둘 다 질투 이후에 동일하게 대상을 떠나고 다른 대상으로 교체한다. 하지만 여옥은 능동적으로 떠나면서 대상을 사람인 현일영으로 교체하고 있다면, 현일영은 수동적으로 떠나면서 대상을 명일의 돈으로 교체하고 있다. 여옥은 생활비도 책임져야 했듯이 현일영에게 일방적인 돈의 시혜자라면, 명일에게는 떠날 때에 그의 돈을 여비로 가지고 갔듯이 일방적인 돈의 수혜자이다. 그러니까 주체와 대상의 역할을 교대로 맡았던 질투의 두 시퀀스에서 여옥이 명일과 현일영에게 교환가치의 존재였다는 점을 논리 이전의 불연속적 상태인 질투의 정념에 의거할 때에 뚜렷하게 파악할 수 있다. 여옥은 현일영이 의심 속에서 과격한 신체적 발현으로 불쾌감을 강하게 나타내며 명일과 함께 그녀를 불신하자 오히려 그를 더욱 불신하게 된다. 그리하여 돈을 받고 그녀를 명일에게 넘겨주는 현일영의 행동을 마약중독자의 파렴치로 여기며 부정적으로 도덕화하고 있다. 그러므로 그러한 태도를 여옥에 대한 사랑 때문으로 보기는 어렵다. 논리적 인식으로는 잘 파악되지 않는 맹점에 대해서는 잉여의 부분, 즉 정념이란 향기를 감응해야 하는 이유도 여기에 있다. This paper has touched on the sequence of jealousy of Yeo-Ok and Hyun Il-Young in turn. Hyun Il-Young’s jealousy was much stronger than Yeo-Ok’s. As opposed to Yeo-Ok, whose rival was late Hye-Suk, leaving her without an actual rival, Hyun Il-Young has an real life rival Myung-Il. Both were same in the sense that they left their target after their passionate scheme. However, they differ in that Yeo-Ok leaves actively, compared to Hyun Il-Young leaving passively. In addition, Yeo-Ok’s target had been changed to Hyun Il-Young, an actual human being while Hyun Il-Young’s target had turned to Myung-Il’s money. Yeo-Ok used to be a one-way beneficent of money in that she had charge of Hyun Il-Young’s living expenses. But when Yeo-Ok left Myung-Il, she took his money and the gift from him, an expensive ring, and paid her ransom with the money she got from selling the ring. That would also define her as a one-way beneficiary of money in her relationship with Myung-Il. She was always depicted as a value in exchange. In turn, Yeo-Ok cannot follow Myung-Il for rehabilitation, but also cannot keep staying with Hyun Il-Young, who will sell her to other people. She tried to retain her dignity by choosing death. In conclusion <Simmum> has gone through the two sequence of jealousy, in order to respond to the negativity of reality, in which Yeo-Ok, going through the role of a subject and an object and facing a tragic fate and in which values of exchange has started to dominate, in a continuos state before logic.

이광수 '초기단편'의 이중성 고찰

박종홍(Park Jong-Hong) 영남대학교 인문과학연구소 2000 人文硏究 Vol.- No.39

근대소설에 나타난 신여성의 '정조관념'

박종홍(Park Jong-Hong) 한국문학회 2003 韓國文學論叢 Vol.34 No.-

The 'New Women' in Kim Dong-In's novels lost theirs chastity easily due to their ignorance of and weak attitude towards chastity. On the other hand, those in Yeom Sang-Sub's novels denied the virtue of chastity or had a false concept of chastity, Which was due to their vanity. Looking down upon women, Kim Dong-In distorted the idea on chastity of the 'new women' criticizing directly. Taking a neutral attitude, Yeom Sang-Sub took an indirect way criticizing it. The 'new women' of Kim Meong-Sun's novels put love into action and resisted the norm of the day actively by deserting their family or divorcing. Those in Rha Hye-Suk'novels tried to enlightenen the general public by exemplary conduct or contract marriage. While Kim Meong-sun was in pursuit of unrealistic and idealistic love, Rha Hye-Suk respected tangible profit and pursued planned love, showing that the new idea on chasity of the 'new women' was of rather moral nature.

최명익 소설의 “행동자” 고찰

박종홍(Jong Hong Park) 한국현대소설학회 2015 현대소설연구 Vol.- No.60

First of all, an analyzation of the 6 actants of Greimas is required, and then how the actants are suggested in Choi Myeong-Ik’s work was considered. In these works, the senders were not found, thus the corresponding receivers did not hold meanings. Then, the four actants, subject and object, helpers and opponents were considered in how they were different and what meanings they held through the 9 distinct features. All the male subjects were intellectuals dwelling in the city and were focalizers, while the female subjects were neither intellectuals nor artists nor focalizers. However, contrary to the passive male subjects who gave up on the object, the female subjects were actively deprived of their object by others. Most subjects were dwelling in the city and had lovers, but all were not focalizers. Every female subject was working women and could be referred to as artists. The helpers were friends of the subjects and not focalizers. However, most of them were in good health. This means that the role of the helpers in the work was weaker than other actants. The opponents were male, mostly living in the city. They had no friends, were no artists nor focalizers. Most were also not intellectuals and did not have lovers. This can be seen as deprivation, showing the negative attitude towards them. Most of the actants were negative towards animal imagery and were in illness. Their illness also caused their death, which sometimes were positive or negative depending on its attribute. Male intellectual subjects were showing their inner side and other actants through their view, thus focalizers, but the general women were neither subjects nor focalizers, unable to show their point of view. However, the male intellectuals were denied as the subject of renouncement, when the general women were affirmed as the subject of deprivation. Moreover, the general women with traditional education were preferred over intellectual women with modern education. This means that Choi Myeong-Ik was looking at the general women through the viewpoint of intellectual male, with introspect, trying to evade his exclusive prejudice.