임학선 호흡표기법 실용화 방안

박지선 ( Park¸ Jee-seon ),임학선 ( Lim¸ Hak-sun ) 한국무용연구학회 2021 한국무용연구 Vol.39 No.1

본 연구는 ‘임학선 호흡표기법’의 실용화 방안으로, 호흡표기법의 창안자와 공동연구를 통해 ‘호흡 움직임 분석틀’을 제시하여 춤현장의 실증적 연구방법을 세우고자 했다. 임학선 호흡표기법은 태극의 움직임을 형상한 ‘점ㆍ선ㆍ원’의 구조적 원리에 따라 내적 흐름을 중시하는 한국춤에 특성화된 무용기록법이다. 이 표기법은 들숨ㆍ날숨ㆍ멈춤의 기호학적 호흡표기로 호흡의 장단ㆍ대소ㆍ강약을 구분하여 무용의 3요소인 시간ㆍ공간ㆍ힘을 분석할 수 있었다. 또한 호흡표기로 리듬의 변화에 따른 호흡 패턴을 분석하여 움직임에 대한 이해도를 높여, 춤동작 재현에 정확성을 기할 수 있다는 것을 확인했다. ‘호흡 움직임 분석틀’은 임학선 호흡표기법을 실용화한 구조적 체계로 호흡과 움직임을 동시에 기록하여 움직임 구조와 원리를 규명하는데 용이했다. 이 분석틀은 한국춤의 내적ㆍ외적 구조분석을 통해 움직임 기능과 예술적 표현을 향상시키고, 춤의 철학적 접근과 미학적 분석을 통해 한국춤의 역사와 전통의 맥을 이어나갈 수 있는 방법론임을 확인했다. 본 연구가 실제적인 무용예술의 이론적 체계를 세워 춤 현장과 교육, 무용학의 과학적이고 체계적인 발전에 도움이 되기를 바란다. This study is a practical use plan for ‘Lim Hak Sun Breathing Notation’ and aims to establish an empirical research method of dance science by presenting a ‘Respiratory Motion Analysis Framework’ through joint research with the creator of breathing notation. Lim Hak Sun Breathing Notation is a dance record method specialized in Korean dance that emphasizes inner flow according to the structural principles of ’points, lines, and circles‘ that shape the movement of Taegeuk. This notation was able to analyze time, space, and energy, which are three elements of dance, by distinguishing the long&short, large&small, strong&weak of breathing through the semiotic respiration of inhalation, exhalation, and stopping. I also analyzed the rhythm breathing pattern and confirmed that it can be accurate in reproducing dance movements. The ‘Respiratory Motion Analysis Framework’ is a structural system that utilizes Lim Hak-seon's breathing notation. Through internal and external structural analysis of Korean dance, this analysis framework was confirmed to be a methodology to improve movement function and artistic expression, and to continue the history and tradition of Korean dance through philosophical and aesthetic analysis. It is hoped that this study will help the scientific and systematic development of dance studies by establishing a theoretical system of practical dance art.

지역 기반 문화콘텐츠 학습프로그램의 문화거버넌스 모델 개발에 관한 연구

임학순(任鶴淳) 한국지방정부학회 2006 지방정부연구 Vol.9 No.4

무용학과 전통무용의 연구과제

임학선 서울대학교 동양음악연구소 1986 동양음악 Vol.8 No.-

사회문화예술교육지원사업 성과평가모형 개발에 관한 연구

임학순,박석희,이상민,채경진 가톨릭대학교 콘텐츠산업과 문화정책연구소 2012 디지털콘텐츠와 문화정책 Vol.6 No.-

해운대 해역의 파랑 및 흐름 분석

임학수(Hak-Soo Lim) 한국연안방재학회 2016 한국연안방재학회지 Vol.3 No.2

To prevent the beach erosion and to support the beach restoration project in Haeundae, the Korean government initiated R&D project, the development of coastal erosion control technology since 2013. As a part of this project, waves and currents have been observed by AWACs in the nearshore and offshore of the Haeundae beach continuously for more than two years, to understand the processes of coastal waters and sediment transport in Haeundae. The variations of residual current and wave were estimated analysing two-year-long AWAC data measured at the mean water depth of 22 m and other short term data obtained near the surf zone of the Haeundae beach, respectively, during summer and winter. IOS T_TIDE and the moving average method for the current data over a fortnightly period (MSf) were applied for estimating the speed and direction of wave-induced current and residual current. A numerical simulation using a wave and current coupled model (ROMS-SWAN) considering wave-tide interaction in Haeundae coastal waters was also conducted for determining the wave-induced current during summer and winter seasonal swell waves (Hs : 2.5 m, Tp: 12 s), for better understanding of the coastal process near the beach. By comparing the measured data and simulated result, we found that cross-shore current during summer season is mainly caused by the eddy produced by the wave-induced current near the beach, which in turn, is generated by the strong waves coming from the S and SSW directions. During other seasons, longshore wave-induced current is produced by the swell waves coming from the E and ESE directions. The wave-induced current also generates longshore current heading west toward Dong-Back Island, west end of the beach, during all the seasons and eddy current toward Mipo-Port, east end of the beach, in summer which is well matched with the estimated residual current. In this study, we especially show the circulation patterns derived from nearshore wave-induced current and offshore residual current causing beach erosion and sediment transport in Haeundae coastal waters.

南海安 新石器時代의 埋葬遺構

任鶴銅 한국고대학회 2003 先史와 古代 Vol.18 No.-

지역사회 문화예술교육 맥락에서의 만화예술교육 활성화 정책 방향에 대한 탐색적 연구

임학순(Yim, Haksoon) 한국애니메이션학회 2017 애니메이션연구 Vol.13 No.3

만화예술교육은 2005년부터 학교 문화예술교육에서는 중요한 요소로 고려되어 왔지만, 지역 기반의 사회적 문화예술교육 영역으로 확장되지 못하고 있다. 이러한 문제의식을 바탕으로 이 연구에서는 지역사회문화예술교육 맥락에서 만화의 사회적 가치에 대해 논의하고, 지역사회 만화예술교육을 활성화하기 위한 정책 방향을 탐색하는 데에 초점을 두고 있다. 이를 위하여 지역사회 기반 만화예술교육 프로그램 운영 사례를 예술 강사유형, 문화예술교육 단체 유형, 문화도시 유형으로 구분하여 사례 분석을 실시하였으며, 만화예술교육 강사, 만화예술교육 조직 관계자, 문화예술교육 정책 담당자들을 대상으로 심층인터뷰를 진행하였다. 심층 인터뷰 조사 항목은 만화예술교육 수요 및 가치 인식, 만화예술교육 전문 인력의 참여 의지와 역량, 만화예술교육 단체의 운영 체계, 만화예술교육 프로그램 개발, 만화예술교육과 지역사회의 관계 등이다. 분석 결과, 지역사회의 만화예술교육 가치에 대한 인식 공감 수준이 낮고 교육 수요는 불확실한 것으로 나타났지만, 지역사회의 노인과 청소년들을 대상으로 한 만화예술교육의 가능성을 확인할 수 있었다. 만화예술 강사들의 경우, 지역사회 문화예술교육에 대한 관심은 높지만, 만화예술교육 단체 결성이나 프로그램의 연구개발, 협업과 융합 활동 체계 구축, 지역사회 만화예술교육 역량 강화 활동은 소극적인 것으로 나타났다. 만화예술교육 전문 단체의 부족, 지역사회 기반의 만화예술교육 프로그램의 다양성 부족 또한 지역사회의 만화예술교육 활성화 저해 요인으로 제시되었다. 그리고 부천 지역 사례 연구를 통해 만화예술교육이 만화도시 맥락에서 활성화될 필요가 있다는 점을 제시하였다. 이러한 분석 결과를 바탕으로 이 논문에서는 지역사회 맥락에서 만화예술교육을 활성화하기 위한 요인으로 만화예술교육의 가치 공감 및 수요 창출, 만화예술교육 강사의 역량 강화 및 협업 환경 조성, 만화예술교육 단체의 전략적 육성, 만화예술교육 프로그램 연구개발, 파트너십 기반의 협력적 거버넌스 체계 구축 등을 제시하였다. This article is aimed at exploring the policy alternatives for promoting the comic arts education in the context of community engagement. This is on the base of the recognition that the comic arts education in the community has not been promoted in comparison with the comic arts education in school which has been developed rapidly since 2005. This article conducts the 3 case studies such as teaching artists based arts education case, arts education organization based arts education case and the comic city based arts education case. In addition, this article conducts in depth interview of 17 persons including comic artists, program manager of the comic arts education organizations and the related persons of the public comic arts promotion organizations. As a result of analysis, the comic arts education is not active in the community engagement in terms of activity and program, involvement of the teaching comic artists, the participation of the residents. There are few comic arts education organization. There is uncertainty in terms of the demand and value of the comic arts education. However, the comic arts education program for the aged people is very significant in the context of community engagement and comic city renewal. This article concludes with a discussion of the policy direction and alternatives for promoting the comic arts education in the community engagement as follows; sharing the value of the comic arts education, creating the demand of the comic arts education, reinforcing the capacity of the teaching comic artists, developing the collaboration system, improving the comic arts education organization, promoting the research and development of the comic arts education programs. finally establishing the collaborative governance system.

해운대 파랑과 흐름 변동특성 분석

임학수(Hak-Soo Lim) 한국연안방재학회 2015 한국연안방재학회지 Vol.2 No.3

In this study, waves and currents observed by acoustic wave and current meter (AWAC) in Haeundae are analysed to account for the variability of wave and current and to understand the mechanism of Haeundae coastal waters. The seasonal variability of wave is analysed using AWAC observation at station BS2, located at the water depth of 22 m measured during from July 2013 to February 2015. In spring and summer, relatively week waves from the SSW and S directions were generated by southwesterly winds and typhoon, whereas in fall and winter, strong waves were predominant coming from the E and ESE directions generated by northeasterly winds and swell waves from East Sea. The estimated residual currents with moving average on the data with fortnightly data windows (MSf) show that the directions of nearshore currents at BS3 and BS4 which are located near the ends of the west and east of beach head toward SW and E in the opposite directions driven by wave-induced current. In the offshore, the residual currents at BS2 constantly flow ENE direction except in summer. This long-term observed wave and current data is also used to validate sediment transport modeling in Haeundae for developing coastal erosion control system.

안목해안의 파랑과 흐름 분석

임학수(Hak Soo Lim),김무종(Mu jong Kim) 한국연안방재학회 2017 한국연안방재학회지 Vol.4 No.1

In this study, waves and currents observed by acoustic AWAC, VECTOR and Aquadopp Profiler in Anmok coastal waters were analysed to account for the variability of wave and current and to understand the mechanism of sediment transport generated by wave-induced current in the surf-zone. The monthly variation of wave and residual currents were analysed and processed with long-term observed AWAC data at station W1, located at the water depth of about 18m measured during from February 2015 to September 2016. Wave-induced currents were also analysed with intensive field measurements such as wave, current, suspended sediment, and bathymetry data observed at the surf-zone during in winter and summer. The statistical result of wave data shows that high waves coming from NNE and NE in winter (DEC-FEB) are dominant due to strong winds from NE. But in the other season waves coming from NE and ENE are prevalent due to the seasonal winds from E and SE. The residual currents with southeastern direction parallel to the shoreline are dominant throughout a year except in winter showing in opposite direction. The speed of ebb-dominant southeastern residual currents decreasing from surface to the bottom is strong in summer and fall but weak in winter and spring. By analysing wave-induced current, we found that cross-shore current were generated by swell waves mainly in winter with incoming wave direction about 45° normal to the shoreline. Depending on the direction of incoming waves, longshore currents in the surf-zone were separated to southeastern and northwestern flows in winter and summer respectively. The variation of observed currents near crescentic bars in the surf-zone shows different direction of longshore and cross-shore currents depending on incoming waves implying to the reason of beach erosion generating the beach cusp and sandbar migration during high waves at Anmok.

만화 소재 뮤지컬에 있어서 만화특성의 지속성과 변형에 대한 시론적 연구

임학순(Yim Hak-soon) 한국만화애니메이션학회 2007 만화애니메이션연구 Vol.- No.12

이 연구는 만화 원작을 소재로 한 뮤지컬의 기획과 스토리텔링 및 마케팅체계를 분석하여 만화의 뮤지컬화 과정에서 만화의 특성이 어떻게 고려되고 있는가를 분석하는데 초점을 두었다. 이를 위하여 만화 ‘위대한 캣츠비’가 ‘뮤지컬 ’위대한 캣츠비‘로 재구성된 사례를 미디어믹스 관점에서 분석하였다. 사례분석은 만화를 활용한 뮤지컬의 기획 체계, 스토리텔링구조, 캐릭터설정, 마케팅 체계를 중심으로 이루어졌다. 분석결과, 만화의 세계관과 스토리텔링 체계는 뮤지컬의 기획 및 마케팅 과정에서도 중요한 요소로 고려되고 있지만, 작가주의 관접보다는 관객의 수요와 몰입을 유도하기 위한 관점에서 강조와 생략 및 변형을 통해 재구조화되는 것으로 나타났다. 뮤지컬의 비주얼스토 리텔링 구조는 디지털영상과 무대관리, 그리고 음악을 활용하여 서사적 스토리텔링과 연결되는 종합적인 체계로 이루어져 있다. 그리고 만화뮤지컬은 스토리텔링과 캐릭터 설정과정에서 명확하고 대립적인 부분을 부각시키고, 갈등과 해소, 극적 반전, 코믹요소 활동 등을 통해 관객의 몰입을 유도하고 있다 또한 만화의 시각적 이미지와 상징 기호들은 뮤지컬의 디지털영상과 무대장치 및 소품 등 무대연출을 통해 뮤지컬특성에 맞게 재구성되고 있는 것을 나타났다. 결론적으로 만화의 뮤지컬화 작업은 기획, 제작, 마케팅 과정 전반에 걸쳐서 만화의 특성을 중심축으로 뮤지컬의 특성과 산업구조를 고려하여 이루어진다고 볼 수 있다. The article concerns the continuity and transformation of the cartoon strip for the musical performance. Recently, the cartoon strip has been considered as a resource for creating the musical performance. However, There are a few articles on the relationship of the cartoon strip and the musical performance. In this respect, the article seeks to examine the characteristics of the cartoon strip and the musical performance in terms of planning system, storytelling structure, character formation and marketing strategies. The case on the musical entitled 'The Great Catsby’, which is rooted in the cartoon strip entitled 'The Great Catsby’, is examined. As a result, on the one hand, the characteristics of the cartoon strip has continuously affected the process of creating the musical performance in terms of storytelling, character formation, stage management and the marketing activities. On the other hand, the musical performance considers the music and sound, the moving image and stage management, performance of the actors as an essential part in comparison with the cartoon strip. In addition, the musical performance simplifies and recontructs the cartoon strip according to the principles of the musical performance.