춤과 문자의 조화로운 안무 -이미지와 문자에 관한 고찰-

이유선 ( Yoo Sun Lee ) 대한무용학회 2014 대한무용학회논문집 Vol.72 No.4

Dance and written characters are regarded as two non-inclusive subjects. However, thisstudy focuses on the reconciliation of the lost relationship between them centered in danceperformance. I begin by examining the origins of dance dating back to the prehistoric erawhere traces of dance can be seen in cave paintings. Next, I investigate the properties ofdance and written character in terms of physicality, space, decoration, narrative in relationto choreography. Finally, I demonstrate the reconnection between dance and written characterfrom multiple dance performance examples where dance and character intertwine: thebody into character and character into body.

로봇 테크놀로지를 활용한 무용공연의 발전가능성 탐구

이유선 ( Yoo Sun Lee ) 대한무용학회 2010 대한무용학회논문집 Vol.64 No.-

In the 21th century, the artistic expression of dance has been extended to a new environment of the high technology era. New types of dance art have emerged through the encounter between human body and technology. In this study, I investigated the expansion of dance performance in terms of the convergence of robot technology, which is an important way of understanding new types of dance art. First, I analyzed the origin of robot technology, its introduction into dance art, and its applications in each era. Based on case studies, I discussed two different types of applications and the concept of expansion in the convergence of robot technology. By analyzing both indirect and direct expansion in the convergence of robot technology, I suggested that the effect and further applications of robot technology can be developed into dance art. Interactions between robot technology and dance art will be a new opportunity to create new types of dance art. The convergence of robot technology is one of challenging experiments. It provides an opportunity to reexamine and reinvigorate all components in dance art. This study will be one of the starting points to systematically understand the interdisciplinary field, ``art & science.``

오스카 슐레머의 삼화음 발레에 나타한 조형적 특성이 현대 공연예술에 미친 영향 분석

이유선(Yoo Sun Lee),윤민희(Min Hie Yun) 한국디자인문화학회 2010 한국디자인문화학회지 Vol.16 No.4

본 연구는 20세기의 대표적인 예술가 오스카 슐레머(Oskar Schlemmer)의 삼화음 발레(Triadic Ballet)에 나타난 다양한 형태와 색채의 조형적 특성들이 현대 공연예술에 미친 영향을 분석하는 것을 목적으로 한다. 이를 위하여 조형과 공연예술이 융합된 총체 예술(Synthetic Art)의 선구적 실험형태인 삼화음 발레가 미친 영향을 대표적인 공연사례를 통해 네 가지 측면에서 살펴본다. 첫 번째 인체의 조형화를 소니아비아치의 작품 “Ⅱ corpo dentro”를 통해 살펴보고, 두 번째 제한된 신체의 움직임은 마리 쉬나르의 “bODY rEMIX”로써 조사한다. 세 번째 입체적 공간의 확장은 아힘 프라이어의 “Ab und An: For Morton Feldman”를 통해, 네 번째 총체예술의 구현은 모세스 패들턴의 “Bothanica”로서 현대적인 적용을 비교분석한다. 각각의 특성을 대표하는 네 개의 공연작품을 통해 현재의 예술과 어떻게 접목되어 활용되고 있는지 살펴봄으로써 다음의 사실들을 발견할 수 있다. 먼저, 기하학적 형태는 유지하되 자유로운 안무가 가능한 신소재 의상과 컨트롤이 가능한 도구의 활용으로 의도적 표현이 가능해졌다. 그리고 테크놀로지의 발달에 의해 입체적 공간이 구체적으로 가시화되며, 총체적 예술의 구현에 있어, 과거에는 불가능했던 다양한 영역으로의 표현 확장을 가져왔다. 본 연구는 현 시대의 흐름인 학제 간 연구와 총체적 예술의 지향에 대한 탐구와 동시에 현대 예술에 미친 영향을 되짚어 보는데 의의가 있다. 이를 통하여 조형예술과 공연예술의 융합에 의한 시너지 효과를 높이고, 앞으로의 총체적 현대예술의 발전방향을 제시할 것으로 기대한다. This study aims at analyzing plastic characteristics of various colors and forms and its influence on modern performing art represented in “Triadic Ballet” by Oskar Schlemmer who is one of the representative artists of the 20thcentury. To achieve this, this study examines four different performing arts to estimate the influence of ‘Triadic Ballet’ which played a pioneering role as synthetic art by converging plastic and performing arts. First, the plastic-characterized human body is examined through “Ⅱ corpo dentro” by Sonia Biacchi. Second, The restricted body movement is scanned through “bODY rEMIX” by Marie Chouinard. Third, the expansion of three-dimensional space is studied through “Ab und An: For Morton Feldman” by Achim Freyer. Last, the materialization of synthetic art is screened through “Bothanica” by Moses Pendelton. Through the four performing arts exemplifying each characteristics of Total Art, we can find following facts: First, the intentional expression becomes possible thanks to the costumes with new material and tools that is able to be controlled while keeping the geometrical form. Also, three-dimensional space becomes visible due to the technological development. These facts enlarged the expression to various areas which used to be unrealizable in the past. The contemporary current is to pursue interdisciplinary studies and synthetic art. In this concept, this study has its significance in researching the root of the current and retracing the influence on modern performing art. It is expected to create a synergy effect by the convergence of plastic and performing arts and to provide a direction to develop the way that synthetic art should go forward.

듣기능력증진활동이 유아의 듣기능력과 구문의미 이해력에 미치는 영향

이유선 ( Lee Yoo-sun ),이경민 ( Lee Kyung-min ) 인하대학교 교육연구소 2016 교육문화연구 Vol.22 No.6

본 연구의 목적은 듣기능력증진활동이 유아의 듣기능력과 구문의미 이해력에 미치는 영향을 알아보는 것이다. 이를 위해 만 4세 유아 40명(실험집단 20명, 비교집단 20명)을 연구대상으로 선정하였다. 실험집단에는 10주 동안 총 20회에 걸쳐 듣기능력증진활동을 전개하였고, 비교집단유아들은 생활주제관련 대·소집단활동을 하면서 자연스럽게 이루어지는 일상적인 듣기가 이루어졌다. 수집된 자료는 공변량 분석을 통해 분석하였다. 연구결과, 첫째, 듣기능력증진활동을 실시한 실험집단 유아는 비교집단 유아보다 듣기능력에 있어 유의미한 차이가 나타났으며, 하위요소인 청각적 식별, 정보 확인, 내용 이해에 있어서도 유의미한 향상을 보였다. 이는 듣기능력증진활동이 유아의 듣기능력에 긍정적 영향을 미쳤다는 것을 알 수 있다. 둘째, 듣기능력증진활동을 실시한 실험집단 유아는 비교집단 유아보다 구문의미 이해력이 유의미하게 향상된 것으로 나타났으며, 하위요소 중 문법형태소 이해와 의미 이해에 있어서도 유의미한 차이를 보였다. 이러한 결과를 통해 듣기능력증진활동이 유아의 구문의미 이해력에 긍정적인 영향을 미쳤다는 것을 알 수 있다. 이상의 연구결과를 종합해 보면 듣기능력증진활동은 유아의 듣기능력과 구문의미이해력을 향상하는데 효과가 있었음을 알 수 있다. The purpose of this study was to analyze the effects of listening ability enhancement activities on young children`s listening ability and understanding of syntactic meaning. A total 40 children(20 children in experimental group and 20 in comparative group) enrolled in two kindergartens participated in this study. The listening ability enhancement activities were conducted two times a week for 10 weeks(total 20 activities). Data analysis was conducted using ANCOVA. The results of this study were as follows. First, the effects of listening ability enhancement activities on children`s listening ability was statistically meaningful. There were meaningful differences on children`s listening ability such as auditory discrimination, verifying information, and understanding of contents. In other words, listening ability enhancement activities have positive effects on improving children`s listening ability. Second, the effects of listening ability enhancement activities on children`s understanding of syntactic meaning was statistically meaningful. There were meaningful differences on children`s understanding of syntactic meaning such as grammatical morpheme and meaning. In other words, listening ability enhancement activities have positive effects on improving children`s understanding of syntactic meaning. In conclusion, it is revealed that listening ability enhancement activities are more positive effective on children`s listening ability and understanding of syntactic meaning.

유희 공간 속 특별화된 신체에 대한 탐구 -춤추는 몸을 중심으로-

이유선 ( Yoo Sun Lee ) 대한무용학회 2013 대한무용학회논문집 Vol.71 No.5

This study aims to investigate the relationship between performance space and artist body embellishments centered on the artistic phenomenon of dance. First, I discuss how performance space becomes specialized on the stage through the relationship between performers and audiences. After that, I explore how artist body embellishments attract audiences and discuss how this is practically used during a performance through images from thirty dance performances as case studies.This study aims to investigate the relationship between performance space and artist body embellishments centered on the artistic phenomenon of dance. First, I discuss how performance space becomes specialized on the stage through the relationship between performers and audiences. After that, I explore how artist body embellishments attract audiences and discuss how this is practically used during a performance through images from thirty dance performances as case studies.

일반논문 : 로봇 배우를 활용한 공연예술 활성화 방안 연구: “에버” 중심으로

이유선 ( Yoo Sun Lee ),김동언 ( Dong Eon Kim ) 한국공연문화학회(구 한국고전희곡학회) 2011 공연문화연구 Vol.0 No.22

빠르게 변화하는 21세기의 문화 흐름에 있어 공연예술은 그 고유의 정체성을 확립하는 동시에 상상력과 창의력을 바탕으로 한 새로운 표현양식을 필요로 하고 있다. 현대의 변화된 테크놀로지 환경은 최첨단 기술력을 뒷받침으로, 새로운 경험에 의한 사유의 확장을 가져오고 있는 것이다. 특히 예술표현에 대한 디지털 매체의 직접적인 개입은 공연예술 주체인 인간의 신체성을 확장시키고 있다. 디지털에 의해 가상화된 신체는 물리적 한계를 벗어나 시공간의 경계를 넘나들며, 관객으로 하여금 새로운 상호 작용의 가능성을 제시하는 것이다. 본 논문에서는 세계 최초의 전문 로봇 배우인 ``에버``를 중심으로 탈신체화 된 공연예술의 표현주체와 디지털화된 움직임에 대해 살펴보려 한다. 디지털 신체라는 새로운 표현매체의 변화에 따라 등장한 로봇 배우는 테크놀로지적 가치 뿐 만 아니라, 문화 예술적 활용 가능성에 대한 연구가 필요하기 때문이다. 이를 위하여 이론적 배경으로 ``에버``의 개발과정과 기능을 조사하고, 세계 최초라는 타이틀이 지니는 역사적 중요성과 함께 인간을 대신한 배우로서의 역할을 어떠한 방식으로 수행하는지 살펴볼 것이다. 그리고 구체적 사례연구로 공연예술 분야의 판소리 극 “에버가 기가 막혀(2009)”와 어린이 연극 “로봇공주와 일곱 난쟁이(2009)”를 조사하고, 그 외 다양한 활동분야에서의 활약을 통해 배우로서의 가능성을 살펴본다. 이를 통하여 로봇 배우의 발전적인 진화 방향 탐구와 공연예술에 미칠 영향력을 예상하고, 적극적인 문화 콘텐츠화 방안 추진으로 나아가 로봇 배우의 대중화와 활성화를 통한 고부가가치를 창출할 수 있는 방안 모색을 그 목적으로 한다. 로봇 테크놀로지가 융합된 공연은 예술적 실험의 한 형태로, 인간신체와 기계인간이 어우러져 기술적 상상력을 현실화시키며 미래형 공연예술의 변화를 초래할 것이다. 본 연구를 통해 공연예술과 로봇 테크놀로지와의 만남이 현 시대가 추구하는 하나의 총체적 문화 현상으로 공연예술 활성화에 긍정적인 영향을 미치며, 나아가 다양한 영역으로의 확장을 향한 계기가 되기를 기대한다. In the twenty first century of rapid cultural change performing art requires new mode of expression based on imaginative power and creativity as well as establishing its own identity. The modern technological environment support this with advanced technology and bring about the expansion of reason from new experience. The introduction of digital media on artistic expression in particular, expands the physical ability of human body which is the main subject of performing art. A virtual body from digital technology is freed from physical boundaries and goes over space and time. It also suggests the possibility of new mode of communication with audience. This study aims at examining the subject of performing art and its digitalized movement focusing on EveR, the world`s first professional robot actor. The robot actor which came on stage according to the new expression medium, a digital body, stands in need not only of technological value but also of cultural and artistic application for expression in art. In this endeavor to meet the demand, this study examines the development process and function of ``EveR`` the robot actor. Also it searches into the performance of Ever which replaced human being as well as the historical significance of the title: the world`s first. To be more specific, there is a example research on two performances: a pansori play “EveR is simply stunning(2009)” and children`s play “The Robot Princess and Seven Dwarfs(2009).” Through this example research, it is enabled to anticipate the influence of robot actors on performing arts and to search for the better way of them to evolve. Furthermore, it aims at finding ways to create high value through promoting robot actors to be familiar to the public as well as supporting them to become active cultural contents. The performance with robotic technology is one of the artistic experiment that may cause the change of the future of performing art by actualizing technological imagination together with human body and machinery. As a consequence, it is expected that the meeting of performing art and robotic technology gives positive influence on activating performing art as one of the integrated cultural phenomenon which satisfies the taste of modern era. Moreover, this study may also be the beginning of the expansion of performing art to stretch to diverse field.

비만아동의 골격근 Group III 기계적 수용기 자극에 의해 유발되는 심혈관 반응

유혜림(Hye Lim Yoo),최현민(Hyun Min Choi),이준희(Joon Hee Lee),이유선(Yoo Sun Lee),노호성(Ho Sung Nho),김영미(Young Mi Kim),김종경(Jong Kyung Kim) 한국발육발달학회 2012 한국발육발달학회지 Vol.20 No.2

Previous studies strongly indicate that the muscle metaboreflex evokes altered cardiovascular responses to exercise in obese children. However, the effect of the mechanoreflex, another component of exercise pressor reflex (EPR), on the hemodynamic responses is not well understood. The aim of this study was to investigate the effects of the mechanoreflex on the cardiovascular responses in obese children. Twentyone subjects (8 obese and 13 lean groups, body mass index: 28.4±1.0 vs. 18.8±2.3 kg/m², respectively) participated. To stimulate the mechanoreceptors, the testing protocol involved 5 min of baseline and 1 min brief passive ankle dorsiflexion of the foot. The results showed that mean arterial pressure (MAP) increased with the mechanoreflex activation in both groups, however, the peak MAP was significantly higher in obese groups. Despite lower cardiac output (CO) response, the increase in MAP in lean groups was mainly due to lower levels of total vascular conductances (TVC). On the other hand, the higher MAP in obese groups was due to both increase in CO and decrease in TVC. There was no difference between two groups during cold pressor test. this augmented pressor response was associated with an augmented increase in both CO and peripheral vasoconstriction in obese children. These results may imply that mechanic stimuli induced by muscle contraction contribute to the overactive EPR observed in obese groups.

Gadamer 해석학의 보편성 주장에 관하여

이유선 고려대학교 철학연구소 1990 철학연구 Vol.0 No.14

그레이브스병에서 방사성 요오드 치료에 따른 갑상선 자극 호르몬 수용체 결합억제 면역글로불린(Thyrotropin Binding Inhibitory Immunoglobulin, TBII)의 변화

조영석,권기현,이준철,나소영,이효진,홍우정,이유선,김군순,송민호,김영건,노흥규 충남대학교 의학연구소 2003 충남의대잡지 Vol.30 No.2

Prediction of thrapeutic response to radioiodine in Graves' disease is poorly understood. Although thyrotropin binding inhibitor immunoglobulin(TBII) level is a strong index for relapse after antithyroid drug medication, conflicting results are reported regarding its prognostic significance in Graves' disease treated with RAI. This study is dengned to evaluate possible relationship between post-treatment hypothyroidism and TBII in Graves' disease treated with RAI. Fourty two patient with Graves' disease after radioiodine treatment were studied retrospectively. The subject were divided into hypothyroid group and euthyroid or hyperthyroid group. We evaluated the association of hypothyroidism and TBII with radioiodine treatment dose. The mean age of hypothyroid group was 48±11 years and euthyroid or hyperthyroid group was 47±12 years. There was no difference in two groups. And there was no significant difference in post- treatment TBII between two groups(49.9±28.5%, 29.9±14.3%, p-value >0.05). The treatment-dose had no influence on post-treatment thyroid state. Euthyroid or hyperthyroid group was done with 13.6±6.9mCi and hypothyroid group was 17.0±10.4mCi(p-value > 0.05). TBII had no prognostic significance on long-term hypothyrodism in Graves' disease treated with radioiodine. And, treatment-dose had no influence on post-treatment thyroid state.