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      • KCI등재후보
      • KCI등재후보

        여중생의 자기신체평가, 자아존중감, 건강행위간의 관련성 - 서울 일부지역을 중심으로 -

        손우승,문인옥,Son, Woo-Seung,Moon, In-Ok 한국학교ㆍ지역보건교육학회 2010 한국학교지역보건교육학회지 Vol.11 No.2

        Objectives: This study was conducted to examine the relations of 'self-body evaluation', self-esteem, and health behavior among junior high school girls, analysing influencing factors for their health behavior, and building a base for its improvement. Methods: Data collection was conducted by self-report survey. Survey participants were 330 junior high school girl students in the area of Seoul, 221 from women's junior high schools and 109, coed schools. Survey included general characteristics, self-body evaluation, self-esteem, and health behavior. Results: 1. In their self-body evaluation, the students gave themselves $3.27{\pm}.53$ scores of the total 5, and of general characteristics, BMI, ideal BMI, personality, living standard were statistically significant different. 2. The scores for the girl students' health behavior were $2.77{\pm}0.37$ of total 4, and of general characteristics, school forms, grades, living standard were statistically significant different. characteristics, school forms, personality, school grades, living standard were statistically significant different. 3. The girls' self-body evaluation and self-esteem showed a low level of negative significant difference and their self-body evaluation and health behavior were significantly different, but a low level of negative significant difference. And the relationship between self-esteem and health behavior showed a high level of positive significant difference. 4. Influencing factors for the girls' health behavior showed a significant difference in self-esteem and school forms of general characteristics, self-body evaluation, and self-esteem.

      • KCI등재후보

        일제강점기 풍물의 존재양상과 성격

        손우승(Son Woo-Seung) 실천민속학회 2007 실천민속학연구 Vol.9 No.-

        일반적으로 풍물은 일제강점기를 거치면서 쇠퇴하거나 소멸하였다고 인식되어 왔다. 그러나 이 시기의 풍물은 근현대 풍무리 형성되는 과도기적 형태로 농악경연대회가 등장하여 풍물전승의 한 줄기를 형성했고, 증산교 일파가 전문풍물꾼을 동원하여 대규모 행사를 벌임으로써 호남우로 풍물이 통합되고 체계화하기도 했다. 사정이 이러함에도 지금까지 풍물연구에서는 근대이행기의 풍물을 제대로 주목하지 않았다. 이 연구에서는 '과연 일제강점기에 풍물이 쇠퇴하였는가?'라는 문제를 제기하고, '식민치하'의 특수한 상황에서 진행된 풍물의 변화상을 밝히려고 한다. 그 변화상은 몇 가지 측면에서 고찰된다. 첫째, 풍물의 인적, 물적 기반이 되었던 두레 및 농업노동형태의 변화가 풍물에 끼친 영향이다. 둘째, 일제의 문화정책에 의해 쇠퇴한 뜬쇠풍물과 뜬쇠들의 이합집산 양상이다. 셋째, 식민정부의 홍보 또는 식민통치의 강압을 무마하기 위한 차원에서 시작된 농악경연대회이다. 넷째, 종교단체의 포교수단으로 활용된 풍물이다. 다섯째, 식민지 경제수탈을 돕기 위한 차원에서 실시되었던 특산물 전시회의 문화행사이다. 여섯째, 태평양 전쟁을 수행하기 위해서 실시한 공출제와 전승을 기념하기 위해 벌인 문화행사이다. 일제강점기 풍물은 근대 자본주의와 일제정책에 의해서 근본적으로 변화하였다. 조선후기 농업생산력의 고양과 상품화폐경제의 발달로 풍물전승의 인적, 물적 기반이 되었던 균질적인 공동체 문화가 분열되기 시작했고, 일제가 취한 각종 정책들은 풍물전승에 직접적인 타격을 입혔다. 이러한 배경으로 전통사회에서 세시의 일환으로 존재했던 풍물이 본래의 전승맥락에서 벗어나 농악경연대회, 무대공연, 일제의 전승기념행사, 증산교의 포교활동 등 인위적이고 압축된 시공간에서 연행되기 시작했다. 현재 전승되고 있는 풍물 역시 이 흐름 위에서 이해될 수 있다. 따라서 풍물사를 온전하게 재구하기 위해서는 식민지배에 대한 감정적 차원에서 벗어나 이 시기의 풍물을 보다 면밀하게 검토하고 재평가해야 할 것이다. In general it was said that Pungmul(a kind of Korean folk music) either had declined or had nearly disappeared during the Japanese colonial period. Although, at that time, it was dear that the tradition of Pungmul had weakened, the modern tradition of Pungmul was constructed from this starting point with the new chances to play in events such as peasant band competitions. Also, Honamudo-Pungmul was united and organized during this time thanks to Jeungsando, a religious sea which held big musical events with professional musicians. In this manner, Pungmul during the Japanese colonial period was the starting point for construction of modem types. However, since it has been generally recognized that the tradition of Pungmul was ended by Japan's colonialism, there have been no detailed studies on how Pungmul changed during that period. Therefore, this study questions the stereotypical recognition of Pungmul and aims at finding the changes in folk music(also folk culture) which occurred under the unusual situation of Japanese colonialism. Pungmul had radically changed during the Japanese colonial period. During the late Joseon Dynasty, the homogenized society on which Pungmul was based began to break up due to increased agricultural productivity and the development of the monetary economy. Also, Japanese policies during the colonial period directly gave a direct blow to the tradition of Pungmul. Under this colonization, Pungmul was no longer allowed to exist as a general type of public customs. Pungmul began to be performed in peasant band competitions, on stages, in the commemoration of Japanese events and by the missionary activities of Jeungsando. Unlike previous traditional type, those performances were not spontaneous and most of them were peformed in the fixed locations. In particular, peasant band competitions and stage performances were the new type of the Pungmul. Both of them had great influence on modem Pungmul but have been undervalued by historians. In order to reconstruct the history of Pungmul, we should control our emotional response to the colonial experience and re-evaluate Pungmul of the Japanese colonial period by' discussing the historic source material in detail.

      • KCI등재

        한중일의 전통의복을 통해 본 민족정체성

        손우승(Son Woo-Seung) 비교민속학회 2007 비교민속학 Vol.0 No.34

        This paper analyzes the national costume as a means to reinforce the national identity. In the time of the modern state formation, the conflict among states was intense and they tried to establish their identities in many ways, one of which was the national costume. The purpose of this paper is to find out how the national costume was used to establish the national identity and what meanings each nation bestowed upon its costume. The modernization of Korea, China, and Japan was conducted by the Western countries. Korea, China, and Japan placed ‘Oriental spirit’ over the Western ideology and accepted Western technologies and cultures. Japan, unlike Korea and China, was aggressive in its modernization to make a radical and society-wide reform through the Meijuyushin. This difference is also reflected on the use of the traditional costume in each country. Korea simplified and unified the costume nationally through the Clothe Regulation Renovation. Notably, the Po system that varied depending on the social classes and was allowed only to men, was unified into the Durumagi to enable both genders and social classes to wear it. At the time of Japanese colony, Japan forbade the Koreans to wear white clothes which Korean people had enjoyed wearing, citing a reason that it took much time to clean white clothes. The Japanese considered the traditional white clothes so called Hanbok, were related to the resistance spirit. The Chipao is the cloth that was created as a result of conflict and unity between Manchurian and the people of the Han race in the Ching Dynasty. At the beginning of the Ching Dynasty, the Manchurian as a ruling group compelled the Han people to follow the Chinese queue and wear the Chipao. At the end of the Ching Dynasty when the Western countries invaded, the compulsion became severe to reinforce the unity of the whole Chinese people across the races. As was discussed so far, Korea and China reinforced the national unity and attachment through traditional clothes when other nations invaded. On the other hand, Western suits were accepted by the higher classes. The Japanese struggled hard to accept the Western civilization while located in the Oriental Hemisphere. The Japanese accepted the Western cultures so aggressively as to have cultural self-conceit, which led to the imperialism and invadion of neighboring countries. The Japanese enthusiastically accommodated the Western suits that serve the symbol of westernized costume. Not only clothes of men for high officials, policemen, and students, but also women’s clothes were westernized. Many shops for women’s western dress opened and many women wore western style clothes for their ordinary dress. Both Gimino and suits frequently appear in the genre paintings, which shows how Japanese people wanted to become ‘a Western country in the Oriental Hemisphere.’

      • EVOH를 이용한 UF 분리막의 제조 및 특성평가

        태양,우승,정연석,남상용 한국공업화학회 2018 한국공업화학회 연구논문 초록집 Vol.2018 No.0

        본 연구에서는 친수성 고분자로 상전이법을 이용하여 중공사형 분리막을 제조하였다. 고분자는 에틸렌비닐알코올 공중합체를 이용하여 제조하였고, PEG, PVP와 같은 기공형성제 역할을 하는 첨가제를 사용하였다. 방사조건에서 에어캡과 보어토출량을 조절하여 분리막의 단면의 기공변화 및 모폴로지를 전계방출형주사현미경을 이용하여 관찰하였다. 0.2㎠ 의 유효막면적을 가지는 간이모듈을 제조하여 수투과도 평가를 진행하였다. 0.05μm 입자 제거율을 테스트를 진행하였다. 그 결과 투과도가 높을 수록 입자제거율을 줄어드는 것을 확인하였고, 입자제거율이 100%일 때, 투과도는 918 LMH 를 나타내었다.

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