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강희정(姜熺靜) 한국미술연구소 2009 美術史論壇 Vol.- No.28
The first illustrated art catalogues in Japan, the Selected Relics of Japanese Art(Shinbi Taikan, 『眞美大觀』) was published from 1899. Until 1908, the publisher Shimbi shoin(審美書院) had completed all 20 books in the set. This set of the illustrated art catalogues can be highly valued as the first publication in Japan, which had established the foundation of Japanese art history during the Meiji(明治) period. These series presented almost every significant art works from the earliest times to the end of the Tokugawa(德川) period. The publisher said in the introductory remarks that they collected the important art relics from the Buddhist temples in Nara(奈良) and Kyoto (京都) and the private collections. All the books which bound Japanese style, have two types of plates, the foldout collotype plates on thick paper and the non-foldout collotype plates on thin woven paper folded over a sheet of thicker backing paper. And each plates are protected by a very thin paper like a tissue on which is printed the description and explanation on the plate in Japanese and English. The pictures in the books were photographed and collotyped by Ogawa Kazumasa(小川一眞) who participated in 'the survey and investigation of treasures in Ginki province(近畿寶物調査)' from 1888 with Ernest E. Fenollosa and Okakura Tenshin(罔倉天心). The photographs that Ogawa had taken during those periods were used several times in the publications including the Selected Relics of Japanese Art and the Histoire de l'Art du Japon. The publications with the collotyped photographs of Ogawa show us the first photographic reproduction of cultural property and the visual popularization through those photographs. From the Meiji period, the Japanese bureaucrats and intellectuals who served the government thought that the Buddhism and its art were equal to the Christianism. Therefore they argued the most important culture in Asia was the Japanese Buddhist art which the Japanese had preserved for a long time. In this point of view, the editors of the series, the Selected Relics of Japanese Art, chose the image of the Shakya(釋迦) triad in Kondo(金堂) of Horyuji(法隆寺) as the first plate in the book, volume one. Whether the art works could be a model for the artists was the only significant standard for the selection of the art works for the books. And the editorial boards regarded the ancient ones as the classic, which could be worth while for the scholars to investigate. Shimbishoin informed that the Selected Relics of Japanese Art was awarded the Gold Prize for printing in the 1900 Paris World Exposition. The series, which were the first illustrated art catalogues that fitted with the policy of the Meiji government, were the publication that opened the beginning of reproduction and distribution of cultural assets by photographs. Also the series projected by semi-governmental management were a visual embodiment of the Japanese art history constructed in the Meiji period.
강희인,김영수,고용,오성훈,오석전,김남규,김광명,이승로,함창곡,홍은경 대한신경외과학회 1994 Journal of Korean neurosurgical society Vol.23 No.5
The histopathologic findings of the intracranial meningioma are variegated and those of magnetic resonance imaging (MRI) which has been used for preoperative evaluation are also vaned in signal characteristics. In order to aid the preoperative diagnosis, authors analyzed MRI and microscopic findings in twenty eight meningioma cases which underwent surgery. The results were summarized as follows: 1) Meningothelial, fibrous and transitional subtypes showed isointense signal on T1-weighted image and iso and/or hyperintense signal on T2-weighted and proton density images compared to the signal intensity of the gray matter. 2) Microcystic subtype was isointense signal on T1-weighted image and hyperintense Signal on T2-weighted and proton density images. 3) Variation of signal intensity might be correlated to the ratio of the stroma in the tumor. 4) Peritumoral edema was not closely related to the pathologic subtypes or location of meningioma, but it seemed to be correlated with the sue of tumor.
패션산업의 신속대응(Quick Response)시스템 도입현황 및 도입사례에 관한 연구
강희정,고은주 창원대학교 생활과학연구소 1997 생활과학연구 Vol.- No.1
Environmental changes (e.g., threat of imports, rivalry among existing competitiors) have increased the difficulties in operating an apparel business. To manage the environmental changes, Quick Response System (QRS) has been proposed. QRS is defined as a business strategy to speed up the information and product between business partners for maximizing consumer satisfaction by information technologies(e.g., EDI, Bar code) and partnership (Ko, 96, VICS, 1989). The purpose of this study are to review the current development of QRS(i.e., background, concepts, benefits, adoption problems), to analyze two cases (in Japan and Korean), and to suggest the future directions for the new adopters of QRS. The information from this study can be used when apparel companies do strategic planning and evaluate the adoption of QRS. Informed decision are critical when companies do make a decision for the best choice.