학교종류 및 지정·취소 관련 법제의 문제점 및 개선방안

전윤경 대한교육법학회 2020 3. 대한교육법학회 학술대회자료집 Vol.2020 No.12

Molecular Testing of Lymphoproliferative Disorders: Current Status and Perspectives

전윤경,윤선옥,백진호,김영아,신봉경,김현정,차희정,김지은,허주령,고영혜 대한병리학회 2017 Journal of Pathology and Translational Medicine Vol.51 No.3

Molecular pathologic testing plays an important role for the diagnosis, prognostication and decision of treatment strategy in lymphoproliferative disease. Here, we briefly review the molecular tests currently used for lymphoproliferative disease and those which will be implicated in clinical practice in the near future. Specifically, this guideline addresses the clonality test for B- and T-cell proliferative lesions, molecular cytogenetic tests for malignant lymphoma, determination of cellof-origin in diffuse large B-cell lymphoma, and molecular genetic alterations incorporated in the 2016 revision of the World Health Organization classification of lymphoid neoplasms. Finally, a new perspective on the next-generation sequencing for diagnostic, prognostic, and therapeutic purpose in malignant lymphoma will be summarized.

결장암의 해부학적 위치에 따른 Cytokeratin 7과 20의 발현 양상 및 담관암종과의 감별 진단

전윤경,이선,김병권,김우호,강경훈 대한병리학회 2002 Journal of Pathology and Translational Medicine Vol.36 No.3

Colonic adenocarcinoma usually shows CK7 negativity and CK20 positivity,which helps to differentiate it from cholangiocarcinoma usually showing a reverse immunohistochemical profile. We immunohistochemically investigated the pattern of CK7 and 20 expressions according to the anatomical location of colon cancer to refine the usefulness of CK expression in differential diagnosis. Methods : Immunohistochemical staining was done on 90 cases of surgically resected colon cancers and 84 cases of cholangiocarcinomas. Results : When the cases of colon cancer were divided into CATD (from the cecum to the descending colon) (32), sigmoid (26), and rectum (32), the positivity of CK7 was 41%, 15% and 28%, respectively, and the negativity of CK20 was 25%, 0 and 9% (p=0.013), respectively. In sigmoid colon cancers, 22 cases (85%) exhibited CK7-/CK20+ immunophenotype. However, the percentage decreased to 63% in the rectum and 47% in CATD. The CK7+/CK20- immunophenotype was found only in cancers in the cecum and ascending colon. The expression of CK7 was related to histologic differentiation (p=0.017). Conclusions : The aberrant expressions of CKs were frequent in cancers of the rectum and ascending colon which are located in the transition site from the anus and small bowel, respectively. If adenocarcinoma in the liver were CK7+/CK20+ or CK7-/CK20-, the possibility of metastatic adenocarcinoma from CATD and rectum should be considered.

다층구조 필라멘트사 폴리에스테르 직물과 모직물류의 평가(II)

전윤경,김종준 한국섬유공학회 2001 한국섬유공학회지 Vol.38 No.10

The technological development in the polyester filament manufacture has led to new concepts in fabrics, for example, 'shingosen'. The main concern in the yarn and fabric area includes bending deformation by the ultra fine filaments, shear deformation by the weight reduction method, compression deformation by the multi-layer filaments with different shinkage, and visual characteristics. Multi-layered polyester filament yarn fabrics and wool-containing fabrics were evaluated through the sue of KES and luster analysis. The correlation among the subjective evaluation results and eh objective analyses were calculated.

다층구조 필라멘트사 폴리에스테르 직물과 모직물류의 평가(I)

전윤경,김종준 한국섬유공학회 2001 한국섬유공학회지 Vol.38 No.9

Diverse new wool-like fabrics, where a touch with crispness and stiffness characteristic of wool fabrics are attempted, are being manufactured by the technology elements comprising false-twisting after air-jet entanglement of yarns having different characteristics, for example, different denier, different cross-sectional shapes, and/or different thermal shrinkage properties. Polyester filament yarn fabrics, prepared on an experimental scale based on a similar technology, were compared with wool containing fabrics. Subjected evaluation of the fabrics were carried out based on the questionnaire with twenty-one descriptive word paris including 'smooth-not smooth', 'light-heavy', 'lustrous-not lustrous', and so on. For the luster characterization, a glossmeter was employed as a preliminary step. Statistical analyses including factor analysis of the subjective evaluation results by the evaluators were carried out. Factor analysis of the results has revealed that the twenty descriptors could be grouped into five. The factor 1 comprises 'smooth, rough, and soft', the factor 2 'wrinkle-prone, clinging, dangling, and lustrous', and the factor 3 'springy, extensible, and stretchable'. The factor 4 comprises 'hard, stiff, and strong', and the factor 5 'light, warm. compressible'.

동시대극의 관객역할 연구 –펀치드렁크 극단의 <슬립 노 모어>를 중심으로

전윤경 한국공연문화학회 2020 공연문화연구 Vol.0 No.40

동시대극에서 관객과 공연의 직접적인 소통을 유도하는 사례가 두드러지게 나타나고 있다. 특히 디지털 기술의 발달과 더불어 관객은 개인화된 경험을 원한다. 이러한 흐름 속에서 등장한 ‘이머시브 극’은 동시대극을 대표하는 장르라고 보아도 될 정도로 국내외에서 큰 주목을 받고 있다. 특히 ‘이머시브 극’이라는 개념이 등장하는데 가장 큰 역할을 한 극단이 영국의 펀치드렁크 극단이다. 그리고 이들을 대표하는 공연 <슬립 노 모어>는 2003년 영국 ‘런던’에서의 초연을 시작으로 미국 ‘뉴욕’과 중국 ‘상하이’에까지 영역을 넓히며 2019년 현재까지도 지속적으로 큰 인기를 끌고 있다. 일반적으로 <슬립 노 모어>에서 관객의 역할에 대한 기존의 연구들을 살펴보면 관객의 참여에 중점을 두고 있다는 것을 알 수 있다. 관객에게 어떤 경험을 줄 것인가가 동시대극에서 강조될 수밖에 없다. 관객의 다양한 욕구를 충족시키기 위해 동시대극은 점점 어떤 하나의 이론으로 설명할 수 없는 복잡성을 보여주고 있다. 본 고에서 살펴볼 <슬립 노 모어> 또한 마찬가지이다. 그리고 이는 관객마다 개인화된 경험을 바라고 있고 관객 또한 자라 온 환경이나 보유한 지식이나 문화수준, 취향에 따라 경험의 차이가 존재하기 때문이다. 본 연구는 동시대극을 대표할 수 있는 공연으로 펀치드렁크 극단의 <슬립 노 모어>를 선정하고 이 작품을 중심으로 동시대극에 나타나는 관객역할에 대한 연구를 수행하였다. 이를 위해 먼저 관객역할에 대한 과거의 논의들을 역사적으로 탐색하여 동시대극에 나타나는 관객역할의 특징에 대해 논의하였다. 다음으로<슬립 노 모어>에서 나타나는 관객 역할에 대해 연구자와 함께 이 공연을 관람한 연구자 ‘그’의 경험을 세부적으로 분석하였다. 결론적으로 <슬립 노 모어>에서 관객의 경험은 다양하고 복잡하게 나타났다. 즉 포스트드라마 극에서 주목하는 참여자로써의 관객뿐만 아니라 프로시니엄 극에서의 전통적인 관객의 역할 또한 공연 내에서 복합적으로 나타나고 있던 것이다. 그리고 이러한 복잡성은 우연히 일어난 것이 아니라 펀치드렁크 극단의 기획 전략이었던 것이다. 그러므로 동시대극에서 나타나는 관객의 역할에 대해 논의할 때 자칫 단순히 관객을 참여자로 바라보는 시각 하나로만 접근하는 것이 아니라 다양한 시각에서 접근을 통해 동시대 극에 나타나는 복잡한 특성들을 명확히 바라보는 시각을 가진 논의들이 이어져야 할 것이다. In contemporary Theatre, the case of inducing direct communication between the audience and the performance is prominent. Especially with the development of digital technology, the audience wants a personalized experience. The emergence of ‘immersive Theatre’ in this trend has attracted great attention both at home and abroad. In particular, the most important role in the emergence of the concept of ‘immersive Theatre’ is the British punchdrunk Theatre. Their representative performance <Sleep No More> began to premiere in London in the UK in 2003 and has expanded to include New York and China in Shanghai and continues to be extremely popular until 2019. In general, a review of existing studies on the role of the audience in <Sleep No More> shows that the focus is on the participation of the audience. What experience will be given to the audience can not be emphasized in contemporary Theatre. In order to satisfy the diverse needs of the audience, contemporary Theatre are increasingly showing complexity that cannot be explained by any one theory. The same goes for <Sleep No More>. This is because each audience wants a personalized experience, and there are differences in experience depending on the environment in which the audience also grew up, knowledge, culture, and taste. This study selected Punch Drunk's <Sleep No More> as a performance that can represent contemporary Theatre, and conducted a study on the role of audience in contemporary Theatre. To this end, we have historically explored past discussions about the role of the audience and discussed the characteristics of the role of the audience in contemporary Theatre. Next, I analyzed in detail the experience of the researcher “He” who watched the performance with the researcher on the role of the audience in <Sleep No More>. In conclusion, the experience of the audience in <Sleep No More> is diverse and complex. In other words, the role of the traditional audience in the proscenium play, as well as the audience as a participant in the post-drama play, was also complex in the performance. And this complexity was not a coincidence, but a planning strategy for the Punchdrunk Theatre. Therefore, when discussing the role of the audience in contemporary Theatre, there should be a discussion that clearly sees the complex characteristics of contemporary Theatre through the approach from various perspectives, rather than merely one view of the audience as a participant. something to do.

신고송의 소인극연구

전윤경 숙명여자대학교 1997 원우논총 Vol.15 No.-

A Study on Public Art for the Community

전윤경 고려대학교 응용문화연구소 2021 에피스테메 Vol.- No.26

The direction of “public art” has changed according to changes in the way it views “public”. Today, “Public Art” aims to be a “new genre of public art” theorized by Susan Lacy. According to the report, ‘Public Art’ shows the value of art's existence to the audience in the most democratic way. In other words, we aim for art for everyone. In addition, public art can lead to various discourse to achieve the goal of contributing to public life. Therefore, many people expect that public art can play a big role in forming a democratic society. In fact, attempts are being made to actively utilize “public art” in Korea. However, it has not achieved as much as expected. Most of all, “sustainability” has emerged as an important topic. This paper noted the concept of ‘public environmental art’, which provided the basis for the way humans and nature can coexist, with the emphasis on ‘sustainable art’. Among them, we looked at Fritz Haeg's “Edible Estates”, which was recognized for its artistic value together while deepening and expanding the social functions of public art. It is a project that proved ‘Art for All’ by recognizing the importance of art museum, audience and work relationship. There is also an attempt to pursue “public environmental art” in Korea, which is meaningful to the Korean public art community. Public art should take precedence over planning that melts with the lives of places and citizens. As in the case of Korea, it is important to create an environment where citizens can induce participation not by vertical-oriented policies but by their own will. The “Edible Estates” succeeded in creating a place where people naturally gather, not artificially. Also, in order for public art not to lose its artistic value, we have to think about the diversity of public art themes. All methods should be considered in a way that is consistent with the region currently seeking to utilize public art. Above all, “Edible Estates”, which proves the role of public art that adds meaning to “art for all”, tells us what sustainable public art is and where to move forward. It conveys the importance of the role of public art for relatively marginalized citizens in art genres that only a few can enjoy.

학생자치법정의 교육적 효과성과 확대 적용을 위한 기초

전윤경 한국법과인권교육학회 2011 한국법과인권교육학회 학술대회 Vol.2011 No.1

에니메이션ㆍ게임 세계에서 나타나는 효 사상

전윤경 인문콘텐츠학회 2004 인문콘텐츠학회 학술심포지움 Vol.- No.-