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차미경 중국문화연구학회 2024 중국문화연구 Vol.- No.63
Qing Dynasty was the piod when the Chinese court dramas were most flourished in the history of China. The people of Manchu, who came to Beijing crossing Shanhaiguan in 1644, established Qing Dynasty and laid the foundation for long-term political stability and economic prosperity under the reigns from the emperors Kangxi to Yongzheng, during which theatrical activities developed and expanded day by day to the large scale performances in the imperial palace. The emperor Kangxi did not regard the plays as a mere means of entertainment but, in recognition of their edifying functions, set up Nanfu (南府) and Jingshan (景山) as the professional theater management organs of the imperial palace. From then onward, the court dramas of Qing Dynasty began to develop in full scale and reached the peak during the reign of Qianlong. The emperor Qianlong went further to adopt the court drama as a part of formal ritual, a step that fully reflected Qianlong’s perception of theatrical plays. As a result, court dramas have been played not only at the various ceremonies but also significantly for entertainment and recreation of the imperial palace. Consequently, plays were performed at various rituals, large stages were constructed for the performances and it was encouraged to create masterpieces for such stages. As seen above, the court dramas have achieved the unprecedented level of progress in various ways, and at their heyday, the Qianlong era was called the first golden period of the court dramas. However, due to the deteriorated political and economic situation since the Jiaqing era, the court dramas gradually declined. Under the reign of Daoguang, Nanfu (南府) and Jingshan (景山) which had been in charge of theater management were merged into Shengpingshu (升平署) and, in addition, the actors who were active until then were forcibly retired, pushing the situation to the extent that the number of actors was reduced to less than a tenth of the era of Qinlong. The situation turned dramatically in favor of the court dramas which saw the second heyday in the era of Gu angxu and it was the Empress Dowager Cixi who stood at the heart of this upheaval. The Empress Dowager Cixi (1835-1908) was Qing’s “last emperor” who had wielded power for 47 years with great political abilities and strong will for power. The Empress Dowager Cixi, who had been in power for longer than any emperors in China’s history and showed extraordinary zeal for theatrical performances, organized her own troupe in the court and invited the famous troupes and actors from civil sectors to perform at the royal court, helping by thus the royal palace dramas meet the second golden age. Furthermore, she actively introduced Pihuangxi (皮黃戱) which was popular among the folks as a branch of Beijing operas into the court in an attempt to prepare for the exchange of court theater and folk plays, to support Pihuangxi to cultivate the artistic capabilities and thus to grow into the maturity stage. This could be said to be the product from combination of her personal hobbies and political powers.
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차미경 한국비블리아학회 2003 한국비블리아학회지 Vol.14 No.1
지식 기반 사회의 도래와 함께 지역 경제 발전을 위한 공공도서관의 역할과 기능이 확대하고 있으나 우리나라 공공도서관 봉사는 아직 문화와 교육 분야에 집중되어있어 이 분야의 봉사에 대한 관심이 필요하다. 본 연구는 문헌 조사와 사례연구를 통하여 지역 경제 발전을 위한 공공도서관 봉사의 필요성과 봉사의 영역 및 방법을 소개하고, 봉사의 개선을 위한 계획 과정을 제시하였다. With the advent of knowledge-based society public libraries’ roles and functions for economic development of the community have been enhancing. Yet public library services in this country are mainly focusing on the areas of culture and education, and thus need to improve in such areas of business and career services. By reviewing literature and cases, this study introduces various programs and services and also planning process for the economic development in the community.
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차미경 한국비블리아학회 2001 한국비블리아학회지 Vol.12 No.1
도서관 정보화와 인터넷 지역정보원의 확대는 제한된 자원을 갖고 있는 우리나라 공공도서관에 지역정보봉사의 개선을 위한 좋은 기회를 제공한다. 본 연구는 지역정보의 개념과 유통 및 공공도서관 지역정보봉사에 관한 문헌 연구와 사례 연구를 바탕으로 공공도서관이 인터넷 지역정보원에 접근하는 통로를 제공할 것을 제안하였다 이를 위하여 공공도서관의 지역정보센터에의 참여, 도서관 홈페이지를 통한 지역정보제공, 봉사인력의 양성, 그리고 적합한 봉사 모델 개발이 필요함을 설명하였다. The purpose of this study is to explore the ways to improve public library community information services in the Internet environment. It first examines the concepts and current contexts of community information flow, illustrates successful cases of public library community information services, and then, suggests public libraries provide gateways to the community information on the Internet. The needs for research to guide public library community information services and continuing education for public librarians are also presented.
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공공도서관 어린이 사서의 계속교육 프로그램 개발을 위한 현황 분석
차미경,이연옥,양수연,정혜미,Cha, Mi-Kyeong,Lee, Yeon-Ok,Yang, Soo-Youn,Jeong, Hye-Mi 한국비블리아학회 2007 한국비블리아학회지 Vol.18 No.1
The purpose of this study was to develop a continuing education program for children's librarian. For this. this study conducted a questionnaire survey of children's librarians on current status of the children's services, the backgrounds of children's librarians and their needs for the continuing education. Based on the survey results. this study suggested a continuing education program, including content and policy for the children's librarians.
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대학도서관 학술정보서비스의 미래 예측을 위한 시나리오기법의 적용
차미경,Cha, Mi-Kyeong 한국비블리아학회 2004 한국비블리아학회지 Vol.15 No.1
정보기술 발전의 영향으로 대학도서관 정보서비스는 변화하여왔다. 본 연구는 모바일 커뮤니케이션과 유비쿼터스 컴퓨팅으로 대표되는 미래 정보 환경에서의 학술정보유통과 대학도서관 학술정보서비스를 예측하여 대비하기 위한 기초를 마련하는 데 목적이 있다. 이를 위하여 미래 연구 방법 가운데 하나인 시나리오 기법을 도입하여 미래 학술정보유통 환경의 변화의 주요 동인을 파악하고, 각각의 가능성과 대안적 상황들을 정리한 후, 각 환경 속에서 출판사, 대학도서관, 이용자 세 집단의 정보서비스 관련 행위들을 예측하였다. Emerging ubiquitous computing and mobile communication urges changes in academic libraries' information services. This study is to explore the future scholarly information services in academic libraries, by adopting a future research method, scenarios. It identifies the key forces in the scholarly information flows, scans the range of alternatives, and describe the possible behaviors of the three groups of main actors: publishers, academic libraries, and users.
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논문(論文) : 《패왕별희》 이야기의 변용 양상과 그 특징
차미경 한국중문학회 2014 中國文學硏究 Vol.0 No.54
文學與曆史具有不可分割的互動關係。深入人心的曆史往往離不開文學藝 術形式的再次加工升華和精彩演繹。<覇王別姬>在中國史書上僅有片言只語的 記載,但是經過金院本元明雜劇傳奇京劇等藝術形式的不斷演繹,原本單一的 曆史片刻放出無比的神采。<覇王別姬>及其相關情節在不斷被重說與改寫的過 程中逐漸成爲中國文學一個獨特的母題。20世紀以來, 身處不同寫作語境中的 幾位作家發揚主體精神, 對<覇王別姬>這一傳統母題進行了各自<別有用心>的 改寫。因此本文以<覇王別姬>故事爲主,探討其故事在被不斷改寫的過程中完 成了自身的現代流變。
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