Alexander Gorsky 에 대한 연구

조윤라 대한무용학회 1988 대한무용학회논문집 Vol.10 No.-

무용수의 무대불안과 점진이완훈련의 효과에 관한 연구

조윤라 한국초등무용학회 1999 한국초등무용학회지 Vol.1999 No.4

This study was conducted to compare and analyze the effects of progressive relaxation training on dance stage anxiety. For detail, the purposes of this study were to examine the differences of state-trait anxiety and competitive state anxiety according to the subjects dance career. And to investigate the effects of relaxation methods such as progressive relaxation and self regulation on the changes of anxieties and pulse rate (Beat Per Minute). Total of 79 art high school students who majored in ballet participated in the pre-test. The sample was comprised into 20 high career, and 20 low career. Both group responded to State-Trait Anxiety Inventory(STAI), Competitive state Anxiety Inventory(CSAI), and pulse rate was measured at practice time, Performance, and Post-performance. All data were analyzed by repeated measure of Analysis of Variance(ANOVA). Major findings of this study were as follows: 1) There was not significant state-trait anxieties differences between high career group and low career group. 2) There was no significant level of state anxiety changes for all two career groups between practice session and pre-performance. 3) There was slight level of state anxiety difference found between pre and post performance. 4) There was significant level of state anxiety changes for all three groups between practice period and pre-performance. 5) There was significant level of state anxiety difference found between pre-performance and post-performance from all three groups. 6) Three was not significant level of competitive state anxiety differences between groups but, significant differences were found from session and interaction effect. 7) There was not significant pulse rate differences between groups but, sessions and group and sessions showed significant level of differences. The results of this study suggested that the state-trait anxiety were not much different between career groups. But, the progressive relaxation training influences on state anxiety, competitive state anxiety, and pulse rate especially at pre-performance. It is strongly recommended that the progressive relaxation method for the dance stage anxiety control technique.

임성남과 홍정희의 한국창작발레에 나타난 성향연구

조윤라,이소현 한국발레연구학회 2014 발레연구논집 Vol.28 No.-

우리나라 발레역사는 8.15 광복 이후의 정지수, 한동인, 이인범, 진수방등 발레계의 1세대를 시작으로 할 수 있지만 6.25 동란 이후 침체기 때에 임성남, 홍정희의 출현으로 새로운 창작발레 활동 시도를 한 결과 비로소 다시 태어났다. 임성남과 홍정희는 전문단체발레단인 국립발레단과 대학발레단의 큰 성장과 발전을 이루었으며, 어려웠던 시대적 상황 속에서도 많은 무용가들의 계 속적인 활동으로 한국발레의 새로운 시도를 이루어왔다. 본 연구는 동시대 활동했던 무용가중 임 성남, 홍정희의 대표작품인 「지귀의 꿈」과 「코리아 환상곡」을 무용의 신체움직임과 공연의 형태 를 객관적인 분석이 가능하도록 제시한 자넷 에드쉐드의 4단계 분석 틀 중 1단계 분석방법으로 작품에 나타난 성향을 연구한 결과 다음과 같은 결론을 얻었다. 첫째, 동작면에 있어서는 임성남과 홍정희는 한국적 춤사위와 발레의 동작 혼합으로 느리고 빠 른, 약하고 강한 다양한 움직임을 사용하였다. 둘째, 무용수에 있어서는 임성남은 남녀 혼합의 구성, 주연과 조연, 군무의 역할이 구분되어 각 역할의 춤이 분리되어있고 홍정희는 여성무용수들로만 구성되어졌으며 한명의 주역 과 군무들은 역할의 차이가 없이 다양한 성격의 춤을 추고 있다. 셋째, 시각적으로는 임성남은 다양한 군무진과 무대 위에서의 소품사용, 각장의 무대장치와 맡 은 역할에 따른 의상으로 다양함이 있었고, 홍정희는 각 장면 분위기에 따라 의상의 변화와 4장의 무대장 치를 사용하였다. 넷째, 청각적으로는 임성남은 오케스트라 라이브음악을 사용하고 무용수들의 악기연주와 춤이 복합적으로 이루어졌으며, 홍정희는 녹음음악인 안익태의 한국 환상곡 중 작품에 맞는 음악의 부분을 사용하여 공연하였다. 다섯째, 복합성에서는 임성남은 발레마임과 한국적 움직임을 발레동작에 접목시켰으며, 대본을 기본으로 클래식 발레 형식에 따른 안무를 하였고, 홍정희는 구체적인 대본이 아닌 작 품의 이미지를 표현하여 각 장의 주제를 한국적 움직임을 발레동작에 접목시킨 군무 춤으로 각장의 주제를 표현 하였다. Korean ballet has developed continuously, withstanding the turbulent times following the regaining of national independence, led by the first generation dancers including Ji-su Jeong, Dong-in Han, In-beom Lee, Su-bang Jin and many other active performers. This study is an analysis of The Dream of Jigwi and Korea Fantasy, ballet performances choreographed by Seong-nam Lim and Jeong-hee Hong respectively, two leading figures in Korean ballet since the 1970s. The analysis used the first of the four-stage methodology proposed by Janet Adshead for objective analysis of dance moves and the composition of performance. The findings are as follows. First, as for dance moves, both choreographers developed moves suitable for the Korean material by incorporating Korean traditional dance forms. They both employed a variety of moves from slow to quick, and soft to strong movements. Second, as for dancers, Lim employed both male and female dancers, with specific roles and choreographies assigned to main and supporting actors as well as group dancers. Hong, on the other hand, employed female dancers only, with one main character, and other group dancers engaging in many different choreographies collectively without specially assigned roles. Third, as for visual elements, Lim highlighted the nature and themes of the performance by means of various stage settings for each scene, the use of props such as drum, sword and Korean traditional sleeve extensions, and different costumes for each role. Hong, on the other hand, emphasized the sensation by using props such as sharkstooth scrim, fog, lengthy cloth, and through the stage setting of the scene four and different costumes commensurate with the theme of each scene. Fourth, as for sound elements, Lim used an orchestra playing live music, with dancers engaging both in playing musical instruments and dancing. Hong, on the other hand, used Symphonic Fantasy Korea, a recorded track composed by Eak-tae Ahn, by extracting relevant parts for the stage. Fifth, as for complexity, Lim, on the basis of a script, used storytelling and ballet mime according to the forms of classic ballet. Hong, on the other hand, embodied the theme of each scene in the form of image expression, instead of using a detailed script.

[무용] "발레 창작의 부족은 결국 안무법과 시간의 부족이다"

조윤라(토론자),김태원(토론자) 현대미학사 2006 공연과 리뷰 Vol.54 No.-

무용학원의 고객지향성과 고객만족 및 만족 후 행동의 구조적 관계

조윤라(Cho, Yun-La),정영재(Jung, Young-Jae) 한국체육과학회 2018 한국체육과학회지 Vol.27 No.6

This study has a main purpose that closely examines the structural relationship among customer orientation, customer satisfaction, and after satisfaction behavior of dance academy. In order to achieve it, the sample from customer of dance academy were accumulated by using convenience sampling that chose dance academy in Seoul and Gyeonggi-do. The samples were 300 people. and we excluded unsuitable sheet like that were decided as untrustful one and an omission and unclear. So the final samples were 2 75 p eople. O n the basis of t hat, T he s tatistical t echniques, s pss 23 .0 a nd amos 2 3.0 program have been used for the analysis as per research purpose. The statistical analysis used in the research for a data analysis includes frequency analysis, exploratory factor analysis, confirmatory factor analysis, reliability analysis, correlation analysis, and structure equation model analysis. The research has drawn the following conclusions, based on the above mentioned research method and its procedures: First, The customer orientation influences customer satisfaction. Second, The customer satisfaction influences word of mouth intention. Third, The customer satisfaction influences relationship reuse intention. Fourth, The customer satisfaction influences relationship loyalty.

직업 발레무용수의 외모에 대한 사회문화적 태도, 수치심, 동기 및 수행만족간의 관계

조윤라 ( Cho Yun-ra ),박기현 ( Park Ki-hyun ) 한국예술교육학회 2018 예술교육연구 Vol.16 No.3

본 연구의 목적은 직업 발레무용수들의 외모에 대한 사회문화적 태도가 수치심과 자기결정적 동기를 통해 수행만족에 미치는 매개효과를 검증하는 데 두었다. 연구대상은 국내 4개의 직업발레단 무용수 197명(남성 무용수 72명, 여성 무용수 125명)이었다. 자료는 외모에 대한 사회문화적 태도, 수치심, 자기결정적 동기 및 수행만족을 측정하는 질문지를 이용하여 수집되었고, 확인적 요인분석과 상관분석, 그리고 구조방정식모형 분석을 통해 처리되었다. 구조방정식모형 분석의 결과 직업 발레무용수들의 마른 외모에 대한 내면화는 수치심과 자기결정적 동기를 통해 수행만족에 영향을 주지 않지만, 무용적인 외모에 대한 내면화는 수치심과 자기결정적 동기를 통해 수행만족에 정적으로 간접 영향을 미치는 것으로 나타났다. 이 결과는 무용적인 외모에 대한 직업 발레무용수들의 강한 자기 내면화가 수치심과 자기결정적 동기와 수행만족과 관련이 있지만, 수치심과 자기결정적 동기 가 외모에 대한 사회문화적 태도와 수행만족과의 관계를 매개하지 않음을 시사한다. The purpose of this study was to whether professional ballet dancers’ sociocultural attitudes toward appearance impact on performance satisfaction via their shame and self-determined motivation. Subjects were 197 dancers (72 males, 125 females) from four professional ballet companies. Data were collected from a set of questionnaire measuring sociocultural attitudes toward appearance, shame, self-determined motivation, and performance satisfaction, and conducted using confirmatory factor analysis, correlation, and structural equation modeling. Results of structural equation modeling shows that professional ballet dancers’internalization of thin appearance did not impact on performance satisfaction throughout shame and self-determined motivation, but the internalization of dancer- like appearance had positively an indirect impact on their performance satisfaction via shame and self-determined motivation. These findings suggest that professional ballet dancers’ internalization of dancer-like appearance were related to shame, motivation, and performance, but shame and self-determined motivation does not mediate the relationship between the sociocultural attitude toward appearance and performance satisfaction.

한국의 <지젤> 전막 초연작에 대한 역사적 고찰

장소정,조윤라 무용역사기록학회(구 한국무용사학회) 2018 무용역사기록학 Vol.49 No.-

<백조의 호수> 국내 전막 초연작에 대한 역사적 고찰

장소정,조윤라 무용역사기록학회(구 한국무용사학회) 2017 무용역사기록학 Vol.45 No.-

효율적인 발레교육을 위한 방안 모색-발레 스탠스를 중심으로

김한나 ( Han-na Kim ),조윤라 ( Yun-ra Cho ) 대한무용학회 2019 대한무용학회논문집 Vol.77 No.3

As an action research, this study provided ballet stance training to improve problems in the field and thus explore efficient ballet education plans for effective ballet learning. The findings were as follows: first, there is a need for lessons designed to cultivate physical knowledge in practice education in ballet; secondly, there should be lessons to help students concentrate on their bodies in practice education in ballet; and finally, practice education in ballet should emphasize total ballet stance training for the right posture. These findings indicate that ballet stance training will serve as the only educational method of ballet to ensure the physical and technical improvement of ballet dancers beyond technique- centered ballet education.

유아 무용교사의 직무환경이 직무만족도와 행복감에 미치는 영향

오소희 ( So-hee Oh ),조윤라 ( Yun-ra Cho ) 대한무용학회 2019 대한무용학회논문집 Vol.77 No.4

The purpose of this study is to examine direct pathways by which the work environment affects the happiness of the child dance teacher and the indirect pathway through the job satisfaction, and also to provide basic data for high quality educational development while systematically nurturing child dance teachers. To accomplish the purpose of the study, a total of 202 teachers having a experience of child dance were selected as the subject of the study and the questionnaire was used for the measurement tool. To verify the correlation between the child dance teacher's work environment effecting job satisfaction and sense of happiness, the data collected through the questionnaire were analyzed by the SPSS program to construct validity and reliability of the questionnaire. Pearson's correlation analysis was performed to analyze the correlation of each factor, and to learn about the mediated effect, the regression coefficients estimated by the hierarchical regression analysis were used.